DARIA Art Magazine

Welcome to DARIA: Denver Art Review, Inquiry, and Analysis, a publication devoted to art writing and criticism focused on the Denver-area visual art scene. DARIA seeks to promote diverse voices and artists while fostering critical dialogue around art.

Nov 4

Nov 4 Gail Watson

Raymundo Muñoz

If you haven’t been to the Sangre de Cristo Arts and Conference Center in Pueblo, Colorado, its beautiful architecture and strong variety of arts programming year round make it worth a visit. The exhibition currently on display in the Center’s Helen Thatcher White Regional Gallery is by letterpress printer and book artist Gail Watson. Comprised of recent and past foil stamped, two-dimensional works from three separate series, Sense of Place | Topophilia, Boom, and Electrons and Labyrinths, it deals with space and place in general and specific ways.

Oct 28

Oct 28 Fiber Arts

Madeleine Boyson

While each artist exhibits a similar interest in abstraction, Camille McMurry, Julie Rothschild, and Sara Goldenberg White employ parallel means for achieving disparate ends. But the result is a visually engaging exhibition that yields more questions than answers. For where Fiber Arts lacks a cohesive narrative or conviction, the works and the context in which they are displayed raise a debate about the nature of art and where and when we expect to see it.

Mutations | How Soon We Forget

Oct 23

Oct 23 Mutations | How Soon We Forget

Parker Yamasaki

Mutations at fooLPRoof Contemporary Art Gallery, mounted and hung for the first time, is the work of George Rivera's subconscious—an accumulation of life channeled through ink blot paintings based on his experiences with the Uitoto Tribe in South America. Standing among the paintings are the cast iron sculptures of Christopher Meyer in the exhibition How Soon We Forget.

The Spectrum of Blue | Before These Witnesses

Oct 14

Oct 14 The Spectrum of Blue | Before These Witnesses

Kamden Hilliard

K Contemporary in downtown Denver is currently hosting Daisy Patton's exhibition Before These Witnesses and Ya La'Ford's The Spectrum of Blue. Together, they offer dignity to what is often lost and model critical-minded, liberatory approaches to the appreciation and recovery of details.

Women's Work is Never Done | To See Takes Time

Oct 8

Oct 8 Women's Work is Never Done | To See Takes Time

Art Gym’s current exhibition tackles the details of this emotional, material, and bodily labor in Women’s Work is Never Done, featuring the art of Carrie Shiffrin, Charis Fleshner, and Jasmine Dillavou. In the Leyden Jar Gallery, towards the back of Art Gym’s work space, Kathryn Oberdorfer’s solo exhibition To See Takes Time favors looser lines and an abstract expressionist approach to composition.

Oct 1

Oct 1 Catalysts

Raymundo Muñoz

Behind the beautiful and storied Buell Theatre is a big, modest-looking brick wall where you’ll find an unassuming stage door. It’s easy to miss if you’re driving towards the Auraria Campus or downtown Denver, but it’s a vital portal through which all the theatre’s actors and crew enter, symbolic of the compelling behind-the-scenes efforts that make viewing theatrical performances there so magical. As such, it’s a fitting location for Catalysts, a recently installed community artwork by Jann Haworth that celebrates the individuals working behind the scenes in organizations that are so integral to Denver’s arts and culture.

Territorial Defense

Sep 25

Sep 25 Territorial Defense

Dani/elle Cunningham

Drawing on Elizabethan style, Jesse Mathes’s body jewelry in Territorial Defense at Foothills Gallery’s Astor House explores themes of authority, protection, and gender that transform jewelry into a form of visual communication. Mathes’s adornments become conceptual and sculptural interventions, extending the body to amplify physical presence and assert spatial dominance, while establishing a dynamic interplay between viewer and object.

Sep 16

Sep 16 Jaime Carrejo

Jaime Carrejo’s work is grounded in considerations of individuals’ relationships to community within broad—and possibly even metaphysical—contexts. In the studio, he explores his personal relationships with a body of research. In the classroom, he focuses on cultivating relationships among faculty members and students, giving them the space to probe the questions that will allow them to achieve their goals. Within the wider community of Denver, the United States, and the world, Carrejo’s community-oriented practice poses a new question of relationship: what might it mean to belong to a larger whole?

Where You Really Are, And Where I Really Am

Sep 9

Sep 9 Where You Really Are, And Where I Really Am

The artist Olive Moya has developed a visual language of “noodles”—a term she uses to describe the undulating, colorful strands that wiggle and twist in her artworks. Moya’s solo exhibition Where You Are, And Where I Really Am at Bell Projects makes the case for a playful, iterative approach to enacting and understanding identity.

The Boat | Tactile Horizons | Final Porcelain Sculptures

Sep 2

Sep 2 The Boat | Tactile Horizons | Final Porcelain Sculptures

Dani/elle Cunningham

The current exhibitions at William Havu Gallery showcase a captivating trio of artists—Homare Ikeda, Naomi Scheck, and Cheryl Ann Thomas—each exploring the in-between spaces that are formed through distinct yet harmonious mediums.

Exploring Water Through Art

Aug 26

Aug 26 Exploring Water Through Art

Laura I. Miller

At the National Center for Atmospheric Research’s Mesa Lab in Boulder, the exhibition Exploring Water Through Art unfolds like a long thank-you note. Whether solid, liquid, or gas, water is everywhere here: as blessing, as memory, and as contested resource.

Beyond Resilience

Aug 19

Aug 19 Beyond Resilience

Curated by Hamidah Glasgow and featuring the work of Mona Bozorgi, Odette England, Melissa Grace Kreider, Marcy Palmer, Danielle SeeWalker, and Shuyuan Zhou, Beyond Resilience draws from current events, politics, personal narratives, and cultural experiences to create a multivocal dialogue about the manifestations of patriarchy and what it might mean to seek a different way of coexisting and caring for one another.

Creative Capitol: The Art of Teaching Artistry

Aug 12

Aug 12 Creative Capitol: The Art of Teaching Artistry

Creative Capitol: The Art of Teaching Artistry attests to how teaching and making art are tactics of social transformation and how teaching artists are agents of this change. The Colorado State Capitol—the site at which officials formulate and enact the laws that govern our ordinary lives—is an apt location for the works, which make clear the link between arts education and the politics of everyday life.

Talking With the Ancestors | Awakening Microcosms | Pointy Thoughts

Aug 6

Aug 6 Talking With the Ancestors | Awakening Microcosms | Pointy Thoughts

Meditative observation, of both physical and emotional terrains, unites the three concurrent exhibitions at Core Art Space. Kathy Mitchell-Garton and Elizabeth Ansley Delap contemplate belonging to timelines greater than oneself in the main gallery, while the annex space holds a collection of Jonathan Garbett’s liminal “clood” paintings. Each artist creates from a quieter channel of energy, probing at life’s more open-ended questions.

History is Painted by the Victors

Jul 29

Jul 29 History is Painted by the Victors

Mary Grace Bernard

History is Painted by the Victors, currently on view at the Denver Art Museum until August 17, 2025, is artist Kent Monkman’s (Fisher River Cree Nation, born 1965) first major solo exhibition in the United States. Co-organized with the Montreal Museum of Fine Arts, the exhibition focuses on Monkman’s deeply layered monumental paintings from the DAM’s extensive collection of the artist’s work alongside new works and loans from other institutions and private collections.

Jul 22

Jul 22 Mutual Terrain

Madeleine Boyson

It is with these concerns in mind that I first encountered Mutual Terrain at RedLine Contemporary Art Center this summer. The Denver Month of Video (.MOV) exhibition is curated by Adán De La Garza and Jenna Maurice and presents works that analyze the natural environment not “as a passive backdrop but as an active, animate force.” As such, the exhibition questions Western tendencies to see land as disentangled from us, extractable by us, and profitable for us.

Maya Guatemala and Us: Divergent Convergences

Jul 15

Jul 15 Maya Guatemala and Us: Divergent Convergences

Maya Guatemala and Us: Divergent Convergences at the Gregory Allicar Museum of Art (GAMA) in Fort Collins sets out to do just that, looking specifically at the legacy of colonization for the Maya peoples, the foreign interventions in the development of the Guatemalan nation, and how it continues to manifest in American politics and current events as the population of Guatemalan immigrants in the United States continues to grow.

Jul 10

Jul 10 Port de Banana

Raymundo Muñoz

On display at the Littleton Museum, Port de Banana is a solo exhibition by Lio-Bravo Bumbakini—a Boulder/Brooklyn-based artist with Congolese blood and a Belgian upbringing—that weaves together a complex, visually and emotionally powerful, yet disjointed narrative about his deep cultural heritage. The earnest artist really reaches for the stars in this exhibition, pulling from historical events, folkloric mythologies, archetypes, and symbols, all expressed in his bold and energetic visual style.

Jul 1

Jul 1 RECESS

Madeleine Boyson

Despite my excitement, I expected an impersonal cacophony to greet me at the doors of RECESS at The Collective Community Arts Center in Lafayette, on view through July 13, 2025. Looking back at the line-up, I should have known better.

What we hold dear

Jun 24

Jun 24 What we hold dear

Parker Yamasaki

That doesn’t preclude the Adams County Government Center from hosting moments of beauty, the unique task of the Gallery at Taza Coffee House in the central lobby, where until August 26 you’ll find the oil-painted panels that make up Jenna Annunziato’s exhibition What we hold dear. Which objects do we imbue with special meaning? How do we treat them differently? What happens when they inevitably crack and crumble? Do they lose their value? What about their meaning?