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    <loc>https://www.dariamag.com/home/soft-skills</loc>
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    <lastmod>2026-03-31</lastmod>
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      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>An installation view of Eleanor Sabin’s exhibition Soft Skills in the Directions Gallery at Colorado State University in Fort Collins. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/01b237ba-cb85-4353-99d3-64289a2d253e/yard_waste.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>Eleanor Sabin, Yard Waste, 2025, concrete, wheat stalks, cotton string, and plywood, 18 x 8 x 8 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/433b5e81-31f8-4c1e-8af8-29c2b5b6dc67/untitled_twistysticks.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>Eleanor Sabin, Untitled (Twisty Sticks 1-3), 2024-26, sticks and copper pipe fittings, dimensions variable. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/45c7a3a2-db04-42de-9a0e-b094d605b83e/growth_series.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>Eleanor Sabin, Growth Series 1-9, 2025-2026, India ink on paper, each drawing 14 x 17 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b164ac90-a80c-4ee6-8d15-00d9a63027d3/growth_series_detail.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>A detail view of Eleanor Sabin’s Growth Series 1-9, 2025-2026, India ink on paper, each drawing 14 x 17 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2abf76fc-fdad-42ed-a997-55cda5deca22/genius_loci.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>Eleanor Sabin, Genius Loci, 2022, carved cherry plywood and ink, 30 x 40 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/60bd757a-0ec7-4858-b0e1-178a0f65209d/lineage.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>Eleanor Sabin, Lineage, 2026, branches, copper leaf, patina, oak, velvet, upholstery fabric, and thread, 2 x 10 x 7 feet. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e13578de-c163-40b9-baea-45c514bcf207/lineage_detail5.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>A detail view of Eleanor Sabin’s Lineage, 2026, branches, copper leaf, patina, oak, velvet, upholstery fabric, and thread, 2 x 10 x 7 feet. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c542e2e5-80bc-4833-8689-1acaf6244de8/ambition_anchor.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>Eleanor Sabin, Ambition | Anchor, 2024-26, carbonized 2 x 3’s, paper, airbrushed acrylic, and thread, 4 x 2 x 7 feet. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4e05c80f-393f-4536-8c33-96fdac9027ae/ambition_detail2.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>A detail view of Eleanor Sabin’s Ambition | Anchor, 2024-26, carbonized 2 x 3’s, paper, airbrushed acrylic, and thread, 4 x 2 x 7 feet. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/052c48cb-c773-45e4-924e-9c82b9f9d698/DSC_0213.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>In the background: Eleanor Sabin, Shadow Net (Nap Net), 2026, cotton string and maple, dimensions variable. In the foreground: Eleanor Sabin, Untitled (Twisty Sticks 1-3), 2024-26, sticks and copper pipe fittings, dimensions variable. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31706b8f-881b-4196-a078-a628d5e22432/install2.JPG</image:loc>
      <image:title>Reviews Home - Soft Skills - Make it stand out</image:title>
      <image:caption>An installation view of Eleanor Sabin’s exhibition Soft Skills. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/shared-journey</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/79cc0fc0-c42a-49eb-a8a4-7e414aec8afe/35+Suburbia%2C+mixed+media%2C+2024_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Jann Vail, Suburbia, 2024, mixed media. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/887febbc-25e4-4678-84de-9b341e38ecf0/Tom+Vail%2C+Levitation.jpeg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Levitation, 2016, archival digital collage. Image courtesy of the Museum of Friends.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a4af3ae4-dbcc-43f7-b56a-d74e26c04fa9/Tom+Vail%2C+Human+Condition.jpeg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Human Condition, 2016, archival digital collage. Image courtesy of the Museum of Friends.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c7b95bbc-0766-4849-9871-959c2d6a5399/Tom+Vail%2C+Cones+of+Enchantment.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Cones of Enchantment, 2016, archival digital collage. Image courtesy of the Museum of Friends.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1b3bfe14-d5c6-48f0-a56e-b92f281390b4/6+tom_loose+weave+ii_puzzle+painting_2020_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Loose Weave II, 2020, puzzle painting. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a3f7df9e-934e-4aef-9a8a-7649d2e523de/7+chaos+weave+i_puzzle+painting_2021_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Chaos Weave I, 2021, puzzle painting. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cba33aa4-2239-44e5-a47b-b77507760953/9+that-a-way%2C+puzzle+painting%2C+2020_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, That-A-Way, 2020, puzzle painting. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aa9dd7bb-020f-44e5-97e1-eed526c54842/13+Nationalist+Wedge+Corp%2C+woodpainted+sculpture%2C+2019_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Nationalist Wedge Corp, 2019, wood painted sculpture. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4d56cbc6-168f-43df-96c7-e9056da665d9/17+Fair+Use%2C+wood+painted+sculpture%2C+2018_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Fair Use, 2018, acrylic panels, shredded paper, and painted wood sculpture. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ca1118fd-dedf-4fcc-9569-c04824910df9/Jann+Vail%2C+Magritte.jpeg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Jann Vail, Magritte, mixed media, 2020. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ae4e970e-b86d-4a18-8fc4-3206da2e61f0/Jann+Vail%2C+Magritte_detail.jpeg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>A detail view of Jann Vail’s Magritte, mixed media, 2020 Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a9804f0a-64d7-4d79-84b7-cde55db86bcf/Jann+Vail%2C+Dog+House.jpeg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Jann Vail, Dog House, 2019, mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/673083c2-1b30-4f36-94fc-183e000df2f5/Jann+Vail%2C+Maid+to+Order.jpeg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Jann Vail, Maid to Order, 2023, mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/937ad29d-8f21-4315-8d54-43dd4f41919e/20a+New+Orleans+Bordello+Box%2C+mixed+media%2C+2022_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Jann Vail, New Orleans Bordello Box, 2022, mixed media. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8a05fadc-d5c0-4b4b-a47e-5862206d496f/41+Puzzle+in+ether+ii%2C+spray+paint+on+foam+coar%2C+2021_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Puzzle in Ether II, 2021, spray paint on foam core. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/29abc86b-8a1a-4903-a994-c96f0d8896d5/44+Evolution+of+the+Meatball%2C+wood+painted+sculpture%2C+2022_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Evolution of the Meatball, 2022, mixed media and wood painted sculpture. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/13d4a3f3-98f2-48d0-aed1-a1e9535be8b8/47+Dueling+Doodles+I+spray+paint+on+foam+core%2C+2015_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shared Journey - Make it stand out</image:title>
      <image:caption>Tom Vail, Dueling Doodles II, 2021, spray paint on foam core. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.dariamag.com/home/time-and-materials</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/752c08d4-0a2c-481d-ba0b-faa5c33c5d92/Installation+View+1.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>An view of the title wall and instructions in Tim McKay’s exhibition Time and Materials at Pirate: Contemporary Art in Lakewood, Colorado. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0e79a480-48b7-46ec-95d6-045bf014f418/Installation+View+9.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>A view of an obscured label through the blue lens glasses in Tim McKay’s exhibition Time and Materials. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0d3ddd6d-65cd-4f2a-9d4b-651ea6ef9330/Do+you+feel+me_.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Tim McKay, Do you feel me?, 2025, acrylic on cotton canvas, 14 x 20 inches, with obscured wall label. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cece965a-c58b-4030-91c3-f1d5c1101f68/Do+you+feel+me_+2.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Tim McKay, Do you feel me?, 2025, acrylic on cotton canvas, 14 x 20 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4bdaaf51-d97d-4bab-8478-0dd0a31820de/Passage.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Tim McKay, Passage, 2025, acrylic on cotton canvas, 30 x 42 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d5a03653-d58a-4611-9039-a2e262a74077/Flood_cropped.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Tim McKay, Flood, 2025, acrylic on cotton paper, 6 x 10 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/05322dc0-25b3-48a5-8ef1-ab7160197d92/Detail+of+Flood.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>A detail view of Tim McKay’s Flood, 2025, acrylic on cotton paper, 6 x 10 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2ce76895-9f7a-4d68-9401-21138870e49b/Semifinals+%28Round+Six%2C+Homecoming%29.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Tim McKay, Semifinals (Round Six, Homecoming), 2026, acrylic on cotton canvas, 36 x 30 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3c88ba30-bd9d-492f-8a3b-91f11b78797f/Semifinals+%28Round+Four%2C+Face-off%29.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Tim McKay, Semifinals (Round Four, Face-off), 2025, acrylic on cotton canvas, 17 x 17 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9ef9d349-5470-4402-837e-c7d12915293b/Semifinals+%28Round+Five%2C+Delay+of+Game%29.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Tim McKay, Semifinals (Round Five, Delay of Game), 2025, acrylic on cotton canvas, 17 x 17 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/596d33a7-1556-4ea1-9c56-54d4a64ee88c/Loss.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Tim McKay, Loss, 2025, acrylic on cotton canvas, 14 x 20 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6ebd1c06-c7af-4199-80c7-cc0f50717f2a/Detail+of+Loss.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>A detail view of Tim McKay’s Loss, 2025, acrylic on cotton canvas, 14 x 20 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e6bde665-d689-402c-b073-59f1df9ce634/Self+Portrait+2.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Tim McKay, Self Portrait (with Artifacts), 2025, acrylic on cotton canvas, 14 x 20 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5e85c31-0cce-4cb4-bd67-6e9717714bef/Detail+of+Self+Portrait+2.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>A detail view of Tim McKay’s Self Portrait (with Artifacts), 2025, acrylic on cotton canvas, 14 x 20 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7a925608-52df-427c-8aba-23e0994675b0/Santa+Monica+%28South%2C+Pier%29+and+Santa+Monica+%28North%29+2.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>Left: Tim McKay, Santa Monica (South, Pier), 2025, acrylic on cotton canvas, 30 x 42 inches. Right: Tim McKay, Santa Monica (North), 2025, acrylic on cotton canvas, 30 x 42 inches  Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ff869ee5-4471-4910-81b2-0478a6fe4abf/Installation+View+4.jpg</image:loc>
      <image:title>Reviews Home - Time and Materials - Make it stand out</image:title>
      <image:caption>An installation view of Tim McKay’s exhibition Time and Materials at Pirate: Contemporary Art in Lakewood. Image by Maggie Sava.</image:caption>
    </image:image>
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    <loc>https://www.dariamag.com/home/look-again-portraits-of-daring-women</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/019e8412-d7cb-40ca-b533-042484b6df50/Installation1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>An installation view of Julie Lapping Rivera’s exhibition Look Again: Portraits of Daring Women at the Loveland Museum. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a8ad5b46-b25f-4e03-862b-9b64966117e6/Nella+Larsen_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Nella Larsen, 2018, woodcut. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4299d9ee-c638-4f66-ad6d-270f0238c505/Sylvia+Plath_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Sylvia Plath, 2021, woodcut. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2150f362-51d0-4680-b1bb-d647680d6484/Madhubala_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Madhubala, 2019, color reduction woodcut. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5d4b55f-8c55-4860-b8ac-286cfab1b7f9/Rachel+Carson_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Rachel Carson, 2020–2021, multiple block and color reduction woodcut. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/298ccaa8-058e-4e21-b686-f415f7e7c3f0/Dr.+Helen+Rodriguez-Trias_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Helen Rodriguez-Trias, 2024, color reduction woodcut. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/efe8eb14-718c-4d0c-a708-eec2cbf08b2f/Lotte+Reiniger_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Lotte Reiniger, 2023, woodcut with collage. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7add81d3-b51e-4266-8397-3d9c5f2f4f11/Jovita+Idar_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Jovita Idar, 2022–2024, multiple block woodcut with collage. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c5068ec-f21f-4204-a801-a270823b5c95/Qiu+Jin_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Qiu Jin, 2019, multiple block woodcut with collage. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a7f8a278-0092-41bf-aa08-ba0ae2e25830/Installation7_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>A view of works by Julie Lapping Rivera and the accompanying poems. On the left: Lotte Reiniger; on the right: Jovita Idar. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/99cca800-f98c-4f4d-8219-46cb30b5be1f/Michaela+Mabinti+DePrince_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Michaela Mabinty DePrince, 2025, multiple block woodcut with collagraph with collage. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/18a9376a-424d-477b-a849-c85130c78e79/Ida+B.+Wells_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Ida B. Wells, 2019, multiple block woodcut. Image courtesy of artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/22d7ecd8-0902-4c98-b917-0d2a7ed5a026/Ruth+Bader+Ginsburg_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>Julie Lapping Rivera, Ruth Bader Ginsberg, 2021, woodcut. Image courtesy of Loveland Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a9c1069-5c5f-46b2-8c75-fabd00da07ac/Installation3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Look Again: Portraits of Daring Women - Make it stand out</image:title>
      <image:caption>An installation view of works by Julie Lapping Rivera, from left to right: Frances Benjamin Johnson, Madhubala, Nella Larsen, and Regina Jonas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/chris-bristow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/14ee7a71-781e-4bdd-8800-735f81a92ab4/transmission_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Transmission, 2024, acrylic and embroidery on canvas, 24 x 18 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/da8365fd-12e9-4729-9859-fe86c2c8ca01/composite%28police_uniforms%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Composite (Police Uniforms), 2024, cotton muslin, scraps from police uniforms, faux fur, pencil, and thread, 36 x 40 inches. Image by John Roemer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/478b9988-c814-4422-82e6-1b9be6fce558/Bristow_rest+term_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Rest Term, 2025, oil and embroidery on canvas, 56 x 80 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/142be76e-f8b3-410f-987e-d8ad16734256/Bristow_Panemetcircenses_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Panem Et Circenses, 2025, hand-embroidery and hand-sewn elements, scraps from police uniforms and other scrap material, and pencil on canvas, 40 x 30 inches. Image by Erynn McConnell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b5e8dc8b-3cf9-4051-ab38-86814c7e2073/help_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Help, 2025, scraps from police uniforms, pins, glass beads, and thread on canvas, 16 x 13 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/324c4bcd-b861-4dbf-ac18-d0ef45345d5b/september_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, September, 2025, oil and embroidery on canvas, 40 x 30 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8e996e5e-ddb9-4654-a671-f91de9210f70/Bristow_never+never_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Never Never, 2025, embroidery and acrylic on canvas,12.5 x 9.5 inches. Image by John Roemer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c6792dec-7943-442f-8e69-bb90684fffc9/3wishes_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Three Wishes, 2025, oil and embroidery on canvas, 24 x 18 inches. Image by Erynn McConnell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a148dcf6-8d80-4216-aab5-9c59ac6989df/want_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, I Want to Be Somebody, 2025, acrylic and embroidery on canvas, 12.5 x 9.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4388b909-d187-4647-9f9c-ebc0620a983e/you+are+dynamite_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, You are Dynamite, 2025, oil and embroidery on canvas with elements sewn from police uniforms, 40 x 34 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3766056a-f721-47f2-be7b-9c7878792515/Bristow_Enlightenment_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Enlightenment, 2025, digital painting, 1280 x 720 pixels. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/370c39f7-c025-483a-b302-18a05c564f8d/motherII_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Mother II, 2025, oil and embroidery on canvas, 56 x 80 inches. Image by John Roemer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8b1cbf9a-7382-4109-a3ed-a98bd9cd4511/select_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Chris Bristow - Make it stand out</image:title>
      <image:caption>Chris Bristow, Selection, 2025, acrylic and embroidery on canvas, 12.5 x 9.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/nourished</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/17c7d615-66a0-474e-aed6-523c018686e0/exhibition-shot-6_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>An installation view of Jazz Holmes’ exhibition Nourished at Denver Botanic Gardens’ Freyer–Newman Center gallery. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/218be8fe-789d-4e2e-88d7-5538d850431e/tchoupitoulas-1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Tchoupitoulas, 2024, gouache paint, graphite, and beads. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d0a43a01-7677-43ef-aec9-b096e1ca9825/bananas-foster-1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Bananas Foster, 2025, oil paint, acrylic paint, foam bananas, rhinestones, and beaded fringe. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7d21afe1-5cbc-4fc9-a172-0afc3f7886ab/mirepoix-1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Mirepoix, 2025, gouache paint and rhinestones. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d08e74cd-c8c5-49be-a3db-9b7a9afb6c63/20250926_jazz-holmes_006_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Grapevine, 2025, oil paint, collage, rhinestones, and beads. Image courtesy of Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/51c27ef0-f8e5-4dfa-84c0-3a2dad100875/allium_cepa_1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Allium cepa, 2024, acrylic paint, collage, onion-dyed cotton, and copper leaf on Mylar. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69461922-c534-4ddc-b8b3-5a4b873dcdbc/allium-cepa-detail-2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>A detail view of Jazz Holme’s Allium cepa, 2024, acrylic paint, collage, onion-dyed cotton, and copper leaf on Mylar. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/43d6470e-4d7d-400a-9fe1-52b5cd65964f/etoufee-1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Étouffée, 2025, oil paint and rhinestones. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8c812193-903c-49de-8f44-f1981e23d750/etoufee-detail-5_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>A detail view of Jazz Holme’s Étouffée, 2025, oil paint and rhinestones. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/590e1614-aff8-43ac-924c-c7a8fe1033f7/Chattahoochee_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Chattahoochee, 2023, acrylic paint and beads. Image courtesy of Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/51a832e2-ad6a-4c9c-8f0c-2637e45807f7/Chattahoochee-detail-2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>A detail view of Jazz Holmes’s Chattahoochee, 2023, acrylic paint and beads. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9111764f-8e6d-40b8-a2d1-8b214e42adbc/Fufu+2021_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Fufu, 2020, dye-sublimation print of digital painting. Image courtesy of Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b4177500-d163-4b07-92c9-165d1f4a923a/Okra+2022_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Okra, 2021, dye-sublimation print of digital painting. Image courtesy of Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/21518dd1-fb4c-4e11-87ca-62fa917ccb17/exhibition-photo-1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>An installation view of Jazz Holmes’ exhibition Nourished at Denver Botanic Gardens’ Freyer–Newman Center gallery. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6086cbf9-4bb8-4df1-a37b-89dc024cbc83/hoppin-john-1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nourished - Make it stand out</image:title>
      <image:caption>Jazz Holmes, Hoppin’ John, 2025, acrylic paint, collage, acetate, and rhinestones. Image by Laura I. Miller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-genteel-revolutionary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0272f895-99b6-4ed6-aebd-ebb384aa9925/BAC_Feb2026_03.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>An installation view of Ellamaria Foley-Ray’s exhibition The Genteel Revolutionary in the Lydia and Robert Ruyle Gallery at University of Northern Colorado. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6bf9d9b0-8dc8-4087-a709-ef16ce42cfc2/BAC_Feb2026_07.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>Ellamaria Foley-Ray, Dobo's Weighted Blanket, 2024, fabric, cotton, and ceramics, 43 x 23 x 1 inches. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7a405a0c-9023-489d-923f-029a964ada83/BAC_Feb2026_05.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>In the foreground: Ellamaria Foley-Ray, Re-membered Free Spirits, 2004, clay, glue, acrylic, cowrie shells, glass beads, and metal charms, 15 x 11.5 x 10.5 inches. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/775430d7-725c-4b2e-938a-38e582359a6f/BAC_Feb2026_08.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>Ellamaria Foley-Ray, The Visionary's Granddaughter, 2025, canvas and fabric, 21.5 x 17.5 inches, featuring a photograph of Dr. Rachel Bassette Noel. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/608d935a-53f8-4dd0-9dbc-b3ce30300e14/BAC_Feb2026_02.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>Ellamaria Foley-Ray, Circle, Be Unbroken!, 2026, canvas and fabric, 53 x 52 inches. A photograph of Dr. Rachel Bassette Noel is in the center. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2d5693d3-897d-4a29-9f8f-e47fbba08258/BAC_Feb2026_02_detail.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>A detail view of the photograph of Dr. Rachel Bassette Noel in Ellamaria Foley-Ray’s Circle, Be Unbroken!, 2026, canvas and fabric, 53 x 52 inches. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c7634858-0619-4507-99eb-31f82d066aa7/BAC_Feb2026_09.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>Seven of Ellamaria Foley-Ray’s quilted works featuring family photographs. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8ff750f8-5aa4-4f2d-bd3b-67769671cdb6/BAC_Feb2026_06.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>Ellamaria Foley-Ray, Proverbial Quilt of Desire, 2015, clay, underglaze, waxed cotton, and acrylic, 20 x 20 x .5 inches. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f693c543-bffa-4138-8ffd-6f90d436757d/BAC_Feb2026_06_detail.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>A detail view of Ellamaria Foley-Ray’s Proverbial Quilt of Desire, 2015, clay, underglaze, waxed cotton, and acrylic, 20 x 20 x .5 inches. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9141afd3-f60a-47f3-b6b2-ffe2ce35c5a5/BAC_Feb2026_10.JPG</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>Ellamaria Foley-Ray, Her Spiritual Essence, 2004, clay, waxed pigment, and acrylic, 19 x 12 x 5.5 inches. Image by Brandy Coons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f7a6769d-62e2-4859-b7e9-a1e4e59b345f/Genteel+Revolutionary-3.jpg</image:loc>
      <image:title>Reviews Home - The Genteel Revolutionary - Make it stand out</image:title>
      <image:caption>In the center: Ellamaria Foley-Ray’s Circle, Be Unbroken!, 2026, canvas and fabric, 53 x 52 inches, with a portrait of Dr. Rachel Bassette Noel at the center, surrounded by eight accompanying quilted works featuring photographs of individuals who supported Dr. Noel and continue her work. Image courtesy of the Ruyle Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/en-la-memoria</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/150b1da5-e3f0-4fb7-a27a-4be4174cfb84/1+-+wide+gallery+shot.jpeg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>An installation view of Román Anaya and Louis Trujillo’s exhibition En La Memoria at Regis University’s O’Sullivan Art Gallery. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d66e438-2842-4bf2-8d17-26f0abc03ce2/3+-+anaya+mari+con+amor.jpg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>Román Anaya, Mari, Con Amor 2.24.2019, 2019, digital C-print, 35 × 24 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31d3c477-38cc-4558-b243-a3d72c108c57/4+-+anaya+detail+shot.jpeg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>A detail view of Román Anaya’s Mari, Con Amor 2.24.2019, 2019, digital C-print, 35 × 24 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c2a99ef3-a853-4d9c-9575-bd3eb4e42a0f/5+-+untitled.jpg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>Román Anaya, Mari, Untitled, 2018/2019, digital C-print, 24 × 32 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b27ef78e-1c16-4be1-b9fe-982a8d04be4c/6+-+untitled+detail+shot.jpeg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>A detail view of Román Anaya’s Mari, Untitled, 2018/2019, digital C-print, 24 × 32 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9fa93c3d-dc9a-4934-848d-79b77242bbb3/7+-+Fat%2C+Femme+and+Fierce.jpg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>Louis Trujillo, Fat, Femme, and Fierce, 2019, colored pencil on paper, 41.5 x 15 inches, from the Sissy Series. Image courtesy of the O' Sullivan Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7ef0619f-bfb1-45cc-91ce-8a67626a74ea/Louis+Trujillo+-+Fat%2C+Femme+and+Fierce+%28Detail%2C+Stilettos%29.jpg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>A detail view of Louis Trujillo's Fat, Femme, and Fierce, 2019, colored pencil on paper, 41.5 x 15 inches, from the Sissy Series. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8ee32719-89bd-42ae-a2dc-38c5c2150493/9+-+so+i+dont+foreget.jpeg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>Louis Trujillo, So I Won't Forget, 2018, gouache, acrylic, rust, patina, copper leaf, digital C-prints on paper, and pins, dimensions variable, from the Forget Me Not series, 38 × 137 × 1 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ec122d31-c312-4459-bdac-46e1fe49cc46/10+-+so+i+dont+forget+detail+shot+.jpeg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>A detail view of Louis Trujillo's So I won't forget, 2018, gouache, acrylic, rust, patina, copper leaf, digital C-prints on paper, and pins, dimensions variable, from the Forget Me Not series, 38 × 137 × 1 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fb4215a8-e904-41f8-9065-a66221b69eeb/11+-+installation+view+sissy.jpeg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>An installation view of works by Louis Trujillo in the exhibition En La Memoria at Regis University’s O’Sullivan Art Gallery. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d526c41b-ce87-4f7f-ac83-e681366925d2/12+-+sacred+heart+of+jesus.jpeg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>Román Anaya's Sagrado Corazón de Jesus (replica), 2015, transparency film and pill bottles, 15 x 15 x 9 inches. Image courtesy of Román Anaya's artist website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/95d026cb-fab3-495e-b607-27661ed33953/13+-+sacred+heart+of+jesus+detail.jpeg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>An alternative view of Román Anaya’s Sagrado Corazón de Jesus (replica), 2015, transparency film and pill bottles, 15 x 15 x 9 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a78efcb6-d43c-4d3f-996f-b552de1335f3/14+-+rosary.jpg</image:loc>
      <image:title>Reviews Home - En La Memoria - Make it stand out</image:title>
      <image:caption>Román Anaya, 4-Week Lacosamide Taper, 2019, digital C-print, 31.25 × 24 inches. Image courtesy of O'Sullivan Art Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/que-viva-paco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/43e11232-7231-42bb-b8c4-ab76e06070ab/DSC_1620.JPG</image:loc>
      <image:title>Reviews Home - Que Viva Paco - Make it stand out</image:title>
      <image:caption>A view of Carlos Frésquez’s sculpture Que Viva Paco at Paco Sanchez Park in Denver. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b09ea0e8-36a4-4ccd-a554-9fe5e46ecc5e/DSC_1593.JPG</image:loc>
      <image:title>Reviews Home - Que Viva Paco - Make it stand out</image:title>
      <image:caption>A detail view of blue record in Carlos Frésquez’s sculpture Que Viva Paco at Paco Sanchez Park. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a3fd331e-60ae-4708-b04e-ea7bb98b9f4b/DSC_1603.JPG</image:loc>
      <image:title>Reviews Home - Que Viva Paco - Make it stand out</image:title>
      <image:caption>A view of Carlos Frésquez’s sculpture Que Viva Paco at Paco Sanchez Park showing the side of the work featuring the colors of the Mexican flag. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c5a9fe4-6e6b-434f-b200-fe7b1c335e04/DSC_1608.JPG</image:loc>
      <image:title>Reviews Home - Que Viva Paco - Make it stand out</image:title>
      <image:caption>A detail view of the red record in Carlos Frésquez’s sculpture Que Viva Paco featuring a sunflower motif at the center. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/11b7af9f-3f63-44f6-a132-a7f2134cec16/DSC_1615.JPG</image:loc>
      <image:title>Reviews Home - Que Viva Paco - Make it stand out</image:title>
      <image:caption>A view of the base of Carlos Frésquez’s sculpture Que Viva Paco with text that is a timeline of Paco Sanchez’s life. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4818a0b3-0c83-44a7-88fa-0d7a5c3911f8/DSC_1610.JPG</image:loc>
      <image:title>Reviews Home - Que Viva Paco - Make it stand out</image:title>
      <image:caption>A detail view of the white record in Carlos Frésquez’s sculpture Que Viva Paco at Paco Sanchez Park. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8d196b7-f3e9-40ff-baf5-14f69259bab5/DSC_1604.JPG</image:loc>
      <image:title>Reviews Home - Que Viva Paco - Make it stand out</image:title>
      <image:caption>A view of Carlos Frésquez’s sculpture Que Viva Paco at Paco Sanchez Park in Denver. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/deal-or-how-i-became-radioactive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/80e288bf-6785-429d-afbf-0f989f6f88ca/11.+Joyce-TenOfDiamonds-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Lot 239: Ten of Diamonds, 2025, acrylic paint and metal leaf on canvas, 49 x 36 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/92deebd4-ebfd-40cb-aa6c-0a7ac183c9ea/9.+Joyce-MarieCurrie-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Marie Curie’s Radioactive Cookbook, 2025, acrylic paint and metal leaf on canvas over panel, 16 x 16 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/91626400-2926-4ea3-b59e-64757be89292/13.+Joyce-Riffle-Spade-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Riffle Shuffle Spade, 2025, acrylic paint on canvas, 10 x 8 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/219b2828-cd24-4650-a403-00b6a4d924d5/1.+Joyce-Cutting-Diamond-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Cutting Diamond, 2025, acrylic paint on canvas, 10 x 8 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/22c7bed4-b923-435c-b785-6b9d6388617a/7.+Joyce-HeavensGate-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Heaven’s Gate Nebula, 2023, Flashe vinyl paint and acrylic on canvas over panel, 16 x 20 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9b430a35-dd11-4df3-9961-3bdc6f57fe88/2.+Joyce-AllIn-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, All In (Three Hands), 2025, acrylic paint and metal leaf on canvas, 58 x 67 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b0eb90a0-d90a-49a4-b557-728f8739e3e7/6.+Joyce-Galileo-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Galileo’s Fidget Spinner, 2025, acrylic paint and metal leaf on canvas over panel, 40 x 40 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7da9ea6b-d965-413f-8d56-18dfd9745fda/4.+Joyce-Descartes-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Discarded Descartes on the Bedroom Wall, 2026, acrylic paint on canvas over panel, 30 x 30 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8d7ee150-bc44-4914-acaf-84a1374aacd3/8.+Joyce-MezquitaGate-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Mezquita Gate with Love, 2023, acrylic on canvas, 48 x 38.5 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e5c8690d-2d8b-445c-bef9-e84785733563/10.+Joyce-Slinky-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Falling Slinky, 2025, acrylic paint and metal leaf on canvas over panel, 18 x 18 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c999b0ab-ed60-43d9-9e10-e3c367f4f162/Joyce-Radioactive-Install4-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>An installation view of Emily Joyce’s Deal, or, How I Became Radioactive exhibition at David B. Smith Gallery. Image by Wes Magyar, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6f8a4acc-731a-41b0-bfa3-4bef671393a9/6+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>An installation view of Susan Wick’s solo exhibition More by Wick at David B. Smith Gallery’s Project Room. Left: Huh, What Did You Say?, 2026, acrylic on canvas, 18 x 18 inches. Center: Ode to a Life, 2026, acrylic on canvas, 40 x 40 inches. Right: Pink, 2026, acrylic on canvas, 24 x 18 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/420e8924-15b1-4661-95ff-b5c96ee17d6b/5.+Joyce-FourOfSpades-HiRes.jpg</image:loc>
      <image:title>Reviews Home - Deal, or, How I Became Radioactive - Make it stand out</image:title>
      <image:caption>Emily Joyce, Moths Eat Paper: Four of Spades, 2026, acrylic paint and metal leaf on canvas, 48 x 36 inches. Image by Alex Delapena, courtesy of Emily Joyce and David B. Smith Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/tricia-waddell</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46369903-02c9-4c66-85fb-98bf799ba4d4/Tricia_Waddell_Courage_to_break_her_+own_heart_2025.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Courage to break her own heart, 2025, linen, fiber-reactive dye, textile paint, hand embroidery, wire, wire mesh, thread, and stuffing, 10 x  6 x 10 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8ed67c56-e13f-48ed-b4c0-5d4be43a86b6/Tricia_Waddell_Take+me+anywhere+but+home_Fiber_14_x8_x14__2024.jpg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Take Me Anywhere but Home, 2024, linen, fiber-reactive dye, thread, stuffing, wire, and hand-embroidery, 14 x 8 x 14 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a132761b-6a90-4f14-a867-7d9341598649/Tricia_Waddell_Feel+me+all+at+once_2023.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Feel Me All at Once, 2022, linen, fiber-reactive dye, thread, hand embroidery, and stuffing, 8 x 13 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c4a63d89-3351-498b-95c1-489d62c24eea/Tricia_Waddell_Betwixt+and+Between_2024.jpg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Betwixt and Between, 2024, linen, fiber-reactive dye, encaustic wax, stuffing, and wire, 38 x 42 x 9 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/78beaaec-2aa7-4ef0-88f9-dfb36685fca8/Tricia_Waddell_Loneliness+grew+under+her+skin_2025.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Loneliness grew under her skin, 2025, linen, fiber-reactive dye, hand embroidery, thread, and stuffing, 10 x  6 x 10 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5eb40194-5150-482e-9b17-a301cc1b53e2/Tricia_Waddell_Showed+Up+and+Felt+Out+of+Place_Fiber_20_x9_x14__2024.jpg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Showed Up and Felt Out of Place, 2024, linen, fiber-reactive dye, thread, stuffing, wire, waxed thread, twine, and hand-dyed sand, 20 x 9 x 14 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2edd2f46-461b-4983-8c53-d10e0ab29c09/Tricia_Waddell_I+Told+the+world+I_m+fine_2025.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Tricia Waddell, I told the world I’m fine, 2025, linen, fiber-reactive dye, wire, thread, and stuffing, 18 x 12 x 5 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/384c4563-9aa1-477f-a18a-a5f000344f3e/Showed+up+and+felt+out+of+place+Detail.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>A detail view of Tricia Waddell’s Showed Up and Felt Out of Place, 2024, linen, fiber-reactive dye, thread, stuffing, wire, waxed thread, twine, and hand-dyed sand, 20 x 9 x 14 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8e30c36d-753f-4b68-b5df-4e28bf2af264/Tricia_Waddell_studio+working.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>A view of Tricia Waddell working in her studio. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f2500a12-8a54-45c5-afed-87106e108f4a/Courage_detail.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>A detail view of Tricia Waddell’s Courage to break her own heart, 2025, linen, fiber-reactive dye, textile paint, hand embroidery, wire, wire mesh, thread, and stuffing, 10 x  6 x 10 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bbcd54a4-676e-4e48-b004-dbd2f92cd35f/Understudy-Tricia-Waddell-5.jpg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>An installation view of Tricia Waddell’s exhibition We Will Be Strange at Understudy. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/940d18fa-b28a-4512-bc6c-637ed0fd710d/Understudy-Tricia-Waddell-1.jpg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>An installation view of Tricia Waddell’s exhibition We Will Be Strange at Understudy. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9813eb07-2509-4348-a1ab-d782c75e8b43/Tricia_Waddell_Hold_On_2025.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Hold on, more is coming, 2025, linen, clay, resin, acrylic paint, tea, nails, thread, and stuffing, 9 x 6 x 15. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8cc3e24-8eef-432c-956b-8089f5f510da/Tricia_Waddell_Bottom+of+the+river_2025.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Bottom of the River, 2025, muslin, clay, hand embroidery, acrylic paint, wire mesh, thread, and stuffing, 6 x 8 x 16 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4f18576b-7b4a-4d2a-97d4-72ee0eaaac2c/Hold+On+detail.jpeg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>A detail view of Tricia Waddell’s Hold on, more is coming, 2025, linen, clay, resin, acrylic paint, tea, nails, thread, and stuffing, 9 x 6 x 15. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ba5c4066-b3c8-4c8a-ac95-0d5cb6bf6262/Tricia_Waddell_Her+Body+Knows+So+Much_Fiber_45_x30_x55__2024.jpg</image:loc>
      <image:title>Reviews Home - Tricia Waddell - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Her Body Said So Much, 2024, linen, fiber-reactive dye in plexiglass tray, polyester stuffing, and wire, 45 x 30 x 55 inches. Image by Aubreigh Brunschwig, courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/ms-destiny</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9cd5d11-e163-4800-aecc-1e2e290b734d/exhibition-timeline_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>A view of the exhibition banners featuring the seven women included in the Ms. Destiny exhibition at the Center for Colorado Women’s History. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6e7a0e58-84f3-4679-95b5-bfc9784705dd/IMG_5949.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>A view of the exhibition banner featuring the seven women, represented as comic book superheroes, included in the Ms. Destiny exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/edbbca5f-f532-4120-9999-665ad4135448/elizabeth-tabor-portrait_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>An installation view of a portrait of Elizabeth Tabor from the History Colorado Collection in the Ms. Destiny exhibition. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/312f3b9c-3066-44e8-b231-95f58675c425/IMG_6036.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>From left to right: Laura Evans’ diaphragm, rubber with cellophane wrapping, History Colorado Collection; Photograph of Laura Evans signing her bustle, 1950, History Colorado Collection; Laura Evans’ bustle pad, 1903, quilted cotton, History Colorado Collection; Laura Evans’ garter, synthetic elastic fabric, History Colorado Collection. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cf8858d3-b2be-435a-9baa-3698303bc0e8/cathay-williams-uniform_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>Civil War Uniform, 1864-1865, wool and silk with brass buttons, History Colorado Collection. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a788d6b3-a5a8-49f1-bb4b-ff3730750348/IMG_6013.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>A photograph of a Buffalo Soldier Regiment, 1900, History Colorado Collection. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dab40428-5a49-4a24-8755-40cc803a2703/IMG_6018.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>Chloé Duplessis, Sista Soldier Dress, 2023, burlap, twine, and clothespins, courtesy of Duplessis Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c70d42e-ac0f-4df5-8948-e975e0b6abdf/IMG_6004.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>An installation view of Justina Ford’s doctor’s bag, leather and brass, and a photograph of Dr. Justina Ford with her nephew Gene, History Colorado Collection. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31011f78-1cff-4f3d-83d4-28cd44aa55e7/IMG_6028.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>Left: Speculum, 1925-1940, surgical steel, History Colorado Collection; Right: Photograph of Dr. Ford’s House, 1984, courtesy of Denver Public Library, Blair-Caldwell African-American Research Library, History Colorado Collection. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bd4fcbf9-148b-4518-a6d2-3577a8d7036d/rumalda-boggs-portrait_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>An installation view of the portrait of Rumalda Boggs, date unknown, courtesy of Boggs Historical Society. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3466369a-d395-4c64-836d-3e0847dc397c/1991.42.0849O.jpg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>A photograph of Katherine Slaughterback/Rattlesnake Kate, 1965. Image courtesy of the Center for Colorado Women's History.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ee5ad910-aa82-4d52-bf44-b1e12d2c352b/rattlesnake-kate-belt_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>Rattlesnake Kate’s beaded belt, 1930s, beaded leather belt with brass buckle, courtesy of Greeley History Museum. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/41f17470-cf0a-42bc-8591-b7b435367c1d/2022-57-4430.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>Photograph of Chipeta in Ute Treaty Delegation, 1874, History Colorado Collection. Image courtesy of the Center for Colorado Women's History.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/06938786-2263-424e-8402-99db8f587cae/IMG_5982.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>A photograph of Chipeta with a blanket draped over her shoulders. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7d949160-3f67-44eb-85ff-6a9defd03cbf/IMG_5999.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>Elizabeth Tabor’s wedding dress, 1883, silk damask and cotton lace, History Colorado Collection. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce0cd025-537c-49e3-ae5b-4e9753e53b9d/10038505.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>A photograph of Elizabeth Tabor, History Colorado Collection. Image courtesy of the Center for Colorado Women's History.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0255bbd7-97a0-4831-adac-c07166f44db8/IMG_5969.jpeg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>Elizabeth Tabor’s writings from Matchless Mine, 1900-1935, History Colorado Collection; Photograph of Elizabeth Tabor walking in Denver, 1929, History Colorado Collection. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/70934119-3bfe-4046-8a13-6ce8a8cf41a2/rattlesnake-kate-scrapbook_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ms. Destiny - Make it stand out</image:title>
      <image:caption>A view of Rattlesnake Kate’s scrapbook. Image by Laura I. Miller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-source-never-diminishes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ac09c04c-dbf9-4599-a908-d48e1177a7f6/56_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>An installation view of Nina Elder’s exhibition The Source Never Diminishes at the Marie Walsh Sharpe Gallery of Contemporary Art. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9e44f16f-50fb-4880-890f-c05804c25f3b/36_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Black Hole Sketches, ongoing, found objects and research materials. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/217956f5-e2dd-43a1-88f9-edbdc4617685/108_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Crochet Black Hole, 2022-present, coffin silk offcuts and black sheep wool from nuclear downwinder communities. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bdaf9713-d9ce-4a76-8339-bb857235589d/11a+Crochet+Black+Hole_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Crochet Black Hole, 2022-present, coffin silk offcuts and black sheep wool from nuclear downwinder communities. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8f6e76ac-3e8b-43ce-a8c5-aa0aea8f0b99/44_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, War Kite, 2024, Kevlar, satin, coffin silk, ribbons, polished asphalt, and glass prism. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9890f1fd-9865-429f-9527-91669d250def/10a+War+Kite_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>A detail view of Nina Elder’s War Kite, 2024, Kevlar, satin, coffin silk, ribbons, polished asphalt, and glass prism. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a526663d-8dcf-4f61-9233-2359d78c119f/38_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Fray Series, 2020, wildfire charcoal and chainsaw grease on paper. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f0dfc1ca-c618-4036-8a7f-b03162001dfe/13a+Fray+Series+1_2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Fray Series, 1 and 2, 2020, wildfire charcoal and chainsaw grease on paper. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/93e6348f-5840-4ded-afd6-9614b4a00a06/67_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Asteroids Series, 2025, trash, duct tape, sequins, feathers, hot glue, silk, trash bags, pipe cleaners, zip ties, papier mâché, and balloons. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1fc07168-a361-49e2-b74d-8cf6fc80f7ca/49_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Windsocks Series, 2025, erosion control fabric sourced from the Utah Department of Transportation, PVC, wire, and satin. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/885f68d1-a27d-4dff-86ac-c4247ba60e66/01_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, The Source Never Diminishes, 2025, erosion control fabric sourced from the Utah Department of Transportation, PVC, wire, and satin. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c77faf4-6997-45d6-8fcc-dc64d7569675/54_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, To the Center, From the Center, 2025, watercolor, gouache, natural pigment, and ink on paper. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cb17574c-4f0d-40a4-bca4-a509e4c6469f/5b+To+the+Center%2C+From+The+Center_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>An individual painting in Nina Elder’s To the Center, From the Center, 2025, watercolor, gouache, natural pigment, and ink on paper. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/176706d0-33c9-47ba-86fa-91c1d95e9a76/105_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Apop Epoch, 2023, handmade accordion book of 41 original prints and mirror-lined box, edition of 10. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1498be3f-7194-456e-bd3c-0b18dc92ecdf/3+Doing+and+Undoing_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Doing and Undoing, 2023, video with sound, 13-minute loop, featuring Connie Zheng, Esy Casey, and Nina Elder; sound: Darius Holbert. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/050b1ddb-9b97-4b3d-b688-43dea9e946a8/4a+Until+It+Is+Done_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Until It Is Done, video with sound, duration 30 minutes, featuring Ebony Frison, Genesis Turris, Laura Quintero Anton, Lucas Cantoni Jose, and Nina Elder; sound: Brian Amsterdam. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/355fcd58-ce3c-4311-b4ec-36188c9ae798/42_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>An installation view of Nina Elder’s exhibition The Source Never Diminishes at the Marie Walsh Sharpe Gallery of Contemporary Art. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ae67c78d-8ffa-4573-9072-5290023b6c4f/107_November+21%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Source Never Diminishes - Make it stand out</image:title>
      <image:caption>Nina Elder, Asteroids Series, 2025, trash, duct tape, sequins, feathers, hot glue, silk, trash bags, pipe cleaners, zip ties, papier mâché, and balloons. Image courtesy of the Marie Walsh Sharpe Gallery of Contemporary Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/water-water-on-the-wall-youre-the-fairest-of-them-all</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e137759-58ac-4c77-9006-0b43643f6813/IMG_1111.jpeg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>Roni Horn, Doubt by Water, 2003-04, two-sided pigment prints in plastic sleeves on aluminum stanchions and photographs, each 16.5 x 22 inches, stanchions each 14 inches in diameter x 70.5 inches in height. Image courtesy of the Museum of Contemporary Art Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c1cf2672-61f8-4667-a130-558903f8af8a/IMG_1110.jpeg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>An installation view of Roni Horn’s (from left to right) Untitled (“The actual is a deft beneficence.”) and Untitled (“It was as though even the air in this region had barbed wire round it.”), 2023–24, solid cast glass with as-cast surfaces, 11 x 48 inches in diameter. Image courtesy of the artist and the Museum of Contemporary Art Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/784a8269-122d-49a6-83dc-e365e8c1f999/112_September+17%2C+2025.jpg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>An installation view of Roni Horn’s You are the Weather, Part 2, 2010–11, pigment prints on paper, 66 color prints, 34 black and white prints, 100 units, each 10.4 x 8.4 inches. Image by JJY Photo, courtesy of the artist and Hauser &amp; Wirth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1463e440-191c-4549-9f32-e8fb6252112a/Roni+Horn_You+are+the+Weather%2C+Part+2%2C+2010%E2%80%9311_1.jpg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>An installation view of Roni Horn’s You are the Weather, Part 2, 2010–11, pigment prints on paper, 66 color prints, 34 black and white prints, 100 units, each 10.4 x 8.4 inches. Image by JJY Photo, courtesy of the artist and Hauser &amp; Wirth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0962792f-282e-4ecc-912b-cef70d8149fe/Roni+Horn_You+are+the+Weather%2C+Part+2%2C+2010%E2%80%9311_2+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>A detail view of Roni Horn’s You are the Weather, Part 2, 2010–11, pigment prints on paper, 66 color prints, 34 black and white prints, 100 units, each 10.4 x 8.4 inches. Image by JJY Photo, courtesy of the artist and Hauser &amp; Wirth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cdddbd9f-444e-41b8-8e9e-54ccd44df438/Roni+Horn_You+are+the+Weather%2C+Part+2%2C+2010%E2%80%9311_3.jpg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>A detail view of Roni Horn’s You are the Weather, Part 2, 2010–11, pigment prints on paper, 66 color prints, 34 black and white prints, 100 units, each 10.4 x 8.4 inches. Image by JJY Photo, courtesy of the artist and Hauser &amp; Wirth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ba27f615-db37-47c4-bc0d-a8ef8ca6605a/Roni+Horn_Still+Water+%28The+River+Thames%2C+for+Example%29%2C+1999_1.jpg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>A detail view of Roni Horn’s Still Water (The River Thames, for Example), 1999, photographs and text printed on paper, 15 units, each 30.5 x 41.5 inches. Photo by Ron Amstutz, courtesy of the artist and Hauser &amp; Wirth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37ac479a-098d-47b2-a2d9-66d872b16d1a/IMG_9698-1.jpg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>Two photographs in Roni Horn’s Pooling—You, 1996–1997, photographs on paper, 7 units, each 42 x 58 inches. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7babca7b-ea49-434e-8f34-05bc361a4b13/IMG_9701-1.jpg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>One photograph in Roni Horn’s Pooling—You, 1996–1997, photographs on paper, 7 units, each 42 x 58 inches. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f6e2cdfd-b877-4310-b8c7-f7fd54b1178d/Roni+Horn_Key+and+Cue%2C+No.+135%2C+WATER%2C+IS+TAUGHT+BY+THIRST%2C+1994_2007.jpg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>Roni Horn, Key and Cue, No. 135, WATER, IS TAUGHT BY THIRST, 1994/2007, solid aluminum and cast black plastic, 54 x 2 x 2 inches. Photo by JJY Photo, courtesy of the artist and Hauser &amp; Wirth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/64e4e4d1-999d-4290-a2ed-75fd5cb92458/Roni+Horn_Still+Water+%28The+River+Thames%2C+for+Example%29%2C+1999_2.jpg</image:loc>
      <image:title>Reviews Home - Water, Water on the Wall, You’re the Fairest of Them All - Make it stand out</image:title>
      <image:caption>A detail view of Roni Horn’s Still Water (The River Thames, for Example), 1999, photographs and text printed on paper, 15 units, each 30.5 x 41.5 inches. Photo by Ron Amstutz, courtesy of the artist and Hauser &amp; Wirth.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/medialive-data-rich-dirt-poor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/591d7415-f17e-491c-a333-f86745ae1a28/Sarah+Rara_MediaLive+Data+Rich+Dirt+Poor_BMoCA+2025.JPG</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>Sarah Rara, Lavender House, 2021, 4k color video with sound. Image courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/318506e1-70ec-48f0-8568-a7abe0185f82/Sarah+Rara_MediaLive+Data+Rich%2C+Dirt+Poor_BMoCA+2025.JPG</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>Sarah Rara, Lavender House, 2021, 4k color video with sound. Image courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6a6e784b-e800-4226-bd24-ae27811f4421/Image2.jpeg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>Sarah Rara, Door to Lavender House, 2021, wall drawing. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/27f8d1e7-96ec-49b5-8e79-0430e358efdf/Xiaowei+R.+Wang_MediaLive+Data+Rich+Dirt+Poor_BMoCA+2025.JPG</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>An installation view of Xiaowei R. Wang’s An Archive of Witch Fever, 2023, fabric, clay, stainless steel thread, reeds, human hair, fermenting indigo, beeswax, raspberry seed oil, mulberry paper, and mixed media. Image courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce596a47-ad25-4505-b9ec-756a635d9710/Image5.jpeg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>A detail view of Xiaowei R. Wang’s An Archive of Witch Fever, 2023, fabric, clay, stainless steel thread, reeds, human hair, fermenting indigo, beeswax, raspberry seed oil, mulberry paper, and mixed media. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ff943a3b-499f-48db-a81c-f28fa00cef18/Image4.jpeg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>An installation view of Xiaowei R. Wang’s An Archive of Witch Fever, 2023, fabric, clay, stainless steel thread, reeds, human hair, fermenting indigo, beeswax, raspberry seed oil, mulberry paper, and mixed media. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/de5e094d-6f0b-4363-9dd2-5ff628c7ec44/Image6.jpeg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>A video channel view of Tega Brain and Sam Lavigne’s Offset, 2023-present, video, website viewing salon, and framed certificates. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5bef883b-1756-46f7-b6dc-1ec27a1837f0/Image7.jpeg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>A view of one certificate in Tega Brain and Sam Lavigne’s Offset, 2023-present, video, website viewing salon, and framed certificates. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/92ac4eb7-414b-437f-ae30-192729d4763c/Image8.jpeg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>Cass Marketos and @the.rot.squad, 2025, livestream and natural materials from the Boulder Creek. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f6f93f4d-f077-4dcd-8bcb-7c51b52ec369/Image9.jpeg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>open-weather, in collaboration with Rectangle (Lizzie Malcolm and Daniel Powers) and co-created with the open-weather network of more than 100 DIY satellite ground station operators, Year of Weather: Transmission Archive, September 2024-September 2025, two channel projection and copper v-dipole antenna. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fef1fe0f-8b1f-4a44-a78a-2941d5bfa395/Josefina+Buschmann%2C+Las+Nubes+Cai%CC%81das_MediaLive+Data+Rich%2C+Dirt+Poor_BMoCA.JPG</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>Josefina Buschmann, produced by Mimbre Films, video still from Las nubes caídas, 2023, video (S16mm digitized to 2K). Image courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eb3d6c53-a7f8-4e92-ab62-307b57511e0c/Image11.png</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>Josefina Buschmann, produced by Mimbre Films, video still from Las nubes caídas, 2023, video (S16mm digitized to 2K). Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/85c7e7b1-15d1-4de5-9f41-67165ab575e6/Image12.jpeg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>Left to right: Claudia Hart, The Armory Women, Jacqueline Marval 1.0, 2024, acrylic gouache, pigment in resin, watercolor, sanded painting of the same, oak wood panel, and oak frame; Claudia Hart, The Armory Women, Emilie Charmy 1.0, 2024, acrylic gouache, pigment in resin, sanded paintings, chalk, ash wood panel, and pine frame; Claudia Hart, The Armory Women, Study for Emilie Charmy 2.0, 2024, acrylic gouache, pigment in resin, 2 sanded paintings, chalk, ash wood panel, and oak frame. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1702545e-b3a5-4964-b629-1a4c54e56324/Andy+DiLallo_MediaLive+Data+Rich+Dirt+Poor_BMoCA+2025.JPG</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>An installation view of Andy DiLallo, Jacob Riddle, and Ian Anderson’s Unplayable, 2025, 2-channel video installation, unity simulation, particle board cutouts, digital prints, and adhesive floor graphics. Image courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eb2998d5-bcb8-4313-b917-2bfb07ae620e/Image14.jpeg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>A view of the booklet in Andy DiLallo, Jacob Riddle, and Ian Anderson’s Unplayable, 2025, 2-channel video installation, unity simulation, particle board cutouts, digital prints, and adhesive floor graphics. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/44918c86-c29a-4a21-a53a-11e9923346f9/Isabel+Beavers+Tomb+Keeper_MediaLive+Data+Rich%2C+Dirt+Poor_BMoCA+2025.JPG</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>Isabel Beavers, Tomb Keeper, 2023, 3-D animation, projection mapping, and stained glass. Image courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/884e7a87-f7e5-45b5-a73c-f56db293393e/Tega+Brain+and+Sam+Lavigne_MediaLive+Data+Rich%2C+Dirt+Poor_BMoCA+2025.jpg</image:loc>
      <image:title>Reviews Home - MediaLive: Data Rich, Dirt Poor - Make it stand out</image:title>
      <image:caption>An installation view of Tega Brain and Sam Lavigne’s Offset, 2023-present, video, website viewing salon, and framed certificates. Image courtesy of BMoCA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/in-plain-sight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d6f3bcc6-18c4-4a86-9293-a90b79a5be5f/2+-+show+title.jpeg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>The title wall of Joseph Graves Jr.’s exhibition In Plain Sight: a celebration of Black cowboys at SeeSaw Gallery with the work Me and My Dog, 2025, acrylic on canvas, 24 x 36 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/804a548e-996e-49cf-9f9a-4779e43da32f/16+-+Chocolate%2BHoney%2Bcrop.jpg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>Joseph Graves, Jr., Chocolate Honey, 2025, acrylic, aerosol, and map on canvas, 60 x 48 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/926e8da9-1d47-4f07-8033-247c35bd5b8b/1+-+wide+angle.jpeg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>An installation view of Joseph Graves Jr.’s exhibition In Plain Sight: a celebration of Black cowboys at SeeSaw Gallery. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cbcaa099-a052-44e5-b590-101fd1aa599e/6+-+MUL-FULL.jpeg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>Joseph Graves Jr., Made U Look, 2025, acrylic and oil pastel on canvas, 29.975 × 29.975 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/75faac0f-db8a-47f7-8250-70e01185a1d4/8+-+MUL+FULL.jpeg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>A detail view of Joseph Graves Jr.’s Made U Look, 2025, acrylic and oil pastel on canvas, 29.975 × 29.975 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a1f9098d-be29-4608-8c98-7345e6691dcf/7+-+Frida+full.jpeg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>Joseph Graves Jr., Frida in a Cowboy Hat, 2025, acrylic on canvas, 30 x 30 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8b76a9ca-4de3-4f44-bc3e-91153eb81b14/10+Frida+hat+detail.jpg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>A detail view of Joseph Graves Jr.’s Frida in a Cowboy Hat, 2025, acrylic on canvas, 30 x 30 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/39f66863-996e-4e15-ae2f-5c03203a121e/11+-+FULL+No+Laughing+Matter.jpg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>Joseph Graves Jr., No Laughing Matter, 2025, acrylic, aerosol, and map on canvas, 24 x 48 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e87273d4-6569-4c33-8edb-108ab39d0368/12+-+No+Laughing+Matter+detail.jpg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>A detail view of Joseph Graves Jr.’s No Laughing Matter, 2025, acrylic, aerosol, and map on canvas, 24 x 48 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7676b320-b383-47eb-ab0f-297135fd99c8/13+-+GIDDY+UP+FULL.jpeg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>Joseph Graves Jr., Giddy Up, 2025, mixed media, acrylic, aerosol, and map on canvas, 40 x 30 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f4273d11-181a-4206-9696-8056057e3440/14+-+full+Mile+High+Maverick.jpg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>Joseph Graves Jr., Mile High Maverick, 2025, acrylic, aerosol, and map on canvas, 48 x 48 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/355df3ab-ba73-483c-97b1-a30776949386/15+-+mhm+detail.jpg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>A detail view of Joseph Graves Jr.’s Mile High Maverick, 2025, acrylic, aerosol, and map on canvas, 48 x 48 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2a442ddd-6670-4085-9bd9-e28aa0bbe3ec/3+-+3+imgs.jpeg</image:loc>
      <image:title>Reviews Home - In Plain Sight: a celebration of Black cowboys - Make it stand out</image:title>
      <image:caption>Three works by Joseph Graves Jr., from left to right: Coven, 2025, acrylic on canvas, 9 x 9 inches; Let’s Ride, 2023, acrylic on canvas, 24 x 24 inches; and Teeter Totter, 2025, mixed media, acrylic, map, and aerosol on canvas, 10 x 20 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/rosas-y-revelaciones-homage-to-the-virgen-of-guadalupe</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7d026b8a-e205-40aa-a41e-9cdcddd954ed/RyR_042.jpg</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Rosas y Revelaciones at the Museo de las Americas in Denver. Image by Dariel Almeida, courtesy of the Museo de las Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e49f30f6-bfac-4041-91a3-982a301029f9/RyR_018.jpg</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>A view of three garments featuring images of the Virgin of Guadalupe commissioned by Linda Hanna. Image by Dariel Almeida, courtesy of the Museo de las Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/05ca3c9a-5b23-412f-9023-16a9c59c53d9/RyR_040.jpg</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Rosas y Revelaciones at the Museo de las Americas in Denver. Image by Dariel Almeida, courtesy of the Museo de las Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b5e2045c-e399-4c74-ad00-98fa5da34bcc/IMG_0881-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Teresa Borja Pérez, San Bartolomé Ayautla, Oaxaca (Mazateco), huipil made of unbleached muslin, embroidered with the technique of “Maya” stitch, a variant of puntada de hilván, running stitch, with the image of The Virgin on the front and back. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/22a54f67-c46a-4af7-8bf6-ab5bd12aec8e/IMG_0966-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Crispina Navarro Gómez, Santo Tomás Jalieza, Oaxaca (Zapoteco), miniature bag woven in five strips on a telar de cintura, a back-strap loom, with fine gauge commercial cotton thread, and supplementary warp patterning with The Virgin in the third strip, only on the front. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/55e92b1f-d577-420a-accf-6c5cce443ea0/IMG_0590-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Erasto (Tito) Mendoza Ruiz, Teotitlán del Valle, Oaxaca (Zapoteco), ruana woven on a treadle loom with naturally dyed cotton thread. The two images of the Virgin are woven with wool and metallic threads using a tapestry technique. The fringe is finished in macramé. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8f7c5ed2-db28-437b-a4e9-1ff46b68bff3/IMG_0667-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Teófila Servín Barriga, Tzintzunzan, Michoacán, dress made of cotton woven on treadle loom and embroidered using the technique of punto al passado, back stitch. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/74024510-b81d-4bf2-8da7-775c199a135e/IMG_0667.jpg</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Detail of Teófila Servín Barriga, Tzintzunzan, Michoacán, dress made of cotton woven on treadle loom and embroidered using the technique of punto al passado, back stitch. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/548061c0-8843-4fa6-aeb0-102093169dd5/IMG_0586-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>An arrangement of garments by Adela de la Cruz, Olivia y Alina Carrillo Cruz, and Teresa Borja Pérez in the exhibition Rosas y Revelaciones at the Museo de las Americas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/47fdb17e-f3fd-4384-859a-a9ff8d88f8a0/IMG_0615-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Maria Trinidad González García, Paracho, Michoacán (Purépecha), naturally dyed cotton rebozo with the image of The Virgin, brocaded on a backstrap loom with double-weaved technique. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/89c9e065-9141-41b8-a0f0-5186046649a3/IMG_0680-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Maurilia Pascual Martínez, Oaxaca, Oaxaca (Zapoteco), commercial cotton blouse, hand-led machine embroidered with polyester thread. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cdef0b5e-4c1e-479a-b00c-249ce3ebee2b/IMG_0875-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Jan Christian Mata Ferrer, San Felipe Santiago, Villa de Allende, Estado de México (Mazahua). Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/74bb2511-5958-43c7-8469-9beca7567ebf/IMG_0873-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Faustina Sumana García, San Juan Chilateca, Oaxaca (Zapoteco), blouse of poplin cotton with the image of The Virgin and flowers embroidered in the technique of punto al passado, back stitch. Also, the technique of pepenado fruncido, to make “Hazme si puedes.” Sleeves added with a decorative crochet stitch, also used to finish the neck and sleeve bottoms. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5adce698-78c5-4d5f-a16d-07c4263d7cf9/IMG_0872-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>María Guadalupe Santiago Sánchez, San Antonino Castillo Velasco, Oaxaca (Zapoteco), linen blusa embroidered with rayon thread using the techniques: satin stitch, camalache, pulled thread, and “Hazme si puedes.” The image of The Virgin on the front, back, and both shoulders. Edges finished with crochet trim. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/29921069-2f43-447c-bf65-74842fc92072/IMG_0959-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>Detail of María Guadalupe Santiago Sánchez, San Antonino Castillo Velasco, Oaxaca (Zapoteco), linen blouse, rayon thread, satin, crochet trim. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/51e74344-625a-42ca-8d96-7ed603369ffb/IMG_1261-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>An installation view featuring baules, cedar chests, used to transport and protect clothing in the exhibition Rosas y Revelaciones at the Museo de las Americas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1388380-ac88-42ae-9004-652d9c7dbb27/IMG_0601-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>An installation vignette with stones evoking river stones and hand washing in the exhibition Rosas y Revelaciones at the Museo de las Americas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1f212252-f46a-4e78-ae2b-f5bd08841a19/IMG_0913-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>An installation vignette featuring a wooden wardrobe and clothing depicted as erupting out of the storage cabinet in the exhibition Rosas y Revelaciones at the Museo de las Americas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/77d1f14e-e581-4d7d-892d-d0a47c68537e/IMG_0641-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>An installation view of the clothes suspended from the ceiling with ropes in the exhibition Rosas y Revelaciones at the Museo de las Americas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0f6a0fc1-4512-40ec-a5a6-65ac0d81f1ea/IMG_1255-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>An installation view of a tenderero, a place to hang clothes to dry using clothes line, in the exhibition Rosas y Revelaciones at the Museo de las Americas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3cc5dede-c34a-4f9f-862a-b540bb52ce3a/IMG_0887-1.png</image:loc>
      <image:title>Reviews Home - Rosas y Revelaciones: Homage to the Virgin of Guadalupe - Make it stand out</image:title>
      <image:caption>An installation view of wooden ladders used as warming racks in the exhibition Rosas y Revelaciones at the Museo de las Americas. Image by José Antonio Arellano.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/it-comes-in-waves</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6701709d-3218-4d8f-a17c-3b6a8af4ab6e/Installation4.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition It Comes in Waves at The People’s Building in Aurora, Colorado. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3120784e-fb3d-4a02-975d-5c6a715e7332/Hero.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Douglas “DC” Lehman, Hero, 2020, pencil, colored pencil, and ink on paper, 9 x 12 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fd987af5-f7bb-462b-9d7b-67bff6d013a7/Installation2_McDaniel%2C+Merz%2C+Lehman.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>An installation view of It Comes in Waves at The People’s Building. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d0dbe529-9864-4bea-a187-df7f94acb20a/Teague+McDaniel+and+Venture+Merz.+Sitting+with+it.+8+in+x+36+in.+Synthetic+fiber+masks%2C+wood%2C+paper+collage.+2025.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Teague McDaniel and Venture Merz, Sitting with it, 2025, synthetic fiber masks, wood, and paper collage, 8 x 36 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/32559559-5f45-4ed4-893b-e5a4f4ab5cc0/Lucy%27s+Story.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Lucy’s Story, illustrated by Sonny Lee, 2025, acrylic on paper, 9 x 9 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fdf856f9-2d91-4991-8b69-0cda6f8fa0c6/Karen+Breunig.+Red+Dress+No.+3.+Oil+on+canvas.+30+in+x+40+in.+2023.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Karen Breunig, Red Dress #3, 2023, oil on canvas, 30 x 40 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ddbd4b63-baa6-4c0c-b55a-0f3f4d563b5f/Carol%27s+Story.+Illustrated+by+Douglas+DC+Lehman.+Pencil+and+ballpoint+pen+on+paper.+9+in+x+9+in.+2025.+Photo+by+Wes+Magyar.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Carol’s Story, illustrated by Douglas “DC” Lehman, 2025, pencil and ballpoint pen on paper, 9 x 9 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/21d932c1-7cf1-4b8a-910a-6a1b5d67a42b/Dani%27s+Story.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Dani’s Story, illustrated by Douglas “DC” Lehman, 2025, pencil and ballpoint pen on paper, 9 x 9 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f910c501-ba6b-4e1e-8afa-2c7f2b523c99/Installation9_Meirer.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>An installation view of Beth Meier’s (left) and Karen Breunig’s (right) work in It Comes in Waves at The People’s Building. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c1b759b4-b54b-474d-a178-291c524b41d8/Nalani+Saeks.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>An installation view of poems by Nalani Saeks in It Comes in Waves. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d56f241e-ea6c-4d5e-8fb5-acadef225450/Michaela%27s+Story.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Michaela’s Story, illustrated by Hector Castillo, 2025, acrylic on paper, 9 x 9 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69a82ac0-456c-4b84-8b2e-05f04a859a33/Sophia%27s+Story.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Sophia’s Story, illustrated by Sonny Lee, 2025, acrylic on paper, 9 x 9 inches Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/197aeedb-2fb5-453a-9a2a-ed02dbe19e99/Installation3_Shifflet%2C+Breunig%2C+Saeks%2C+Dove.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>An installation view of works by AnaKacia Shifflet, Karen Breunig, Nalani Saeks, and Karin Dove (left to right) in It Comes in Waves at The People’s Building. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce87b28b-6732-4943-8337-74d47a0bdf6a/Sally+Hartshorn.+THE+PROTECTOR.+Wool%2C+felt%2C+wood%2C+feather%2C+paper%2C+mixed+media.+metal.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Sally Hartshorn, THE PROTECTOR, wool, felt, wood, feather, paper, mixed media, and metal. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5bf770f2-c30b-48e1-be84-bee844cc83ce/AnaKacia+Shifflet.+The+Painted+Dress.+Fabric%2C+paint.+2020.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>AnaKacia Shifflet, The Painted Dress, 2020, fabric and paint. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/da386861-7940-4e76-92fe-bd24f84fb775/Emerson%27s+Story.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>Emerson’s Story, illustrated by Mario Rios, 2025, ink on paper, 10 x 10 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/529af15b-5772-44b3-9cb5-8a0d52b9c8d6/Installation8_Morris.jpg</image:loc>
      <image:title>Reviews Home - It Comes in Waves - Make it stand out</image:title>
      <image:caption>An installation view of It Comes in Waves at The People’s Building. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/camp-queer-arts-and-crafts-and-the-beauty-of-imperfection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f1733632-480a-4b40-82ae-867f000073c2/18_150dpi+2.jpg</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>An installation view of CAMP: Queer Arts and Crafts &amp; the Beauty of Imperfection at Kin Studio and Gallery. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/57db5a8c-7700-4d39-b081-c7850f71f8f3/1.JPEG</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Kin Studio and Gallery owner and artist Allyson McDuffie (third from left) with studio assistants (left to right) Graham Shepherd, Arcus Evans, Demi Howard, Celeste Wilson, and Copeland Shepherd at the exhibition opening in September 2025. Image by Dona and Niko Laurita, courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fd202ded-d9d0-4d30-8f89-02f80f759af8/15.JPEG</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Allyson McDuffie, Proud Mama, 2025, cardboard, afghans, and hot glue, 34 x 26 x 2 inches. Image by Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c42baea7-5cb3-4f46-8543-f8061681d303/IMG_8463.jpeg</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Allyson McDuffie, Hitch, 2025, cardboard, afghan, acrylic, faux fur feathers, and hot glue, 28 x 31 x 2 inches. Image by Liz Quan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/48b91fd6-69c3-4b72-b7f9-4a4ee9d3b792/20_150dpi.jpg</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>An installation view of CAMP: Queer Arts and Crafts &amp; the Beauty of Imperfection at Kin Studio and Gallery. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/33c1c08d-6052-431e-a325-ab99d69f6826/22_150dpi.jpg</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Allyson McDuffie, Do these rubbers make by butt look big?, 2025, cardboard, leather, strap-on harness, riding crop, charms, and condoms, 34 x 38 x 11 inches. Image by Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af97e78c-791b-4e6c-a2d8-43382c18bf93/13_150dpi.jpg</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Top: Allyson McDuffie, Old Salty, 2025, cardboard, afghan, and hot glue, 34 x 42 x 2 inches. Bottom: Allyson McDuffie, I do. (Fuck off, Kim Davis.), 2025, cardboard, papier mâché, and paper text, 33 x 36 x 10 inches. Image by Madeleine Boyson.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c6c11eb1-533b-49b4-bede-bb1272329dbb/10_150dpi+2.png</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Allyson McDuffie, Some Pig, 2025, cardboard and yarn, 32 x 37 x 10 inches. Image by Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/525093f6-9b30-48ae-9dce-b18268039676/IMG_8456.jpeg</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Allyson McDuffie, Merit Badges (top left to bottom right): Dyke, Butch, Tomboy, Gay, Friendship, and Queer, 2025, tufted yarn, each 22 x 22 x 1 inches. Image by Liz Quan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/80fc4d73-53dd-4f1c-bff1-0f6e5c6ebf4c/IMG_8444.jpeg</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Arcus Evans, Demi Howard, Savy Laubacher, Graham Shepherd, Copeland Shepherd, and Celeste Wilson, Battle Jacket, 2025, mixed media. Image by Liz Quan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/15b904f6-ad50-457f-9bbd-613ba28d70fe/2_150dpi+2.jpg</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Allyson McDuffie, Chicken Run, 2025, cardboard, pasta, glue, spray paint, and faux feathers, 22 x 36 x 5 inches. Image by Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cc2af476-e545-4919-b15c-58efd5af0376/1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - CAMP: Queer Arts and Crafts &amp;amp; the Beauty of Imperfection - Make it stand out</image:title>
      <image:caption>Studio assistants Celeste Wilson (left) and Graham Shepherd (right) working on Allyson McDuffie’s Some Pig, 2025, cardboard and yarn, 32 x 37 x 10 inches. Image by Kin Studio and Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/what-we-hold-on-to</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f963a3f4-07fc-4d43-a1b6-d3f6be64c892/Black+Cube_What+We+Hold+On+To_2.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition What We Hold On To featuring works by Martin Creed, SANGREE, Amber Cobb, Marek Wolfryd, and Cristóbal Gracia at Black Cube Headquarters (BCHQ) in Englewood, Colorado. Image by Third Dune Productions, courtesy of Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/78719d32-8cd6-4418-b8d9-01e450eb2704/Black+Cube_What+We+Hold+On+To_1.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of What We Hold On To at Black Cube Headquarters. Image by Third Dune Productions, courtesy of Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9a874412-d34d-47ab-a25b-9879a05529f7/DSC_0004_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>A detail view of Marek Wolfryd’s Content Creation in the Age of Globalized Reproduction, mylar balloons. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2fd6639f-82a9-4b52-b706-dd6f39976b11/Black+Cube_What+We+Hold+On+To_4.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of What We Hold On To showing works by Martin Creed, SANGREE, Viviane Le Courtois, Marsha Mack, Anuar Maauad, Marek Wolfryd, and Cristóbal Gracia at Black Cube Headquarters. Image by Third Dune Productions, courtesy of Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/578acb65-43ca-4185-996b-d149ce7c3b0e/DSC_1764_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of SANGREE’s Florence and Krzywy Las, fiberglass, resin, and clay. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5b615532-7543-4124-9b59-2b3860fda43e/Black+Cube_What+We+Hold+On+To_13.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of Anuar Maauad’s selections from WE ARE BODIES (The Archaeology Files), 2022, acrylonitrile butadiene styrene, polyester resin, and enamel paint. Image by Third Dune Productions, courtesy of the artist and Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7f3d4636-4c18-4fd5-89e1-08994683a6fb/DSC_0027_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of Amber Cobb’s Negotiating the Rations, 2025, chains, fragments of personal and found objects, and biological matter, commissioned for the What We Hold On To exhibition. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ea128ea9-d68a-4114-9e97-c12bfb59bdb7/DSC_1722_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>Marsha Mack, Tethered, 2025, glazed ceramic, cotton rope, and cast glass, each pendant: 7.5 x 6.5 x 1.75 inches, 70 inches long (installation dimensions variable). Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6aebae41-b357-4818-8e22-d1b0dd39df3a/DSC_1726_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>Marsha Mack, Double Berry, 2025, glazed ceramic, 16.5 x 15 x 6 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1680e275-2ab0-4aea-95a2-44a6a534c73d/Black+Cube_What+We+Hold+On+To_21.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of Jerónimo Reyes-Retan’s Nosotros tenemos los relojes, pero ustedes tienen el tiempo / We have the watches, but you have the time (No. 02), 2025, two-channel sound reproducing metal device and an LED sign., reenvisioned for the What We Hold On To exhibition at Black Cube Headquarters. Image by Third Dune Productions, courtesy of Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/87edfec7-1026-498c-86e9-1c884221650d/DSC_0020_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>A detail view of Jerónimo Reyes-Retan’s Nosotros tenemos los relojes, pero ustedes tienen el tiempo / We have the watches, but you have the time (No. 02),2025, two-channel sound reproducing metal device and an LED sign, reenvisioned forthe What We Hold On To exhibition. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/952da316-fda2-444f-bcce-90ca9ae38312/Black+Cube_What+We+Hold+On+To_16.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of Kija Lucas’s The Museum of Sentimental Taxonomy Vitrine #12, 2014–2025, archival pigment print. Image by Third Dune Productions, courtesy of the artist and Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0d6dd5bd-d52b-4cc7-90b6-95b6d0917c4e/DSC_1773_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>A detail view of Kija Lucas’s The Museum of Sentimental Taxonomy Vitrine #12, 2014–2025, archival pigment print. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9c15531e-2298-4aed-82f6-28f78746ab5e/Black+Cube_What+We+Hold+On+To_11.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of Cristóbal Gracia’s Perla barroca cultivada, “La Absoluta” / Baroque cultured pearl, “Assoluta”, 2025, brass, iron, plaster, and mixed media. Image by Third Dune Productions, courtesy of the artist and Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9fdd275d-35b2-43fb-94d0-73c43d5cddd9/DSC_1823_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>A detail view of Cristóbal Gracia’s Perla barroca cultivada, “La Absoluta” / Baroque cultured pearl, “Assoluta”, 2025, brass, iron, plaster, and mixed media. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fd711279-bcea-4163-86e9-1dfe4ed762ab/Black+Cube_What+We+Hold+On+To_9.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>Laleh Mehran, What the Air Carries, 2025, multimedia sculpture, commissioned for the What We Hold On To exhibition. Image by Third Dune Productions, courtesy of Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/57d4201f-10b2-4a14-8460-f5ad75726f82/DSC_1804_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>A detail view of Laleh Mehran’s What the Air Carries, 2025, multimedia sculpture. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/143a783d-28df-48c4-9221-3f10806628a1/Black+Cube_What+We+Hold+On+To_20.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of Phillip Andrew Lewis and Heather Dewey-Hagborg’s Spirit Molecule IV, 2025, petri dishes, medicinal plant samples, grow light, and 5-channel video, commissioned for the What We Hold On To exhibition. Image by Third Dune Productions, courtesy of Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1a6242e5-53e1-4919-8359-575771999d1a/DSC_1758_150dpi.jpg</image:loc>
      <image:title>Reviews Home - What We Hold On To - Make it stand out</image:title>
      <image:caption>An installation view of the What We Hold On To exhibition at Black Cube Headquarters. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/between-here-and-there</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/632aef09-122b-47b2-bc0d-1febc62732a3/Installation+Photo+4.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Between Here and There at D’art Gallery, including the cast shadow of the gallery name. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/63f6966b-6f2d-4bd3-83fb-5c617494ff1f/Installation+Photo+1.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>An installation view of Between Here and There at D’art Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/777068fa-2a36-42fc-9f3c-63ef03d16881/Biophilia.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Katelyn Odenheimer, Biophilia, stoneware and big leaf maple, 27 x 7 x 5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/df471b0a-dff4-4c09-a9b5-80f6cfc7ef39/Light+in+Santa+Elena+Canyon.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Sam Elkind, Light in Santa Elena Canyon, 2025, 1/10, archival inkjet print, protected by UV-resistant laminate, 22 x 17 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/846595b4-033b-4e56-aec8-864e6cd40b72/Installation+of+Elkind_s+work.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Clockwise from top left: Sam Elkind, Encino, New Mexico, 2025, 1/10, archival inkjet print, protected by UV-resistant laminate, 22 x 17 inches. Sam Elkind, Over San Antonio Mountain, 2025, 1/10, archival inkjet print, protected by UV-resistant laminate, 17 x 22 inches. Sam Elkind, Light in Santa Elena Canyon, 2025, 1/10, archival inkjet print, protected by UV-resistant laminate, 22 x 17 inches. Sam Elkind, Play of Light - Jemez Mountains, 2025, 1/10, archival inkjet print, protected by UV-resistant laminate, 17 x 22 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/79c7b444-fb9f-406e-81af-fdf5a524f388/Smoke+Drift.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Pam Rogers, Smoke Drift, plant and soil pigments, carbon, graphite, copper, and ink, 20 x 16 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1955b3b3-72d4-45fa-a09b-b36c9377593e/Installation+of+Brown_s+work.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Top to bottom, left to right: Catherine Brown, Field of Poppies, acrylic on wood panel, 12 x 12 inches. Catherine Brown, Above the Fruited Plain, acrylic on wood panel, 18 x 18 inches. Catherine Brown, Shaken, Not Stirred, acrylic and chalk on canvas, 24 x 24 inches. Catherine Brown, The Sisters at The Art Gallery, acrylic on wood panel, 12 x 12 inches. Catherine Brown, Lazy Q Ranch, acrylic on wood panel, 18 x 18 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e050af3d-2bb5-4222-89fc-05c2f684c599/Shaken%2C+Not+Stirred.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Catherine Brown, Shaken, Not Stirred, acrylic and chalk on canvas, 24 x 24 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b48ff81b-ef86-45ed-8527-691cb34be538/Installation+of+Kobey_s+work.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Clockwise from top left: Rozanne Kobey, Quite Decay, encaustic and monotype with yasutomo paper on wood, 12 x 12 inches. Rozanne Kobey, Gilded Echoes, encaustic and monotype with yasutomo paper on wood, 12 x 12 inches. Rozanne Kobey, Ice Forest, encaustic and monotype with yasutomo paper on wood, 12 x 12 inches. Rozanne Kobey, Botanical Veil, encaustic and monotype with yasutomo paper on wood, 12 x 12 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6ba1fd48-aa66-42f7-bbf5-35872724d74f/Botanical+Veil.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Rozanne Kobey, Botanical Veil, encaustic and monotype with yasutomo paper on wood, 12 x 12 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/300e890d-71c7-4d04-bcc8-f8ce2651fe3a/Installation+of+Fleetwood_s+work.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Left to right: Donna Fleetwood, She KNOWS…, mixed media on panel, 20 x 20 inches. Donna Fleetwood, Party, mixed media on panel, 16 x 16 inches. Donna Fleetwood, Go West, mixed media on panel, 20 x 20 inches. Donna Fleetwood, Blue Hat, mixed media on panel, 14 x 14 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aa51fa70-977e-49fb-b83e-fb3e7a4727b4/Blue+Hat.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Donna Fleetwood, Blue Hat, mixed media on panel, 14 x 14 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/160d7b4c-358f-4663-97a3-2a9148807d90/Singing+Guitar.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>SA Bennett, Singing Guitar, 36 x 48 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/84868bfd-33a3-4404-8e0f-e60f38e56139/American+Soil.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Carol Bivins, American Soil, acrylic, paper and oil on canvas, 52 x 52 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bc208811-3b48-4125-ac04-95c2d5ba46d6/Detail+of+American+Soil+1.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>A detail of Carol Bivins, American Soil, acrylic, paper and oil on canvas, 52 x 52 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ab3a414b-b22f-41e0-b956-1a5fe01edd73/Children_s+Crusade.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Marc Chicoine, Children’s Crusade - A piece about U.S. accountability, oil on canvas, 36 x 24 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c291f21d-a072-4eac-84c2-76392945878f/Kendrick+Lake+Ice.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>Jon Kitner, Kendrick Lake Ice, 24 x 24 inches Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3bbb7a1f-75c7-4add-9d0e-b779316fa976/Installation+Photo+7.jpg</image:loc>
      <image:title>Reviews Home - Between Here and There - Make it stand out</image:title>
      <image:caption>An installation view of Between Here and There at D’art Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/gail-watson</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d25a2dbe-a97f-40d7-b09f-801aedd058ff/Installation+view+of+Gail+Watson+exhibition+in+the+regional+gallery_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>An installation view of the Gail Watson exhibition in the Helen Thatcher White Regional Gallery at the Sangre de Cristo Arts and Conference Center. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/18c41cfb-51de-4426-a1bc-93234a31e4ff/Gail+Watson.+Copper+Topo.+Pastel+and+foil+on+wood_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>Gail Watson, Copper Topo, pastel and foil on wood, 12 x 12 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46f44dff-4d37-400c-a356-63ca96201557/Gail+Watson.+Boom+8.+Pastel+and+foil+on+wood_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>Gail Watson, Boom 8, pastel and foil on wood, 12 × 36 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1247d62f-d5f4-4fa5-b46b-5d661809aa3a/Gail+Watson.+Boom.+Pastel+and+foil+on+wood_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>Gail Watson, Boom, pastel and foil on wood, 12 x 12 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2a9d9713-1230-45ca-acb7-39405898c95d/Gail+Watson.+Moving+Spheres.+Pastel+and+foil+on+wood_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>Gail Watson, Moving Spheres, pastel and foil on wood, 12 x 12 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3b6a55fb-6989-4563-ab19-ae42b7202b0b/Gail+Watson.+Round+Sectional+Sphere.+Pastel+and+foil+on+wood_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>Gail Watson, Round Sectional Sphere, pastel and foil on wood, 16 inches in diameter. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9e13648d-c115-444a-851b-2ef717690479/Gail+Watson.+Sectional+Topo+1.+Pastel+and+foil+on+wood_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>Gail Watson, Sectional Topo 1, pastel and foil on wood, 12 x 12 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ad4d71f4-013b-4d26-9991-503cd7cc6cfd/Installation+view+of+works+by+Gail+Watson+from+her+Electrons+and+Labyrinths+series_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>A view of five works by Gail Watson from the Electrons and Labyrinths series at the Sangre de Cristo Arts and Conference Center. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a0fd1a90-58f0-4ec1-a160-7ae038206066/Gail+Watson.+Waiting+Labyrinth.+Pastel+and+foil+on+wood_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>Gail Watson, Waiting Labyrinth, pastel and foil on wood, 12 × 12 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/19d2a874-4d1d-4e4a-9562-6fb2d70743bd/Gail+Watson.+Summer+Labyrinth.+Pastel+and+foil+on+wood_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>Gail Watson, Summer Labyrinth, pastel and foil on wood, 24 x 24 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c4c05125-7d0a-49d7-b8e7-e2f19d62a366/Installation+view+of+Sense+of+Place+Topophilia+series_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>An installation view of Gail Watson’s Sense of Place | Topophilia series at the Sangre de Cristo Arts and Conference Center. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e2ffc938-cbb3-4758-b9d1-6aaf28d10e9b/Gail+Watson.+Geographer_s+Mark.+Pastel+and+foil+on+wood..JPG</image:loc>
      <image:title>Reviews Home - Gail Watson - Make it stand out</image:title>
      <image:caption>Gail Watson, Geographer's Mark, pastel and foil on wood, 12 x 12 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/fiber-arts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d674d9cf-fce1-48fb-ab02-ad38c5221224/8.jpg</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>An installation view of Fiber Arts at the Messinger Gallery, inside the Boulder Jewish Community Center, on view through December 4, 2025. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f2ca7071-3fce-4c4e-a753-deca2c9cdcfb/12+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Julie Rothschild, Crossing, 2025, cotton, linen, bamboo, and watercolor, 48 x 60 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/122e604c-a967-4b41-bc56-74615f91eefa/6.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Julie Rothschild, Navy Blue Bamboo, 2025, bamboo and cotton, 38 x 110 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/82c31436-ae6f-4475-9c22-334705caa6dc/4+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Julie Rothschild, Corridors, 2025, cotton, 30 x 120 inches with strands. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0726c8a5-cb83-4613-84e7-de3162e844de/5+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>A detail view of Julie Rothschild, Corridors, 2025, cotton, 30 x 120 inches with strands. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/85df8734-1cf0-4536-9817-dccaf4f8fabd/2.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Sara Goldenberg White, Cosmically Bound, silk dupioni, embroidery floss, and sewing thread, 63 x 43 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d208319f-c6b3-4884-a7fc-d16c441fcd47/1.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Camille McMurry, In the Flow, hand-dyed and felted merino wool, 4 x 7 feet. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/105bf9ce-9820-4f24-a7ab-2961547a848c/9+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Camille McMurry, The Long Becoming, hand-dyed and felted merino wool, 30 inches x 6 feet (each piece). Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fb8c658d-94eb-4438-a2b4-b3deec978a0c/10.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Sara Goldenberg White, left to right: Invasive Cells, cotton thread, copper wire, embroidery floss, and sewing thread, 24 x 16 inches; Tiger Lily, cotton thread, copper wire, embroidery floss, and sewing thread, 23 x 32 inches; and In Situ Cells, cotton thread, copper wire, embroidery floss, and sewing thread, 24 x 16 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/15eda5cb-e158-48f4-b311-3e68b6602738/11.jpg</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Julie Rothschild (left) One in Two Parts - One, 2025, linen, bamboo, silk, copper, and acrylic paint, 58 x 65 inches and (right) One in Two Parts - Two/Layered, 2025, linen, bamboo, silk, copper, and acrylic paint with back layer of cotton and bamboo, 58 x 70 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/033b3518-ad73-4649-a70c-05913289e3c5/17+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Sara Goldenberg White, (left) The Divide II, hand-dyed cotton thread, copper wire, embroidery floss, and sewing thread, 34 x 43 inches and (right) The Divide, hand-dyed cotton thread, copper wire, embroidery floss, and sewing thread, 40 x 40 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/39d4dd29-82f9-4181-affc-4bbbb645e7b5/14.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Camille McMurry, Kitchen Chaos, hand-dyed and felted merino wool, 36 x 18 x 2 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b8b4c05c-68b6-43ca-8346-0df66ceae70f/15.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Camille McMurry, High Noon, hand-dyed and felted merino wool, 16 x 20 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cebc2ddd-fe67-4b41-b5dd-f9eabee94f78/3+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Camille McMurry, Undertow, hand-dyed and felted merino wool, 40 inch diameter. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5b546f76-e8fb-41fc-8d8d-0a4f72a52a86/18.jpg</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>An installation view of Camille McMurry, Undertow, hand-dyed and felted merino wool, 40 inch diameter. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e18ef522-c54c-401e-816e-7a29771b115a/16.JPG</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>Julie Rothschild, Eddying, cotton, linen, bamboo, and watercolor, 60 x 60 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c83f487-3d14-4b37-8fa1-15b698931743/19.jpg</image:loc>
      <image:title>Reviews Home - Fiber Arts - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Fiber Arts at the Messinger Gallery, inside the Boulder Jewish Community Center. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/mutations-how-soon-we-forget</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed1212e9-0a87-4527-9ea8-ad89dbef6fb1/fooLPRoof+contemporary+art+gallery%2C+Mutation+and+How+Soon+We+Forget+Fall+2025%2C+image+by+Laura+Phelps+Rogers.jpg</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>An installation view of George Rivera’s exhibition Mutations and Christopher Meyer’s exhibition How Soon We Forget at fooLPRoof Contemporary Art. Image by Laura Phelps Rogers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7d2ba3ca-0d78-438e-8bc2-58baca95ad7a/George+Rivera+composite+image+web+size+fooLPRoof+contemporary+art+all+rights+reserved+image+by+Laura+Phelps+Rogers.jpg</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>George Rivera, Untitled, 2025, composite image of ink drawings printed on fabric, 62 x 84 inches. Image by Laura Phelps Rogers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2fdcb6fa-d119-40be-ba44-c5494cf18690/IMG_2778+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>George Rivera, a series of Untitled drawings, 2023, ink on paper mounted on canvas panels with barnwood top mount, 62 x 64 inches. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/86cd88dd-cb4f-4902-a15e-1301934416d5/IMG_2789+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>A detail view of George Rivera’s Untitled drawing, 2025, fine art print of ink drawing mounted on Dibond, 23 x 29 inches each. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a1ee29fe-43c1-4470-b427-428c7d9f8f4c/IMG_2787+2.jpg</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>The title wall for George Rivera’s exhibition Mutations and Christopher Meyer’s exhibition How Soon We Forget at fooLPRoof Contemporary Art. On the left: George Rivera, a series of Untitled drawings, 2023-2024, ink on paper mounted on wood panels, 11 x 14 inches each. In the center: Christopher Meyer, Tall Green Ash, 2014-2024, performance-based cast iron, 24 x 16 inches. On the right: George Rivera, Untitled, 2023, ink on cotton rag paper, 29 x 24 inches. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8da2eddd-0344-455c-af1a-f0cc0113fa6f/IMG_2779+2_cropped.jpg</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>George Rivera, Untitled drawings, 2025, fine art prints of ink drawings mounted on Dibond, 23 x 29 inches each. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/70d3b0bd-4514-41cb-a58a-ff16bef64a20/IMG_2788+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>A detail view of George Rivera’s Untitled drawing, 2025, fine art print of ink drawing mounted on Dibond, 23 x 29 inches each. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6326d623-0748-4922-b3c5-a52f8cac0247/IMG_2776+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>A detail view of one of George Rivera’s Untitled drawings, 2023, ink on linen mounted to canvas, 24 x 24 inches. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b7f63024-3aba-45c7-a843-1ac9623ad169/IMG_2799+2.jpg</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>George Rivera, Untitled drawing, 2023, ink on paper, 27 x 30 inches. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/354ba3cf-cdc1-4bd3-a4c7-ee08be615d94/IMG_2800+2.jpg</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>George Rivera, Untitled drawing (detail), 2023, ink on paper, 27 x 30 inches. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/30ba82d0-3197-4f40-8f2e-6a2f5ccd035b/IMG_2796+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>Three works by Christopher Meyer, from left to right: Scotch Pine, 2014-2024, performance-based cast iron, 20 x 18 inches; Root Bound, 2014-2024, performance-based cast iron, 14 x 14 inches; Buckthorn Small, 2014-2024, performance-based cast iron, 10 x 11 inches. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/52cd60c5-b27f-4625-943a-9e455f135bc8/Meyer_Christopher+sm+LPP-2016186552+on+left.jpg</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>A photo of Christopher Meyer creating cast iron works in his Shelterbelt series. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/714eb66a-7aa9-4c6b-97bd-d11d6c72a6d7/IMG_2777+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>Christopher Meyer, Phallus, 2014-2024, performance-based cast iron, 17 x 20 inches Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/36f4001e-ddb7-44c3-afea-dd9ed717cb23/IMG_2771+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>Three works by Christopher Meyer, from left to right: Green Ash, 2014-2024, performance-based cast iron, 11 x 24 inches; Green Ash Small, 2014-2024, medium performance-based cast iron, 15 x 9 inches; Hackberry, 2014-2024, performance-based cast iron, 20 x 20 inches. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a8b2dd8a-0c3a-41f2-889e-a7d476990c17/IMG_2794+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>A detail view of Christopher Meyer’s Scotch Pine, 2014-2024, performance-based cast iron, 20 x 18 inches. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f12d412-a5f0-44c4-9e2d-9a971f380122/IMG_2813+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>Laura Phelps Rogers, the gallery manager and curator of fooLPRoof Contemporary Art, opens a box of George Rivera’s Untitled drawings, 2023, ink on paper, 11 x 15 inches each, from the backstock of his Mutations collection. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/931a7766-e4f3-4430-ba81-2f3b50df256f/IMG_2807+2.JPG</image:loc>
      <image:title>Reviews Home - Mutations | How Soon We Forget - Make it stand out</image:title>
      <image:caption>In the foreground, two works by Christopher Meyer. On the left: Twisted Ash, 2014-2024, performance-based cast iron, 16 x 20 inches, and on the right: Cottonwood, 2014-2024, performance-based cast iron, 10 x 14 inches. In the background: George Rivera, Untitled, 2025, composite giclée print on fabric of ink drawing, 62 x 84 inches. Image by Parker Yamasaki.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-spectrum-of-blue-before-these-witnesses</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8371fd9a-378d-4faf-abcf-f875332d3a7b/1.jpeg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>An installation view of works by Daisy Patton in the exhibition Before These Witnesses at K Contemporary. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5d42529-4e3b-4836-979e-b784674a1b3b/17.jpg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>An installation view of works by Ya La'Ford in the exhibition The Spectrum of Blue at K Contemporary. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3b890ba9-89b0-4874-a8ef-1b0ab6e80ab6/8+correct.jpg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>Daisy Patton, Untitled (The Bridal Party), 2022, oil on archival print mounted to panel, 90 x 68 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/042daed0-dc3e-4a6c-8b07-060630810a6d/9+-+detail.jpeg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>A detail view of Daisy Patton’s Untitled (The Bridal Party), 2022, oil on archival print mounted to panel, 90 x 68 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b3d1ce0d-884a-4d5e-913b-759cca351e15/5.jpg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>Daisy Patton, Untitled (Wedding Portrait with Children and Rug and Orange Vines with Multicolored Flowers), 2024, oil on archival print mounted to canvas with fabric, embroidery, tassel fringe, floral buttons, and fabric flowers, 111 x 117 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/94fbc16c-e9b6-4bdd-aecc-f98c5ebd66a1/4+flower+detail.jpg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>A detail view of Daisy Patton’s Untitled (Wedding Portrait with Children and Rug and Orange Vines with Multicolored Flowers), 2024, oil on archival print mounted to canvas with fabric, embroidery, tassel fringe, floral buttons, and fabric flowers, 111 x 117 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/01d8a63b-522d-4ca5-ae38-74feae8a37c5/7+-+keng+u.jpg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>Daisy Patton, Untitled (Wu 26 ul 1956 Keng U Photo 154 High, K.L.), 2025, oil on archival print mounted to canvas with fabric, embroidery, tassel fringe, floral buttons, and fabric flowers, 107 x 92 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a59442a7-b7bd-4b25-82ad-9a919ac8ada9/10+%281%29.jpeg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>An installation view of works by Ya La'Ford in the exhibition The Spectrum of Blue at K Contemporary. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/446b7757-8b14-41c4-80fe-2dc50c8df78d/11+legit.jpg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>Ya La'Ford, Liminal Fragments, 2025, acrylic, ink, pigment, glue, alcohol, egg, bleach, and resin on canvas, 24 x 18 x 1.5 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/06bc3016-1961-477d-92a3-f1058abf3874/12+-+deetail.jpeg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>A detail view of Ya La'For’s, Liminal Fragments, 2025, acrylic, ink, pigment, glue, alcohol, egg, bleach, and resin on canvas, 24 x 18 x 1.5 inches. Image by Kamden Hilliard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b39c4f30-b658-4e5a-a1fd-cfa395cd7275/14+legit.jpg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>Ya La'Ford, Pulse of Epiphany, 2025, acrylic, ink, pigment, glue, alcohol, egg, bleach, and resin on canvas, 24 x 18 x 1.5 in. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6fe3bd7e-6372-404f-b330-59cc437a848e/15+legit.jpg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>Ya La'Ford, Alpenglow, 2025, acrylic, ink, pigment, glue, alcohol, egg, bleach, and resin on canvas, 50 x 50 x 3.37 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/14aa4418-96fc-4780-882a-0d49fe77d035/16+legit.jpg</image:loc>
      <image:title>Reviews Home - The Spectrum of Blue | Before These Witnesses - Make it stand out</image:title>
      <image:caption>An installation view of works by Daisy Patton in the exhibition Before These Witnesses at K Contemporary. Image by Kamden Hilliard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/womens-work-is-never-done-to-see-takes-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f39afd20-f8fe-4b01-ba06-69c259bcf8bb/womensworkinstall.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Women's Work is Never Done at Art Gym. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0f91b137-4cf4-40d3-bdaa-4d04b6c61081/womensinstall4.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>An installation view of Women's Work is Never Done with two paintings by Carrie Shiffrin in the center. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f83b941-d8ae-437f-b2cb-5d472f0cd6c7/this_shlak.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Carrie Shiffrin, This shlak?, watercolor and ink on paper. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0262d70a-a64b-49a9-8759-cb58595bccd6/refsyousuck.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Carrie Shiffrin, Refs you suck!, watercolor and ink on paper. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ceb6d2ff-5212-4b87-868e-e694a9186194/girl+dinner.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Carrie Shiffrin, Girl Dinner, gouache and ink on paper. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3aa69c57-789a-4b79-8f2f-a3608b13e592/Her+Covered+Mouth%2C+Her+Exposed+Truth.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Jasmine Dillavou, Her Covered Mouth, Her Exposed Truth, lipstick on canvas. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/29998e6e-bbb6-40bf-aaae-c305b4cf681d/fought+forever.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Jasmine Dillavou, Fought Forever, lipstick on panel. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a6209481-90b1-4456-b877-56d555386ba2/Digging+your+way+out.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Jasmine Dillavou, Digging your way out, acrylic nails and herbs. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/60e6c80b-05e5-4a81-8b2f-6fec20d29d66/Dirt+Under+Nails+I.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Jasmine Dillavou, Dirt Under Nails I, acrylic nails, bones, and magical herbs. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c68f0262-e691-45ee-a160-fe81b4b6aec2/fleshner+install.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Three works by Charis Fleshner in the exhibition Women's Work is Never Done at Art Gym. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dcc5df7c-5ced-49bb-aed9-cb3a0d9cc177/she+didnt+mean+anything+to+me.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Charis Fleshner, She didn’t mean anything to me, colored pencil on paper. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4e4e96f9-84aa-4ef3-86f0-591f125c5f93/upyourmeds.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Charis Fleshner, Up your meds, colored pencil on paper. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bff061a7-64d8-4a88-bdc8-96a7fed8de52/shhhhhhhh.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Charis Fleshner, Shhhhhhhhhhh, colored pencil on paper. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/be0d0228-21e1-4b35-9396-c74b077fae88/oberdorferinstall2.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>An installation view of Kathryn Oberdorfer’s exhibition To See Takes Time in the Leyden Jar Gallery at Art Gym. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/112c9d9f-630a-45b1-b6ce-607ccc80122c/inthegardens.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Kathryn Oberdorfer, In the Gardens, acrylic, pastel, charcoal, and collage on canvas. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e049fabe-0c92-4318-ace9-4a96ea12c20b/nightfall.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Kathryn Oberdorfer, Nightfall, acrylic and pastel on canvas. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c766d573-63cb-4188-94df-bd6d4a67d686/oberdorferinstall.JPG</image:loc>
      <image:title>Reviews Home - Women's Work is Never Done | To See Takes Time - Make it stand out</image:title>
      <image:caption>Works by Kathryn Oberdorfer in her exhibition To See Takes Time. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/catalysts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/74167a8b-a83e-49e5-abc1-3a5b042738a5/Catalysts_stage+door+view.JPG</image:loc>
      <image:title>Reviews Home - Catalysts - Make it stand out</image:title>
      <image:caption>A view from the street of Jann Haworth’s Catalysts, 2025, billboard in downtown Denver. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7fe1ece2-f296-4cb9-950b-5daaf16127ee/Denver_Panels_Combined_withShadow+%285%29.jpg</image:loc>
      <image:title>Reviews Home - Catalysts - Make it stand out</image:title>
      <image:caption>Jann Haworth, Catalysts, 2025, billboard in downtown Denver. Image courtesy of the Denver Theatre District.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/30807cc8-1afb-4878-b71c-37e2404333a3/Catalysts_left+panel.JPG</image:loc>
      <image:title>Reviews Home - Catalysts - Make it stand out</image:title>
      <image:caption>The left panel of Jann Haworth’s Catalysts, 2025, billboard in downtown Denver. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b8e26377-5a05-4277-a2b2-88f615295c8a/Catalysts_center+panel2.JPG</image:loc>
      <image:title>Reviews Home - Catalysts - Make it stand out</image:title>
      <image:caption>The center panel of Jann Haworth’s Catalysts, 2025, billboard in downtown Denver. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4edf6eb4-0d45-471f-9638-105c7144a2b6/Catalysts_right+panel2.JPG</image:loc>
      <image:title>Reviews Home - Catalysts - Make it stand out</image:title>
      <image:caption>The right panel of Jann Haworth’s Catalysts, 2025, billboard in downtown Denver. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d034111e-8fc4-4373-b889-7aea876a6cfe/Catalysts_theatre+corner.JPG</image:loc>
      <image:title>Reviews Home - Catalysts - Make it stand out</image:title>
      <image:caption>A view of the Buell Theatre with Jann Haworth’s Catalysts, 2025, billboard, on the right. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/territorial-defense</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a98a6a96-ec8e-4987-809d-baf2e23c9bcc/2025-09-04_045%2C+Wearable+Sculpture_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Four works in Jesse Mathes’ Territorial Defense exhibition at the Foothills Art Center. Image by Jay Clawson, courtesy of the Foothills Art Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6f22110f-4130-410d-8bd1-829d18e3a2b2/3.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Seven works by Jesse Mathes, from left to right: Elizabethan Partlet: Orange, 2005, enameled copper wire; Elizabethan Partlet: Gold, 2005, enameled copper wire; Elizabethan Ruff, 2000, enameled copper wire; Elizabethan Ruff, 2000, enameled copper wire; Multiple Sphere Necklace: Gold, 2007, enameled copper wire; Spiral Necklace, Pink and Blue, 2024, enameled copper wire; and Boa, 2008, enameled copper wire. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aa32c5f0-8c07-4151-b226-99f1598def19/1b.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Jesse Mathes, Elizabeth Collar, One, 2001, sterling silver and titanium. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b6d0ff8c-3715-4732-ac38-6512ce07e84e/1c.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>A side view of Jesse Mathes’s Elizabeth Collar, One, 2001, sterling silver and titanium. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5c82894b-c1d3-4b35-8098-f7f10f9eb82e/2a.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Jesse Mathes, Spiral Knit Neckpiece, 2021, sterling silver and silver-plated wire with clear enamel coating. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/728d9e7e-3e24-4c0f-9ebd-8e68f96b6f88/2b.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>A close-up view of Jesse Mathes’s Spiral Knit Neckpiece, 2021, sterling silver and silver-plated wire with clear enamel coating. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e3a79925-140f-41d5-908d-58d443d28363/5b.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Jesse Mathes, Elizabethan Gown, 2002, enameled copper. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/83977b02-dd24-4d46-9534-2ea9ad0bbb75/5a.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>A detail view of Jesse Mathes’s Elizabethan Gown, 2002, enameled copper. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/914a2de2-f50c-4371-8742-40a82634fbd3/6b.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Jesse Mathes, Japanese Basketweave Neckpiece, 1, 2019, brass. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ccf38c9b-993f-4f73-b0aa-2e85d5500bbc/7a.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Jesse Mathes, Farthingale, 2003, pewter, brass, wood, magnets, and paint. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7aefe688-96aa-456f-9742-c8cb34992b1f/7b.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>A side view of Jesse Mathes’s Farthingale, 2003, pewter, brass, wood, magnets, and paint. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/db6efa22-e622-429e-8444-c44420bc37c5/8a.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>A side view of Jesse Mathes’s Fence, 2004, aluminum. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/feaeee37-797e-410b-85c2-2cab2f2b2ae3/8b.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>A detail view of Jesse Mathes’s Fence, 2004, aluminum. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a281c3e1-9726-4f43-89d3-869322bd3527/13.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Jesse Mathes, Asymmetrical Geometric Neckpiece: One, 2019, brass. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8dd6fc50-ba27-413d-bdac-ed4f34f2ae08/9.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Jesse Mathes, Asymmetrical Geometric Neckpiece: Two, 2019, brass. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f98daf57-7130-486b-b3d8-dbe3f73f16d3/4.JPG</image:loc>
      <image:title>Reviews Home - Territorial Defense - Make it stand out</image:title>
      <image:caption>Three works by Jesse Mathes, from left to right: Lace Neckpiece: Orange, 2009, enameled copper wire; Multiple Sphere Necklace: Gold, 2017, enameled copper wire; and Elizabethan Lace Ruff, 2017, enameled copper wire. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/jaime-carrejo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e6fed554-1202-4028-a8ee-8410ac95b753/Carrejo_J_02_a+breeze+and+a+storm+No.2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, a breeze and a storm no. 2, 2023, synthetic polymer on paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4f03dae8-2a51-49cb-968f-92fd94568e49/Here+Nor+There+No.+04_May+07%2C+2021_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, Flora No. 4, 2020, synthetic polymer on wood panel, 40.5 x 60 x 1.25 inches. Image by Wes Magyar, courtesy of Jaime Carrejo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/02622748-459f-467f-9c31-918e24981554/OneWayMirror_2017_1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, installation view of One Way Mirror at the Denver Art Museum, 2017, HD video, audio, steel, acrylic, marine painting, and tinting. Image by Wes Magyar, courtesy of Jaime Carrejo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6d322422-5cc3-45d2-bb1c-e4a45dabb778/OneWayMirror_2017_2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, installation view of One Way Mirror at the Denver Art Museum, 2017, HD video, audio, steel, acrylic, marine painting, and tinting. Image by Wes Magyar, courtesy of Jaime Carrejo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7bd39497-bcb1-40c2-8d19-5c4f36309a73/Pal_ante_2021_1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, Pa’lante, 2021, digital print on nylon, 72 x 120 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/217f9c6c-3621-4b31-885b-e14826ca6ded/Pa_lante_2021_2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, close-up of Pa’lante, 2021, digital print on nylon, 72 x 120 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b183f3b2-aeab-461a-9ba3-58e9025eae2d/Frontera+No.10_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, Frontera No. 10, 2019, synthetic polymer on paper, 15 x 19 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/32810231-94cc-4a80-86ac-fd89e5652143/Frontera+No.1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, Frontera No. 1, 2019, synthetic polymer on paper, 15 x 19 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/246f8bf9-aa67-4206-8693-5d2ba1280fd6/Frontera+No.18_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, Frontera No. 18, 2019, synthetic polymer on paper, 15 x 19 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e922e0ae-6729-40ea-bb05-301dcb1a823e/Waiting_2021_1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, installation view of Waiting at the Museum of Contemporary Art Denver, 2021, wallpaper, plywood, synthetic polymer on wood panel, faux house plants, Arduino kinetic motors, home furniture, vinyl, and steel. Image by Wes Magyar, courtesy of Jaime Carrejo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/96ead28f-c83b-481a-bcf3-1c979a2c3f2c/Waiting_2021_2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, installation view of Waiting at the Museum of Contemporary Art Denver, 2021, wallpaper, plywood, synthetic polymer on wood panel, faux house plants, Arduino kinetic motors, home furniture, vinyl, and steel. Image by Wes Magyar, courtesy of Jaime Carrejo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2e75e709-98c3-44e3-8634-626bec28d11a/Here+Nor+There+No.+07_May+07%2C+2021_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, Today, Tomorrow, 2019, iron infused paint and synthetic polymer on paper, 19 x 15 x .75 inches each. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3302e930-0260-4dd7-a8c3-f4cef59d8048/Carrejo_J_01_a+breeze+and+a+storm+No.1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, a breeze and a storm no. 1, 2023, synthetic polymer on paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c138a45b-1d5f-4dec-8ec1-e3f015242ba8/Here+Nor+There+No.+2_May+07%2C+2021_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Jaime Carrejo - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, Flora No. 5, 2020, synthetic polymer on wood panel, 40.5 x 60 x 1.25 inches. Image by Wes Magyar, courtesy of Jaime Carrejo.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/where-you-really-are-and-where-i-really-am</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a130fe72-27a6-469c-9b99-1f44db8e9368/Installation+View_Moya_6.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>An installation view of Olive Moya’s exhibition Where You Really Are, And Where I Really Am at Bell Projects. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fd691ad6-7065-4738-8f3b-b722d1684f03/Dreamers+Never+Learn.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, Dreamers Never Learn, 2025, mixed media on paper. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b2af798f-d848-4ef9-b7f7-5ac7cc84b4d3/Dreamers+Never+Learn_detail+2.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, Dreamers Never Learn (detail), 2025, mixed media on paper. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c4a3296-2220-4132-a74f-ad6de270b546/Dreamers+Never+Learn_detail.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, Dreamers Never Learn (detail), 2025, mixed media on paper. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5b7e141b-1cdf-4c64-a913-c61dba34aaa8/I+don%27t+Relate+to+My+Peers.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, I Don't Relate To My Peers, 2024, acrylic on canvas. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a67b20ef-d1ee-4dfa-9359-fefbd9359378/Etc+Etc.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, Et Cetera, Et Cetera, 2025, mixed media on paper. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0471e4b7-a30e-40fb-8eff-737e6e959d9f/And+I%27d+Just+Laugh+%231+and+%232.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, And I’d Just Laugh, And I’d Feel Silly #1 and #2, 2025, mixed media on paper. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c97000b7-bc7f-479c-9d60-2bc500581412/Installation+View_Moya_10.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>A view of tracing papers on a plinth in Olive Moya’s exhibitin Where You Really Are, And Where I Really Am at Bell Projects. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/86cfcafd-1dec-4c1b-930f-54ca4dd50148/Tracing+paper+%231.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>A detail view of a tracing paper design in Where You Really Are, And Where I Really Am. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ead12bec-6c86-4468-9e80-822b671d2605/Clouds+Are+Not+Decoration.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, Clouds Are Not Decoration, By Any Means, 2025, acrylic on panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46765a88-a127-4a6d-9001-d08f083d2cc1/Only+Losers+Don%27t+Feel+Like+Losers.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, Only Losers Don’t Feel Like Losers, 2025, acrylic on panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/40e8006e-dc10-41ca-8ac6-eda13b74e896/Fads+For+Whatever.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, Fads For Whatever, 2025, acrylic on canvas. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5c823fcb-39a3-4df1-b108-bc79bbbf6211/The+Way+Sourness.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, The Way The Sourness Overtakes The Cream, 2024, acrylic and graphite on mylar. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f1007580-f3f0-4944-9edb-23fac9775054/The+Way+Sourness_detail.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, The Way The Sourness Overtakes The Cream (detail), 2024, acrylic and graphite on mylar.  Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d115b152-1756-4725-ba62-3f53598513f4/More%21+More%21+%233.JPG</image:loc>
      <image:title>Reviews Home - Where You Really Are, And Where I Really Am - Make it stand out</image:title>
      <image:caption>Olive Moya, More! More! #3, 2025, acrylic on panel. Image by Nina Peterson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-boat-tactile-horizons-final-porcelain-sculptures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5358d8ef-7623-4e7c-be97-74a36af00504/IMG_4697_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>A view of works on view at William Havu Gallery, including a sculpture by Cheryl Ann Thomas in the foreground and paintings by Homare Ikeda in the background. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c2b14265-4744-42a8-bdd3-88c0633d1e51/Spoken%2C+Acrylic+on+canvas%2C+38+x+38+inches_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Homare Ikeda, Spoken, acrylic on canvas, 38 x 38 inches. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1648a6c1-3db4-4d5f-b4a7-bb2e75e02982/Peek%2C+Acrylic+on+canvas%2C+30+x+24+inches_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Homare Ikeda, Peek, acrylic on canvas, 30 x 24 inches. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6b7156ee-bce4-484b-ad9a-d8d3bf0242a8/Ikeda+Fountain_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Homare Ikeda, Fountain, mixed media on paper, 20.5 x 16.5 inches. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f7246378-06c5-44cf-9350-ef625ef710f4/Untitled%2C+Mixed+media+on+paper%2C+33+x+28+inches_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Homare Ikeda, Untitled, mixed media on paper, 33 x 28 inches. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a2882b96-b69d-41af-9bfb-e1d2daf1e36d/Vista-G-Mixed-media-on-paper-27-x-22-inches_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Homare Ikeda, Vista G, mixed media on paper, 27 x 22 inches. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d10ae539-8363-46f5-a414-8263bd8a9d7f/Unfurl%2C+Mixed+media+on+synthetic+paper+on+panel%2C+36+x+48+inches_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Naomi Scheck, Unfurl, mixed media on paper, 36 x 48 inches. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/77d7808b-34f6-40b7-9209-cdc7be12809c/Furrow%2C+Mixed+media+on+synthetic+paper+on+panel%2C+16+inches+round_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Naomi Scheck, Furrow, mixed media on paper, 16 inches in diameter. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7abe24c0-4704-4cb3-9355-0803313f5bac/Crest%2C+Mixed+media+on+paper%2C+16+inches+round_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Naomi Scheck, Crest, mixed media on paper, 16 inches in diameter. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8f617cae-7394-48a8-a209-aa56510f2757/IMG_4698_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Cheryl Ann Thomas, Reef, hand coiled porcelain (foreground); Homare Ikeda, Toki #5, acrylic and oil on canvas (background). Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1b67803f-f2dd-4c2f-9773-fbcaa7e9d3e8/IMG_4694_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Two sculptures by Cheryl Ann Thomas and a painting by Homare Ikeda. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c97735ed-5006-4430-82e5-a51026ce6333/Harmony%2C+Hand+coiled+porcelain%2C+25+x+21+x+21+inches%2C+2024_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Cheryl Ann Thomas, Harmony, hand coiled porcelain, 25 x 25 x 21 inches. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8e7f91d-a054-44da-b0a0-a4d85b70719d/Cheryl+Ann+Thomas%2C+Nostalgia_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Cheryl Ann Thomas, Nostalgia, hand coiled porcelain, 30 x 26 x 28 inches. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cb5d843c-6676-4654-8dc3-6b295bbef41e/IMG_5188.jpg</image:loc>
      <image:title>Reviews Home - The Boat | Tactile Horizons | Final Porcelain Sculptures - Make it stand out</image:title>
      <image:caption>Works by Naomi Scheck and Cheryl Ann Thomas on view at William Havu Gallery. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/exploring-water-through-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eb41f30f-da60-475d-af6e-4cd49e4ff681/Gallery1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>An installation view of Exploring Water Through Art at the National Center for Atmospheric Research. Image by Laura I. Miller</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b8881552-a185-4df1-b835-f7ee0e17fb5c/Bathing_Series_%2322_by_Sheena_Rae_Dowling_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Sheena Rae Dowling, Bathing Series #22, 2024, oil on canvas. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/389cf89a-085c-401f-a070-eaea0d27e068/Just+Below+Upper+Cataract+Lake+150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>David Stallings, Just Below Upper Cataract Lake, Eagles Nest Wilderness, CO, 2024, oil on canvas. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c86b5cf2-f2a2-4f6f-8284-d988a7b8a60f/Cresting_Waves_by_Allison_O%27Neall_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Allison O’Neall, Cresting Waves, 2025, merino wool and silk. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/50ba18b6-753a-4cf6-a963-1932740bc139/Nancy+Sullo+Free+Falls_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Nancy Sullo, Free Falls, 2020, watercolor. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/90ed2ae4-2847-4efe-9b7d-bc7edc7013e5/Brian+Hooker_The+Last+River+-+NCAR+Exhibit_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Brian Hooker, The Last River, 2021, archival pigment print photograph. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d69c43b5-2d31-4dfc-aae7-57d672736849/Chris+Parmalee_Community+Pool_Daria+Image.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Chris Parmelee, Community Pool, 2013, archival inkjet print photograph. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3196cbb6-1d83-4425-b156-2e3cb6eaf742/Fire_and_Ice_by_Stephanie_Burkart_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Stephanie Burkart, Fire and Ice, 2021, photograph printed on canvas. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dd0e37a2-cf25-40af-935f-f2ec79de4ebb/Luis+Perez_If-the-system-ends-me_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Luis Perez, If the system ends me the river will carry my voice, 2025, screenprint. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0aa81011-72ff-45a4-abcd-87f3ac1f6965/Noah+Travis+Phillips+high+tide%28s%29%2C+two+levels+%28Pat+Steir+cover%2C+GAN+collage%29+2023_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Noah Travis Phillips, high tide(s), two levels (Pat Steir "cover", GAN collage), photomechanical reproduction. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/54be8fbd-ff23-43d7-98d8-a259a6fa6985/Blue_Heron_by_Christian_Suarez_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Christian Suarez, Blue Heron, 2025, acrylic on canvas. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c164ee03-c5c2-4d74-a1fe-bc76fccc11e3/Susan+Skjei_Koi+Pond.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>Susan Skjei, Koi Pond, 2023, watercolor. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/03338224-879b-4612-a9ff-3c5c3b6bd4f6/Every_River_Tells_a_Story__Boulder_Creek_by_William_Stahl_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Exploring Water Through Art - Make it stand out</image:title>
      <image:caption>William Stahl, Every River Tells a Story: Boulder Creek, 2025, wood burning and watercolor on bass wood. Image by Laura I. Miller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/beyond-resilience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e64c81fa-f9b0-44d0-93a2-fb66ceca2c07/Installation+View+4.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>An installation view of Beyond Resilience at the Museum of Art Fort Collins. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b37a27cb-ffa5-41c2-9832-e2e765feb4e8/Installation+View+5.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>An installation view of Beyond Resilience at the Museum of Art Fort Collins. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce4da0d4-1674-4622-a8d5-81f89d235d02/ImplantRelease.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Marcy Palmer, Implant Release, 2025, toned cyanotype, 18k gold, varnish, and washi paper, 14 x 11 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9c00a1e3-5cc8-4f9c-9fde-d9166916eab9/Mentha.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Marcy Palmer, Mentha, 2025, archival ink, 24k gold, and kozo paper, 14 x 11 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/caf57f16-49a4-4f24-b899-597035ef25c5/BewareBewareKeepYourGardenFair.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Marcy Palmer, Beware, Beware, Keep Your Garden Fair, 2025, archival ink, 24k gold, and kozo paper, 14 x 11 inches framed. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0c473800-8220-472b-bec4-a8fde1acdf51/Installation+View+1.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>An installation view with works by Danielle SeeWalker in Beyond Resilience at the Museum of Art Fort Collins. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a53708ab-a967-42f7-9bed-54a5df5fba56/SeeWalker+Image+3mb.jpeg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Danielle SeeWalker, LOST // Am I A Spirit Now?, 2024, acrylic, aerosol, and oil stick on canvas, 36 x 24 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5dd7424e-9170-4ee2-8aa8-9d1ee9ec9427/They+Keep+Trying+to+Erase+Me%2C+But+It+Won_t+Work.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Danielle SeeWalker, They Keep Trying to Erase Me, But It Won’t Work, 2025, acrylic, aerosol, and oil stick on canvas, 48 x 48 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/20559ce0-045d-4365-8ed1-60e31a45c5f9/%232_144dpi.png</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Shuyuan Zhou, My Great Grandmother, My Grand Aunt, My Grandmother, My Mother and I #2, 2022, archival pigment print, 18 x 21 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a7d04cc2-e385-48c5-a721-a85b1409f835/%231_144dpi.png</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Shuyuan Zhou, My Great Grandmother, My Grand Aunt, My Grandmother, My Mother and I #1, 2022, archival pigment print, 18 x 21 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e7a3e7c9-028a-4bb8-b151-52adaeb13392/%233_144dpi.png</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Shuyuan Zhou, Grace, Orchid # 3, 2025, archival pigment print, 18 x 21 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/56f4e20f-9349-4788-bee5-3ac2d3f92c6b/Remnants%2C+newspaper.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Melissa Grace Kreider, Remnants, newspaper (count of 5), 2017, newsprint, 15.25 x 11.25 inches folded, 15.25 x 22.75 inches unfolded. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e63c304a-6370-4829-8873-72ccde0607e0/Remnants%2C+newspaper+3_cropped.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Melissa Grace Kreider, Remnants, newspaper (count of 5), 2017, newsprint, 15.25 x 11.25 inches folded, 15.25 x 22.75 inches unfolded. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a804b947-0790-4f6d-bfea-bc9ebb0e7f18/Kreider_38+Instances_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Melissa Grace Kreider, 38 instances of domestic and sexual assault in August 2015, 2015, archival pigment print, 20 x 24 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e2e86226-239e-40c1-b0b2-40f80d4a810a/Kreider_128+backlogged+kits+in+this+location_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Melissa Grace Kreider, 128 backlogged kits in this location, 2016, archival pigment print, 20 x 24 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/db2cdefa-60b7-4552-85e6-37276d793e9e/Installation+View+8.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>An installation view of Odette England’s work in Beyond Resilience at the Museum of Art Fort Collins. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/79ce95d4-9f4c-433f-a8be-ea5e1bc236bc/England+Untitled+2.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Odette England, Untitled, archival pigment print from found photograph, 15.5 x 20 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ebd2fdc2-a6bc-4aac-b6c3-a2e1191fb0ad/PXL_20250807_184716482_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Odette England’s book Woman Wearing Ring Shields Face from Flash with a case of lipstick for writing in the book. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e429cfb-ac9c-42a6-b1ca-45950f025b49/PXL_20250807_184805072_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>A marked up page from Odette England’s book Woman Wearing Ring Shields Face from Flash. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cb7a63ab-30c6-4f0c-b360-bb2e97e1a406/Unreclining_144dpi.png</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Mona Bozorgi, Unreclining, 2023, archival inkjet print on silk fabric (dismantled), 22.5 x 19.5 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e280d994-bba2-4611-b040-836351b32989/Fruits+of+Defiance_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Mona Bozorgi, Fruits of Defiance: Eye, Liver, Shoulder, 2024, archival inkjet print on silk fabric (dismantled), 80 x 25 x 3 inches each (three pieces). Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/df88cdcb-6746-4157-b31a-f0db9d4cf6f1/Wreath.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Mona Bozorgi, Wreath, 2024, archival inkjet print on silk fabric (dismantled), 83 x 83 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/528ca656-f226-4b3e-98e5-517c4660b9cd/Detail+of+Wreath+4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>Mona Bozorgi, Wreath (detail), 2024, archival inkjet print on silk fabric (dismantled), 83 x 83 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1a443177-600a-4cef-9dbf-215d95587855/Installation+View+2.jpg</image:loc>
      <image:title>Reviews Home - Beyond Resilience - Make it stand out</image:title>
      <image:caption>An installation view of Beyond Resilience at the Museum of Art Fort Collins. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/creative-capitol</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a3b2f410-1036-4b8b-a0e2-15292df194b7/Art+of+Teaching+Installation+1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>A view of the Lieutenant Governor’s office entry at Colorado State Capitol building, where part of the exhibition Creative Capitol: The Art of Teaching Artistry is on display. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/45ddb6c6-d015-4c4a-a3a7-18ba61b28319/Untitled+-+Cindy_150dpi.png</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Cindy Cervantez Perrin, Next Gen Creatives, digital artwork on canvas. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/53c57ff1-d6d7-4ddc-9b30-dd1692a919aa/Lt.+Gov+Office+Installation+1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Two works by Kia Neill on display in Lieutenant Governor Dianne Primavera’s Office. On the left: Through the Looking Glass, digital collage of original photo and drawing, gold leaf, acrylic, and image transfer on weathered wood; on the right: Moguls and Mines, infused dye sub aluminum print of a digital collage. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d96064f0-742d-4733-ab91-6eab7363b4be/Gov.+Office+Lobby+Entrance_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>An installation view of Creative Capitol: The Art of Teaching Artistry, Lieutenant Governor’s office entry, Colorado State Capitol building. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c4956c5-6fab-4441-aaed-011edcd89871/Gov+Office+Lobby+Installation+4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>An installation view of works by Brenda Jones in the exhibition Creative Capitol: The Art of Teaching Artistry, Governor’s office lobby, Colorado State Capitol building. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f3f278cf-4a3e-464c-a31f-a9c85df04697/Jones.breakfast.4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Brenda Jones, Morning Breakfast, ceramic. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ada05d76-505e-40ca-9c31-683062111ad9/Chelsea+Gilmore+1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Chelsea Gilmore, The Veils are Thinning, acrylic and mirror on repurposed window. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a18894b1-6f06-4e62-a039-0aba8507156b/Murphy.DoubleLargeSnailDrawing1+-+Lauri+Lynnxe+Murphy_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Lauri Lynnxe Murphy, Large Double Snail Drawing I, snail slime on hand-cut paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed45342b-3319-4844-9984-b9aa7aff140b/Ortega_Dando+Luz_1+-+tortegaartist%40cs.com_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Tony Ortega, Dando Luz, acrylic paint. Image courtesy of Think 360 Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a0c97793-334d-450c-a302-c3defaca08ee/Ghormley_Water+series_overflow+-+Jennifer+Ghormley_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Jennifer Ghormley, Water Series: Overflow, mixed media printmaking. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/42aa4f90-4dbc-4d78-820d-29379853160f/Rotunda+Installation+11_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>An installation view of Creative Capitol: The Art of Teaching Artistry, basement level of the rotunda, Colorado State Capitol building. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/85ae08e7-5a20-4921-aebc-b4f89954a82a/DeepSeaAngler_5in300dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Helen Eberhardie Dunn, FlowRate Ritual Performance – Flow Painting, Pueblo clay, porcelain, red and black iron oxides, acacia gum, and copal resin on muslin, mounted on canvas. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/df77ebd8-d39a-4da9-9765-e470f1ce602a/burntneg1lg_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Eric Robert Dallimore, Burnt Negative Series #1, silver gelatin photographic print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/67bc2a59-2ad2-4a57-9370-0a59e9b5bb4a/burntneg3lg_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>Eric Robert Dallimore, Burnt Negative Series #2, silver gelatin photographic print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/58312aab-40ae-42db-87d8-c0beab45468d/Rotunda+Intallation+4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>An installation view of Creative Capitol: The Art of Teaching Artistry, basement level of the rotunda, Colorado State Capitol building. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/954d296f-68c2-43d3-a871-9ee1beba0871/Rotunda+Intallation+3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Creative Capitol: The Art of Teaching Artistry - Make it stand out</image:title>
      <image:caption>An installation view of Creative Capitol: The Art of Teaching Artistry, basement level of the rotunda, Colorado State Capitol building. Image by Nina Peterson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/talking-with-the-ancestors-awakening-microcosms-pointy-thoughts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/36031849-02b7-46f2-a87f-a61fa3c9cc14/kathyinstall2.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>An installation view of Kathy Mitchell-Garton’s exhibition Talking With the Ancestors at Core Art Space. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dc38b0fc-4720-4fe4-b4aa-fc0ce8db90b6/an_orderly_mind.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Kathy Mitchell-Garton, An Orderly Mind (for George), 2025, decorative paper, handmade paper, discarded office papers, tulle, pencil, and cardboard cylinder. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b684c8b6-3a17-452d-a5ad-375761f99fe0/an_orderly_mind_Detail.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>A detail view of Kathy Mitchell-Garton’s An Orderly Mind (for George), 2025, decorative paper, handmade paper, discarded office papers, tulle, pencil, and cardboard cylinder. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e0847a28-7a8a-4702-8462-cf9b490d86f6/mammas_dont_let_your_babies.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Kathy Mitchell-Garton, Mammas, Don't Let Your Babies Grow Up to Be Miners, 2025, cyanotype printed on deconstructed cargo pants, embroidery thread, beads, and baby booties. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a3ee58d4-1adf-47e7-9d35-e06da8a8015b/georgisms.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Kathy Mitchell-Garton, George-isms, 2025, cloth handkerchiefs, embroidery thread, sequins, beads, buttons, and cyanotype printing. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/990c19a2-fdcf-4640-a9bf-b67d650f7fd5/georgisms_detail.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Kathy Mitchell-Garton, George-isms (No Joy in Mudville), 2025, cloth handkerchiefs, embroidery thread, sequins, beads, buttons, and cyanotype printing. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a253de9-02bf-42e7-a45d-7e3c6788035e/open_hands_open_heart_Detail.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Kathy Mitchell-Garton, Open Hands, Open Heart, 2025, gourd, paint, ink, pencil, and gloves. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1041b579-b143-408f-ba3b-0cf289f09f72/elizabethinstall1.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>An installation view of Elizabeth Ansley Delap’s exhibition Awakening Microcosms at Core Art Space. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8420eb26-5eda-45e6-9437-60db02c35c1f/lichen_studies.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Elizabeth Ansley Delap, Lichen Study, watercolor on cold pressed paper, 22 x 30 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9edfe4d4-de79-455d-b0a9-61ddeb089a97/crimson_folios.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Elizabeth Ansley Delap, Crimson Folios, acrylic on canvas, 12 x 14 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7e96f1c9-da5e-4991-bd18-952a5337cba2/elizabeth_processinstall.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>A display of Elizabeth Ansley Delap’s watercolor Lichen Studies, photographs of lichen, and sketches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bda472f6-7c24-4724-a5aa-dcf726bb53a9/jonathaninstall.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>An installation view of Jonathan Garbett’s exhibition Pointy Thoughts at Core Art Space. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fcf1d24d-9b1c-4cdb-87e2-38cf8605a97c/dont_blame_wrong_mirror.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Jonathan Garbett, Don't Blame The Wrong Mirrors, acrylic on handmade panel. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/71abefd5-08c2-4ee5-99af-99cf42e174bb/cululahedron3.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Jonathan Garbett, Cululahedron 3, acrylic on handmade panel. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/65109904-ceef-41df-ab0b-751db7ae4a69/cululuhedron2.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>Jonathan Garbett, Cululahedron 2, acrylic on handmade panel. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c5e64f9-450b-4b62-aa02-8454150570a6/elizabethinstall2.JPG</image:loc>
      <image:title>Reviews Home - Talking With the Ancestors | Awakening Microcosms&amp;nbsp;| Pointy Thoughts - Make it stand out</image:title>
      <image:caption>A view of Elizabeth Ansley Delap’s exhibition Awakening Microcosms. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/history-is-painted-by-the-victors</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/669d3dc1-f179-4f4d-8b7c-f962206ec6f9/2025-04_H2_MonkmanVisitors_08_150dpi.jpg</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>An installation view of Kent Monkman’s (Fisher River Cree Nation) exhibition History is Painted by the Victors at the Denver Art Museum. Image courtesy of the museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4709ba04-5d6b-4963-afc1-d4e5f783f609/Our%2BCasualties_Conceptual%2BArt_150dpi.png</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>Kent Monkman (Fisher River Cree Nation), video still from Casualties of Modernity, 2015, 14:20 minutes, color, English. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/451f669f-6189-4553-8f84-a0ef3742908a/2025-04_H2_MonkmanVisitors_31_150dpi.jpg</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>A view of Kent Monkman’s (Fisher River Cree Nation) Constellation of Knowledge, 2022, acrylic paint on canvas, 93 x 124 inches. Image courtesy of the museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e21fc422-8747-4cd6-b914-a62caeb53734/Kent+Monkman+%28Fisher+Rive+Cree+Nation%29%2C+Miss+Chief%27s+Wet+Dream_150dpi.jpg</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>Kent Monkman (Fisher River Cree Nation), Miss Chief's Wet Dream, 2018, acrylic paint on canvas, 144 x 288 inches. Collection of the Art Gallery of Nova Scotia. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8e2c3e0e-64ac-4962-a806-2f36c5737b20/History-is-Painted_150dpi.jpg</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>Kent Monkman (Fisher River Cree Nation), History is Painted by the Victors, 2013, acrylic paint on canvas, 72 x 113¼ x 1½ inches. Gift from Vicki and Kent Logan to the Collection of the Denver Art Museum, 2016.288. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/91cc4fc9-dca0-4522-8eeb-1c30e8da16bd/IMG_8018_edited_150dpi.png</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>Kent Monkman (Fisher River Cree Nation), The Great Mystery, 2023, acrylic on canvas, 117½ x 91½ inches. Collection of the Hood Museum of Art. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/67ef730d-cb6a-42ad-9908-430a5d47168c/2025-04_H2_MonkmanVisitors_04_150dpi.jpg</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>A view of Kent Monkman’s (Fisher River Cree Nation), mistikôsiwak (Wooden Boat People): Resurgence of the People, 2019, acrylic paint on canvas, 132 × 264 inches. Collection of the Metropolitan Museum of Art. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bea78b66-b513-49c7-b9fd-8c3c6caa4472/dance_to_the_berdache_-_saukie_1965.16.133_150dpi.jpg</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>George Catlin, Dance to the Berdache – Saukie, 1861/1869, oil on card mounted on paperboard, 18.5 x 24.88 inches. Image courtesy of the National Gallery of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/957e9d29-b207-4e00-86fa-945a8dfb204e/Screenshot+2025-07-29+at+10-13-21+Honour+Dance+2020+-+Kent+Monkman+-+WikiArt.org.png</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>Kent Monkman (Fisher River Cree Nation), Honour Dance, 2020, acrylic paint on canvas, 60 x 94.25 inches. Image courtesy of WikiArt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6abda179-b982-4f14-9ac5-1c696bd888e6/Kent+Monkman%2C+The+Triumph+of+Mischief_150dpi.jpg</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>Kent Monkman (Fisher River Cree Nation), The Triumph of Mischief, 2007, acrylic paint on canvas, 84 × 132 inches. Image courtesy of WikiArt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/21c5482d-2c83-456d-885a-0c5b9630fbd0/IMG_7859_150dpi.jpg</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>A detail view of Kent Monkman’s (Fisher River Cree Nation) The Triumph of Mischief, 2007, acrylic paint on canvas, 84 × 132 inches. Image by MG Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c779dfdf-b800-458f-b285-98a84f3a4213/IMG_7939_150dpi.jpg</image:loc>
      <image:title>Reviews Home - History is Painted by the Victors - Make it stand out</image:title>
      <image:caption>Installation view of Monkman’s (Fisher River Cree Nation) Miss Chief’s Wet Dream, 2018, acrylic paint on canvas, 144 x 288 inches. Image by MG Bernard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/mutual-terrain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b6d515b0-431f-4755-82ea-4efe03dd2a98/22.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>An installation view of Mutual Terrain at RedLine Contemporary Art Gallery, curated by Adán De La Garza and Jenna Maurice, as part of Denver Month of Video (.MOV), on view through August 3, 2025. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fda2e0a0-143e-4bdf-b379-84dd6ee1c212/2.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Ella Morton (Canada), still image from The Great Kind Mystery, 2022, video installation, duration: 15:00. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5e8f990-3735-4925-88cd-47f68dbe3b25/19.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>An installation view of Mutual Terrain at RedLine Contemporary Art Gallery, curated by Adán De La Garza and Jenna Maurice, as part of Denver Month of Video (.MOV). Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2a3489b7-dc4f-4be7-b5c1-7f58ce21e7f0/9.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Nika Kaiser (USA), Soft Slough, 2023, multimedia installation, duration: 8:43. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2917198e-6d03-492a-9941-615a889b71f9/11.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Nika Kaiser (USA), Soft Slough, 2023, multimedia installation, duration: 8:43. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b565dafb-5ee7-40ae-aa42-64fd0e86aea6/15.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Ali Cherri (UAE/Lebanon), still image from The Digger, 2015, video installation, duration: 23:36. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/90ca5f65-85bf-41be-bce6-7df0169a7319/1+%281%29.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Ella Morton (Canada), still image from The Great Kind Mystery, 2022, video installation, duration: 15:00. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/322c40f3-9f7b-45a7-b996-b5eee8121256/3.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Ella Morton (Canada), still image from The Great Kind Mystery, 2022, video installation, duration: 15:00. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/72feca5e-6bb1-491b-97b6-4d65919ade3a/12.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Felix Kalmenson (Canada), still image from A Line is Not a Line, 2015, video installation, duration: 10:55. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d48e239f-4dbe-40e5-a2c0-b40659d2e27e/13.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Felix Kalmenson (Canada), still image from A Line is Not a Line, 2015, video installation, duration: 10:55. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b608eaa6-8f33-468f-bafb-4412ebacb978/6+%281%29.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Nina Kurtela (Croatia), still image from Dear Aki, 2021, video installation, duration: 14:39. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e83de7de-e229-420a-bdb5-c02fc9c73273/18.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Rick Silva (USA), installation view of Western Fronts: Cascade Siskiyou, Gold Butte, Grand Staircase-Escalante, and Bears Ears, 2018, video installation, duration: 18:32. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bd725b86-72ab-45f2-ba0d-157c5c9334c2/17.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Rick Silva (USA), installation view of Western Fronts: Cascade Siskiyou, Gold Butte, Grand Staircase-Escalante, and Bears Ears, 2018, video installation, duration: 18:32. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/53b2c5b2-0972-4d3e-90bc-85382cdc9b6d/8.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Nina Kurtela (Croatia), still image from Dear Aki, 2021, video installation, duration: 14:39. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3948347a-7e1b-4d58-8830-6901266c4fe4/10.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>Nika Kaiser (USA), Soft Slough, 2023, multimedia installation, duration: 8:43. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f41bd3f9-fa19-4dc7-9423-9d1514385cc6/20.jpeg</image:loc>
      <image:title>Reviews Home - Mutual Terrain - Make it stand out</image:title>
      <image:caption>An installation view of Mutual Terrain at RedLine Contemporary Art Gallery. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/maya-guatemala-and-us-divergent-convergences</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bfc55812-12e3-4544-b5a2-d5c99ffba1e4/Installation+View_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>An installation view of Maya Guatemala and Us: Divergent Convergences at the Gregory Allicar Museum of Art in Fort Collins. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/35fc059f-b932-4c12-a61b-228ba0021b96/WEave+the+People_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Alvaro Tzaj Yotz, WEave the People / Tejer al pueblo, 2023, oil on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ff49420a-de7b-45aa-a615-8456f441ef01/Installation+view+of+Luis+Rodas_+artwork_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>An installation view of Luis Rodas, Tz’utuii K’aslem (Woven Life), 2024, watercolor, ink, chalk, colored pencil, and pastels on paper with duct tape; Jun K’aslem (One Life), 2024, watercolor, ink, chalk, colored pencil, and pastels on paper with duct tape; and Ulew K’ayb’al (What Only Mother Earth Gives), 2024, watercolor, ink, chalk, colored pencil, and pastels on paper with duct tape. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0db65ba3-bc73-43a3-a338-5643bff406c2/Ulew+K_ayb_al_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Luis Rodas, Ulew K’ayb’al (What Only Mother Earth Gives), 2024, watercolor, ink, chalk, colored pencil, and pastels on paper with duct tape. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b52ae286-c4f4-4144-9192-004c3761a9d2/Tz_utuiil_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Luis Rodas, Tz’utuii K’aslem (Woven Life), 2024, watercolor, ink, chalk, colored pencil, and pastels on paper with duct tape. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d4d6b0d8-9470-446f-b1c4-1a6017ce6e68/Detail+of+Tz_utuiil_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>A detail view of Luis Rodas, Tz’utuii K’aslem (Woven Life), 2024, watercolor, ink, chalk, colored pencil, and pastels on paper with duct tape. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/28582c07-5b60-4b21-9e79-d157e2027ba9/Huipil+Nebaj_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Weaver Unidentified, Guatemala, Huipil Nebaj, undyed white cotton ground; multi color brocade figural motifs, on loan from Avenir Museum of Design and Merchandising, donated by Martha Egan. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/58f4abe3-72c1-44cc-a956-723ce55c4228/Huipil_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Weaver Unidentified, Guatemala, Huipil, blue ribbed cotton ground, black velvet sun motif at neckline, all over multi color zig zag brocade; purchased in Chichicastenango, on loan from Avenir Museum of Design and Merchandising, donated by Glenda Cowles. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2b147907-58c4-47fa-a1f9-ef193618d7f9/Conquistador_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Job Paredes, Conquistador, 2023, oil on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d4318d37-8943-40be-8acb-96983445d3c1/First+Supper_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Job Paredes, First Supper / Primera Cena, 2023, oil on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fc43ed51-e4ef-4790-848f-e02389d90a37/Installation+view+of+Job+Paredes_+artwork_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>An installation view of Job Paredes, Banana Split, 2023, digital print on canvas; Peels So Good, 2023, digital print on canvas; We Are Bananas/ Somos plátanos, 2023, digital print on canvas; and 14 Cents a Pound / 14 centavos la libra, 2023, digital print on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3fae2d5b-78bd-44e8-9c68-b158f749c716/We+Are+Bananas_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Job Paredes, We Are Bananas / Somos plátanos, 2023, digital print on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37e0e1ad-7329-4ed0-a256-491eac83d702/rioUSAmontt_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Job Paredes, rioUSAmontt, 2023, oil on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/566869f3-7e1b-4998-8f0a-21cb95283f34/Installation+View+of+Edgar+Fuentes_+artwork_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>An installation view of Edgar Fuentes, Because I Was Maya / Porque yo era maya, 2023, oil on canvas; Died Trying to Live / Murió intentando vivir, 2023, charcoal on canvas; Because I Too Am Maya / Porque yo también soy maya, 2023, charcoal on canvas; and Because I Am Maya / Porque soy maya, 2023, charcoal on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f3f94f4e-0ea4-49d6-9179-825cc5abf14b/Because+I+Too+Am+Maya_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Edgar Fuentes, Because I Too Am Maya / Porque yo también soy maya, 2023, charcoal on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/54080fd9-52f2-4632-b6f7-2839d2585078/Installation+View%281%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>An installation view of Maya Guatemala and Us: Divergent Convergences at the Gregory Allicar Museum of Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e1d4130d-b889-4f7e-8d31-411d88acbe0b/Los+MayAngeles_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Alvaro Tzaj Yotz, Los MayAngeles, 2023, oil on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/13e1abd4-c336-4161-9d97-b5452c78fef7/A+New+Colossus_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Alvaro Tzaj Yotz, A New Colossus / Un nuevo coloso, 2023, oil on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3bde4fcd-b0be-40a5-af05-715eacfa77d6/We+Made+It+Here_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>Alvaro Tzaj Yotz, We Made It Here / Lo hicimos aquí, 2023, oil on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4659574a-36f8-4f8f-be27-fa0db2e8a1bf/We+Made+It+Here+%28detail%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>A detail view of Alvaro Tzaj Yotz, We Made It Here / Lo hicimos aquí, 2023, oil on canvas. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5e07745f-f985-418a-a144-b48d3c507092/Installation+View%282%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Maya Guatemala and Us: Divergent Convergences - Make it stand out</image:title>
      <image:caption>An installation view of Maya Guatemala and Us: Divergent Convergences at the Gregory Allicar Museum of Art. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/port-de-banana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/384dff28-b71f-42d4-a5e6-df15d036c368/12.+Installation+4.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>An installation view of Lio-Bravo Bumbakini’s exhibition Port de Banana at Littleton Museum. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/21d7f89a-8a09-42ca-941a-dcda433c9f8b/23.+Bumbakini.+As+the+World+Turns.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. As the World Turns…, 2023, house paint, acrylic paint, charcoal, and collage on canvas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1b304d20-03f5-4fc1-a55b-5becdef3f0b8/06.+Bumbakini.+Le+Zaire+At+the+Mouth+of+the+River.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. Le Zaire (At the Mouth of the River), 2025, acrylic paint, watercolor, graphite, colored pencils, chalk, and charcoal on canvas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5fa84380-7c9a-42fd-bde1-36bfffd74d88/03.+Bumbakini.+Batu+Oyo+The+People+Here.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. Batu Oyo (The People Here), 2025, linoleum relief ink handprint on cardstock. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d9917236-9e3d-4b79-918e-fd9f089955b5/01.+Bumbakini.+Afonso+I.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. Afonso I (Youth) - Mwana Mboka (The Native Son), 2025, acrylic paint, charcoal, and aerosol on canvas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9bdbc022-177e-49cd-8235-dce5f73777f0/05.+Bumbakini.+Le+Batisimo+de+Joao+I.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. Le Batisimo de João I (Mwene Kongo Nzinga a Nkuwu - Lord of the Congo), 2024, acrylic paint, charcoal, house paint, and oil pastels on canvas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/377ea1fd-80f9-4c24-9d5d-86feb3f4e361/04.+Bumbakini.+Joao+I+Great+Rift.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. João I Great Rift, 2023, acrylic paint, charcoal, house paint, and paper collage on canvas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/628c01c8-d76f-4185-ab41-1f333b02dca1/09.+Installation+1.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>An installation view of Lio-Bravo Bumbakini’s exhibition Port de Banana at Littleton Museum. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/492218d8-1d09-47c1-bc24-e62130762879/29+Bumbakini.+The+Passenger+Series+I-III.jpg</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini, The Passenger Series I-III, 2018, archival giclée prints. Photographs taken by the artist and his partner in Banana, DRC. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/24a1b627-f65c-4524-82aa-f72b890b502d/Lio-Bravo+Bumbakini_Untitled_house+front_PassengersSeries.jpg</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini, photo from The Passenger Series I-III, 2018, archival giclée print. Photograph taken by the artist and his partner in Banana, DRC. Image courtesy of Littleton Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/637a55ad-1618-4328-bd40-6ea43239aa55/08.+Bumbakini.+Tosambela+A+boat+a+Prayer.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. Tosambela (A Boat and a Prayer), 2025, wool tufted on monk’s cloth. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/88f5ee9b-57bf-49e4-99f2-9d8127cdc809/22.+Bumbakini.+Ko+Salela+Fet+Let%27s+Celebrate.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. Ko Salela Fet (Let’s Celebrate), 2025, wool tufted on monk’s cloth. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/509a788f-8ca1-4982-8309-f380b5d9527c/02.+Bumbakini.+Batu+Mingi+Many+Many+Came.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. Batu Mingi (Many Many Came), 2025, acrylic paint, watercolor, graphite, colored pencils, chalk, and charcoal on canvas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/caaeb5c3-19bb-4634-9217-8074260d2228/27.+Bumbakini.+Kiss+the+Moon%2C+Dance+Under+Stars..JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini, Kiss the Moon, Dance Under Stars, 2024, acrylic paint, charcoal, house paint, and oil pastels on canvas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f141c691-3e73-492f-8199-888648f61a7b/24.+Bumbakini.+If+Life+Should+Be+So+Simple.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini. If Life Should Be So Simple, 2023, acrylic paint on canvas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/053463e8-2081-4940-9792-f92dd875cf32/26.+Bumbakini.+Linga+Ngai%2C+Linga+Ngai+Te.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>Lio-Bravo Bumbakini, Linga Ngai, Linga Ngai Te (Love Me, Love Me Not), 2024, colored pencil, charcoal, chalk, and graphite on tan-toned paper. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9a365f9-afc5-4daf-96ae-4756ee51b9ec/18.+Installation+10.JPG</image:loc>
      <image:title>Reviews Home - Port de Banana - Make it stand out</image:title>
      <image:caption>An installation view of Lio-Bravo Bumbakini’s exhibition Port de Banana at Littleton Museum. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/recess</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a71d7b88-6e27-4fe4-96ae-78977ae12a3c/25.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>An installation view of RECESS, part of LEAF2025 by the Lafayette Electronic Arts Festival at The Collective Community Arts Center in Lafayette, Colorado. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69f94b6d-e633-428f-8f5d-d8d0b19aa4e5/35.png</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>An installation view of Andy DiLallo and Ian Anderson, Terminal Sequence, interactive video with sound. Image courtesy of Andy DiLallo, from the artists’ NO VACANCY residency in Fall 2024.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fe5b8633-7b94-4d86-8361-914cfac21ed8/Untitled+design+copy.jpg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>Julia Edith Rigby, Sea Cave Recess, sound art and video. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/be3c0c86-d799-4e96-a6bc-105c7786e792/4+%281%29.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>Brian Kane, Midwest Modern, high-density foam, epoxy, auto body paint, and glass. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/06518d7a-36e1-4e0c-a38a-dbd9a86e7f9b/Untitled+design.jpg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>Edem Dotse, Machine Being Reborn, single-channel audiovisual installation. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/255a6f6a-dcec-4612-a103-3f78f4f089b6/41.png</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>A still from Edem Dotse, Machine Being Reborn, single-channel audiovisual installation. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5f81a49d-557b-452f-ad01-6669c1ed9655/5.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>Andy DiLallo and Ian Anderson, Terminal Sequence, interactive video with sound. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/613af900-faa7-4bef-8818-a2a3d8a6fa73/7.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>August Black and Nima Bahrehmand, The Feeders, from The End of Us, multimedia installation. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3877fb17-deef-4c85-a55a-3334ebcae437/29.jpg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>August Black and Nima Bahrehmand, The Feeders, from The End of Us, multimedia installation. Image courtesy of August Black.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7045b59c-3640-4bfb-b846-14ee69f374e6/11.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>Laleh Mehran, Fluid Strata, single-channel video (AI-augmented) and 3-D print. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b457cb4b-9e56-4711-8404-a4f93641ad3a/26.jpg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>Brook Vann and August Black, Pulse Memorial, web-based multi-channel sound installation and painting. Image courtesy of August Black.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a67fdd60-a1d2-4796-b4d7-4ba7059eedc7/17.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>View of (left to right): Brook Vann and August Black, Pulse Memorial, web-based multi-channel sound installation and painting; Leah Bertrand and Ricky Covell, Vapor Mirror Feedback, interactive audiovisual; and Julia Edith Rigby, Sea Cave Recess, sound art and video. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9fde101f-6426-4b47-bbaa-7d6f7f1ab2fb/18.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>Brian Kane, Voyage, electronics, plastic, video, and audio. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2274ba60-df16-4526-8df4-876b63ac7206/20.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>Sharifa Lafon, Echo and Narcissus, video. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9b55a269-4801-4a46-aefa-5d27a56ff383/19.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>David Fodel, Unfolding Portraits, aluminum extrusion, rubber, NIR LEDs, electronics, and video. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f7745609-296e-4e4f-983f-9cb097e6ed06/44.jpg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>Jeremy Bailey, Patent 8, india ink on paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ea7c693f-6f07-4788-8d79-ce7a65105f81/Untitled+design+copy+2.jpg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>A detail view of Jeremy Bailey, Dolflute 1, 2025, PLA, lasers, and bubble fluid. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bb383b0c-d5b6-4aa9-800f-c10382c9bdd1/24.jpeg</image:loc>
      <image:title>Reviews Home - RECESS - Make it stand out</image:title>
      <image:caption>An installation view of RECESS, part of LEAF2025 by the Lafayette Electronic Arts Festival at The Collective Community Arts Center in Lafayette, Colorado. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/what-we-hold-dear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e8736eb2-ccf0-45b5-aa2e-700228e21d37/General+Gallery.JPG</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>An installation view of Jenna Annunziato’s exhibition What we hold dear at The Gallery at Taza Coffee House. Image courtesy of The Gallery at Taza Coffee House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5b162cbc-8643-4da8-a000-12f99db8483d/Look+at+That+Horse+Diptych.JPG</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>Jenna Annunziato, Look at That Horse Diptych, oil on panel, 47 x 27 x .25 inches each. Image courtesy of The Gallery at Taza Coffee House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5f4b4211-fe38-42d9-a9f6-6239a85750b3/Crying+Cherub+Diptych.JPG</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>Jenna Annunziato, Crying Cherub Diptych, oil on panel, 48 x 23 x 1 inches each. Image courtesy of The Gallery at Taza Coffee House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4ecd0006-f63f-487a-9c5f-fd80219ecb94/Thots+and+Prayers.JPG</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>Jenna Annunziato, Thots and Prayers, oil on panel, 46 x 25 x 1 inches. Image courtesy of The Gallery at Taza Coffee House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bfe21265-d224-4906-b2d0-3df9d52d7a41/IMG_8591.jpg</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>A view of the site-specific mixed-media installation by Jenna Annunziato and Adam’s County Residents, Trinkets and Treasures of Adams County, 2025. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/715d4a6d-80f8-43b5-99f4-b104097ba903/Chariot+and+The+Process+of+Decay.JPG</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>Jenna Annunziato, Chariot, oil on panel 45 x 37 x 1 inches; Jenna Annunziato, The Process of Decay, oil on panel, 30 x 28 x 1 inches, 27 x 27 x 1 inches, and 26 x 30 x 1 inches. Image courtesy of The Gallery at Taza Coffee House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eb4980b0-9f2e-40d6-b88d-85f80b26448f/IMG_8578.jpg</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>A detail view of Jenna Annunziato’s Chariot, oil on panel 45 x 37 x 1 inches and The Process of Decay, oil on panel, 30 x 28 x 1 inches, 27 x 27 x 1 inches, and 26 x 30 x 1 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0bb654b8-5141-4106-9337-3ac9f78233c0/IMG_1530.JPG</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>An entrance hallway outside of the café has three additional pieces by Jenna Annunziato, including The Persistence of Naivety, left, and The Exchange. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9b15037-03c7-40f0-bb07-fbed1ddd81de/The+Exchange.JPG</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>Jenna Annunziato, The Exchange, oil on panel, 45 x 59 x 1 inches. Image courtesy of The Gallery at Taza Coffee House.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6b89a97d-84f0-485a-9037-c8a467e8c1ed/IMG_1529.JPG</image:loc>
      <image:title>Reviews Home - What we hold dear - Make it stand out</image:title>
      <image:caption>A woman grabs a lunch bite under Jenna Annunziato’s works Chariot and The Process of Decay. Image by Parker Yamasaki.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/glass-expressions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8c76d1d-e045-4cf7-bc10-f3a030b04e0e/glass_install4.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Glass Expressions: Diverse Visions in a Transparent Medium at Center for the Arts Evergreen. Image by Paloma Jimenez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b679f716-e04d-4d87-958c-80e590d35dc3/sands_of_okinawa.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Alex Ubatuba, Sands of Okinawa, borosilicate glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b1334603-8087-4664-9b9c-9a38bf961e75/alpenglow.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Emily Kuchenbecker, Alpenglow, soft glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/83a15014-559b-4209-ad63-82cbbb5a4d8b/the_nest2.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Kaelyn McGowen, The Nest, neon and glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a6e9aa8b-9ad2-4800-9e6b-89ff1b56f851/install_smallworks.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>An installation view of small works in the exhibition Glass Expressions: Diverse Visions in a Transparent Medium at Center for the Arts Evergreen. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/77a70761-c2da-45bc-a91e-710199de78a3/ayahuasca_guardian.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Shayla Windstar, Ayahuasca Guardian, borosilicate glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5e6560b8-0c47-4d8a-aab8-6e4a5da25293/fountain_of_youth2.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>CalM, Fountain of Youth, borosilicate glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9d75e45c-7f57-413b-b773-50d84b5526bc/bayside_shiva.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Sibelley and Coldberger, Bayside Shiva, borosilicate glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/555cc2b6-4110-42da-a519-f7b07c8d55f3/ricky_girvase.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Matt Robertson, Ricky Gir-vase, borosilicate glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f24e49eb-c0d2-4b64-a4a8-58c758dc4417/dreg_the_wild_thing.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Artist Stylie, Dreg the Wild Thing, hand-carved borosilicate glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dbefd676-7e11-4a04-baa2-c7b4f4533fdd/DSC_1131+Large.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Sibelley, Lattice Hinged Choker, borosilicate glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e38b8b8d-9598-4333-8016-837b6385506b/halliecat_birkinbag.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Works by Hallie Cat, borosilicate glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f130fc7d-b094-46db-9674-a7165f438e3b/nuclassic_marbles.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Nathan Miers, from left to right: Nu-Classic “Dragon Mission” (41mm), borosilicate glass; Nu-Classic “We Out Here” (51 mm), borosilicate glass; Nu-Classic “UFO Convergence” (39mm), borosilicate glass. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0f789ad4-b845-420b-ba58-20e52d0164be/trees_of_evergreen.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>Adam Grafuis, Trees of Evergreen, 3-dimensional contour drawing made from borosilicate glass with locally found object. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/920a7e4d-070e-477f-9571-cf175b702b92/glass_install1.jpeg</image:loc>
      <image:title>Reviews Home - Glass Expressions - Make it stand out</image:title>
      <image:caption>An installation view of Glass Expressions: Diverse Visions in a Transparent Medium at Center for the Arts Evergreen. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/singularity-reflectivity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e579f5db-dbba-4ad8-86a0-231ff05a5028/Reflectivity+and+Singularity+Installation+4.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>An installation view of the exhibitions Singularity and Reflectivity at Michael Warren Contemporary. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6b836d87-5736-436e-b748-7ea9585ff6eb/Parson_Untitled+LED+1.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Collin Parson, Untitled (from the Reflection Series), mirrored acrylic, LED, and panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4da3aa4c-dec6-4104-90fe-c4899f515eab/Parson_Untitled+LED+detail+1.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>A detail view of Collin Parson’s Untitled (from the Reflection Series), mirrored acrylic, LED, and panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6c275e12-8af5-415d-b991-ce6bd1b0a7ee/Roberts-Gray_Blue+Dye.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Andrew Roberts-Gray, Blue Dye, oil on linen. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f317acac-cb84-4707-9690-50a3a9f8465d/Parson_Reflection+Towers.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>An installation view of Collin Parson’s exhibition Reflectivity with reflections of Roberts-Gray’s work at Michael Warren Contemporary. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/db934802-1346-4ac7-8cd6-7abe119e105b/Roberts-Gray_Black+Array.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Andrew Roberts-Gray, Black Array, oil on linen. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f407c82f-aeea-4ff3-99b0-6c776466f3ae/Reflectivity+Installation+9.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>An installation view of Collin Parson’s exhibition Reflectivity at Michael Warren Contemporary. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b14bfa4a-fe4b-4be2-8bae-4712ef15af28/Parson_Untitled+from+Interference+Series+printed+and+mirrored+acrylic+on+pane.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Collin Parson, Untitled (from Interference Series), printed acrylic. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/06997be4-f392-43d3-b734-df4414963a28/Reflectivity+Installation+4.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>An installation view of Collin Parson’s exhibition Reflectivity at Michael Warren Contemporary. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/88aa86a2-2f5b-415e-84c2-41f9a3804580/Parson_Untitled+LED+3.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Collin Parson, Untitled (from the Reflection Series), mirrored acrylic, LED, and panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3c46e6f2-74ff-4f87-8f48-095f6cd6c6a2/Reflectivity+Installation+3.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>An installation view of Collin Parson’s exhibition Reflectivity at Michael Warren Contemporary. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce260f28-30a5-4168-b6de-f115668b6f33/Roberts-Gray_Wavelength.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Andrew Roberts-Gray, Wavelength, oil on linen mounted to panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/81f55185-6908-48b5-a8dc-d3c0603c28d8/Roberts-Gray_Harlequin+Evening.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Andrew Roberts-Gray, Harlequin Evening, oil on linen. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/78b69c08-a69e-4707-94ee-0a0dbf4f22a9/Roberts-Gray_Cloud+Forest.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Andrew Roberts-Gray, Cloud Forest, oil on linen. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/19463a60-409f-4c23-86f1-cdfd71dc724b/Roberts-Gray+Diameter+6.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Andrew Roberts-Gray, Diameter 6, oil on linen mounted to panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7bf1500f-baab-4f05-83cb-2ad8eedaab1e/Roberts-Gray_Diameter+6+detail+2.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>A detail view of Andrew Roberts-Gray’s Diameter 6, oil on linen mounted to panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/662b39af-5fbd-40a8-956d-606964024107/Roberts-Gray_Singularity.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>Andrew Roberts-Gray, Singularity, oil on linen. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ba54f4e9-0cde-488f-88d2-1ee8a2c76924/Reflectivity+and+Singularity+Installation+3.jpg</image:loc>
      <image:title>Reviews Home - Singularity / Reflectivity - Make it stand out</image:title>
      <image:caption>An installation view of the exhibitions Singularity and Reflectivity at Michael Warren Contemporary. Image by Nina Peterson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/oracle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c17eac63-224e-4a14-b10f-f112e7495c3a/20.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Oracle at Union Hall. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a947db56-37dd-469e-9432-0ae10901fe8a/24.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>Participants in the Guided Oracle Experience at Union Hall. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2b8688d2-91cd-40fe-9f74-21cfb3ccb3e2/16.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>Installation view of (background left) Linda Bishara, Artificial Portals to Truth, 2025, ceramic stoneware, underglaze, glaze, and luster, 69 x 16 x 18 inches, and (foreground right) Harriet Woodman, Illumination, 2025, ink-style digital hand drawing, 36 x 36 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/84cc2dbd-f12f-4074-b0c0-0837dcb79a0a/23.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>Participants in the Guided Oracle Experience at Union Hall. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f1252933-4828-4d50-ab37-2eb44432fea6/1.jpeg</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>Linda Bishara, Visions of Ecstasy in the Palace of the Unknown, 2024, ceramic stoneware, underglaze, glaze, and luster, 26 x 17 x 12.5 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c7fa885b-9315-4ac3-8ecf-9935f1fad7ec/12.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>A detail of Linda Bishara’s Visions of Ecstasy in the Palace of the Unknown, 2024, ceramic stoneware, underglaze, glaze, and luster, 26 x 17 x 12.5 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4f827aba-4bf2-49ad-9185-6b76f0963eb8/13.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>Rebecca Peebles, The Nausea of Knowing Something Your Ego Does Not Want You to Know, from the Difficult States of Being beaded mask series, 2023, glass seed beads and Dyneema thread, 4.25 x 5.25 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46bb24c8-08a1-4d0e-8b2c-f3f39c562530/9.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>Yazz Atmore, Breathe, 2024, digital collage, 24 x 36 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1561a1ae-9217-4171-9395-29b404e7198a/4.jpeg</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>Sarah Tenney, The Flight to Sanctuary, 2025, mixed media, 54 x 84 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/706dd42c-6b24-443a-929b-d2f3920e6269/1.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>Faatma Be Oné, Re-Volve, 2025, mixed media, dimensions variable. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4877d5e7-d691-4592-b0f0-61a9a3e92ae0/7.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>A detail view of Faatma Be Oné’s Re-Volve, 2025, mixed media, dimensions variable. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a80a50bb-4e9a-4749-a645-06920ef41af7/6.jpeg</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>Harriet Woodman, Ignite, 2025, ink-style digital hand drawing, 20 x 20 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ff070c30-57ac-4d3d-9c19-cea280e7b92f/17.JPG</image:loc>
      <image:title>Reviews Home - Oracle - Make it stand out</image:title>
      <image:caption>An installation view of Oracle at Union Hall. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/jim-green</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/912306a5-d78f-407e-88db-28453e079fcd/Green_Laughing+Escalator.jpeg</image:loc>
      <image:title>Reviews Home - In Memoriam: Sound Artist Jim Green, 1948-2024 - Make it stand out</image:title>
      <image:caption>Jim Green. Laughing Escalator, sound installation in Colorado Convention Center. Image courtesy of Denver Arts and Venues Public Art Program.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5e07cd77-0cdb-486c-89f7-3b1db22762c0/JG_Soundwalk2.jpg</image:loc>
      <image:title>Reviews Home - In Memoriam: Sound Artist Jim Green, 1948-2024 - Make it stand out</image:title>
      <image:caption>Jim Green. Soundwalk, 1992, installation on Curtis street between 15th and 16th, sound tracks. Image courtesy of Denver Arts and Venues Public Art Program.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6bf5fe7a-b7b7-42a8-adcc-9f6c042e7651/Green_install_wm+copy.jpg</image:loc>
      <image:title>Reviews Home - In Memoriam: Sound Artist Jim Green, 1948-2024 - Make it stand out</image:title>
      <image:caption>Jim Green. Unplugged, 2009 installation at MCA Denver, extruded aluminum, pneumatics, electronics, whoopee cushions, and acoustic sound, dimensions variable (each unit 14 x 14 x 15 in). Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/15692cc4-6f90-4f26-a697-614742f296ad/Green_detail_wm+copy.jpg</image:loc>
      <image:title>Reviews Home - In Memoriam: Sound Artist Jim Green, 1948-2024 - Make it stand out</image:title>
      <image:caption>Jim Green. Unplugged (detail), 2009 installation at MCA Denver, extruded aluminum, pneumatics, electronics, whoopee cushions, and acoustic sound, dimensions variable (each unit 14 x 14 x 15 in). Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d91319c9-3bc4-4e38-b871-23acd39c9c63/IMG_2855.JPG</image:loc>
      <image:title>Reviews Home - In Memoriam: Sound Artist Jim Green, 1948-2024 - Make it stand out</image:title>
      <image:caption>Jim Green and Ladies Fancywork Society. Central Platte Construction Fence, sound recordings. Image courtesy of Denver Arts and Venues Public Art Program.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/this-is-spark</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cee438c3-10eb-4ca9-bf3f-cf00ce83a215/Installation16.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>An installation view of the This Is Spark Annual Members’ Show. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5ee8a05d-70a5-4270-9a57-522749ae2a8f/Eric+Wall.+Yellow+Boy.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Eric Wall, Yellow Boy, acrylic on hand-cut woven canvases. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/427bf553-5854-431c-8823-0af1279e3a9e/Barbara+Baer.+Go+Outside.+Alt.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Barbara Baer, Go Outside, plastic film and steel rod. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/32011ab3-593a-420b-abe9-fb70d96a964f/Installation15_Howard%2C+Lancashire.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>An installation view of the This Is Spark Annual Members’ Show with works by Deborah Howard (left) and Scott Lancashire (right). Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/807e8a87-daa0-4f21-ae6a-100d467e3452/W-Clough_The+Brave+One.JPG</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Wendy Clough, The Brave One, oil on board. Image courtesy of Spark Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4d5ef1f5-a404-46d0-b556-0bb416aa6701/E-Ricklin-River+Rocks+at+10%2C000+Feet.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Elaine Ricklin, River Rocks at 10,000 Feet, archival pigment print. Image courtesy of Spark Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dd65365f-bb84-4162-8cee-127b7f89bb4a/S-Elliott_Turtle+Island.jpeg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Sally Elliott, Turtle Island, gouache on paper. Image courtesy of Spark Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/51181c0b-8586-4eff-aba1-667156201b0e/M-Herburger_Passing+scene_2025.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Michael Herburger, Passing Scene, archival photographic print from 120 format color film negative. Image courtesy of Spark Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fddbb673-2ff7-4754-9321-6cf051d84e69/Jill+Powers.+Atmospheric+Layers.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Jill Powers, Atmospheric Layers, kozo fiber. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/edbcab65-6eec-4ff6-b992-04903a001841/Michaele+Keyes.+Old+Ruin.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Michaele Keyes. Old Ruin, wood, buried canvas, stones, and shards. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8781d5f6-0d23-4e19-86fc-a5e26eda052a/Michaele+Keyes.+Old+Ruin.+Detail.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>A detail view of Michaele Keyes’ Old Ruin, wood, buried canvas, stones, and shards. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aace55a5-d74b-4d0d-af06-4ef40aef0fac/Installation14_Oberdorfer%2C+Powers%2C+Howard.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>An installation view of the This Is Spark Annual Members’ Show with work by Deborah Howard in the foreground. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/039a2c7e-b40b-4b0f-ba00-f2d6dff0c5f3/Installation1_Clough%2C+Ballas%2C+Carpenter%2C+Wall.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>An installation view of the This Is Spark Annual Members’ Show. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2f51348e-abb9-4552-9a37-e3c1c6a8841b/Bill+Ballas.+Dont+Step+on+a+Rake.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Bill Ballas, Don’t step on a rake, oil media collage on illustration board. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f7e9f19e-6914-4bcd-b01f-180ea2c1ea38/Gary+Manuel.+Box+on+Box.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Gary Manuel, Box on Box, wood. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4a4fb3f2-425f-4a18-bd14-423534a5eacc/Eric+Wall.+Cardinal+Error.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Eric Wall, Cardinal Error, acrylic on hand-cut woven canvases. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d6080978-3a0c-4ab0-a5b6-f5cefa32c736/Annalee+Schorr.+Off+Kilter+Color+Wheel.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Annalee Schorr, Off Kilter Color Wheel, acrylic and duct tape on Plexiglass. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/33dc8646-3c15-4544-b658-980cc1649498/Annalee+Schorr.+Twenty+Four+Six+Inch+Lines+on+Twelve+Inch+Squares.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Annalee Schorr, Twenty-Four Six-Inch Lines on Twelve-Inch Squares, duct tape on Plexiglass. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/828f25f8-ba6e-4834-b9ef-38553dcc6bc5/Katharine+Smith+Warren.+Taking+Off.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Katharine Smith-Warren, Taking Off, mixed media. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9222d1d8-e67e-46b0-8422-a134561229ef/J-McDonald-Spirit.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Janice McDonald, Spirit, collage. Image courtesy of Spark Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04eeba8f-ecc1-4a8d-b717-43f088e52c33/B-Carpenter_Untitled.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Barbara Carpenter, Untitled, photographic giclée print. Image courtesy of Spark Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8faf246-a229-4436-956d-ed3e746ff1e2/Kathryn+Oberdorfer.+It+Takes+Time+to+See.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>Kathryn Oberdorfer, It Takes Time to See, acrylic, pastel, and collage on canvas. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/74b44a82-5ead-4c69-a029-dddc9c1d7cd8/Installation2_Wall%2C+Manuel.jpg</image:loc>
      <image:title>Reviews Home - This Is Spark Annual Members’ Show | two of two - Make it stand out</image:title>
      <image:caption>An installation view of the This Is Spark Annual Members’ Show. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/fun-with-oil-and-pastel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2d6b89f4-08a7-48ff-a9ca-681aee56111d/IMG_4216.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>An installation view of Susan Tormoen’s exhibition Fun with Oil and Pastel at the Cottonwood Center for the Arts. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/79eba789-e2bc-4dcb-a9ef-63306c54838e/Susan+Tormoen_Black+coming+through+with+Aspen.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, Black coming through with Aspen, oil on canvas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7f410b57-a68a-4d89-95eb-5317c606966c/Tormoen_River+in+Three+Panels.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, River in Three Panels, oil on canvas triptych. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ae7396ef-812b-4870-a0ff-ba2bc9338879/Tormoen_Red+Mountain+with+Patch+of+Trees.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, Red Mountain with Patch of Trees, oil on canvas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04d21093-7c55-4976-b65d-70dec2bbd80b/Tormoen_Rolling+Hills+with+Road.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, Rolling Hills with Road, pastel on paper. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/06c7fa43-7b33-4feb-af5e-69463e5dc21b/Tormoen_Red+River+II.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, Red River II, oil on canvas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e395b056-6b7d-464b-9490-1e911e976c46/Tormoen_The+Canyon.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, The Canyon, pastel on paper. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/28a05fae-a7ec-4b6f-8cf8-74ea710aebf8/Tormoen_Few+Trees.png</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, Few Trees, oil on canvas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d6aebc3a-0788-4830-85a1-b5194eb934d2/Tormoen_Utah+Shown+Here.png</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, Utah Shown Here, oil on canvas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f353b750-3169-4746-b6db-c4750e896385/Tormoen_Coloration.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, Coloration, oil on canvas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/70645295-3e61-476a-8415-fba8b683f25f/Tormoen_Aspen+Reflected.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, Aspen Reflected, oil on canvas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/711b61ee-6f32-43ac-a9e1-9241645083a2/IMG_4214.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen at her Fun with Oil and Pastel exhibition. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c31b75b2-36b6-4b42-8251-6972905b7a33/Tormoen_Our+City.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen, Our City, pastel on paper. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8c76faef-798f-4745-a4b7-14d8280e061d/IMG_0116.jpg</image:loc>
      <image:title>Reviews Home - Fun with Oil and Pastel - Make it stand out</image:title>
      <image:caption>Susan Tormoen at her studio in the Cottonwood Center for the Arts. Image by José Antonio Arellano.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/everything-papier-mache</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8454bce5-f2d0-4aad-b3c8-d80471abf21b/IMG_4336.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>An installation view of the Everything Papier Mâché exhibition at Niza Knoll Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c92c52a-ee09-485f-a104-a8c891b164a8/IMG_4370.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>Michelle Messenger, Dog Girl, papier mâché. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ea0e5437-5b28-46b5-b92e-32030b79aa81/Deborah+Deal+Blackwell%2C+Paper+Bowl.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>Deborah Deal Blackwell, Paper Bowl, handmade paper with natural elements. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1bffbb42-e5f4-4445-a3e4-d840a342f5b5/Deborah+Deal+Blackwell_Natures+Purposeful+Alchemy.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>Deborah Deal Blackwell, Nature’s Purposeful Alchemy, handmade paper with natural elements. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/10fa5bde-6fc8-4972-a275-03d65e25f303/IMG_4357.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>Lisa Michot, All Eyes On You, papier mâché and mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/346a1462-e32e-4d72-9381-750ed00a8817/IMG_4355.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>A detail view of Lisa Michot’s All Eyes On You, papier mâché and mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/07eb8faf-d068-4f17-92ad-a3f639fbef45/IMG_4371.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>Ethan Billings, On The Road To Somewhere Else, paper pulp, cardboard, and glue. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b619ad94-90bb-4d87-8bda-279325e292d1/IMG_4376.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>Leslie Aguillard, Willendorf Weeds, newspaper and dried palm leaves. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5c7acd87-894d-4778-804d-d9a2f0b7a8c4/IMG_4381.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>Tami Tamayo, Rough Draft, papier mâché and mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3037aabf-42df-430b-bc11-db344e316c25/IMG_4363.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>David Moore, Where’re My Pants, papier mâché. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/512a019f-3d27-4eda-ac0f-65bd8e7baf1d/IMG_4364.jpg</image:loc>
      <image:title>Reviews Home - Everything Papier Mâché - Make it stand out</image:title>
      <image:caption>Scotty S., Hot Single Wizards In Your Area, papier mâché and mixed media. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/annalee-schorr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04326fa2-f85c-4dec-a722-b2eb35daa64b/Gallery+View2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>An installation view of Annalee Schorr’s Pattern Play exhibition at Spark Gallery, 2016, with Plexiglas® paintings and duct tape patterned floor. Image by Marcia Ward/The Image Maker Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed967974-b2fb-420b-aba7-8b4f61e5dcbd/3_Navajo+Blanket_84x50_acrylic+on+emergency+blanket_2022_72dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>Annalee Schorr, Navajo Blanket, 2022, acrylic on emergency blanket, 84 x 50 inches. Image by Marcia Ward/The Image Maker Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/25be8583-f541-4614-b874-9c0d49a0bf5d/IMG_3038_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>A view of Annalee Schorr’s studio. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/49712957-6c37-40fb-9a55-341b30fe694e/Cubism+2_24x30_acrylic+on+plexiglass_2016_middle+left+panel_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>Annalee Schorr, Cubism #2, 2016, acrylic on Plexiglas®, 24 x 30 inches. Image by Marcia Ward/The Image Maker Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6cdf15cd-47b6-45b4-877a-7d255d2239ec/6_Mexican+Serape+1_84x50_duct+tape+on+Emergency+Blanket+2022_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>Annalee Schorr, Mexican Serape, 2022, 84 x 50 inches, acrylic on emergency blanket. Image by Marcia Ward/The Image Maker Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2aab7bb7-e6e1-4420-9c73-0658a8919ad6/6_Mirror+Mirror+6_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>An installation view of Annalee Schorr’s Mirror Mirror on the Wall at Spark Gallery, 2023, mirrored mylar on walls, with Plexiglas® paintings and 3D sculptures. Image by Marcia Ward/The Image Maker Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/de078d0a-a87b-412d-a667-f2551c0961b7/IMG_3086_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>A view of Annalee Schorr’s studio wall. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dea8a3c1-1cb0-4c0f-bcb8-d6702cc5e203/IMG_3054_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>Annalee Schorr, X-it, 1985, acrylic on canvas, 48 × 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/06d5c55d-afa1-4bf8-87bb-1a5dc5ab1bd6/IMG_3053_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>A detail view of Annalee Schorr’s X-it, 1985, acrylic on canvas, 48 × 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bb7499a9-af7c-4083-98dd-0b818f0d7e0b/Forty+Thousand+Crossed+Out+Lives+Diptych_54x164_mixed+media+on+emergency+blankets_2019_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>Annalee Schorr, 40,000 Crossed Out Lives: An X for Each U.S. Gunshot Death in One Year, 2020, mixed media on emergency blankets, diptych, each 82 x 54 inches. Image by Marcia Ward/The Image Maker Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af9ea6d8-dbfd-47ca-ac9b-67b0b5680be5/7_SOU_Redactions+Mueller+Report_2020_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>Annalee Schorr, Redactions: Mueller Report, Pages 18, 179, 197, 2020, duct tape on board, 30 x 23 inches each. Image by Marcia Ward/The Image Maker Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eab0321f-9d7e-4c8e-b84c-0be7d54a1909/Shock+Awe+TV+Photos%2C+2003_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>A detail view of Annalee Schorr’s Shock/Awe February 4, 2003, 12 x 20 inches, TV photos. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9afb752e-31dd-4752-90d0-ecbdf2409e04/What%27s+On+April+9%2C+2003%2C+535+PM_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>Annalee Schorr, Shock/Awe April 9, 2003, 48 x 40 inches, contact sheet of TV photos. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c80c7c5-4dfe-414c-969a-f7cbcf65f637/IMG_3071_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>Annalee Schorr, Fred: Homeless in Denver, 2003, 44 x 30 inches, xeroxed photo on raw cardboard. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/902cb7b5-4520-4ebb-931a-11f2625c1711/IMG_3067_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>Annalee Schorr, Charles: Homeless in Denver, 2003, 44 x 30 inches, xeroxed photo on raw cardboard. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0aea0d31-7030-4acc-8773-db68faf3f9f9/IMG_3081_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>A view of Annalee Schorr’s studio work table. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fb09bcd8-7972-4ef8-8ca5-2abb38a12a33/IMG_3042_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Annalee Schorr - Make it stand out</image:title>
      <image:caption>A view of Annalee Schorr’s studio. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/in-service-of-the-wellspring</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0adcbb22-ce56-4d36-9195-917f28fe635b/250326+Wellspring-01_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>An installation view of In Service of the Wellspring at Lane Meyer Projects. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f4e2b2b6-07e4-4507-a536-13302e580053/LaneMeyerProjectsDoor_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>The entrance to Lane Meyer Projects with a view of PoN pOn bar in the background. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e10b542c-c17b-454a-8f78-c2419a608a0a/250326+Wellspring-07_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>MarSha Yi Robinson, CfOlNoCwReErTsE #1, 2025, ink, niyodo paper (thai kozo + rayon + hamp + pulp) on 300 lb cotton paper, and photographic imagery taken by artist, 30 x 22 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dac2080e-f686-4fce-9384-5b6531b438f3/250326+Wellspring-28_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>A detail view of MarSha Yi Robinson’s CfOlNoCwReErTsE #1, 2025, ink, niyodo paper (thai kozo + rayon + hamp + pulp) on 300 lb cotton paper, and photographic imagery taken by artist, 30 x 22 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c911777b-0a63-4fa0-a3ee-41d8c2e45d96/250326+Wellspring-11_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>MarSha Yi Robinson, CfOlNoCwReErTsE #4, 2025, ink, silver leaf, niyodo paper (thai kozo + rayon + hamp + pulp) on 300 lb cotton paper, and photographic imagery taken by artist, 22 x 30 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4e35f508-60e1-4bd1-9e15-fafce0d8f18b/250326+Wellspring-12_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>MarSha Yi Robinson, CfOlNoCwReErTsE #6, 2025, ink, niyodo paper (thai kozo + rayon + hamp + pulp) on 300 lb cotton paper, and photographic imagery taken by artist, 22 x 22 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2cb7fd1e-3ac5-49c5-abdc-c1a8883ccf12/250326+Wellspring-33_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>A detail view of MarSha Yi Robinson’s CfOlNoCwReErTsE #6, 2025, ink, niyodo paper (thai kozo + rayon + hamp + pulp) on 300 lb cotton paper, and photographic imagery taken by artist, 22 x 22 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2a719407-de93-4f68-9d58-eea58aea427c/Riley_WaningWhelms_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>Keith Riley, Waning Welms I–XVII, 2024, graphite and lumber crayon, 15 x 12 inches each. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8efa56c2-6d8e-4932-bd28-c4585d11ac42/250326+Wellspring-19_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>Keith Riley, Waning Welms VII, 2024, graphite and lumber crayon, 15 x 12 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2756bb4e-7f4a-41d1-b41e-da2488997869/250326+Wellspring-08_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>Keith Riley, Weeping IX, 2024, graphite, crayon, aluminium, and polyisocyanurate foam, 24.25 x 24 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2d96c04b-1481-41c4-bd84-e1587c25464f/250326+Wellspring-10_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>Keith Riley, Separator VII, 2020, graphite, crayon, ink, wax, aluminium, and polyisocyanurate foam, 23.5 x 17 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6ccaeb22-3624-4071-a8fb-4e1f12e74da9/250326+Wellspring-02_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>An installation view of In Service of the Wellspring at Lane Meyer Projects. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/53e3d756-7d11-4f15-8c98-f66e0a66ed98/250326+Wellspring-04_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>An installation view of In Service of the Wellspring at Lane Meyer Projects. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/263c1e67-06a9-4795-b8b9-0a2c38fd6e0c/250326+Wellspring-14_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>MarSha Yi Robinson, CfOlNoCwReErTsE #5, 2025, ink, niyodo paper (thai kozo + rayon + hamp + pulp) on 300 lb cotton paper, and photographic imagery taken by artist, 22 x 22 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3ae5ad48-166b-4037-b5da-bed0f840c334/250326+Wellspring-15_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>Keith Riley, Waning Welms II, 2024, graphite and lumber crayon, 15 x 12 inches.Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b68f99cc-5096-40b2-9799-da81b775d22b/Installation+View_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Service of the Wellspring - Make it stand out</image:title>
      <image:caption>An installation view of In Service of the Wellspring at Lane Meyer Projects. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/tigers-leap</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/be902abd-6e8e-4959-a923-e1f89018e5a1/tigersleaptitle_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Tiger’s Leap: Fashion Past, Present, Future at the Avenir Museum of Design and Merchandising at Colorado State University in Fort Collins. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/820244bf-7231-44be-b14f-e6a687286c36/newneoclassicals2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>The “New Neoclassicals” section in the exhibition Tiger’s Leap: Fashion Past, Present, Future. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c5080f3-11dc-496d-bb44-de3d354e81db/isseymiyake_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>Issey Miyake [Japan, founded 1971], Brown Ensemble, c. 1989, polyester, donor: anonymous, Avenir Museum no. 2024.19.1. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4063a27f-aedd-4534-ac3c-afe70b247bd8/reversals1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>The “Reversals” section of the Tiger’s Leap: Fashion Past, Present, Future exhibition. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/472c3b35-5a49-4fe5-bada-079a23575c53/corset_madamemccabe_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>Madame McCabe [United States, founded c. 1882], Corset, c. 1887, cotton, metal, and elastic, Avenir Museum no. 1910.3.1. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d8c1b121-afbe-4778-b1f1-be660cab54fe/astrollthroughtime_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>The section titled “A Stroll Through Time” in the Tiger’s Leap: Fashion Past, Present, Future exhibition. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e5e7c9df-9e06-45a2-8a1f-9ac2384660f0/avantgarde1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>The “Avant Garde” section of the Tiger’s Leap: Fashion Past, Present, Future exhibition. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/52aeb8c3-270c-4083-8db3-9c0c430fb328/play1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>The “Play” section in the exhibition Tiger’s Leap: Fashion Past, Present, Future. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8a5818c-2d9f-447a-95cd-d6415d36634e/IMG_2444_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>The James Galanos dress in the “Play” section of Tiger’s Leap: Fashion Past, Present, Future. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a0abb7ab-f9e6-4990-a274-7b474bd28f10/tailorsline3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>Left: Alexander McQueen [England, founded 1992], Redingote Coat, 2008, wool and silk, Avenir Museum Purchase, Avenir Museum no. 2018.54.2. Right: Men’s Suit Jacket, c. 1900, wool, donor: Margaret Fillmore, Avenir Museum no. 1989.43.6. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/211effcb-8b32-47f4-a019-dc5f0e86d19e/twists1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>The “Twists” section in the exhibition Tiger’s Leap: Fashion Past, Present, Future. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e55107eb-fdbe-4378-9889-a4d39f132e69/smockfrock1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>The “Smock/Frock” section in the exhibition Tiger’s Leap: Fashion Past, Present, Future. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9014f64-2a14-4f87-82fa-5ef1a9a46b14/1920silkdress_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>A detail view of Dress, c. 1920, silk, donor: JoAnne Howe, Avenir Museum no. 2013.43.11. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/99c945ff-5d0b-4af6-9569-6a42c3d25192/illusions1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>The “Illusions” section in the exhibition Tiger’s Leap: Fashion Past, Present, Future. On the right: Scott Paper Company [United States, founded 1879], Paper Caper Dress, 1966, dura-weave cellulose, donor: Jan Else, Avenir Museum no. 1993.51. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/df021736-1ea0-4924-9b35-8501518946e4/install2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tiger’s Leap - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Tiger’s Leap: Fashion Past, Present, Future at the Avenir Museum of Design and Merchandising at Colorado State University in Fort Collins. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/hotel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/380c2315-7da2-40c1-bdc9-57d42f063d19/Hotel_2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>An installation view of Na Mira’s Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls, at the Institute of Contemporary Art, Los Angeles, 2023. Image courtesy of the artist and Paul Soto, Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/666efc35-46b1-43fc-be82-462f8b4611a6/Photo+Jan+09+2025%2C+2+47+33+PM_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>A detail view of the one of the transistor radios in Na Mira’s Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bd1a9c0d-6f0d-4f62-8dc1-7777e7b62d69/Setup_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>A diagram of Na Mira’s Hotel based on José Antonio Arellano’s notes, courtesy of Kristina Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e4ab3d32-7930-4230-8f68-35429329d2a6/Photo+Jan+09+2025%2C+2+16+38+PM_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>Na Mira, Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/27885190-8c66-41e9-8cc4-a4fb33c3de73/Photo+Jan+09+2025%2C+2+20+59+PM_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>Na Mira, Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c68e3510-9ab9-47c1-963a-b2883a6b80ae/Photo+Jan+09+2025%2C+2+27+57+PM_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>Na Mira, Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/227529f1-8d02-4fa6-873e-715b87ff81e4/Photo+Jan+09+2025%2C+2+47+40+PM-1_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>Na Mira, Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1994520-f489-4210-9a2e-7a205fde876c/Photo+Jan+09+2025%2C+2+16+26+PM_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>Na Mira, Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/030f113a-f94b-4c9c-9957-6c1c824c507d/Photo+Jan+09+2025%2C+2+21+43+PM_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>Na Mira, Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eebaabe2-c677-44a5-99ff-fd5612316da3/Photo+Jan+09+2025%2C+2+16+41+PM_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>Na Mira, Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6137a61d-d71b-4016-a4a8-f551f84c70e3/Photo+Jan+09+2025%2C+2+27+58+PM_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>Na Mira, Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b18d1ca5-d610-479b-be4e-be444e0b4a52/Photo+Jan+09+2025%2C+2+45+39+PM-1_150dpi.png</image:loc>
      <image:title>Reviews Home - Hotel - Make it stand out</image:title>
      <image:caption>Na Mira, Hotel, 2022, transistor radios, mirrors, and two black-and-white films projected on perpendicular walls. Image by José Antonio Arellano.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/language-without-words</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cdf5f21d-af26-4763-9ffb-2bfc10ed592a/20241219_ash-eliza-williams_exhibit_021_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>An installation view of Ash Eliza Williams’s exhibition Language Without Words. Image by Scott Dressel-Martin, courtesy of the Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8508e19c-48a6-4366-9595-fc8a0fbe67c1/Shoal_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Shoal (Collective Intelligence), 2024, oil paint on paper, clay, and gouache, 24 x 120 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9bd23b11-375f-4172-99ff-f9a1a67bf133/Plant+and+snake_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Plant and Snake, 2023, oil paint on paper, clay, acrylic paint, and glass, painting: 24 x 12 x 2 inches; sculpture: 1 x 1 x 1 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/294d64d3-2013-4fd3-aad3-951ea6877c80/Dreams_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Left: Ash Eliza Williams, Dreams of a Violet-Eared Waxbill, 2024, oil paint on paper, 44 x 60 x 1 inches.  Right: Ash Eliza Williams, Dreams of an Orange Fruit Dove, 2024, oil paint on paper, 44 x 60 x 1 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/56a22355-6a66-4a53-9ca3-cd18ba37c7f6/Detail+of+Dreams+of+Orange+Fruit+Dove_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>A detail view of Ash Eliza Williams’s Dreams of an Orange Fruit Dove, 2024, oil paint on paper, 44 x 60 x 1 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f101985c-f288-497e-8b79-7db3370090ec/Coral+and+geode_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Coral and Geode, 2024, oil paint on paper, clay, and acrylic paint, painting: 24 x 12 x 2 inches; sculpture: 6 x 4 x 2 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/576de24a-2c80-4d9c-bb25-83395876e06c/Bird+Language_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Bird Language, 2024, oil paint on paper, clay, gouache paint, and mirror, painting diptych: 30 x 24 x 1.5 inches; sculptures: 1 x 1 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f1191f0e-4aa6-4bb7-bcee-7e9c85d676ef/Tree+Language+and+Tree+Language+II_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, left: Tree Language III; right: Tree Language, both 2024, oil paint on paper, clay, and acrylic paint, paintings: 48 x 48 x 2 inches; sculptures: 8 x 10 x 3 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2bef4ef2-9ec7-4c46-adeb-e037de1a5d98/Night+Feast_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Night Feast, 2024, oil paint on paper, clay, acrylic paint, and gouache, paintings: 16 x 42 x 2 inches; sculpture: 3 x 3 x 3 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/705c6faf-d058-46e5-aa37-4e96d4486b99/Squid+and+sun_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Squid and Sun, 2023, oil paint on paper, clay, and acrylic paint, painting: 24 x 12 x 2 inches; sculpture: 4 x 4 x 4 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9f253b31-8c88-4680-8afd-d0a4794898eb/Dreams+of+Orange+Fruit+Dove_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Dreams of an Orange Fruit Dove, 2024, oil paint on paper, 44 x 60 x 1 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e5ea968a-db2e-4085-a6ed-5d06364784d4/Dreams+of+a+Violeteared+Waxbill_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Dreams of a Violet-Eared Waxbill, 2024, oil paint on paper, 44 x 60 x 1 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0dc0b6d0-b80c-4bc7-a84b-68ffc9783443/Installation+of+Alphabet+of+Stones+with+Dreams_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>An installation view of Ash Eliza Williams’s exhibition Language Without Words with Alphabet of Stones in the foreground. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eebe25fe-2c70-4501-8f78-a84fca7df295/Alphabet+of+Stones1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Alphabet of Stones (Lithic Language), 2024, clay, acrylic paint, and gouache paint, each sculpture: 2–7 inches tall and 4 inches in diameter. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5422ff4-0e68-4ec0-82bc-2cf259045a89/20241219_ash-eliza-williams_exhibit_027+%281%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>A view of works by Ash Eliza Williams in the exhibition Language Without Words. Image by Scott Dressel-Martin, courtesy of the Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9bebcd84-e8fc-4bde-832f-8d929f0bd534/Bird+Language+Murmuration_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Bird Language (Murmuration), 2024, oil paint on paper, 70 x 90 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bae63be5-e72a-4f7e-94cc-23a309fc9775/The+Couple_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, The Couple (Conversation in Light), 2024, oil paint on paper, lower diptych: 24 x 30 x 2 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/509a8563-a48f-4efa-b760-d6208c50122d/Tree+Language_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Language Without Words - Make it stand out</image:title>
      <image:caption>Ash Eliza Williams, Tree Language II, 2024, oil paint on paper, clay, and acrylic paint, paintings: 48 x 48 x 2 inches; sculptures: 8 x 10 x 3 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/biophilia-love-of-life</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bef35551-a6db-4e8b-9f90-5893c0cfeaf1/IMG_3546.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Barbara Baer, Becoming, metal, acrylic paint, and lights, located on the exterior of the Lincoln Center in Fort Collins.. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fa219d3a-c7ff-4ad5-bb7e-0842f8962f71/IMG_3549.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>A view of the installation of Barbara Baer’s public artwork Becoming at the Lincoln Center in Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/96587306-0c83-4b9f-9099-5b5fd0fbeea8/IMG_3555.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Barbara Baer, Canopy, printable plastic film. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a1f0868f-9a90-4ba5-8e1e-86f0b533dfbe/IMG_3558.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>A detail view of Barbara Baer’s Canopy. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ef93be85-c5e5-4b4f-9755-5a13713952e6/IMG_3574.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Barbara Baer, Chestnut, organdy and buckram fabrics and music wire. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f5d5e9ab-b8e7-4e98-9626-3793e713d921/IMG_3583.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>A detail view of Barbara Baer’s Chestnut. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7bcf53c9-db4b-4d95-a114-a20a38f3e7fa/IMG_3545.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Barbara Baer, Curtain, acrylic sheets, pigment, and lights, a public artwork at the Lincoln Center in Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4535a0dd-dafb-42fc-b27f-86f36fd08baa/Bear_Sun+Lit_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Barbara Baer, Sun Lit, polycarbonate sheets. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f4e7c4e5-ab15-4c04-ae0a-06dc5604ec39/IMG_3564.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Barbara Baer, Water Born, organdy fabric and river water. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f2ffcad5-c586-45f2-8c34-e7cb0fc61e95/IMG_3567.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>A detail view of Barbara Baer’s Water Born. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f30259e3-e562-45e5-ad37-8ba220068615/IMG_3554.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Barbara Baer, Willow, charcoal on shipping labels. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1a2e07bf-30a7-4235-a76b-3f8e0dc66182/IMG_3552.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>A detail view of Barbara Baer’s Willow. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/091e5bc6-1cee-4829-b1f7-f1dd4aa8d377/IMG_3599.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>An installation view of Amelia Furman’s works in Biophilia at the Lincoln Center in Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1007a633-71df-454f-8d1a-b3f86ef2df9c/Furman_The+Waiting+Tree.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Amelia Furman, The Waiting Tree, paper collage and oil paint on panel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3539bac3-385d-41f7-9e89-a1980109aee0/Furman_There+is+Rest+for+You.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Amelia Furman, There is Rest for You, paper collage and oil paint on panel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04e87c62-3baf-458d-ae84-9a379fef137e/IMG_3591.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Amelia Furman, Well Spring, paper collage and oil paint on panel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bc2465dd-1c1e-4f85-a8ed-a6043cf0550b/Furman_Offering.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Amelia Furman, Offering, paper collage and oil paint on panel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a673fa09-ef98-4b52-8a5a-9123da8d8a3f/Furman_Keep+Me+In+The+Light.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>Amelia Furman, Keep Me in the Light, paper collage and oil paint on panel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6b4c0113-f5e0-4a5e-9a6d-40ce8f63227f/Furman_Keep+Me+In+The+Light_side.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>A detail view of the panel edge of Amelia Furman’s Keep Me in the Light. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e713a82f-d9a5-42a1-ad77-20af5b5edfff/IMG_3532.jpg</image:loc>
      <image:title>Reviews Home - Biophilia - Make it stand out</image:title>
      <image:caption>An installation view of Barbara Baer’s works in Biophilia. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/black-futures-in-art-the-space-between-us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3a5abfb0-b32f-4119-b3c3-3473ff25292e/02_January+17%2C+2025.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>An installation view of the Black Futures in Art: The Space Between Us exhibition at Dairy Arts Center in Boulder. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a12aa975-7b05-4b87-b1c4-c57d20e6eff0/52_January+17%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>A view of Adri Norris’s paintings in the Macmillan Family Lobby at Dairy Arts Center. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed55e551-396b-451a-adf3-4c404097ae82/Norris_Lil+Kim+trading+card_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>Adri Norris’s Lil’ Kim trading card. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a3e23d67-7205-4f59-a127-1091f2e52e99/68_January+17%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>An installation view of Yazmin Atmore’s installation in the Polly Addison Gallery at Dairy Arts Center. On the left: Beautiful Creatures, 2023, analog and digital collage, 4 × 6 feet Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/78a09b38-52a5-4eec-b9c1-ee2bd8343933/43_January+17%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>An installation view of Marcus Murray’s work in the Hand Rudy Corridor at Dairy Arts Center. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2c84a49e-7764-4bba-a760-9882df58eb8b/Marcus+Murray_Cook_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>Marcus Murray, Cook, from the Black History Year Round series, 2023, digital media on vinyl. Image by Liz Quan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8cda4b2-3442-4340-b05a-91843ce4459f/24_January+17%2C+2025_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>An installation view of the Black Futures in Art exhibition in the McMahon Gallery at Dairy Arts Center. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/62379f70-f1af-4417-9a31-52af9cd02791/Gedion+Nyanhongo_Opal_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>Gedion Nyanhongo, Opal, carved stone. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3eaa3a97-1068-4ddc-9d7b-2f4fc9b4516e/Collen+Nyanhongo_Earth+Spirit_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>Collen Nyanhongo, Earth Spirit, serpentine and springstone. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a8b0e75c-4659-41a7-97c3-b352fe3a28cc/Thomas+Elias+Lockhart_Way+Too+Fly_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>Dr. Thomas Elias Lockhart, Way Too Fly, mixed media, 36 x 36 inches. Image by Liz Quan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d05c5127-446d-41b9-975a-93d4122cc4d3/Kevin+Johnson_Unexpected+Guest_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>Kevin Johnson, Unexpected Guest, 2023, oil on canvas, 36 x 36 inches. Image by Liz Quan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0208d30e-311a-43e7-a1c8-853b65aa7822/Adderly+Grant+Lord_Starting+Again_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>Adderly Grant-Lord, Starting Again, acrylic on canvas, 36 x 48 inches. Image by Liz Quan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69c7dfb7-d95c-4de6-870c-43397a6e4885/Adderly+Grant+Lord_Untouchable+Place+Within_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>Adderly Grant-Lord, Untouchable Place Within, acrylic on canvas, 48 x 60 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/328fec5c-8ade-40b8-92ff-3ef5cf6ea88f/19_January+17%2C+2025.jpg</image:loc>
      <image:title>Reviews Home - Black Futures in Art - Make it stand out</image:title>
      <image:caption>An installation view of the Black Futures in Art exhibition at Dairy Arts Center. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/delectable-food-tography</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/13892327-b53e-4bfd-a2d8-8914a120d903/install24.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>An installation view of the exhibitions delecTABLE: The Fine Art of Dining and Food-tography at the Art Students League of Denver. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1857ce82-61dc-4a4c-af2b-a57871921eba/kathleenlaurie.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Two works by Kathleen Laurie: Oval Lidded Jar (left) and Canister-Dotted (right), both stoneware/soda fired to Cone 10. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1567a7db-fb7f-4e48-aacc-46ec8a96156a/dietlindeduplessis.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Dietlinde DuPlessis, Teabag &amp; Tomato, lumen print. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/05d076f7-ca47-482b-b002-cac1c444086c/kynamcdowell.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Kyna McDowell, Rotten Apples, archival pigment print. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/30b82199-4716-4b46-90ae-bcd601aafec2/marychambers.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Mary Chambers, Mycelium, porcelain. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2abb4c6e-0631-4987-b61e-283b8aa4e021/caitlinming.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Caitlin Ming, Eclipse Tumblers (set of 4), ceramic/porcelain. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2238d871-5f0d-49ef-9b4f-bbb03d42d16c/hillitwahlberg.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Hillit Wahlberg, Floating Service Platter, ceramic. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bd05afd2-5d68-4e02-897e-9185aa366b05/samanthafoster.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Samantha Foster, Fruit Bowl, ceramic. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/48c2f4f5-b407-4042-8b4d-e28effcb956c/donnaaltieri.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Donna Altieri, Nescafé Red Chair with Oranges, photograph framed in oilcloth. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/336cf63f-54a3-410d-88d5-076936489438/countbasye.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Count Basye, Image Poetry, deadstock slide mounts on steel with magnets. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/045961c3-a463-4631-9040-cda302cf17e9/kaitarndt.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Kait Arndt, Green, Yellow Blue Grid Teapot, ceramic. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7b50b8fc-9843-4ab9-addf-42b607919abb/robinbyany.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Robin Bryant, Round Polka Dots Flower Vase with Red Roses (left) and Oval Polka Dots Flower Vase with Red Roses (right), clay. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1d33cc04-be64-4406-8bd6-586ae6790773/juilingshih.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Two works by Jui Ling Shih: Don’t Take My Carrot (left) and The Contented Cat King (right), both wood fired ceramics. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1b6b4182-03da-41bb-8f54-e0c817ccfae4/amymanning.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Amy Manning, First Contact (salt and pepper set), ceramic. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dd8ace82-bb3f-4844-a7fa-3aa109fce748/Daryl+Grace+Newmark.jpg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>Daryl Grace Newmark, Chicken/Egg, archival pigment print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cf17b19f-755e-493c-b8f6-852663958705/johnbonath.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>John Bonath, Bootie Call, archival pigment print. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8f222c65-b742-4290-b5e5-845ee9740296/install2.jpeg</image:loc>
      <image:title>Reviews Home - delecTABLE / Food-tography - Make it stand out</image:title>
      <image:caption>A view of the title wall and works in the exhibitions delecTABLE: The Fine Art of Dining and Food-tography at the Art Students League of Denver. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/art-of-the-state-2025</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b2259db8-3c28-45bf-b840-64c335e3eabf/1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Stephen Shachtman (Fort Collins), Sprawl, 2024, corten steel, 108 x 144 x 96 inches. Image by Wes Magyar, courtesy of Arvada Center for the Arts and Humanities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/381a3690-1006-4dba-b0b2-cbef487b5699/46_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Jodi Stuart (Denver), Arc (Extruded), 2021, 3D pen-formed ABS plastic, flex foam, and pigment, 192 x 72 x 24 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/21f179fc-edba-4e9f-a2dc-8395f87c8957/3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Sherry Wiggins (Boulder) and Luís Filipe Branco, Cleopatra with a Snake and a Cigarette, 2023, archival digital print on Hahnemuhle photo rag baryta paper, 37 x 25 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c9ebb6a-683e-445a-bd56-ab205c84a67d/11_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Gregory Santos (Denver), Firestarter, 2024, screenprint, 19 x 15 inches. Image courtesy of Gregory Santos and Arvada Center for the Arts and Humanities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/68a370e1-ae82-4d60-8af8-3ed966a1e2eb/9_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Margaret Kasahara (Colorado Springs), Notation 24-24, 2024, security envelope (American Express), pencil, artist’s hair, and thread on rag paper, 3.625 x 3.625 inches. Image courtesy of Margaret Kasahara and Arvada Center for the Arts and Humanities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fd493ce7-3bda-4686-8e0e-4ef5dadefb0e/29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Paulina M. Johnson (Steamboat Springs), Moment of Silence, 2024, paper on edge, 33 x 18 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed8fa65a-51b6-427a-b866-51d442af04e6/35_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Madeleine Adair (Littleton), leaf pile, 2024, copper and brass brooches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/08acc30e-b97e-412e-bdef-02fe56965da9/40_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Rhiannon Alpers (Denver), Tracing Outlines, 2022, artist book, 5.5 x 3.75 x 1.5 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e93334cf-d54c-4571-9dae-b895fd89e36f/44_150pi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Deborah Davis (Longmont), Tiffany at Selby Gardens, 2024, handwoven tapestry, 17 x 20 x 5 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f8d11785-110f-48e3-ba4c-e06733373a69/18_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Maeve Eichelberger (Denver), Tropicana, 2024, hand-formed acrylic, 28 x 14 x 16 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/da92bfae-38b8-4569-9f53-81f9b3a35d9e/12_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>John Bonath (Denver), The Tea Party (models Randy Rushton &amp; Sabin Aell), 2023, print on canvas, handworked with oils and gels, and mixed media installation. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6c18cadb-c166-441b-931e-fc96e2b9c13e/14_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Justin Price (Loveland), The Tendency Towards Social Equalization with the Desire for Individual Differentiation and Change, 2024, oil on raw linen, 42 x 40 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/96ce29ce-2159-44df-85e9-ebff56e97c6e/16_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Erin Lucey, Luminous Form No. 4, 2024, burdock burrs and metal form, 20 x 14 x 9 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b9b7e6db-462b-4a18-8c01-c6fccc6f4145/4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Kristin Anahit Cass (Superior), Salpi and Nancy in Flight, 2021, archival digital print, 12 x 18 inches. Photo: Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/23cb1bce-f801-4fc0-8170-1a333fd28c0a/2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Irene McCray (Longmont), Not Here, 2023, oil on canvas, 60 x 36 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6bad80cb-9a2a-477a-8b06-40fbc2b8709e/36_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Gayle Gerson (Grand Junction), Greenhouse Gathering, 2022, mixed media collage under resin, 12 x 48 inches. Image courtesy of Gayle Gerson and Arvada Center for the Arts and Humanities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/62950bc1-cf99-4b6b-bf85-7a6f446f7c6d/10_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Al Canner (Boulder), Aspen Grove, First Light, 2022, knotted cords of cotton, hemp, nylon, and polyester, 38.5 x 23.5 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2106e40e-9fef-4ff0-94b4-4a1c58caeab6/6_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Jeff Gipe (Arvada), Who Controls the Present Controls the Past, 2024, photo collage on archival backlit film (lightbox), 27 x 40 inches. Image courtesy of Jeff Gipe and Arvada Center for the Arts and Humanities.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b9738729-ca4c-4545-a634-9e2ffb810024/1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Haley Hasler (Fort Collins), Eve / The Fall of Man, 2024, oil on canvas, 60 x 48 inches. Photo: Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/697b4a10-1857-4d8f-a619-ca3d539f7abe/28_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>Dana Senge (Mancos), Migration, 2023, ceramic, 37.5 x 53 x 27 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c79d16c5-0e9c-4127-bba9-7692b57f661d/4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art of the State 2025 - Make it stand out</image:title>
      <image:caption>An installation view of the Art of the State 2025 graphic by Parker Grote from Lakewood’s Warren Tech High School for Arvada Center for the Arts and Humanities. Image by Wes Magyar, courtesy of Arvada Center for the Arts and Humanities.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-intimate-infinite</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8dbfe0e9-d86a-4414-a968-f303723572a2/Installation+Shot%282%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>An installation view of Tomiko Jones’ exhibition The Intimate Infinite at Metropolitan State University’s Center for Visual Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ba4d814a-8278-4d89-a54e-5f3edaa6ad28/Rattlesnake+Lake+5-8_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Rattlesnake Lake 5-8, series, 2000-2013, platinotype (palladium platinum print) from scanned 4x5 film negative. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/97d5d98b-c4cb-4c1d-8004-955ef3fec350/Rattlesnake+Lake+2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Rattlesnake Lake 2, series, 2000-2013, platinotype (palladium platinum print) from scanned 4x5 film negative. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/84b6ed77-501c-4f2b-8891-06c2512d40dc/Chair_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Chair, 2010, printed in 2024, piezography print on Photo Rag Baryta from scanned 120 negative. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a545db8d-7b16-4593-9a68-4b5fe4f6aff4/Obaasan_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Obaasan, Portrait of a Bride, 2010, printed in 2024, piezography print on Photo Rag Baryta from scanned 120 negative. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/48e14a7f-80dd-45f1-959f-143099edace5/Installation+Shot_Skeleton+Boat_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>An installation view of Hatsubon (2016) in the exhibition Tomiko Jones: The Intimate Infinite at the Center for Visual Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7307bef4-337d-429d-ace2-c9adf251b408/Urn+at+the+Monongahela+River_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Urn at the Monongahela River (diptych), 2016, piezography print on Photo Rag Baryta from scanned 4x5 negative. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e7e3ae6b-5088-4fb2-8a76-c2a3fed0e516/Fall_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Fall, 2016, archival pigment print on silk from scanned 4x5 film negative. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/048b5197-8023-40f2-a7af-db2ebf2d4c33/Installation+Shot%286%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>An installation view of Tomiko Jones’ exhibition The Intimate Infinite at Metropolitan State University’s Center for Visual Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5fd87fbe-3a3d-4748-8d0a-1c79ce3474ad/Field+Notes_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>A detail view of Tomiko Jones, Field Notes, assembled in 2024, table display with ephemera. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d21e9f96-92c0-4a64-b0e6-46b4fb786f8a/Field+Notes+%28the+MRS%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Field Notes (the MRS), 2021, printed 2024, archival pigment print on Photo Rag Baryta. Field Notes (the MRS), 2021, printed 2024, handwritten text on rag. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f0754721-8e1f-4cf4-9b28-8987834043f3/Coyote+%2B+Border+Wall_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Coyote + Border Wall, Twilight (1/3), 2021, photointaglio. Coyote + Border Wall, Text (2/3), 2021, handwritten text on rag. Coyote + Border Wall, Tracks (3/3), 2021, photointaglio. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c43c6b5-df36-4d9c-9192-c8d8a392cdd5/Coyote+%2B+Border+Wall_72dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Coyote + Border Wall, Tracks (3/3), 2021, photointaglio. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/205801cb-60b2-4667-a3c9-60a866c35629/Portrait+of+a+Border+Patrol+Agent+%28CBP+1_3%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Portrait of a Border Patrol Agent (CBP 1/3), 2021, printed 2024, archival pigment print on Photo Rag Baryta. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4cf58f05-4def-4caa-a348-c32edd21e3be/At+the+edge+of+the+Tohono+O_odham+Nation_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, At the edge of the Tohono O’odham Nation, Organ Pipe Cactus National Monument, Arizona, US and Sonora, México, 2021, platinotype. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a470c77a-5a49-4fd4-acde-842dc1f0945d/Border+Chiaroscuro%2C+Coronado+National+Forest%2C+Arizona_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Border Chiaroscuro, Coronado National Forest, Arizona, 2021, printed 2024, piezography print on Photo Rag Baryta from scanned 120 negative. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1bd603ad-bfc6-4d35-ae2d-0a218be19e73/Installation+Shot%284%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>An installation view of Tomiko Jones’ exhibition The Intimate Infinite at Metropolitan State University’s Center for Visual Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0a62e0ec-118d-46bf-8128-688a8ba73129/sea+%26+cloud_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, sea &amp; cloud (from Cloud &amp; Smoke, collaborative artists’ book with Karen Zimmerman), 2024, risograph, letterpress, and chine-collé. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bc738b80-27f0-4075-8b25-a51e5529f007/Installation+Shot%283%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>An installation view of Tomiko Jones’ exhibition The Intimate Infinite at Metropolitan State University’s Center for Visual Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d40bd9f7-382e-4a35-aa3f-790dc7b1a70e/Hawk+Remains_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Hawk Remains (1-3), 2022, unique cyanotypes. Tomiko Jones, Hawk Remains (4), 2022, handwritten text on rag. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e56c2516-b60d-4991-bb9b-cdef515f2957/Barred+Owl%2C+Raccoon_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Barred Owl, 2019, unique cyanotype. Tomiko Jones, Racoon, 2019, unique cyanotype. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/60b1fc00-cd9a-4de2-928c-094f54ad8f33/The+Fox_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, The Fox (1/2), 2018, unique cyanotype. Tomiko Jones, Text: The Fox (2/2), 2018, handwritten text on rag. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/606891d3-8edc-4851-b442-16835a68607a/Butsudan_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intimate Infinite - Make it stand out</image:title>
      <image:caption>Tomiko Jones, Butsudan, 2010, printed in 2024, piezography print on Photo Rag Baryta from scanned 4x5 negative. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/little-ton-big-ideas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5397fd76-4654-478d-9fac-88e4d3037ab5/Installation+view+Little-ton+big+ideas+17.JPG</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>An installation view of Little-ton, Big-ideas: Honoring the Big Ideas of Women Artists at the Colorado Gallery of the Arts, Arapahoe Community College. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6d84ea69-dd1b-436e-a083-799b5ea7eb81/Installation+view+Little-ton+big+ideas+19%281%29.jpg</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>An installation view of Little-ton, Big-ideas: Honoring the Big Ideas of Women Artists at the Colorado Gallery of the Arts, Arapahoe Community College. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a814e4cf-4bf4-440e-8a5a-9665dedcd13d/Flannery%2C+Mills+Creek.jpg</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>Alison Flannery, Mills Creek, oil on canvas. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/25d8d460-bbc4-4073-989a-ebc4f523184c/Lynne+Muth%2C+A+River+Runs+Over+It.jpg</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>Lynne Muth, A River Runs Over It, acrylic on canvas. Image by Nina Peterson</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f527b543-777c-45dc-99bc-1b33779bc7ac/Lane-Pumphrey%2C+Refuge.jpg</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>Brinda Lane-Pumphrey, Refuge, oil on canvas. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/221d900b-80ce-49d5-86f9-9437cb1314d8/Maone%2C+Next+Playground.JPG</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>Teresa Maone, Next Playground?, oil on canvas. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/28563441-4dd1-4cd2-adc1-bda31107cf44/Stewart+Belly+Bowl.JPG</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>Maggie Stewart, Robin’s Egg Blue Belly Bowl, bronze. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f663c99e-451b-44ae-a005-5ef856043441/Stewart+Belly+Bowl+detail+1.JPG</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>Maggie Stewart, Robin’s Egg Blue Belly Bowl (detail), bronze. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2e210aa2-e376-4c70-b1e3-acce51bcff2a/Thiagarajan+Mahagauri.JPG</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>Bala Thiagarajan, Mahagauri, textured acrylic, fabric, and costume jewelry. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/15aaf3c2-ed11-4c9b-bd71-7db33ed18ebf/Thiagarajan+Mahagauri+detail+4.JPG</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>Bala Thiagarajan, Mahagauri (detail), textured acrylic, fabric, and costume jewelry. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f851826f-955a-4292-9d35-6c23b813e3ea/Thiagarajan+Mahagauri+detail+6.JPG</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>Bala Thiagarajan, Mahagauri (detail), textured acrylic, fabric, and costume jewelry. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b8f83128-d050-4ff3-af36-904cabb973b2/Installation+view+Little-ton+big+ideas+13.JPG</image:loc>
      <image:title>Reviews Home - Little-ton, Big-ideas - Make it stand out</image:title>
      <image:caption>An installation view of Little-ton, Big-ideas: Honoring the Big Ideas of Women Artists at the Colorado Gallery of the Arts, Arapahoe Community College. Image by Nina Peterson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/creative-collective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/02f74f13-3e25-4f55-82d2-1b302b020bcc/Tointon1.jpg</image:loc>
      <image:title>Reviews Home - Creative Collective - Make it stand out</image:title>
      <image:caption>An installation view of the Creative Collective exhibition at Tointon Gallery. Image by Will Dillon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1eb03ecd-507b-4583-abf3-1359c85437b7/GailMothershed_HappinessInMarriage.jpg</image:loc>
      <image:title>Reviews Home - Creative Collective - Make it stand out</image:title>
      <image:caption>Gail Mothershed, Happiness In Marriage, ceramic. Image by Will Dillon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d3c7088c-c62a-4867-85c2-ed767b53ed69/DebMcCahan_MillsLake3.jpg</image:loc>
      <image:title>Reviews Home - Creative Collective - Make it stand out</image:title>
      <image:caption>Deb McCahan, Mills Lake 3, oil on canvas. Image by Will Dillon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b30ba575-1e5c-4adf-95a6-adbae63890d7/DebMcCahan_LongsFromLilyLake.jpg</image:loc>
      <image:title>Reviews Home - Creative Collective - Make it stand out</image:title>
      <image:caption>Deb McCahan, Longs from Lily Lake, oil on canvas. Image by Will Dillon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e52fb998-b41c-4dfc-8782-b1e7f9d80325/CarolAKreps_ApproachingStorm.jpg</image:loc>
      <image:title>Reviews Home - Creative Collective - Make it stand out</image:title>
      <image:caption>Carol A. Kreps, Approaching Storm, pastel. Image by Will Dillon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/53aedb5e-4236-4099-a986-8292be3571ab/DanielAugenstein_MonumentsFromWindowRockOverlook.jpg</image:loc>
      <image:title>Reviews Home - Creative Collective - Make it stand out</image:title>
      <image:caption>Daniel Augenstein, Monuments From Window Rock Overlook, oil on canvas. Image by Will Dillon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/14b88d51-c778-4af2-ac43-065d65563c6a/EdwardHansen_OpenWater.jpg</image:loc>
      <image:title>Reviews Home - Creative Collective - Make it stand out</image:title>
      <image:caption>Edward Hansen, Open Water, oil on canvas. Image by Will Dillon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d15eb16-d804-47a5-9a03-a39567bc1d0e/RogerLHuffenberger_WhatNow+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Creative Collective - Make it stand out</image:title>
      <image:caption>Roger L. Huffenberger, What Now, crayons on glass. Image by Will Dillon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/code-x-contemporary-chicanx-codices</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8dcb689a-a39a-4897-ad08-3f9dfdd1f27a/Installation+Shot%282%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>An installation view of Code-X: Contemporary Chicanx Codices at the Vicki Myhren Gallery at the University of Denver. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9d240fc9-9983-408f-bc08-4ff19907c3de/Study+Installation_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Sandy Rodriguez, Study No. 25 (Mapa for Malinche and our Stolen Sisters) - Para el Susto, n.d., hand-processed watercolor on amate paper. Sandy Rodriguez, Study No. 1 (Mapa for Malinche and our Stolen Sisters) - Birth of Malinali Tenepal, n.d., hand-processed watercolor on amate paper with 23k gold. Sandy Rodriguez, Study No. 12 (Mapa for Malinche and our Stolen Sisters) - Templo, n.d., hand-processed watercolor on amate paper. Sandy Rodriguez, Study No. 1b (Mapa for Malinche and our Stolen Sisters) - Relaciones Geographicas Tabasco - locating Coatzacoalcos, n.d., hand-processed watercolor on amate paper with 23k gold. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46b50b5f-0f51-4224-a262-8f2b1a6fe130/Study+No.+1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Sandy Rodriguez, Study No. 1 (Mapa for Malinche and our Stolen Sisters) - Birth of Malinali Tenepal, n.d., hand-processed watercolor on amate paper with 23k gold. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/abd5bf97-824b-4622-bf15-b2149a60cb64/Nepantla_three+works_SmithsonianImage.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Yreina D. Cervántez, NEPANTLA Triptych (Nepantla/Mi Nepantla/Beyond Nepantla), 1995-1996, lithograph on paper. Image courtesy of the Smithsonian American Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1e763a42-46c1-4066-899b-e49a7e3528cb/Nepantla_first+print_SmithsonianImage.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Yreina D. Cervántez, the first print in NEPANTLA Triptych (Nepantla/Mi Nepantla/Beyond Nepantla), 1995-1996, lithograph on paper. Image courtesy of Smithsonian American Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9ca2618d-c087-4045-9bec-2ba0bb4e9511/Nepantla_middle+print_SmithsonianImage.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Yreina D. Cervántez, the middle print in NEPANTLA Triptych (Nepantla/Mi Nepantla/Beyond Nepantla), 1995-1996, lithograph on paper. Image courtesy of Smithsonian American Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0424d11c-cb04-4eef-9e4e-8fee7ac3fe82/Nepantla_last+print_SmithsonianImage.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Yreina D. Cervántez, the third print in NEPANTLA Triptych (Nepantla/Mi Nepantla/Beyond Nepantla), 1995-1996, lithograph on paper. Image courtesy of Smithsonian American Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8b53bd47-6fd1-4449-8a4b-23df73e4b708/Codex+YTREBIL_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Enrique Chagoya, Codex YTREBIL, 2022, color lithograph. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/66a00a5b-282a-4321-8200-d27962f355d8/Space+Invaders+Tour+Guide_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Eric J. García, Space Invaders Tour Guide, front and back, 2020, offset print with black light ink. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3fe261ce-15af-4551-bc7e-32c6e32bdefe/Rio+Verde+%282%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Cherish Marquez, a still from Rio Verde, 2020, videogame. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e828d08a-a0a2-4de7-9daa-3c0cb622eea8/Rio+Verde_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Cherish Marquez, a still from Rio Verde, 2020, videogame. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2eec4bc1-3d82-48e5-b844-47b7b9787839/Historical+Space+Invaders_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Eric J. García, Historical Space Invaders, not dated, videogame. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bf3760f5-0528-4981-8167-d61d18588bcd/PXL_20250126_234647820_Historical+Space+Invaders_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Eric J. García, detail of Historical Space Invaders, not dated, videogame. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/20048071-d4ee-419d-ba15-74f3c74accd3/PXL_20250126_234551437%7E2_Space+Invaders+Tour+Guide_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Eric J. García, Space Invaders Tour Guide, back, 2020, offset print with black light ink. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2e45d70e-8901-46a0-a31a-f4639135340d/PXL_20250126_232030121_alebrijes_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Installation shot of the alebrijes in Code-X: Contemporary Chicanx Codices at the Vicki Myhren Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ef012e98-56c1-4256-9f90-db71bddca6dc/alebrijes+game_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Michael Anthony DeAnda, Tiny Generator, Alebrijes, a drawing and storytelling game. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/976f0c00-492b-49ff-9fb1-6da6cdd96651/PXL_20250126_232312022_alebrije+drawings_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>Alebrijes made by exhibition attendees in Code-X: Contemporary Chicanx Codices at the Vicki Myhren Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5494f9ec-817c-4434-9491-240f1b25feb5/Installation+shot%286%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Code-X: Contemporary Chicanx Codices - Make it stand out</image:title>
      <image:caption>An installation view of Code-X: Contemporary Chicanx Codices at the Vicki Myhren Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/housekeeping</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fd120695-fcec-4cf8-808e-58bf511dc149/Housekeeping+gallery+shot.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>An installation view of Rian Kerrane’s Housekeeping exhibition at Emmanuel Art Gallery. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/24fcf60c-5a7a-4a2a-b7bd-c908c1729025/Contents+of+My+Drawers+2.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>An installation view of Rian Kerrane’s Content of my Drawers, 2016-2024, steel, glass, cast iron, wall mounted steel and glass shelves, repurposed metal stairs, and miscellaneous items tagged and numbered. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e77c5a48-461f-4161-aee6-87f5dd774294/content-detail%281%29.png</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>A detail view of Rian Kerrane’s Content of my Drawers, 2016-2024, steel, glass, cast iron, wall mounted steel and glass shelves, repurposed metal stairs, and miscellaneous items tagged and numbered. Image by Deborah Jang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/01370c34-1135-4bb2-a3e0-6ebac8602b2b/thread%281%29.png</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>One object and its tag in Rian Kerrane’s Content of my Drawers, 2016-2024, steel, glass, cast iron, wall mounted steel and glass shelves, repurposed metal stairs, and miscellaneous items tagged and numbered. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/50d0f1b5-9d5e-47b8-aefe-5a8cf2f5ebb5/Pillars+of+Society+2.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>Rian Kerrane, Pillars of Society, 2024, plastic, fabric, steel, cast iron, and cast bronze. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3cf2465b-2244-4d2a-a02c-59442280a896/Pillars+of+Society+detail+6.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>A detail view of Rian Kerrane’s Pillars of Society, 2024, plastic, fabric, steel, cast iron, and cast bronze. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7e4ec318-d35b-42fc-9eca-45d4ed93d57f/Emoji+of+the+Day+Thought+Bubble.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>Rian Kerrane, Emoji of the Day, 2019-2024, twenty-six steel and iron branding irons (A-Z alphabet), linoleum, and miscellaneous hooks and racks. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5fb6aac0-c89d-483c-a3ae-13a3f1bfb19b/rian_speechbubble%281%29.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>Rian Kerrane demonstrates how to interact with her fabricated speech bubble that is part of her installation Emoji of the Day. Image by Deborah Jang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c18dbe0d-03e5-49a5-8855-e17125f3823c/Word+of+the+Day+2.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>A view of the binders in Rian Kerrane’s Word of the Day, 2024, steel, wood, binders, paint, magnets, and branded prints. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ee3e9a5a-a5d1-4809-9144-33b474ef402b/Word+of+the+Day+day+1.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>A view of the display structure in Rian Kerrane’s Word of the Day, 2024, steel, wood, binders, paint, magnets, and branded prints. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/126298e9-7908-4c0f-ae9c-3232bfc9bc58/Indicators.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>Rian Kerrane, Indicators, five vintage mop buckets with colored acrylic disks, two cast iron mops with plastic handles, and two full/empty gauges. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e472434c-624d-4631-b1e1-91f0048daacf/CLIMATE+CHANGE+Gamble.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>An installation view of Rian Kerrane’s Climate Change, 2024, video projection (video editor: Trace Setton). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/269aac2b-60ae-4368-8dbf-64c206a07362/CLIMATE+projection.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>Rian Kerrane, still from Climate Change, 2024, video projection (video editor: Trace Setton). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8c8cb40e-6d97-449a-b318-90d23653b719/Clutch+closeup%281%29.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>Rian Kerrane, Clutch, 2018, cast glass, fake grass, and wood. Image by Andrew Palamara.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a28592d3-bcdd-42a7-b8d7-98e56bcfdcc5/Point+A+to+Point+B+2.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>Rian Kerrane, Point A to Point B, 2024, adhesive vinyl, handbag straps, and miscellaneous hardware. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4e97fbd9-8212-4270-adc2-43d3b529eb1c/Point+A+to+Point+B+3.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>A detail view of the cast iron ship in Rian Kerrane’s Point A to Point B, 2024, adhesive vinyl, handbag straps, and miscellaneous hardware. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9e628274-e4fa-4efa-9a86-48c78f143da5/Housekeeping+gallery+shot+4.jpg</image:loc>
      <image:title>Reviews Home - Housekeeping - Make it stand out</image:title>
      <image:caption>An installation view of Rian Kerrane’s Housekeeping exhibition at Emmanuel Art Gallery. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/tools</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7572b63c-65ea-4bd3-9ec0-9042e4702dd5/Lipski_Tools_InstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tools - Make it stand out</image:title>
      <image:caption>A view of the Wellington E. Webb Municipal Building in downtown Denver with Donald Lipski’s Tools on display on the back wall. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e1ad5f83-b457-4d1b-ae3e-2e3f06cd5684/Lipski_Saws_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tools - Make it stand out</image:title>
      <image:caption>A detail view of a star made with hand saws in Donald Lipski’s Tools, 2003, found object sculptures in the Denver Public Art Collection. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dd767ef7-a20a-4ba0-a11f-bb7a9b037e7c/Lipski_Axes_Office+Chairs_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tools - Make it stand out</image:title>
      <image:caption>A view of a circle made of axes and a circle of office chairs in Donald Lipski’s Tools, 2003, found object sculptures. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3b3d3b2c-df5c-4cab-bfb1-9438293c156c/Lipski_Tools_DetailView11_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tools - Make it stand out</image:title>
      <image:caption>A view of Donald Lipski’s Tools, 2003, found object sculptures, with a spiral of clipboards in the foreground on the right. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d5854986-6700-4c54-acce-ffeb0a74d4ef/Lipski_Buckets_Gloves.jpg</image:loc>
      <image:title>Reviews Home - Tools - Make it stand out</image:title>
      <image:caption>A detail view of arrangements of mop buckets and work gloves in Donald Lipski’s Tools, 2003, found object sculptures. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b73ca39d-7f4d-418a-ab24-810ada8bec90/Lipski_Tools_DetailView14_SecurityCameras2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tools - Make it stand out</image:title>
      <image:caption>A view of Donald Lipski’s Tools, 2003, found object sculptures, with a circle of security cameras in the center and a circle of traffic cones in the upper right. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/deb8c3b7-fdbc-41ce-b104-4079804a5364/Lipski_Tools_DetailView4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tools - Make it stand out</image:title>
      <image:caption>A installation view of Donald Lipski’s Tools, 2003, found object sculptures, in the Wellington E. Webb Municipal Building. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/visual-reality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ab6b069e-ec80-4a80-a482-2b67cc515d27/IMG_8036.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>An installation view of Visual Reality: Redefining Artistic Experience through Technological Innovation at Artworks Center for Contemporary Art. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f582b0d2-3ca6-4c90-a5e3-6e8dca7626d3/Futre+Archaeology2.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Brian Kane, Future Archaeology, 2024, brushed aluminum print. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/33ba3b63-e078-4313-89b6-07e7261eb1ea/FutureArchaeology.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Brian Kane, Future Archaeology, 2024, brushed aluminum print. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a435893a-ffbb-43c3-b36f-4e201f29f39c/DangerousLiasons.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Susan Stuart, Dangerous Liaisons with Social Media, oil on canvas. Image by Stephen Shugart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d682256a-3ed7-4cec-8e13-97b3db6fd72d/KnittingwithCellphone.jpg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Sylvia Eichmann, Knitting with Cell Phone, old cell phone, bamboo knitting needles, and silk/bamboo yarn. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/15b6fc06-292d-44a7-af50-71637c64c082/IMG_8074.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>An installation view of Visual Reality: Redefining Artistic Experience through Technological Innovation at Artworks Center for Contemporary Art. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/33fb4fb9-bd4d-49dd-9c0b-c2fe8ad901b5/ReclaimedReservoir.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Ashley Nason, Reclaimed Reservoir, lithographic plate. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c31e028-28aa-4846-83ea-bfd360d5976d/Emerging+Energy.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Ashley Nason, Emerging Energy, lithographic plate. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1269820d-6f28-4cd0-8433-bd93fcc7faa7/CarlisleSandstoneDetail.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>SJ Carlisle, Maker, Carter Lake sandstone with collaged cave painting stencils. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0961d8c9-3845-420f-ae23-d8b95a7f8e96/CarlisleStamentdetail.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>A detail view of the poem that is part of SJ Carlisle’s Maker. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/074b9772-7b0d-45f7-a1d0-9927ce6e35cb/Laburnum.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Elizabeth Suriani, Laburnum, oil on canvas, laser cut acrylic plastic relief, and adhesive. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af8c7f45-fb9e-4bc7-bf97-3766951270e0/Waterlily.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Elizabeth Suriani, Water Lily, oil on canvas, laser cut acrylic plastic relief, and adhesive. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0ad60d61-9a07-4ac5-8b6c-21a120e952ab/IMG_8007.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Ana Maria Botero, Relentless Flight (Vuelo Implacable), composite aluminum. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d0211c06-d3ac-453c-b08a-eaa3f75b4f2d/IMG_8049.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Ana Maria Botero, Relentless Flight (Vuelo Implacable), composite aluminum. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/74b8e33d-e32f-4bcf-b116-daf24fee4deb/CameraPresent.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Augustus Dallabetta, Camera present (performance), video, steel, and monitor, duration: 6 hours. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aeb98d14-9cb9-4b6d-85ea-72fa291970a4/DallabettaDetail.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>A detail view of Augustus Dallabetta’s Camera present (performance). Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/74d7cd31-998a-4158-aad7-3057abb695ce/Persisting+More+than+we+ever+could_updated.jpg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Jason Bernagozzi, Persisting more than we ever could be, 2024, dual-channel video. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2d640c5f-3e85-4fc9-ad09-03a8579cbced/IMG_8079.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>An installation view of Visual Reality: Redefining Artistic Experience through Technological Innovation at Artworks Center for Contemporary Art. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c1d4bae9-a16c-4bd1-886a-3fa703691012/Lodestones.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>Deborah Bernagozzi, Lodestones (for Stan Ostalj-Kotkowski), 2024, single channel silent color video made with wobbulator, Jones frame buffer, Panasonic MX-50 mixer, Eurorack modules, Signal Culture Modular Apps Input Amp, Frame Buffer, PXLMSH, and video mixer. Image by Stephen Shugart.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/64cb6321-3d75-4f78-b71a-d1793750c4f8/IMG_8093.jpeg</image:loc>
      <image:title>Reviews Home - Visual Reality: Redefining Artistic Experience through Technological Innovation - Make it stand out</image:title>
      <image:caption>An installation view of Visual Reality: Redefining Artistic Experience through Technological Innovation at Artworks Center for Contemporary Art. Image by Stephen Shugart.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/jaycee-beyale</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2961991c-d182-4647-819f-588f39666ffe/Beyale_Santa+Fe+Mural_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Santa Fe Mural, 2024, spray paint on stucco building. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8dc81008-fea7-44d8-8ace-be7a6b38f1ac/Adaani_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Ádaaní – They are speaking, 2023, house paint mural with acrylic on canvas, four panels, 5 x 6 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6c6eeffe-7f70-481e-be24-dc86ebf8fa96/Beyale_Dapper+AF_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, DAPPER AF, 2021, acrylic on canvas, 3 x 3 feet. Image courtesy of the artist.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/418b4a0d-521e-4039-bc9b-5150ee34d1f6/Beyale_Chei_+in+the+City_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>Left: JayCee Beyale, Chei’ in the City, 2021, spray paint mural at the Denver Central Art Market in the RiNO Art District. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/38fe9865-3382-4142-9106-51779ceb7756/Beyale_Interconnectedness_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Interconnectedness, 2021, spray paint mural, location: Marine Layer, RiNo Art District, Denver. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c7ec7c04-8b97-4bca-b113-a7e45c15d09e/Beyale_Leader+of+the+Pack_72dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Leader of the Pack, 2024, house paint mural, location: The Maven Hotel.  Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/74aad115-6801-4582-803a-93a10650b6ac/Beyale_Sa%CC%A8%E2%80%99a%CC%81h+Naagha%CC%81i%CC%81+Bik%27eh+Ho%CC%81zho%CC%81o%CC%81_150dpi.png</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Są’áh Naagháí Bik'eh Hózhóó, 2023, sand painting with ribbon and eagle feather. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/82a9f78e-4392-4915-90e3-d43d827dbf93/Beyale+creating+a+sand+painting+for+the+exhibition+Sing+Our+Rivers+Red_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>Beyale creating a sand painting for the exhibition Sing Our Rivers Red, co-curated by Beyale and Danielle SeeWalker at the Dairy Arts Center in Boulder, Colorado. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8f909da6-0f3b-4a56-b800-c9178883e57d/Beyale_DuhesaGalleryExhibition_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Walking in the Stars, 2024, ribbon, macaw feathers, jingle cones, silver beads, and sand, location: Duhesa Gallery, Colorado State University. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a141c419-36f5-4a92-aab7-85ee709a445d/Beyale_Interwoven_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Interwoven, 2024, installation, wood, India ink, liquid watercolor, wood stain, latex interior paint, sand, and sound. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2abf2d71-debb-4366-b3a8-ddf039c2d90c/Beyale_Sandhill_Crane_Cross_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Sandhill Crane, 2024, acrylic paint and spray paint, bass wood on wood panel. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/669837e6-97c3-4885-bad8-cef7ee369ffe/Beyale_Sand+Hill+Cranes+-+Water+Bird_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Mural at The Everett in Denver, Colorado, 2022. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/942bcd63-3cc1-4bab-a999-0d3a5d6d89bd/Beyale_MatriarchMural_DairyCenter_150dpi.jpg</image:loc>
      <image:title>Reviews Home - JayCee Beyale - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Matriarch, 2021, acrylic wall painting. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/colorado-grasslands-interpreted-through-textiles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/07b1be69-4fbc-47d0-bc8a-ae82f79cd838/IMG_9342.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>An installation view of the Handweavers Guild of Boulder’s exhibition Colorado Grasslands Interpreted Through Textiles at the NoBo Bus Stop Gallery. Image courtesy of NoBo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/94ae988f-7acd-435f-a8e1-c06ab0460bc3/IMG_9341.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>A view of by the Handweavers Guild of Boulder in their exhibition Colorado Grasslands Interpreted Through Textiles at the NoBo Bus Stop Gallery. Image courtesy of NoBo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ebeb7b6c-f43c-4b9d-a6d1-89b1e19dce2d/Image3.jpg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Janet Strickler, Deep Roots, handmade paper made from native plants, hand-dyed vintage and secondhand thread, secondhand fabric, and frame. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/de0a58c0-2dd8-4d95-aea4-e841782939ad/Image5.jpg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Janet Strickler, plant species key for Deep Roots. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a29b5573-f2d9-4268-bb41-a79ea6f0bd21/Image4.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Janet Strickler, close-up of Deep Roots, handmade paper made from native plants, hand-dyed vintage and secondhand thread, secondhand fabric, and frame. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/25ec0616-25a6-4f8d-9b45-41f8e765a5c0/Image6.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Jane A. McAtee, Green is the Color of Grasslands, shibori weaving on an 8 shaft loom, white cotton, thread, and dye. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c45a47d9-11b5-45e2-9468-ff1c076e1603/Image7.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Karen Krause, Hat, hand knit and hand spun bison and cashmere from a 4-H group in the Fort Collins area. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/79c07bc9-8b08-4df5-bce2-c164877fe5b3/Image8.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Jeanne C. Abel, 100% Buffalo Mitts &amp; Headband / Muffler, bison fiber. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1386b63e-cf6f-4a41-97bf-78c86fe994e8/Image9.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Linda Olsson, front of Grasses on the Hill, fabrics, digital photo manipulation, inkjet printing, and embroidery. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/90688e98-189d-4d0a-9251-c02cc81745f9/Linda+Olsson_Grasses+on+the+Hill_back.jpg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Linda Olsson, back of Grasses on the Hill, fabrics, digital photo manipulation, inkjet printing, and embroidery. Image courtesy of NoBo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bc791721-2049-4134-94f9-c4c7cfd97af1/Image11.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Lena Kahn, Seas of Tranquility, merino wool, fabric, viscose, silk, alpaca, yarn, embroidery thread, Swarovski crystals, interfacing, and aspen branch. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cdb6558f-e393-43f9-a340-c85cbdfa3d65/Image13.jpg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Amy Oien, Prairie Dog Coterie, free-motion machine embroidery and appliqué, and hand-dyed canvas, silk, hemp, and burlap. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ef625930-5b95-43d3-a01e-7cd11a176c7b/Image14.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Amy Oien, close-up of Prairie Dog Coterie, free-motion machine embroidery and appliqué, and hand-dyed canvas, silk, hemp, and burlap. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d0884891-c9d8-4899-a9ea-ede92988ca0c/Image15.jpg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Jane Patrick, Death Comes to the Prairie, cotton embroidery floss on cotton fabric. Image by Felicity Wong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/416b2ccd-15c8-4d69-a9d2-802787aac2be/Top_Sue+Torfins++Glorious+Grasslands_Bottom_Rippling+Moonlit+Marsh+by+Rozie+Vajda.jpg</image:loc>
      <image:title>Reviews Home - Colorado Grasslands Interpreted Through Textiles - Make it stand out</image:title>
      <image:caption>Top: Sue Torfins, Glorious Grasslands, needle felted wool; Bottom: Rozie Vajda, Rippling Moonlit Marsh.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/your-refusal-to-see</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f9ab7a7a-5a09-44ef-b919-7778cd942e2c/DSC_0386.JPG</image:loc>
      <image:title>Reviews Home - YOUR REFUSAL TO SEE - Make it stand out</image:title>
      <image:caption>A view of the title wall and beyond of Anna Tsouhlarakis’s exhibition YOUR REFUSAL TO SEE: A Native Guide Project at East Window in Boulder. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bf49129f-606f-4e6b-9f35-a53bd8cdde61/DSC_0357.JPG</image:loc>
      <image:title>Reviews Home - YOUR REFUSAL TO SEE - Make it stand out</image:title>
      <image:caption>An installation view of Anna Tsouhlarakis’s exhibition YOUR REFUSAL TO SEE: A Native Guide Project. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b17a54ae-c360-47af-813f-b189be6c0c02/DSC_0382.JPG</image:loc>
      <image:title>Reviews Home - YOUR REFUSAL TO SEE - Make it stand out</image:title>
      <image:caption>The panel “DID YOU NOTICE–THIS PLACE HAS A BLINDING SPARKLE FROM AFAR BUT AS YOU GET CLOSER IT TURNS OUT IT’S JUST A FLAT WHITE FROM STARBUCKS.” 2023, text installation, in Anna Tsouhlarakis’s exhibition YOUR REFUSAL TO SEE: A Native Guide Project. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/38bbb8b4-270c-4d5b-b7a5-38f38bb96a11/DSC_0385.JPG</image:loc>
      <image:title>Reviews Home - YOUR REFUSAL TO SEE - Make it stand out</image:title>
      <image:caption>The panel “DON’T WORRY–IF YOU TURN OFF THE LIGHT YOU CAN’T SEE HOW DARK I AM.” 2023, text installation, in Anna Tsouhlarakis’s exhibition YOUR REFUSAL TO SEE: A Native Guide Project. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7db7a2d9-f84c-4371-8f00-687b06a55802/DSC_0366.JPG</image:loc>
      <image:title>Reviews Home - YOUR REFUSAL TO SEE - Make it stand out</image:title>
      <image:caption>The panel “WHEN YOU USE A RACIAL SLUR, IT WOULD BE GREAT IF YOU COULD TRY TO GET THE RACE CORRECT, AT THE VERY LEAST.” 2023, text installation, in Anna Tsouhlarakis’s exhibition YOUR REFUSAL TO SEE: A Native Guide Project. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/07f0344f-c272-4eb3-b698-f70c9272c0e6/DSC_0355.JPG</image:loc>
      <image:title>Reviews Home - YOUR REFUSAL TO SEE - Make it stand out</image:title>
      <image:caption>The panel below the title wall text: “OOPS, I THINK I RAN OVER YOUR SPIRIT ANIMAL THIS MORNING.” 2023, text installation, in Anna Tsouhlarakis’s exhibition YOUR REFUSAL TO SEE: A Native Guide Project. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fc131e54-08c4-415c-b2d8-87e0869f6462/DSC_0367.JPG</image:loc>
      <image:title>Reviews Home - YOUR REFUSAL TO SEE - Make it stand out</image:title>
      <image:caption>The panel “UNFORTUNATELY, YOU CAN’T SMUDGE OFF YOUR COLONIZER VIBES.” 2023, text installation, in Anna Tsouhlarakis’s exhibition YOUR REFUSAL TO SEE: A Native Guide Project. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/40366341-befe-4b53-838a-e63d1b6c8d96/DSC_0371.JPG</image:loc>
      <image:title>Reviews Home - YOUR REFUSAL TO SEE - Make it stand out</image:title>
      <image:caption>On the left: The panel “SORRY, IT’S ACTUALLY NOT A LAW THAT BROWN PEOPLE HAVE TO MOVE OUT OF YOUR WAY ON THE SIDEWALK.”; on the right: The panel “ACKNOWLEDGE THE LAND, ACKNOWLEDGE THE PEOPLE, ACKNOWLEDGE THE ROLE YOU PLAY IN THEIR DEMISE.” 2023, text installations, in Anna Tsouhlarakis’s exhibition YOUR REFUSAL TO SEE: A Native Guide Project. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/lay-of-the-land-interpretations-of-scapes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/91184dc6-e4e6-461c-b809-dd307f5e828e/3.+Lay+of+the+LAND_installationview.jpg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>An installation view of Lay of the LAND: Interpretations of SCAPES at Madden Museum of Art with the front desk in the foreground. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/94e7f49b-bfd0-458d-8cec-20a110c40ed3/2016.1.9-Redwoods-ChiChen.jpeg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Chen Chi, Redwoods, 1968, watercolor on paper, 82.5 x 46.2 inches. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2cb48790-e40e-40f6-a6e6-7b4be194a8fa/5.+Top_Thomas+Hart+Benton%2C+Missouri+Spring_Bottom_Thomas+Hart+Benton%2C+Rice+Threshing.jpeg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Top to bottom: Thomas Hart Benton, Missouri Spring (Study for Spring on the Missouri), 1938, acrylic on panel, 15.75 x 17.9 x 1.9 inches; Thomas Hart Benton, Rice Threshing, 1944, oil and tempera on Masonite board, 18 x 22 x 2.5 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ac824b0b-18ba-4dcb-b2b9-9af83ce4f2e0/11.+Top+left_Ando+Hiroshige%2C+The+Temple+Kiyomizu_Bottom+left_Ando+Hiroshige%2C+The+Cherry+Blossoms+of+Arashiyama_Right_J.M.W.+Turner%2C+Destruction+of+Both+Houses+of+Parliament.jpg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Top left: Ando Hiroshige, The Temple Kiyomizu, 1951, woodcut, 13.5 x 18 inches. Bottom left: Ando Hiroshige, The Cherry Blossoms of Arashiyama, 1951, woodcut, 13.5 x 18 inches. Right: J.M.W. Turner, Destruction of Both Houses of Parliament, 1835, watercolor on paper, 15 x 17 inches. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bdd86286-172a-4e1f-9a80-3e32f9ad3cbd/2016-1-50ChildeRoland-TMoran-16bit.jpeg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Thomas Moran, Childe Roland to the Dark Tower Came, 1859, oil on canvas, 30 x 44.5 inches. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5fd776a4-b274-49a5-b292-d78ba23f9412/7.+Lay+of+the+LAND_installationview_Erik+Brunetti%2C+Camo_Andy+Warhol%2C+Camouflage_Plinio+Nomellini%2C+Figura+nel+Bosco_Chen+Chi%2C+Redwoods.jpg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>An installation view of Lay of the LAND: Interpretations of SCAPES. Top left to right: Erik Brunetti, Camo, 1997, paint on wood skateboard deck; Andy Warhol, Camouflage, 1987, screen print, 38 x 38 inches; Plinio Nomellini, Figura nel Bosco (Girl in Forest), 1910, oil on canvas, 47 x 58.9 inches; Chen Chi, Redwoods, 1968, watercolor on paper, 82.5 x 46.2 inches. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d413a079-7813-47f5-99ca-1e0e5432adc5/2016.1.35BlackMesa-W.Hurley.jpeg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Wilson Hurley, Black Mesa, 2000, oil on board, 47.5 x 47.5 inches. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8d18f957-607a-4a1e-9bcd-36996e82e4be/2015-1-5MountainLandscape-ABierstadt-8bit.jpeg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Albert Bierstadt, Mountain Landscape, date unidentified, oil on paper board. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a6e061e6-ccd5-4868-ad27-179a28199700/6.+Left_Mel+Strawn%2C+Ghost+Cars_Right_Hung+Liu%2C+Mountain+Ghost.jpg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Left to right: Mel Strawn, Ghost Cars, 1965, oil on canvas. Hung Liu, Mountain Ghost, about 2014, mixed medium, 96 x 96 inches. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6d40f483-fb68-47b6-a233-fe7b69d95cfc/8.+Gregory+Mirow+for+Steuben+Glass+Works%2C+Spreading+Pines%2C.jpeg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Gregory Mirow for Steuben Glass Works, Spreading Pines, 1973, etched glass. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fcf1fa16-c419-4b62-bbc9-d77477b2522b/2016-1-62StudioViewCity-SprickMirror-16bit.jpeg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Daniel Sprick, Studio with View of the City, 2012, oil on board, 29.5 x 35.2 inches. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8b3e68f5-f589-4797-9ca5-bf16a292264d/2016.1.56-Crossroads-G.P.DuBois.jpeg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Guy Pène du Bois, Crossroads, date unidentified, oil on canvas, 47 x 31 inches. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/544ab8c1-d907-4dc0-a2a3-51d5cd7ced73/10.+Top+left_Lee+Balterman%2C+Chicago_Bottom+left_Andy+Warhol%2C+Intersection_Right_Georgy+Zelma%2C+Untitled.jpg</image:loc>
      <image:title>Reviews Home - Lay of the LAND: Interpretations of SCAPES - Make it stand out</image:title>
      <image:caption>Top left: Lee Balterman, Chicago, 1960s, gelatin silver print, 7.4 x 9.5 inches. Bottom left: Andy Warhol, Intersection, May 3, 1982, 1982, gelatin silver print. Right: Georgy Zelma, Untitled (Red Soldiers During the Siege of Stalingrad), 1942, gelatin silver print, 13.25 x 19.3 inches. Image courtesy of the Madden Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/vanity-and-vice-american-art-deco</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e0a26131-0320-4ca1-b74d-457f2669a702/KM098_VanityandVice_Credit+Kyle+Cooper_20240730.JPG</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>An installation view of the Vanity section of the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image courtesy of the Kirkland Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0a4ab92f-c64d-4a54-9f43-eb7c350ba6b8/KM110_VanityandVice_Credit+Kyle+Cooper_20240730.JPG</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>An installation view of the Vice section of the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image courtesy of the Kirkland Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/77bc0a21-1e9e-4bf9-b85e-913d019903ce/IMG_2009.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>An installation view of the wall text and cosmetics containers in the Vanity section of the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8985e8b6-310f-43cb-8c8c-1d7b50034460/KM103_VanityandVice_Credit+Kyle+Cooper_20240730.JPG</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>An installation view of the dressing table and bench designed by Paul Frankl in the Vanity section of the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image courtesy of the Kirkland Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a72428c-edef-4b26-8c70-384bc0f8853b/IMG_2011.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>A view of the outfits on display in the Vanity section of the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b4a40fbf-30a6-45e2-ab4c-ba33763cde9b/KM113_VanityandVice_Credit+Kyle+Cooper_20240730.JPG</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image courtesy of the Kirkland Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fb9f3895-da2c-416a-ae97-914ff4731d50/KM022_VanityandVice_Credit+Kyle+Cooper_20240730.JPG</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>Interviewer Door Peephole, 1929, designed by Ben Bernard Breslow (1904–1972), manufacturer: Dorgril Manufacturing Company, New York, NY, from the collection of the Kirkland Museum of Fine &amp; Decorative Art. Image courtesy of the Kirkland Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5fd9b63b-a277-40f0-bbe3-d461d2d7fc0d/IMG_1995.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>An installation view of the bar area in the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b8a1c79b-d748-4c9e-bf07-c9d6a637bf7c/IMG_2039.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>A view of the information guide in the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c3b49060-0d31-4630-a926-d39f7d099e3d/ArchersBar.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>A view of the bar in the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/83b6d00f-f969-433c-b13f-c70740376cbe/IMG_2006.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>A view of a seating area in the Vice section of the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c0e0880b-f184-4127-9a7a-30f498201dd6/IMG_2017.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>A view of a side table and objects in the Vanity section of the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/53c5ea6f-4c8f-41de-b4d2-64df3cb1038f/IMG_2007.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d31ad0b4-a196-4b85-af81-db7aad3c6e33/77_VanityVice_KirklandMuseum.jpeg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>Lady with Hound Pendant Compact, c. 1925, manufactured by Ripley &amp; Gowan Company, Attleboro, MA, acrylic and aluminum, from the collection of the Kirkland Museum of Fine &amp; Decorative Art. Image courtesy of the Kirkland Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/367cec4e-3a7d-499e-b0ad-dfef2995745e/IMG_2029.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>An installation view of Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bed6eeb6-74cc-4f8e-ac47-18549051c844/Two+Mabels.jpg</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>A view of the front entrance graphic in the exhibition Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/70e5e754-1c64-43b4-8e32-330a5ccf41a8/KM023_VanityandVice_Credit+Kyle+Cooper_20240730.JPG</image:loc>
      <image:title>Reviews Home - Vanity &amp;amp; Vice: American Art Deco - Make it stand out</image:title>
      <image:caption>A view of the bar vitrine in the Vice section in Vanity &amp; Vice at the Kirkland Museum of Fine and Decorative Arts. Image courtesy of the Kirkland Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/nepantla</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a04624c-9c4c-43ee-8edb-8cae926f8d50/IMG_2480.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>A view of the title wall and part of the exhibition Nepantla at the Museum of Art Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5c69f87a-067d-458f-b8e4-c0027c7bf50b/IMG_2455.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Nepantla at the Museum of Art Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/df69d17d-dd6f-4048-85b1-235b10db6f5a/IMG_2457.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Nepantla at the Museum of Art Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6b550468-9658-4e0f-a17a-22612b87df13/Diego+Flores_Neptanlacoatl_black+white+ground.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Diego Florez-Arroyo, Neplantacoatl, 2024, concrete and structural mortar, 18 x 9 x 4 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8fec6d37-2b52-4fd2-8ae6-29a43ee7124b/Josiah+Lopez_.Creation+Lot+20JPG.JPG</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Josiah Lee Lopez, Creation Lot 20, 2023, acrylic, marker, and archival ink pen on recycled paper, 48 × 48 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/97d43270-f49f-43c4-bdd7-356c7967c248/Fuentes+Juan_HomeWontKnowMe.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Juan Fuentes, Home Won’t Know Me, 2021, inkjet photographic prints, 36 x 24 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ca1ac48b-29da-4b2b-a1be-ad0a89c517c5/IMG_7778.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Juan Fuentes, Deteniendo Los Años and Home Won’t Know Me, 2021, inkjet photographic prints and scarf, photographs: 36 x 24 inches each. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/35deb12b-0b40-4ef4-83c2-bd5200f8ed04/VeronicaHerrera_I+Feel+Seen.top+image.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Verónica Herrera, I Feel Seen, 2024, acrylic on canvas, 25.5 x 25.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ef949fb0-86a4-4ba2-b03e-a08ae7043106/VeronicaHerrera_I+Feel+Seen.+bottom.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Verónica Herrera, I Feel Seen, 2024, acrylic on canvas, 25.5 x 25.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b11baf3e-4dad-445a-a78b-829454c7736b/IMG_2460.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Nepantla at the Museum of Art Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/648b9c35-5830-4c31-a825-8be2395d0fde/Alfredo+Cardenas_Cruzin+La+Grande+Jette+in+My+Classic+Chevrolet%27.jpeg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Alfredo Cardenas, Cruzin’ La Grande Jatte in My Classic Chevrolet, 2023, mixed acrylic on Masonite and found art, 20 x 37 x 3.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d3d5ec52-9418-411a-bb71-0940c213453e/Dance+of+Nepantla_Sylivia+Montero_2024.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Sylvia Montero, Danza de La Nepantla, 2024, acrylic and collage on panel, 44 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5327922a-3684-42fb-8600-d45bf0c3e919/Tony+Ortega_Nepantla-Bark+paper_2024.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Tony Ortega, Nepantla, 2024, woodcut, 35 x 49 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9fe3272e-f459-4043-8487-eb63b830e4ec/IMG_2474.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Nepantla at the Museum of Art Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2fbcc742-b5fe-47e6-904d-526da8a6ea8d/Emanuel+Martinez_Nepantla.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Emanuel Martinez, Nepantla, 2024, acrylic on canvas, 30 x 40 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fdf034b5-bdc7-4633-a6b1-c5e46b0a2cf1/Sean+Trujillo_The+Sacred+Unity+_La+Sagrada+Unidad.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Sean Trujillo, The Sacred Unity, 2024, pigments from Colorado and New Mexico, pine wood, marble dust, rabbit skin glue, and gesso, 24 x 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eeeb35bf-9512-427b-87d2-941976e0ad18/Lizeth+Hernandez_La+Conciencia+De+Una+Mestiza.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Lizeth Guadalupe, La Conciencia De Una Mestiza, 2024, textiles, each apron 38 x 25 x 1 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/33b3b28b-43ca-4dc8-922e-6f44e2e6686b/carlosfresquez_nepantla.JPG</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Carlos Frésquez, Nepantla, 2024, acrylic on unstretched canvas 9 x 6 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9e89a856-49ac-4b6d-958a-0b29b6332365/Armando+Silva%2C+Mito.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Armando Silva, Mito, 2024, acrylic and aerosol painting on canvas, 5 x 4 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/29bfe18e-f5b1-4d85-9c48-2d3387a0c356/Emilio+Lobato_+%E2%80%9CVedera%E2%80%9D+%28Pathway_+Ripple+Effect%29.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>Emilio Lobato, Charco (Puddle, Ripple Effect), 2024, oil and collage on panel, 36 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4206f525-a555-4cb3-a428-4aa7c941cdcb/IMG_2469.jpg</image:loc>
      <image:title>Reviews Home - Nepantla - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Nepantla at the Museum of Art Fort Collins. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/sitting-together</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c9d02ef-2d69-4b7e-8fce-00f7db774067/Sitting+Together_installation+view7.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>An installation view of Brady Smith’s Sitting Together exhibition. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/98050b6b-2694-4a1e-9b43-ecbaaa6a8f5b/kingathering.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>Brady Smith, Arrangement: For Support, 2021, graphite on paper, 38 x 50 inches. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e8656d39-b78c-425c-a5e2-1cc36f3e72a1/The+Barbosa+Twins.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>Brady Smith, The Barbosa Twins, 2019, acrylic on panel, 18 x 32 inches. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b4585b8f-3a06-41f2-a088-3d1cbe623e26/Arrangement+For+Instruction.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>Brady Smith, Arrangement: For Instruction, 2021, graphite on paper, 30 x 44 inches. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4903be78-1048-43ed-834c-0355cba44351/Sitting+Together_installation+view6.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>An installation view of Brady Smith’s Sitting Together exhibition. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/65e2c3c1-2825-421a-8913-36bb308b3b52/If+I+Cheer+the+Other+Team.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>Brady Smith, If I Cheer the Other Team, 2018, acrylic on board, 12 x 16 inches. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f91c2627-261a-48db-a4e1-fc81dedbd6eb/It+Could+Have+Been+Brilliant.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>Brady Smith, It Could Have Been Brilliant, 2016, acrylic on board, 12 x 16 inches. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/72b5e1c2-de54-48a3-8106-d2cb13f2c9cc/Or+Are+You+Scared.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>Brady Smith, Or Are You Scared?, 2017, acrylic on canvas, 12 x 16 inches. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/107b334d-2644-4978-a8df-c6161c15892a/It+Never+Seems+To+Do+You+Good.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>Brady Smith, It Never Seems to Do You Good, 2018, acrylic on panel, 12 x 16 inches. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/27cd0b03-2570-4763-9969-257dab7e0ac6/Three+works.jpg</image:loc>
      <image:title>Reviews Home - Sitting Together - Make it stand out</image:title>
      <image:caption>A view of three works in Brady Smith’s Sitting Together exhibition. Image courtesy of Kin Studio and Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/myths-and-migrations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5474522c-41b7-4111-a055-65982724b028/28_Villalongo+2024_InstallationView_CU+Art+Museum+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>An installation view of William Villalongo’s Myths and Migrations exhibition at the University of Colorado Art Museum. Image courtesy of the CU Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f9de9c98-69f6-4b2f-b4f4-fd720d7f9da1/VILLALONGO_Zero+Gravity+2_CU+Art+Museum+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, Zero Gravity 2, 2018, acrylic, paper collage, and cut velour paper. Image courtesy of the CU Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8ff678aa-ee78-49fc-a84c-90e808b4bcc3/03_Villalongo+2024__InstallationView_CU+Art+Museum+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>An installation view of two works in William Villalongo’s Myths and Migrations exhibition. Image courtesy of the CU Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5d5f483c-d493-4c2d-b713-3dc9c0739299/Jubilee_GW+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, Jubilee, 2010, acrylic, paper, and velvet flocking on wood panel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f336ba14-ed6b-42de-988a-7514110658cc/Jubilee_detail_2_Peterson+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, Jubilee (detail), 2010, acrylic, paper, and velvet flocking on wood panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/062f4584-dc8b-4fd2-8173-de10dc4029ba/Rhombus_Peterson+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, Rhombus, 2010., acrylic, paper, and velvet flocking on wood panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cb1e8541-f608-447a-a7cc-ceb4cf8e7320/VILLALONGO_Stocks%2B%26%2BBonds%2B%28Blue%29_Artists+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, Stocks and Bonds, 2012, acrylic and velvet flocking on wood panel. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af7d5c95-c2fa-4ea3-a262-0813f67202a5/Stocks_and_Bonds_detail_1_Peterson+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, Stocks and Bonds (detail), 2012, acrylic and velvet flocking on wood panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/477c579b-176f-4fe4-a898-1a09d0ff8c1c/Stocks_and_Bonds_detail_2_Peterson+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, Stocks and Bonds (detail), 2012, acrylic and velvet flocking on wood panel. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c641b945-113d-4664-a6fa-2713d1190009/Villalong_Speciment_GW+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, Specimen, 2023, stenciled linen pulp paint, black abaca, and collaged inkjet prints on black cotton base sheet. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2d6ff5c4-23d5-4ea3-b5bd-a1a4c7f3f29d/Specimen_detail_1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, Specimen, 2023. Stenciled linen pulp paint, black abaca, and collaged inkjet prints on black cotton base sheet. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/84a53e28-6e44-4360-bb68-a44ff775dc97/VILLALONGO_The+Mothership+Connection_CU+Art+Museum+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>William Villalongo, The Mothership Connection, 2020, acrylic, glitter spray paint on yupo, cut velour paper, pigment print collage, and watercolor paper. Image courtesy of CU Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/440cb6ce-27a0-4693-8792-5fa6724ab9c6/43_Villalongo+2024_InstallationView_CU+Art+Museum+Image.jpg</image:loc>
      <image:title>Reviews Home - Myths and Migrations - Make it stand out</image:title>
      <image:caption>An installation view of William Villalongo’s Myths and Migrations exhibition at the University of Colorado Art Museum. Image courtesy of the CU Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/portrait-of-nature-myriads-of-gods-duality-rice-ramen-ruminations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d33b9899-de93-4f68-86ab-cd5fc2b02d82/IMG_1397.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Portrait of Nature: Myriads of Gods at the Sangre de Cristo Arts and Conference Center. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d37149e-f087-45ad-a24c-7df8de3f1f4d/IMG_6399.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>A still from the video Portrait of Nature - Myriads of Gods about the photographer Nobuyuki Kobayashi. Image by Zoe Ariyama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/84415b99-8fa8-41f5-a39e-ac7702c65e73/IMG_1320.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>An installation view of hanging scrolls by Nobuyuki Kobayashi. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/57b3f72e-7385-4a6f-957f-de22a1a6c2ac/Kobayashi_Ensou_closeup_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Nobuyuki Kobayashi, Ensou (detail), 2015, platinum palladium print on washi paper in hanging scroll. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/066e3d41-bcee-4bb3-8693-87717054a1b8/IMG_1321.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>An installation view of hanging scrolls by Nobuyuki Kobayashi. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c43f526b-9d0e-4cfd-93e5-3575a993b2d9/Yuuen.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Nobuyuki Kobayashi, Yuuen, 2013, 9 platinum palladium prints joined on washi paper, edition 1/2. Image courtesy of Sangre de Cristo Arts and Conference Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a3d3e0d2-cae2-4efc-8c83-67c50403adb4/IMG_1334.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Portrait of Nature: Myriads of Gods at the Sangre de Cristo Arts and Conference Center. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6bd7de65-5d47-4727-a653-fef78deeb5ef/IMG_6461.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Masato Okazaki, 20-2022, silver print on photographic paper. Image by Zoe Ariyama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f6506e59-840f-44de-a642-a9829d3ac18e/IMG_1371.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Masato Okazaki, 22-2022, silver print on photographic paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fe641292-3e59-4852-ac71-3e2476eb1412/IMG_1383.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Masato Okazaki, 03-2015, silver print on photographic paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46c20b25-d8f1-4ada-954b-d0f018cbf819/IMG_6333.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>An Installation view of Mieko Kaneshi’s exhibition Duality at the Sangre de Cristo Arts and Conference Center. Image by Zoe Ariyama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cc74a88a-0206-4b4f-9b51-cd45b5131f1c/IMG_6332.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Mieko Kaneshi, Among Giants, mixed media on panel. Image by Zoe Ariyama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/09892975-90a3-4a43-8404-fcd61b92d2e5/Kaneshi_UtamarosWomen.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Mieko Kaneshi, Utamaro’s Women, mixed media on panel. Image by Zoe Ariyama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/19f6ba21-8c02-4189-95ca-fb804105bc66/IMG_1259.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>An installation view of Margaret Kasahara’s exhibition Rice | Ramen | Ruminations at the Sangre de Cristo Arts and Conference Center. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9a73bf69-7604-4699-8587-2b868185ecba/IMG_1262.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Oriental Flavor (Vermillion on Plastic Sushi Grass), 2022, instant ramen noodles, spray paint, plastic sushi grass, and mulberry paper, mounted on birchwood panel with nori seaweed on panel sides. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ab31bbab-f6a1-4fd8-934c-e2faea3e4173/IMG_1272.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Oriental Flavor (Glitter Red on Hello Kitty), 2023, instant ramen noodles, spray paint, and found paper mounted on birchwood panel with washi paper on panel sides. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31b05cc1-daa9-48c8-b701-4e638839cfd7/IMG_1276.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Notation 82-16, 2016, Chinese Joss paper, plastic sushi grass, gassine, permanent, ink marker, thread, and pencil on rag paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/975aac09-b4ce-46e2-9dd6-e5371cb7d574/IMG_1278.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Notation 5-18, 2018, washi origami paper, artist’s hair, thread, and pencil on rag paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/806ad900-ff3b-4506-85b5-2559dc3dfcac/Kaneshi_Rumor2.jpg</image:loc>
      <image:title>Reviews Home - Portrait of Nature: Myriads of Gods / Duality / Rice | Ramen | Ruminations - Make it stand out</image:title>
      <image:caption>Mieko Kaneshi, Rumors 2, mixed media on panel. Image by Zoe Ariyama.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/art-of-the-rocky-mountain-homelands-of-the-hinonoeino-and-tstshsthese-nations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04b29dcf-accd-49e4-9bf4-05dcbce86f6b/IMG_3712.jpg</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>An installation view of 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7b866e7c-c5e7-4103-b70b-3348f6f31237/IMG_3787.jpg</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>A view of the exhibition 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/16fc44fe-d229-487c-bef5-eefcc47cf83b/IMG_3780.jpg</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>Left: Heather Levi (Southern Cheyenne/Kiowa), Men’s Shirt, 2024, cloth; Middle: Gertrude Tallbull (Southern Cheyenne), Otsévóhto (pair of leggings), 1960, leather, quill, and human hair, from the collection of the Denver Art Museum; Right: Tsitsistas (Cheyenne) Artist (Great Plains), Hoestȯtse (dress), about 1890, beads on animal hide, from the collection of the Denver Art Museum. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cdd8c1a0-917f-42e5-a4f2-faa96fda174e/DSC00395.JPG</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>Colleen Friday (Northern Arapaho), Antelope Presence on Saint Lawrence Ridge, 2024, antelope hide, buckskin, glass seed beads, and brass spots. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af49f6ba-9eac-4b30-b22d-709bd94aa582/IMG_3744.jpg</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>George Curtis Levi, Colorado Before and After Sand Creek, 2014, mixed media on paper. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f43378f1-9c63-4747-b151-442f821af872/IMG_3739.jpg</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>An installation view of White Bird (Cheyenne and Nez Pierce), Painting, 1894-5, pencil and paint on muslin, from the collection of the Denver Art Museum, gift of Mrs. John R. Livermore, 1958. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9bf4e03-d300-4e2e-a157-0165e9be3c23/DSC00403.JPG</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>Tsitsistas (Cheyenne) Artist (Great Plains), Xamaevee’e (tipi), early 1900s, canvas, wood, and beads. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b1821cfa-3a65-48e9-a4cd-7e2cf96e01e9/IMG_3732.jpg</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>Tsitsistas (Cheyenne) Artist (Great Plains), Hóánóhne (Shield), before 1900, cloth, eagle feathers, rawhide, paint, and human hair, from the collection of the Denver Museum of Nature and Science. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/019d53c9-06d6-4389-8de5-8d856f6726f1/3.+Tsitsistas+%28Cheyenne%29+Artist+%28Great+Plains%29%2C+Dog+Soldier+SashRope%2C+1964_288_o2.jpg</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>Tsitsistas (Cheyenne) Artist (Great Plains), Dog Soldier Sash/Rope, painted leather, feather, porcupine quills, and maidenhair fern sterns, from the collection of the Denver Art Museum. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cd1834e8-5010-4ac4-9f7b-3469c25de74e/IMG_3722.jpg</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>Left: Tsitsistas (Cheyenne) Artist (Great Plains), He’ohko (pipe), late 19th century, wood and pipestone, from the collection of the Denver Museum of Nature and Science; Right: Tsitsistas (Cheyenne) Artist (Great Plains), He’ohko mestȯtse (pipe bag), late 19th century, deer hide, beads, quills, horsehair, and tinklers, from the collection of the Denver Museum of Nature and Science. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ca1bdc4f-267b-4a5e-8be9-f8db98f55eaf/DSC00385.JPG</image:loc>
      <image:title>Reviews Home - 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations - Make it stand out</image:title>
      <image:caption>A display of works in 3óóxoneeʼnohoʼóoóyóóʼ /Ho’honáá’e Tsé’amoo’ėse: Art of the Rocky Mountain Homelands of the Hinono’eino’ and Tsétsėhéstȧhese Nations. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/a-thousand-beautiful-lies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e59223ce-f495-43f2-ba3d-4ce3439061ad/DSC_0197.JPG</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>The title wall and works in the exhibition A Thousand Beautiful Lies at the Center for Creativity. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2768be50-ccef-433a-8bb1-bcd69571e858/A+Thousand+Beautiful+Lies+Installation+View+3</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>An installation view of A Thousand Beautiful Lies. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/410862fe-2e2e-45ba-adc6-119d957840e9/A+Thousand+Beautiful+Lies+Installation+View+1</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>In the center of the exhibition A Thousand Beautiful Lies: Kei Ito, Where the Mountains Glow, 2023, uranium glass, inverted historical archive printed on metal, black light, light stand, and paper scroll. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/de7d44c7-ff2a-4a71-884c-c5718aeccf55/Kei+Ito%2C+Where+the+Mountains+Glow</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>A detail view of the four 8 x 10 inch metal prints with uranium glass accompanied by a 30 x 310 inch scroll listing every known uranium mine on the Navajo Nation in Kei Ito’s Where the Mountains Glow, 2023. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/48d97409-fc24-434b-9556-7d3ada0b822b/An+installation+view+of+works+by+Shayla+Blatchford.</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>An installation view of works by Shayla Blatchford. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/125a5e48-ebdb-4bec-bc1c-d5567fe48923/Shayla+Blatchford%2C+Larry+King+was+working+at+the+uranium+mill+when+United+Nuclear+Corporations+tailings+pond+in+Church+Rock+breached+its+dam.</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>Shayla Blatchford, Larry King was working at the uranium mill when United Nuclear Corporations tailings pond in Church Rock breached its dam. 94 million gallons of toxic waste leaked into the Puerco River which runs along his family's property line., archival digital inkjet pigment print, edition 1/1. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b070cbac-c10f-4e50-bde5-fc454ab3f0aa/Will+Wilson%2C+Mexican+Hat+Triptych</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>Will Wilson, Mexican Hat Triptych, photo-tex. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b0ae043b-6272-4d2c-9396-277bf176bbd5/Will+Wilson%2C+Ship+Rock</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>Will Wilson, Ship Rock, photo-tex. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7519e81d-ddd8-47b5-84e3-c25e7c99719d/Abbey+Hepner%2C+Installation+detail+of+Transuranic</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>An installation view of Abbey Hepner’s Transuranic,  9 x 13 inch uranotype in locked box with 2 Geiger Counters and sound. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/23925edf-f718-4b06-866e-0bd53a872c01/Hepner+3.-Rocky-Flats-Wildlife.jpg</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>Abbey Hepner, Rocky Flats Wildlife Refuge, Arvada, Colorado, Radioactive waste shipped to Waste Isolation Pilot Plant: 3.978.943 Gallons, uranotype. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ef59ccac-9d68-43a0-bef5-91a988e81b69/National+Atomic+Museum%2C+Kirtland+Air+Force+Base%2C+Albuquerque%2C+New+Mexico%2C+1989.jpg</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>Patrick Nagatani and Andrée Tracey, National Atomic Museum, Kirtland Air Force Base, Albuquerque, New Mexico, 1989, Cibachrome print, edition 8/12, courtesy of the Colorado Photographic Arts Center Collection Loan. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/30f28f67-7cf4-4294-9bae-6842854563ca/An+installation+view+of+works+by+Bootsy+Holler</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>An installation view of works from the Contaminated series by Bootsy Holler. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5300617-8987-4f04-a2bf-da533f662bff/Bootsy+Holler%2C+Dusty+%26+Lou-+Stomach+Cancer</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>Bootsy Holler, Dusty &amp; Lou - Stomach Cancer, 2023, stacked pigment prints and matboard, unique 1 of 2 + 1AP. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8bc2f64a-c434-47fc-b633-65a86a1a8a63/Bootsy+Holler%2C+Jack-+Classified%2C+2016-2021</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>Bootsy Holler, Jack - Classified, 2016-2021, stacked paper, pigment prints, rag paper, button, thread, and red ink stamp, unique 1 of 3 + 1AP. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b96395cc-bdd2-405f-af4b-1522b6c58899/A+Thousand+Beautiful+Lies+Installation+View+4</image:loc>
      <image:title>Reviews Home - A Thousand Beautiful Lies - Make it stand out</image:title>
      <image:caption>A view of A Thousand Beautiful Lies. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/seeds-of-hope</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f1dd3a4d-1b9b-44d0-90ad-3a4c024d0128/Installation+view+of+gallery_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>An installation view of the Seeds of Hope exhibition at the DAVA gallery. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/92e7a97d-26f8-4ca6-9c8b-eb50f7f1e6c8/Detail.+Compost+Up-Close_1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Detail of Compost Up-Close, various artists, Petri dishes and watercolor on paper. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c1cbde12-5664-486b-ac0f-430e716fde26/Everything+is+Connected+by+Maria+Jose+Nino+Ballesteros_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Maria Jose Niño Ballesteros, Everything is Connected, paper, cardboard, and yarn. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1ef0763a-db5d-4e7c-a153-42cdbac2b56b/Greenplex+by+Jessica+Alvarado+Campos_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Jessica Alvarado Campos, Greenplex, cardboard, moss, branches, dried flowers, and watercolor. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e888aaa5-7568-4213-ada3-290965e62dc8/Lemur+by+Ange+Masengesho_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Ange Masengesho, Lemur, ceramic and paint. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/df78b019-5ba4-4767-ae3a-32e6b9755842/Installation+view+of+ceramic+bowls+and+student+posters_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>An installation view of ceramic bowls and student posters in the exhibition Seeds of Hope at DAVA. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/10e275a5-3548-42c8-91f7-b8ec69724818/Lemur+Gardener%2C+Whistle+Flower+by+Miley+Perez_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Miley Perez, Lemur Gardener, Whistle Flower, ceramic and paint. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d4007cd0-a177-4182-9680-25377f19750a/Kelly+Cox.+Some+People+Say+Not+To+Worry+About+the+Air.+Clay%2C+spray+paint_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Kelly Cox, Some People Say Not To Worry About the Air, clay and spray paint. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/143d68ba-efa5-4393-bc82-e99e13562aac/Anna+Kaye__Coos%2C+caws%2C+rattles%2C+and+clicks_50x30inches_charcoalonpaper_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Anna Kaye, Coos, Caws, Rattles, and Clicks (Crow), charcoal on paper. Image courtesy of DAVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2511f9ca-ff5c-4b73-91cc-cef90e7f760e/Painting+by+Rosalyn+Paz+16_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Rosalyn Paz, Resistance Is Our Power, digital print. Image courtesy of DAVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/30e995d5-6c56-4cea-89e5-559a1d5bf2d8/Work+by+Eileen+Roscina_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>An installation view of Eileen Roscina’s letter with pressed flowers. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/baa49c51-719c-4465-8252-24ca56cadfe5/Installation+view+of+writing+desk+and+works+by+Regan+Rosburg_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>An installation view of writing desk and works by Regan Rosburg. Image by Raymundo Muñoz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4dc839f2-f093-4eab-a714-0c7191b334bc/Detail+of+Letters+to+the+future+by+Regan+Rosburg_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Detail of the Letters to the Future installation by Regan Rosburg made up of handwritten letters. Image courtesy of DAVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a0a56ae-0315-4965-a006-1009d2a7ab99/Installation+view+of+Living+Memorials_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Installation view of Living Memorials, various artists, bisque red clay, tree saplings, and soil. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/29f268f7-d5f2-4b90-8f7b-836a1c109ab5/Detail.+Carbon+Footprints+community+art+installation+1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Detail of Carbon Footprints community art installation at DAVA. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/85947fb4-297e-43ce-9b08-9ee6fc6cc85b/Detail.+Carbon+Footprints+community+art+installation+2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>Detail of the Carbon Footprints community art installation at DAVA. Photo by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2fabc67f-e6d6-4434-966c-29f95c812745/Installation+view+of+works+by+Kelly+Cox+and+Anna+Kaye_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Seeds of Hope - Make it stand out</image:title>
      <image:caption>An installation view of the Seeds of Hope exhibition at the DAVA gallery. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/caminos-por-andar-latinx-futurism-and-expanded-realities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/25c2cfc9-7936-4f46-926a-e63935af7c50/Caminos+Por+Andar_InstallationView5_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>An installation view of Caminos Por Andar: Latinx Futurism and Expanded Realities at the Campus Commons Gallery at the University of Northern Colorado in Greeley. Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/648e2df3-a712-4196-aa1b-3c0faf86e2b2/Fajardo_Futura+Screenshot_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>Rafael Fajardo, Futura, 2017-2023, interactive fiction (Twine) (frame from interactive component). Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4b44d0e5-5ca5-43fe-a668-75a4d5ceb9da/Garcia_Frontiers_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>Eric J. Garcia, Frontiers, 2023, prickly pear ink. Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6666d424-133b-4b86-82f7-0395366c4b45/Garcia_Chupacabra_Vibrant_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>Eric J. Garcia, Chupacabra, 2023, prickly pear ink. Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d40b2d03-6101-4476-aef9-1d8a25dfab8e/Gery+Vargas%2C+La+Puya_view2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>Gery Vargas, La Puya, 2024, mixed media object and dirt. Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/732509c0-d8c0-4271-ab4b-a315ee72cd4b/Bismark+Alejandro+Rex%2C+Temazcal_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>Bismark Alejandro Rex, Temazcal, 2022, acrylic, crayon, oil stick, and spray paint on burlap. Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5f72e2f4-780e-41d9-94a7-c2a7c477f2b5/Sean+Paul+Gallegos%2C+Queer+Little+House_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>Sean Paul Gallegos, Queer Little House, 2024, upcycled cotton on cotton warp, Lazy Boy chair lining, finding, and thread. Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/33cb2733-82c7-4f3c-a6ba-15bf16df00f5/FA24+Sean+Paul+Gallegos%2C+Virgin+of+Guadanika+VII_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>Sean Paul Gallegos, Virgin of Guadanika VII, 2023, discarded sneakers (from trash), thread, chain, wallpaper, and tablet woven shoelace (from upcycled crochet thread). Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/97e01b48-6233-44e7-9a67-055df93c3f8c/Montufar__Mother_and_Child_lowrider_gathering_Jua_rez_Chihuahua_Mexico_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>Marilyn Montufar, Mother and Child (Lowrider Gathering), Ciudad Juárez, Chihuahua, Mexico, 2017, color photograph. Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f6c8529b-a3f8-4d68-80d7-426c0db0ebe3/Caminos+Por+Andar_InstallationView2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Caminos Por Andar: Latinx Futurism and Expanded Realities - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Caminos Por Andar: Latinx Futurism and Expanded Realities. Image courtesy of the Campus Commons Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/beyond-the-deck-into-the-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/146bcea4-e19b-4570-9e2e-084ff21268a4/BeyondTheDeck_TitleWall_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>An installation view of Beyond the Deck at RemainReal Fine Art. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/06b7636a-ec50-4559-aff4-87bb0c1c5c07/BeyondTheDeck_FourWorks_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>An installation view of Beyond the Deck at RemainReal Fine Art. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/53c71692-948c-4fb6-92d7-0892f43b5806/Jini+Veeker_Judgement_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Jini Kim Veenker, Judgement, ink drawing with gold leaf. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7ceaff2a-032c-4ba2-a418-bd3f641da42a/Lauren+Wholey_The+Hierophant_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Lauren Wholey, The Hierophant, acrylic on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d54d820e-05fd-4dc9-a5eb-e547b0d88a11/Alice+Riley_Strength_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Alice Riley, Strength, acrylic on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/606d3f55-74b9-424a-a59b-7c111fde2199/Sabina+Espinet_The+Emperor_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Sabina Espinet, The Emperor, acrylic on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bbf2577e-0f54-4496-ac93-6aee60ac6a3d/Trinh+Nguyen_The+Chariot_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Trinh Nguyen, The Chariot, acrylic on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2290e51a-fe02-4533-acd0-f6d112835416/Olga+Braico_The+Hanged+Man_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Olga Kolusenko-Braico, The Hanged Man, ink and acrylic on paper. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/73d82479-a4a1-4768-94c0-5738dac2668f/Tom+Van+Der+Sloot%2C+The+Fool_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Tom Van Der Sloot, The Fool, acrylic on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/58a1f13f-5246-4eeb-995b-ea7b75b0a41b/Sista+Luna_Wheel+of+Fortune_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Sista Luna, Wheel of Fortune, strike matches and India ink on paper. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e50f556a-0150-4842-9e5c-e8e58cc79200/2c+Bryant_TwoWorks_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Works by Shane Bryant in Into the Future at RemainReal Fine Art. Left: Astronaut’s Dream, gouache, 40 x 50 inches. Right: The Astronaut’s Window, gouache, 40 x 47 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/252126d1-5b81-4a37-a6a0-5c13e6547935/Steph+George_Future+Phase_Equational_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Steph George, Future Phase: Equational, multimedia linocut, 5 x 7 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/575a0d13-34f1-4dd7-890d-318a683cc9aa/Hector+Sector_Where+the+Ideas+Lie_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Hector Sector, Where the Ideas Lie, acrylic on cardboard, 11 x 15 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/88923292-545c-4140-81c0-93947ba8c1ea/Bryant_Astronaut_s+Dreams_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Shane Bryant, Astronaut’s Dream, gouache, 40 x 50 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f66d1fe7-3ca7-4239-b39c-2dd035aef20d/Bryant_Astronaut_s+Window_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>Shane Bryant, The Astronaut’s Window, gouache, 40 x 47 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/02784fa4-5110-401e-9b2e-0ba495753d93/BeyondTheDeck_InstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Beyond the Deck | Into the Future - Make it stand out</image:title>
      <image:caption>An installation view of Beyond the Deck at RemainReal Fine Art. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/shapespeak</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d9afa651-7938-4e53-9cc6-9c19322ce70a/18_October+01%2C+2024.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Shapespeak at Nick Ryan Gallery in Boulder. Image  by Wes Magyar, courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b21b5542-4839-43ee-80d7-5c314a958751/Ky-Anderson-canvas-60x45-Upgrade-cropped.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Ky Anderson, Upgrade, acrylic on canvas, 60 x 45 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7fbeda31-ccc0-4d7c-9b73-1f2e412f067c/Ky-Anderson-canvas-80x65Arches--and-Stars-2021-cropped.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Ky Anderson, Arches and Stars, acrylic on canvas, 80 x 65 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0dd7817d-cb06-4d38-9335-09a7ae7c600d/Sennish-Ground-indicators.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Courtney Sennish, Ground Indicators, concrete, wood, foam, hydrocal, and acrylic, 56 x 17 x 12 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3aaec9df-3b65-4863-9a9f-8450fa0488b2/Sennish-Ten-Bricks.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Courtney Sennish, Ten Bricks, hydrocal, concrete, foam, wood, and pigment, 42 x 26 x 6 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1012db88-db5a-49bc-a11d-437c99057ae8/Andy_Ryan_Fizzy_Fuzzy.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Andy Ryan, Fizzy Fuzzy, watercolor on paper, 40 x 29 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a719f1f2-8b3b-4854-86cf-3afe0f80f67a/Tongue_Tied.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Andy Ryan, Tongue Tied, watercolor on paper, 27 x 22 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5ad95345-0d04-42eb-853c-2a388a5c81d2/Andy_Ryan_Huff.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Andy Ryan, Huff, watercolor on paper, 27 x 22 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eab07081-e834-4d02-b322-328ccf165944/Lobato+Hearsay+08-5-26+48+x+48+inches.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Emilio Lobato, Hearsay, oil and collage on panel, 48 x 48 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e39c8fca-1760-463e-ba22-01c26bf78367/Lobato+Callisto+2022+14+x+14+inches+IV.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Emilio Lobato, Callisto, rubber and nails on panel, 14 x 14 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3166c58c-d47e-4bb4-bd4c-d356073b95c8/Emilio-Lobato-Duo-%28From-the-Twin-Feather-Meditations%29.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>Emilio Lobato, Duo (Twin Feather Meditations), oil, collage, and graphite on panel, 36 x 36 inches. Image courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cf868813-912f-4e5b-86bd-8411f6474e5b/13_October+01%2C+2024.jpg</image:loc>
      <image:title>Reviews Home - Shapespeak - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Shapespeak with a work by Emilio Lobato on the left, works by Courtney Sennish in the center, and a painting by Ky Anderson on the right. Image by Wes Magyar, courtesy of Nick Ryan Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/zip37-reunion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e6c2b0a8-a2e3-469c-9d59-0f3e77b5dda7/Zip37Reunion_TitleWall.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>A view of the title wall in the Zip37 Reunion exhibition at Kanon Collective (from left to right), Jennifer Melton,  Minaret, acrylic on canvas; Christine Rose Curry, Trash Talk, plastic trash and acrylic paint on canvas; Pat Cronin, Monster, ceramic wall sculpture; Mark Friday,  Keeping Track, assemblage sculpture; and Jerry Simpson, Fang, mixed media sculpture. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2efe2928-7212-446d-9b3c-8ece8cdcd7be/ChristineRoseCurry_TrashTalk.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>Christine Rose Curry, Trash Talk, plastic trash and acrylic paint on canvas. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af12be30-d7bb-44ad-8828-f9ace212339a/JenniferMelton_Minaret.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>Jennifer Melton, Minerit, acrylic on canvas. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/471debbe-4b80-46d1-86f2-e91a30e4be12/PatCronin_Monster.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>Pat Cronin, Monster, ceramic wall sculpture. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d673b013-f958-4f29-9d8a-3d251c2acb4a/Mark+Friday_Keeping+Track.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>Mark Friday, Keeping Track, assemblage sculpture. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/64c48f52-ce6b-4ba6-8df2-18685766f301/JerrySimpson_Fang.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>Jerry Simpson, Fang, mixed media sculpture. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9501613-e531-4cf3-a17b-77871126c89f/BradKEvans_DenverFugly.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>Brad K. Evans, Denver Fugly, acrylic on panel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69246fca-f129-4071-af80-2860fd959508/ReedWeimer_In+Hand.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>Reed Weimer, In Hand, linocut print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2be30c41-756d-4611-8b77-f5485838a488/Zip37Reunion_InstallationView2.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>A view of works by Reed Weimer, Candace Shepard, and Kym Bloom in the Zip37 Reunion exhibition at Kanon Collective. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e2db7ef-cd8a-4fa0-844d-b579e36b8d1b/Zip37Reunion_InstallationView3.jpg</image:loc>
      <image:title>Reviews Home - Zip37 Reunion - Make it stand out</image:title>
      <image:caption>An installation view of the Zip37 Reunion exhibition at Kanon Collective. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/cabinet-of-curiosities-and-impossibilities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8784008-8e7d-4e0b-ab62-ae9647137108/Cabinet+in+context.jpeg</image:loc>
      <image:title>Reviews Home - Cabinet of Curiosities and Impossibilities - Make it stand out</image:title>
      <image:caption>A view of Marjorie Park with the Cabinet of Curiosities and Impossibilities structure on the left. Image courtesy of Museum of Outdoor Arts (MOA).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c0d52bb-4b28-4a34-9675-569c3fb8641d/Cabinet+Facade+Detail.jpeg</image:loc>
      <image:title>Reviews Home - Cabinet of Curiosities and Impossibilities - Make it stand out</image:title>
      <image:caption>The façade of the building that houses Lonnie Hanzon’s Cabinet of Curiosities and Impossibilities at Museum of Outdoor Arts. Image courtesy of Museum of Outdoor Arts (MOA).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8a7573ca-8a74-4b9a-8a84-51156ce8a470/8.+CabPressPics+04.26.24+-+106.jpg</image:loc>
      <image:title>Reviews Home - Cabinet of Curiosities and Impossibilities - Make it stand out</image:title>
      <image:caption>An installation view of Lonnie Hanzon’s Cabinet of Curiosities and Impossibilities at Museum of Outdoor Arts. Image courtesy of Museum of Outdoor Arts (MOA).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5cfb5e7-473d-455c-ab8f-1f4593eb2823/Rabbit+Hole</image:loc>
      <image:title>Reviews Home - Cabinet of Curiosities and Impossibilities - Make it stand out</image:title>
      <image:caption>The rabbit hole in Lonnie Hanzon’s Cabinet of Curiosities and Impossibilities at Museum of Outdoor Arts. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1973462-3171-40fa-9198-58e78526b76d/6.+CabPressPics+04.26.24+-+145_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Cabinet of Curiosities and Impossibilities - Make it stand out</image:title>
      <image:caption>A view of the interior and the fairy garden cabinet in Lonnie Hanzon’s Cabinet of Curiosities and Impossibilities at Museum of Outdoor Arts. Image courtesy of Museum of Outdoor Arts (MOA).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af7943bd-c47d-47e5-ab6a-11e6327a70d4/Little+Red+Riding+Hood</image:loc>
      <image:title>Reviews Home - Cabinet of Curiosities and Impossibilities - Make it stand out</image:title>
      <image:caption>A detail view of the Red Riding Hood display in Lonnie Hanzon’s Cabinet of Curiosities and Impossibilities. Image courtesy of Museum of Outdoor Arts (MOA).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9d58d2a7-1328-4b19-aad6-20c7185d0c32/Snow+Queen%27s+Shattered+Mirror</image:loc>
      <image:title>Reviews Home - Cabinet of Curiosities and Impossibilities - Make it stand out</image:title>
      <image:caption>The Snow Queen’s shattered mirror in Lonnie Hanzon’s Cabinet of Curiosities and Impossibilities at Museum of Outdoor Arts. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4d5f278c-029e-4960-a0a6-68aae38195a2/11.+CabPressPics+04.26.24+-+004_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Cabinet of Curiosities and Impossibilities - Make it stand out</image:title>
      <image:caption>An installation view of Lonnie Hanzon’s Cabinet of Curiosities and Impossibilities at Museum of Outdoor Arts. Image courtesy of Museum of Outdoor Arts (MOA).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/oddments</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/78382ee6-1ae3-40b8-a431-9e0bbbb77245/Oddments_Javani-My+Effigies.jpg</image:loc>
      <image:title>Reviews Home - Oddments - Make it stand out</image:title>
      <image:caption>Elnaz Javani, My Effigies, 2020, white muslin fabric and black thread. Image courtesy of the Mariani Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cac738b9-e057-4782-8393-13a4c5c22f93/Oddments_Javani-03.jpg</image:loc>
      <image:title>Reviews Home - Oddments - Make it stand out</image:title>
      <image:caption>An installation view of Elnaz Javani’s Oddments exhibition at the Mariani Gallery on the campus of the University of Northern Colorado in Greeley. Image courtesy of the Mariani Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f9ebc4a1-180e-492e-a836-7fb6b62536c6/Oddments_Javani-Coming+Undone.jpg</image:loc>
      <image:title>Reviews Home - Oddments - Make it stand out</image:title>
      <image:caption>Elnaz Javani, Coming Undone, 2023, hand-stitched embroidery, hand-dyed fabric, and appliquéd cotton. Image courtesy of the Mariani Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ec4d7003-145f-43bd-8b5f-143512295ff1/IMG_8167_left_Midnight+Sun_right_Slip+Through.jpg</image:loc>
      <image:title>Reviews Home - Oddments - Make it stand out</image:title>
      <image:caption>Elnaz Javani, Midnight Sun, 2023, hand-stitched embroidery, hand-dyed fabric, appliquéd cotton, sublimation, and discharge printing (left); Slip Through, 2023, hand-stitched embroidery, hand-dyed fabric, appliquéd cotton, and sublimation printing (right). Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/98919c2f-3a4c-4f23-b86f-eb87e1ce7c90/Oddments_Javani-Temptation.jpg</image:loc>
      <image:title>Reviews Home - Oddments - Make it stand out</image:title>
      <image:caption>Elnaz Javani, Temptation, 2022, hand-stitched embroidery, hand-dyed fabric, and appliquéd cotton. Image courtesy of the Mariani Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/512c4ada-ad35-4455-be7a-70e3a0209ed9/Oddments_Javani-My+Effigies+%282%29.jpg</image:loc>
      <image:title>Reviews Home - Oddments - Make it stand out</image:title>
      <image:caption>Elnaz Javani, My Effigies (detail),2020, white muslin fabric and black thread. Image courtesy of the Mariani Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3cec2b18-a964-474e-89b7-0597b5e7b79c/IMG_8172_Chasing+the+Blue+Horizon.jpg</image:loc>
      <image:title>Reviews Home - Oddments - Make it stand out</image:title>
      <image:caption>Elnaz Javani, Chasing the Blue Horizon, 2022, hand-stitched embroidery, hand-dyed fabric, and appliquéd cotton. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4da42bbd-882e-44e0-bb74-66da04b7b475/Oddments_Javani-09.jpg</image:loc>
      <image:title>Reviews Home - Oddments - Make it stand out</image:title>
      <image:caption>An installation view of Elnaz Javani’s Oddments exhibition at the Mariani Gallery. Image courtesy of the Mariani Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/we-will-be-strange</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0f19fc45-2c20-4639-8f33-9822ab873e3c/Understudy-Tricia-Waddell-3.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>An outside view of Tricia Waddell’s exhibition We Will Be Strange at Understudy in downtown Denver. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6a7e1ed9-f0b0-41bf-a9b7-e38aec85b65a/Understudy-Tricia-Waddell-2.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>A view of the title wall in Tricia Waddell’s exhibition We Will Be Strange. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8facda08-db8b-48c7-abdb-0d9b469bf570/Understudy-Tricia-Waddell-1.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>An installation view of Tricia Waddell’s exhibition We Will Be Strange. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/189c113b-224c-4b79-acc2-638b9475f36f/Understudy-Tricia-Waddell-7.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Make the world where I belong, linen, assorted papers and fabric scraps, handwritten journal pages, and cellophane, 2024. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1c0e965-6c7f-42dd-b96a-22b538a3d468/Understudy-Tricia-Waddell-23.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>A detail view of Tricia Waddell’s Make the world where I belong, linen, assorted papers and fabric scraps, handwritten journal pages, and cellophane, 2024. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6d4710a7-584e-4ce2-94c1-453c946e7ccd/Understudy-Tricia-Waddell-4.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Crawled Inside, linen hand painted with fiber reactive dye, encaustic wax, wire, speaker, and sound, 2024 (left). Tricia Waddell, Hanging panel, cotton voile, and rayon fabric hand painted with fiber reactive dyes, 2024 (right). Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fd46e703-5c93-4fb0-9b64-013dd10e0b16/Image+10.JPG</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>A detail view of Tricia Waddell’s Crawled Inside, linen hand painted with fiber reactive dye, encaustic wax, wire, speaker, and sound, 2024. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/35a28ea6-6b79-4ad4-a921-d5aa22ae9540/Understudy-Tricia-Waddell-8.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Psychic Disturbance, linen, fabric spray paint, textile paint, handspun yarn, stuffing, and weighted beads, 2024. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9c037a0d-26dc-45f2-b115-d4603a27244d/Understudy-Tricia-Waddell-25.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>A detail view of Tricia Waddell’s Psychic Disturbance, linen, fabric spray paint, textile paint, handspun yarn, stuffing, and weighted beads, 2024 (foreground); Hanging panel, cotton voile, and rayon fabric hand painted with fiber reactive dyes, 2024 (background). Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a27c2350-f7b4-4f0e-ba03-f39e6ae0c5ef/Understudy-Tricia-Waddell-12.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>Tricia Waddell, I am domesticated, linen hand painted with fiber reactive dye, hand embroidery, waxed thread, and paper, 2024. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ffcfc728-2732-4abd-b0e0-72372786f37e/Understudy-Tricia-Waddell-13.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>A detail view of Tricia Waddell's I am domesticated, linen hand painted with fiber reactive dye, hand embroidery, waxed thread, and paper, 2024. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b8d62ad4-9f85-4d3b-be22-88c3780a96fd/Image+6.JPG</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Hanging panel, cotton voile and rayon fabric hand painted with fiber reactive dyes, 2024 (foreground); Psychic Disturbance, linen, fabric spray paint, textile paint, handspun yarn, stuffing, and weighted beads, 2024 (background). Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/343dbf11-2f20-402c-a26f-75b107f6b2a5/Understudy-Tricia-Waddell-20.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>A detail view of Tricia Waddell's Hanging panel, cotton voile and rayon fabric hand painted with fiber reactive dyes, 2024. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d97135de-ce23-43b9-b74f-f62574e972bf/Understudy-Tricia-Waddell-9.jpg</image:loc>
      <image:title>Reviews Home - We Will Be Strange - Make it stand out</image:title>
      <image:caption>An installation view of Tricia Waddell's Psychic Disturbance, linen, fabric spray paint, textile paint, handspun yarn, stuffing, and weighted beads, 2024, and Hanging panel, cotton voile, and rayon fabric hand painted with fiber reactive dyes, 2024. Image by Third Dune Productions, courtesy of Understudy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/deborah-jang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9bf854b1-a7c2-4785-9e71-aaaf0094b9b9/Test_Jang_Deborah_MothToFlame_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Moth to Flame, 2023, wall-mounted mixed media sculpture, 22.5 x 22.5 x 2 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed59655b-246c-4832-bcd7-3386980cc31a/Jang_allThingsConsidered_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Row, 2021, wall-mounted mixed media sculpture, 63 x 27 x 4 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2ae3416f-f2a0-426c-8e7e-e9065010119c/Jang_HorseWithNoName_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Horse with No Name, 2013, found metal sculpture, 48 x 40 x 18 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ffd2bcc9-dec2-435a-a9bd-24dd36ca91fd/Jang_Swoop_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Spry, 2018, wall-mounted mixed media sculpture, 60 x 30 x 8 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/defce171-e1b6-4845-95fc-86ae690d94f8/Test_Jang_Deborah_Launch_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Launch, 2023, wall-mounted mixed media sculpture, 18 x 21 x 3 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/17308b9a-8019-4dd4-b52b-d41ca00c00d1/Jang_sculpture-art-gym.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang and Mark Friday, Sky Sign, 2019, mixed media sculpture, commissioned by Vickie and Brian Stevinson, owners of Art Gym. Image courtesy of Deborah Jang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d9fd009d-208f-4f93-9710-d43f45e8b7ac/Jang_Conundruminium_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Conundruminium, 2017, wall-mounted mixed media sculpture, 48 x 65 x 4 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e235d76c-a1bb-4b51-930e-b46ad00dfa10/Jang_Hark_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Hark, 2018, wall-mounted mixed media sculpture, 54 x 29 x 6 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aa8f36e1-a35b-4c19-9064-3e41bb69b286/Jang_rock-of-ages_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Rock of Ages, 2021, mixed media sculpture, 33 x 24 x 24 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/49274f4a-a588-48f7-87a5-f5f502f26c8d/Jang_Prayer+Wheel_single_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Prayer Wheel (Five Points at the Blair-Caldwell African American Research Library), 2016, installation view, mixed media sculpture. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0aff536b-99e3-47f8-b57b-8a91f044f132/Jang_prayer-wheel-chilifest-westwood.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Prayer Wheel (La Casita Community Center), 2016, installation view, mixed media sculpture. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c46ec51e-d68a-43d3-9969-68e6fbcfc66e/Jang+RedLine+project_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Guanyin (Kwan Yin), 2019, mixed media sculpture pictured with REACH studio artists at RedLine Contemporary Art Center. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f8c23d4f-bda5-47e3-b691-5535c2ba1ac0/Jang_she_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang, Guanyin (Kwan Yin), 2019, mixed media sculpture, 96 x 36 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1e9ff36a-72e6-48fc-8e28-682e81e6b896/Jang_Portrait2_150dpi.png</image:loc>
      <image:title>Reviews Home - Deborah Jang - Make it stand out</image:title>
      <image:caption>Deborah Jang at work in her studio. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/dialogue-and-defiance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9be2475b-fa51-428f-b167-b0684e1a7646/Dialogue+and+Defiance_InstallationView4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Dialogue and Defiance: Clyfford Still and the Abstract Expressionists at the Clyfford Still Museum. Image courtesy of the Clyfford Still Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9c7a12f9-f36c-40af-ad2c-aa636c8f92aa/Thomas+B.+Hess%E2%80%99s+book+Barnett+Newman+on+display+in+the+exhibition+Dialogue+and+Defiance_1_150dpi.png</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>Thomas B. Hess’s book Barnett Newman on display in the exhibition Dialogue and Defiance: Clyfford Still and the Abstract Expressionists at the Clyfford Still Museum. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/176bb3d5-fa17-4df3-b5b3-9ec41874f9c2/15Americans_cover_courtesy_the+_Clyfford_Still_Archives.jpg</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>An image of the cover of the 15 Americans exhibition catalog. Image courtesy of the Clyfford Still Archives.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/949cf24d-9fc4-4fe9-a108-573ea88c5b03/Clyfford+Still%2C+PH-111_installationview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>Clyfford Still’s PH-111, 1948, oil on canvas, 54.375 x 45 inches, on display in the Dialogue and Defiance exhibition. Image courtesy of the Clyfford Still Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/083ae5e8-98f0-4e04-97ef-9c49893348dc/Clyfford+Still%2C+PH-16_150dpi.png</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>Clyfford Still, PH-16, 1950/52, oil on canvas, 69.625 x 62.5 inches. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8a24a849-3622-4b77-a400-daee08b46a4c/THEB%7E6.PNG</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>A book about the Abstract Expressionists called New York School, the First Generation: Paintings of the 1940s and 1950s by Malcolm Tuckman, on display in the exhibition Dialogue and Defiance: Clyfford Still and the Abstract Expressionists at the Clyfford Still Museum. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2fcc56e5-da8c-423a-bbd9-0c3cbe052ddb/Dialogue+and+Defiance_InstallationView3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Dialogue and Defiance: Clyfford Still and the Abstract Expressionists. Image courtesy of the Clyfford Still Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2c5448dd-9ff9-479d-a9e4-41edc85a0019/CLYF%7E58P.JPG</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>Clyfford Still, PH-385, 1949, oil on canvas, 105.5 x 81 inches. Clyfford Still Museum, Denver, CO. © City and County of Denver - ARS, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b739eb71-eda6-4b5b-b5c5-20ea403b21f6/Dialogue+and+Defiance_InstallationView2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>A view of the title wall in the exhibition Dialogue and Defiance: Clyfford Still and the Abstract Expressionists. Image courtesy of the Clyfford Still Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7bd74d6b-ecd1-44d1-9d73-113526171779/Clyfford+Still%2C+PH-1071_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>Clyfford Still, PH-1071, 1951, oil on canvas, 117.75 x 106 inches. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37379083-71ae-4ba2-8034-140960ea640e/Clyfford+Still%2C+PH-146_installationview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>Clyfford Still’s PH-146 on display in the Dialogue and Defiance exhibition. Image courtesy of the Clyfford Still Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2bc2b5cb-a394-4f63-aa29-341b3e3a9b37/CLYF%7EJRX.JPG</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>Clyfford Still, PH-146, 1950, oil on canvas, 107.375 x 92.25 inches. Image courtesy of the Clyfford Still Museum, Denver, CO. © City and County of Denver - ARS, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5c538b40-97d1-4a0a-a449-85def4526e37/Clyfford+Still%2C+left_PH-1078%2C+right_PH-812_installationview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>On the left: Clyfford Still, PH-1078, 1951, oil on canvas, 113 x 158 inches; on the right: Clyfford Still, PH-812, 1951, oil on canvas, 115 x 104 inches. Image courtesy of the Clyfford Still Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f265e46b-19b9-4a8d-8649-d4eb89c7a0ae/CLYF%7EYJK.JPG</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>Clyfford Still, PH-369, 1951, oil on canvas, 80 x 71.5 inches. Image courtesy of the Clyfford Still Museum, Denver, CO. © City and County of Denver - ARS, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bca3e2db-9b2b-42d0-8943-5232e872a59f/Dialogue+and+Defiance_InstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Dialogue and Defiance. Image courtesy of the Clyfford Still Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b5240933-a4e3-4f67-a842-42c70cfd542a/Clyfford+Still%2C+PH-121_150dpi.png</image:loc>
      <image:title>Reviews Home - Dialogue and Defiance - Make it stand out</image:title>
      <image:caption>Clyfford Still, PH-121, 1947, oil on canvas, 45 x 39.625 inches. Image by José Antonio Arellano.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/2024-fiber-art-colorado</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/58e1c554-539a-4c65-ae93-139cc6764fc6/DepotArtGalleryExterior_SavaImage.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>A view of the exterior of the Depot Art Gallery in Littleton. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f255cac1-9dd3-43f2-9155-6d6092e5da85/InstallationView1.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition 2024 Fiber Art Colorado at the Depot Art Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/23a4cbb8-3daf-49ae-99fc-0915c7a6f79e/AlyssaWilliams.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>Alyssa Williams, Reclaimed, fabric, embroidery thread, beads, cotton fill, and felt. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b29c541e-977b-43f5-84d5-6646fba92cde/HeatherHauptman.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>Heather Hauptman, Sophisticated Mature Woman With Her Coffee and Vibrator, embroidery on second hand pillow case. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8e56b306-3fd9-4666-8d1c-8307594e29c9/InstallationView6.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition 2024 Fiber Art Colorado at the Depot Art Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6a05a7a1-ae09-4f40-9a27-46ae89c3bb9b/InstallationViewWithHeatherSchulteInForeground.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>An installation view of Heather Schulte’s work What We Feel; We Cannot Say (Fear). Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dd313b7a-3ddd-42e9-a27c-535211b471aa/Heather+Schulte.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>Heather Schulte, What We Feel; We Cannot Say (Fear), cross stitched cotton embroidery thread on cotton canvas. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/388b00b2-bd9b-4245-a2c7-65e2f071563b/RebeccaPeebles.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>Rebecca Peebles, Weaver's Hair - Ritual for Elder Hood, weft-face woven wool and hair. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4bdce369-7fe4-4861-b517-825326df459a/ThreeWorksWithRebeccaPeeblesOnTheLeft.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition 2024 Fiber Art Colorado at the Depot Art Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e10f49b-48cb-42af-81fd-31d9144344f8/KathyMitchellGarton.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>Kathy Mitchell-Garton, South Table Mountain: Milky Way, thread, beads, and sequins on cyanotype-printed fabric. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bcce0b29-fa11-4934-af68-4394bb256318/InstallationView3.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition 2024 Fiber Art Colorado at the Depot Art Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2c766b89-6aa0-4c9f-8f8b-6caaed84ad90/TriciaWaddell_frontview.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>Tricia Waddell, Showed Up and Felt Out of Place, linen, dye, thread, string, stuffing, wire, and dyed sand. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9600589e-1414-459a-b43a-4aad57e75c89/InstallationViewWithTriciaWaddell.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition 2024 Fiber Art Colorado with Tricia Waddell’s Showed Up and Felt Out of Place in the foreground. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7a324dcc-93a5-449e-a6b1-5bf0fe4061d9/AndreaGordon2.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>Andrea Gordon, Felt(Ed), needle felted wool and polyester felt. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f83610a9-0f20-4ec1-9424-2de35b342d44/AndreaGordon_viewfromabove.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>An aerial view of Andrea Gordon’s Felt(Ed), needle felted wool and polyester felt. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bf54b2ca-2e42-493d-9675-6845ee8c6232/FourWorks.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>A view of three works in the exhibition 2024 Fiber Art Colorado at the Depot Art Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4621cf8f-0c65-49ea-912c-d68287e35598/AlCanner.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>Al Caner, Pyramids, knotted cords of cotton, nylon, and polyester. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/61a19fd0-8d3b-4ec7-abea-1144d36e0ec0/SherrieRobbins.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>Sherrie Robbins, Quietude, botanically-dyed antique fabric and lace, joint compound, couched flowers with silk ribbon, repurposed baby clothes, and momigami paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6722df6e-6a47-4614-a4b5-f91fe99bb923/ThreeWorksWithElizabethMorisette.jpg</image:loc>
      <image:title>Reviews Home - 2024 Fiber Art Colorado - Make it stand out</image:title>
      <image:caption>A view of three works in the exhibition 2024 Fiber Art Colorado at the Depot Art Gallery. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/xv</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1b5f3bf1-c8f7-4f94-ba22-179b31e9c8bf/tunson.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Floyd Tunson, Nubian II, acrylic on canvas, 96 x 144 inches.  Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/585f67e4-2a14-4f5c-a191-780e72f64171/baldus.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Jeff Baldus, two untitled works; above: white stoneware, 18.5 inches; below: stoneware, 16 x 16 x 16 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7a8884a4-64cf-4a66-9e80-66ca0821957b/ichikawa.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Etsuko Ichikawa, Trace 4714, glass pyrograph on paper, 30 x 67.5 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3dc2f730-637a-4f2d-a46d-767cdb3d3c6d/garrett.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>John Garrett, on the left: Desert Bosque, machine knit tubes of cotton crochet thread, 48 x 48 inches; on the right:  North Valley Pond, machine knit tubes of cotton crochet thread, 48 x 48 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/310d8925-fecb-4d54-bfc0-53e9c9a41355/Eva+Bovenzi_FromBlue_3.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Eva Bovenzi, From Deep Blue #3, acrylic on canvas, 84 x 60 inches. Image courtesy of Michael Warren Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ace8ffbc-fe80-4b85-8606-f1faef5fb8c0/bradreednelsondetail2.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Brad Reed Nelson, 3 of a pair, acrylic, powder coated steel, and brass plated steel, each approximately 28 x 24 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/35428a91-d5dc-4b7d-901a-187838d26a4f/Gwen+Laine+3-She-Traced-The-Day-Before-In-Her-Thoughts.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Gwen Laine, She traced the day before in her thoughts, archival pigment print, 26 x 26 inches. Image courtesy of Michael Warren Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/00362181-557d-4f09-86f3-72970e5cd7ae/wiggins.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Sherry Wiggins and Luis Filipe Branco, Between Earth and Sky I, archival digital print on Hahnemuhle Baryta, 33 x 22 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/43d369cc-833e-4589-a839-93c230b6990f/wiggins2.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Sherry Wiggins and Luis Filipe Branco, Between Earth and Sky IV, archival digital print on Hahnemuhle Baryta, 33 x 22 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/83536951-ebce-4703-bcec-d8e037069187/Jennifer+Bain_Last+Call.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Jennifer Bain, Last Call, acrylic on clayboard, 36 x 48 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a42b6120-e1ef-4901-8e9c-2d3812b6c776/allisonstweart.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Allison Stewart, Mountain Canto, oil on canvas, 96 x 96 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f2f3322c-c3f6-4bd0-ac85-51a0e267b4f6/cesarkdetail.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>A detail view of one component in K Rhynus Cesark's Mapping Place, porcelain with ceramic pigment decals and white gold luster, 34 x 60 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c7d8e9eb-cac8-4949-bf13-f7c4a1be9ef3/cesark.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>K Rhynus Cesark, Mapping Place, porcelain with ceramic pigment decals and white gold luster, 34 x 60 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/89793b76-d6c4-45a3-9161-1eb9949fee66/ransford.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Sarah Ransford, Crop Circle Study (9pc), soda-fired porcelain paper clay, 24 x 24 x 3 inches total, 6 x 6 inches each. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/58271f8f-8665-45d7-a632-de6e155e92d4/kasahara_notation+22-21.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Notation 22-21, 22-karat gold leaf on sushi rice and pencil on rag paper, 3.625 x 3.625 inches. Image courtesy of Michael Warren Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/08a7e22e-fa3c-499c-96a4-844286a260ab/InstallationView2.jpg</image:loc>
      <image:title>Reviews Home - X.v - Make it stand out</image:title>
      <image:caption>An installation view of X.v at Michael Warren Contemporary. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/tracking-time</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b02d0d52-65d3-4055-ab65-bceeb70bd22a/96June-03-2024-imageonline.co-6545979.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>An installation view of Chelsea Kaiah’s Artist Inspirations, 2024 (various personal items and research materials from artist Chelsea Kaiah’s workspace) with Noelle Phares’ seven site sketches in the background. Image by Wes Magyar, courtesy of the Boulder Museum of Contemporary Art (BMoCA).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b035d43b-a388-40e7-bf12-bdcf9111657f/10_June+03%2C+2024+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>Noelle Phares, Site 1 - Green River, WY, 2024, oil and acrylic on panel. Image by Wes Magyar, courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/14143dfd-cbdb-4044-8039-75552ec065a9/IMG_1045+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>Chelsea Kaiah, Land Back, 2023, deer hide, wood frame, red felt, rope. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0d8c6f94-9fe3-4b44-af01-15a476a9428d/IMG_1055+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>A detail view of a panel from Noelle Phares’ 2024 triptych work Site 7 - Lake Mead / Hoover Dam. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a1ebd5a0-ffad-46d4-9d65-9b740865421b/09_June+03%2C+2024+%282%29.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>An installation view of Noelle Phares’ 2024 triptych works Site 1 - Green River, WY and Site 2 - Colorado Headwaters in BMoCA’s front gallery space. Image by Wes Magyar, courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/77c5f88e-8499-4ed0-bfa1-875b0a9f6c59/50_June+03%2C+2024+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>An installation view of Chelsea Kaiah’s 2023 and 2024 works Land Back, Tarp Paintings, and Apache Stars in BMoCA’s back gallery space. Image by Wes Magyar, courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9e66977c-a2fc-41ab-97f1-90033879c81e/59_June+03%2C+2024+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>An installation view of one of Chelsea Kaiah’s Tarp Paintings and Apache Stars in BMoCA’s back gallery space. Image courtesy of Wes Magyar and BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d9ba02fd-1392-41fd-a8aa-d3f2e615244d/98_June+03%2C+2024+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>An installation view of Noelle Phares’ sketches from her seven trips along the Colorado River. Image by Wes Magyar, courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/72edb74d-ef9e-4efd-94a3-fdaf0a893233/95_June+03%2C+2024+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>An installation view of Chelsea Kaiah’s process works. Image by Wes Magyar, courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b42180ed-23f9-4cb8-a329-a10cff576556/90_June+03%2C+2024.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>A detail view of Chelsea Kaiah’s process works. Image by Wes Magyar, courtesy of BMoCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a40cb32d-b1ea-4923-a7a3-c5df02815aa7/5978d252-385c-4fbb-99c9-91af0543d6d9.jpg</image:loc>
      <image:title>Reviews Home - Tracking Time - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Tracking Time at BMoCA. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/curry-sewell-toksoz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/60c95fcb-bf96-43b5-87d3-8014e14e622c/Christine+Rose+Curry%2C+Rubber+Duck-tion%2C+plastic+waste+%28rubber+ducks%2C+packaging%2C+play+shapes%2C+straws%29+and+acrylic+paint+on+canvas+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Christine Rose Curry, Rubber Duck-tion, plastic waste and acrylic paint on canvas. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7df924fc-5ef6-45f8-8dab-971526973e4a/CHRI%7E013+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Christine Rose Curry, Cinquefoil Aloha, plastic waste and acrylic paint on canvas. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/53c947e3-aa8a-47cc-b7b0-69359aea2719/Christine+Rose+Curry%2C+Trash+Talk%2C+BeYatch%21%2C+plastic+waste+and+acrylic+paint+on+canvas+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Christine Rose Curry, Trash Talk, BeYatch!, plastic waste and acrylic paint on canvas. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8cb7e814-3f67-49da-af58-8282e32b3fb0/CHRI%7ERP8+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>An installation view of Christine Rose Curry’s exhibition Petrochemical Garden at Blo Back Gallery. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0672b11b-8b64-4284-b032-66a2f8e2b5c6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Christine Rose Curry, Let Them Eat Cake, Lady Bic razors, pens, straws, bubble wrap, lids, straws, toys, plastic utensils, packaging, and acrylic paint. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/13782182-791f-4dac-aa20-2da1ef03abf4/Christine+Rose+Curry%2C+_%29+Have+A+Nice+Day%2C+plastic+waste+and+acrylic+paint+on+canvas%282%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Christine Rose Curry, Have A Nice Day, plastic waste and acrylic paint on canvas. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/093c5697-1b53-4bdb-b264-d1a7343c617c/Sewell_installationview+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>An installation view of Kim Sewell’s exhibition Great News, Your Labs Are Normal at Blo Back Gallery. Image courtesy of Blo Back Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ebfafb7c-00c5-4520-8e42-997bde09b860/Kimberly+Sewell+CBC+description+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Exhibition text explaining CBC from Kim Sewell’s exhibition Great News, Your Labs Are Normal at Blo Back Gallery. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/16acee21-49cb-4fc6-8956-1cebf20f4552/Kimberly+Sewell%2C+Its+Just+Anxiety%2C+embroidery+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Kimberly Sewell, It’s Just Anxiety, embroidery. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d41186d4-21b9-423b-914f-e9cb71c711b5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Kimberly Sewell, I Know EXACTLY What That Is, needle felted sculpture. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/87727572-15c9-4e7e-b3d2-5661eb5cda9d/Kimberly+Sewell%2C+We+Probably+Won_t+Find+Anything%2C+needle+felted+sculpture+%282%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Kimberly Sewell, We Probably Won’t Find Anything, needle felted sculpture. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/96c7cd2c-f0b9-448d-a743-3262a1893311/Kimberly+Sewell%2C+You+Don_t+Have+Asthma%2C+mixed+media+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Kimberly Sewell, You Don’t Have Asthma, mixed media. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bee07655-b889-48f4-ab64-4c5a148f34cc/Toksoz_installationview2+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>An installation view of Adam Toksöz’s exhibition Transmissions from the Ancient Past at Blo Back Gallery. Image courtesy of Blo Back Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3fdf0e15-e6aa-425f-b972-ce299af83aa4/Adam+Toksoz%2C+Bummer.exe%2C+mixed+media+on+wood+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Adam Toksöz, Bummer.exe, mixed media on wood. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/60ea5ab9-5e15-4327-b2e5-6b15e32bae36/Adam+Toksoz%2C+Heavy+Weights+the+Heart%2C+mixed+media+on+wood+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Adam Toksöz, Heavy Weights the Heart, mixed media on wood. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d5752758-c5b7-4fcf-abda-4e6f8886da9b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>An installation by Adam Toksöz. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04ad63b0-515e-411d-b6b7-9f64ca5d98cf/Kimberly+Sewell%2C+Its+Just+Allergies%2C+mixed+media+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Petrochemical Garden/Good News, Your Labs are Normal!/Transmissions from the Ancient Past - Make it stand out</image:title>
      <image:caption>Kimberly Sewell, It’s Just Allergies, mixed media. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/a-hand-in-nature</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/982b6c38-d457-4681-988b-71872559553a/56_March+11%2C+2024.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>An installation view of Gala Porras-Kim’s exhibition A Hand in Nature at the Museum of Contemporary Art Denver. Image by Wes Magyar, courtesy of the MCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/71013dd3-ebfb-4097-b2eb-4977e0d8dc36/IMG_2891.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>A detail view of Gala Porras-Kim’s Out of an instance of expiration comes a perennial showing, 2022/2024, propagated spores from the British Museum and potato dextrose agar on muslin, dimensions variable. Image by Paige Hirschey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ad819d5d-6814-41ba-b239-591e627e4952/Porras-Kim_Out+of+an+instance+of+expiration+comes+a+perennial+showing_Beginning.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>Gala Porras-Kim, Out of an instance of expiration comes a perennial showing (beginning view), 2022/2024, propagated spores from the British Museum and potato dextrose agar on muslin, dimensions variable. Image by Wes Magyar, courtesy of the MCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/88e94893-b1ae-4a8f-b165-943f999a365b/Porras-Kim_Out+of+an+instance+of+expiration+comes+a+perennial+showing_Final.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>Gala Porras-Kim, Out of an instance of expiration comes a perennial showing (final view), 2022/2024, propagated spores from the British Museum and potato dextrose agar on muslin, dimensions variable. Image by Wes Magyar, courtesy of the MCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af00684b-10b4-4802-8f23-b352e3203244/IMG_2847.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>Gala Porras-Kim, Untitled (Water erosion), 2018/2024, alabaster, water, wood, and pump, 16.5 x 10 x 8.25 inches. Image by Paige Hirschey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6a4ae041-9df3-4e1b-8833-30313d056ced/74_March+11%2C+2024.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>An installation view of Gala Porras-Kim’s exhibition A Hand in Nature. Image by Wes Magyar, courtesy of the MCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/95b635b2-5f53-42f5-8c98-6e13a08cbb9a/IMG_2882.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>Gala Porras-Kim, A terminal escape from the place that binds us, 2024, ink on paper and document, 73 × 105 inches. Image by Paige Hirschey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3912d2cd-a3af-4374-a5e6-25b2f1d842cf/IMG_2884.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>A detail view of Gala Porras-Kim’s A terminal escape from the place that binds us, 2024, ink on paper and document, 73 × 105 inches. Image by Paige Hirschey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/55d6b70f-10cf-4fab-8f1c-2a1d5ed21257/44_March+11%2C+2024.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>An installation view of Gala Porras-Kim’s exhibition A Hand in Nature. On the left: Asymptote towards an ambiguous horizon, 2021-2024, graphite and ink on paper,12 drawings, 18 x 22 inches each. On the right: Atmospheric reunion, 10,000yBP/2024, performance, water, ancient air, and present-day air. Image by Wes Magyar, courtesy of the MCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37728cd7-bf59-46c8-9c75-ff9a1ce53d6e/48_March+11%2C+2024.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>Gala Porras-Kim, Atmospheric reunion, 10,000yBP/2024, performance, water, ancient air, and present-day air. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6cfe7023-3b84-4b2b-a4c4-f22ce4f72225/63_March+11%2C+2024.jpg</image:loc>
      <image:title>Reviews Home - A Hand in Nature - Make it stand out</image:title>
      <image:caption>Gala Porras-Kim, The Weight of a Patina of Time, 2024, left: graphite on paper; middle: graphite on paper; right: colored pencil and encaustic on paper, three panels, 91 x 73.25 x 2 inches each. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/sister-rosetta</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/048b4df6-80f1-4006-a02c-602f300b8238/Blair+Caldwell+facade+3.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>A view of the façade of the Blair-Caldwell African American Research Library located in the Five Points neighborhood in Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/02c551aa-9061-4021-846c-93ce1a3f50ca/Sister+Rosetta_installation+view+1.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>An installation view of Chloé Duplessis’s exhibition Sister Rosetta in the Charles R. and Dorothy E. Cousins Gallery at the Blair-Caldwell Library. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8a923dfa-919c-4e03-ac64-809374dd324f/99.5+Won%27t+Do_and_Old+Time+Religion.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>Two works by Chloé Duplessis: on the left: 99 1/2 Won’t Do, wall hanging of burlap, twine, and dried flowers; on the right: Old Time Religion, twine, denim, and dried flowers on wood, 16 x 20 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/54866943-1cfb-42b6-8838-fab0261a973c/Rock+Me_detail.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>A detail view of Chloé Duplessis’s Rock Me, photo collage on electric guitar. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c94c0f84-4c5d-4fe2-afb5-123a9bdc30c6/Can%27t+No+Grave+Hold+My+Body+Down_vertical1.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>Chloé Duplessis, Can’t No Grave Hold My Body Down (An Altar for Sister Rosetta), burlap, twine, paper, and vinyl on wood, 7 x 4 feet. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/88b1dd70-f85b-45be-8aa3-29a173d43167/Poster+Display+with+Guitar.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>A display of magazine covers featuring Rosetta Tharpe, a concert flyer, and a handmade World War II-era electric guitar. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/977541ae-65b9-46ab-b030-6e9b2640556d/Sister+Rosetta+Braille+Notebook.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>One of the binders in Chloé Duplessis’s exhibition Sister Rosetta with the exhibition text in Braille. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/518fc194-09d6-4a05-9639-4e5fc12246bb/I+See+The+Light_detail.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>A detail view of Chloé Duplessis’s I See the Light, Braille version of the timeline of Sister Rosetta’s life, metal, fabric, tape, and paint on canvas, 36 x 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/59b4f6cf-3ef5-42b9-9963-2b5900a356d4/The+Lonesome+Road.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>Chloé Duplessis, The Lonesome Road, burlap and twine. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/99d52edf-00bb-4e49-ba29-dd76eb2fe5b3/The+Lonesome+Road_detail_middle.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>A detail view of Chloé Duplessis’s The Lonesome Road, burlap and twine. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b9ed78b0-d85f-4793-b938-13420ce26bad/Shout+Sister+Shout.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>Chloé Duplessis, Shout, Sister, Shout!, mixed media collage on wood, 17 x 27 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/da4ad3c2-c695-43da-8d66-9cac1eaa48a3/Sit+Down_view2.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>Chloé Duplessis, Sit Down, fabric and paper on antique chair. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bfd76902-c8af-45e9-badb-536b32f92d52/Chords+and+Cases.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>Chloé Duplessis, Chords and Cases, collage installation in vintage guitar case. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69302f80-1f37-4b47-82f4-ec2478715dde/Two+Collages.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>Two collage works by Chloé Duplessis in the exhibition Sister Rosetta. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c141f9f-4a25-44ef-931c-0c71fd6a4076/Duplessis+Image+2.jpg</image:loc>
      <image:title>Reviews Home - Sister Rosetta - Make it stand out</image:title>
      <image:caption>Chloé Duplessis giving a talk in front of an outdoor mural. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/resist-tie-dye-practices-around-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/76d73c22-714d-45dd-93eb-949dd21d5cce/Resist_installationview3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Resist: Tie Dye Practices Around the World at the Avenir Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce0cc0e7-cc8f-40c7-bffb-52737cf49488/Bandhani+Textiles+from+India_installationview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>Bandhani textiles from India in the exhibition Resist: Tie Dye Practices Around the World at the Avenir Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e3ef9fa8-f880-41af-abd3-5e773cc9fbec/A%CC%80di%CC%80re%CC%A3+Cloth+created+by+the+Yoruba+Peoples_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>Àdìrẹ cloth created by the Yoruba Peoples using a stitch resist technique or by tying seeds or pebbles into the fabric. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ca27c318-bb58-4825-9e1b-40e7540ed672/A%CC%80di%CC%80re%CC%A3+Ala%CC%81be%CC%A3%CC%81re%CC%A3%CC%81+and+Ele%CC%81so+Cloth%2C+20th+century%2C+cotton%2C+Nigeria_detail1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>A detail view of Àdìrẹ Alábẹ́rẹ́ and Eléso cloth, 20th century, cotton, Nigeria. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4713ef0a-b12d-41f3-b8db-20ec98ec724a/Abr+textiles+from+Uzbekistan_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>Abr textiles from Uzbekistan in the exhibition Resist: Tie Dye Practices Around the World at the Avenir Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7430e756-bf5e-44b6-8ebe-27593fac8a54/Abr+Yardage%2C+20th+century%2C+silk%2C+Uzbekistan_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>A detail view of Abr Yardage, 20th century, silk, Uzbekistan. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/07fa9e66-0996-4506-ae0a-4cc1197d29b6/Ikat+Hinngi%2C+20th+century%2C+cotton+sumba%2C+Indonesia_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>Ikat Hinngi, 20th century, cotton sumba, Indonesia. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4459af7a-d084-4459-b0fe-a6f7bbe639a7/Men%E2%80%99s+Kimono%2C+20th+century%2C+silk%2C+Japan_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>Men’s Kimono, 20th century, silk, Japan. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f2ecb964-5ec2-4c4c-a36d-40e06cc332c4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>A diagram of shibori methods in the exhibition Resist: Tie Dye Practices Around the World at the Avenir Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/61293d37-8c79-4e6d-a7a5-8214335384f3/Bandhani+Textile+Length%2C+20th+century%2C+cotton%2C+India_blue_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>Bandhani textile length, 20th century, cotton, India. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/03b9c735-a9b0-49ad-a9cf-46aafe7d7002/Hoodie+and+Shorts+by+Nike%2C+2023%2C+cotton%2C+USA_AvenirImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>Hoodie and Shorts by Nike, 2023, cotton, U.S.A. Image courtesy of the Avenir Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1027dd23-48d2-4f19-9921-8483b8b463f6/Jaspe+textiles+from+Guatemala_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Resist: Tie Dye Practices Around the World - Make it stand out</image:title>
      <image:caption>Jaspe textiles from Guatemala in the exhibition Resist: Tie Dye Practices Around the World at the Avenir Museum. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/oscillations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dc08f007-494b-4aff-954e-403fb0508226/Oscillations_installation+view+1_SeeSawImage.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition OSCILLATIONS at SeeSaw Gallery. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/883b1347-1475-4fee-a97f-51fe875d0d6d/Thomas_Shadows+of+Pragmatic+Ambiguity.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Autumn T. Thomas, Shadows of Pragmatic Ambiguity, 2024, Bloodwood and concrete, 33 x 60 inches, each panel 33 x 28 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e19a949b-16d3-4e1a-9e2c-cf93c4b33188/Thomas_Shadows+of+Pragmatic+Ambiguity_single+panel.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Autumn T. Thomas, Shadows of Pragmatic Ambiguity (right panel detail), 2024, Bloodwood and concrete, 33 x 60 inches, each panel 33 x 28 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e2834078-9449-4fa1-a54a-114b4a873c7e/Thomas_Contemporary_Chiwara_I.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Autumn T. Thomas, Contemporary ChiWara I, 2023, Wenge wood, concrete, and copper, 21 x 17 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/32b2bd88-72d9-454a-94d1-93d9ee66d701/Thomas_Contemporary_Chiwara_II.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Autumn T. Thomas, Contemporary ChiWara II, 2023, African Mahogany wood, resin, concrete, and copper, 24 x 17 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c2b727b1-86b3-4e50-a0ae-0c26d6e0ab12/JamieGray-OysterLadder.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Jamie Gray, Oyster Ladder, 2023, wax and reclaimed wood, 20 x 7.5 inches and 24 x 8.5 inches, configurable set of 2. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0b2a4588-ee41-458e-baa5-bf3e30dbbe72/JamieGray-LollyGuard.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Jamie Gray, Lolly Guard, 2023, wax and pigment on reclaimed wood, 23 x 38 inches, reconfigurable set of 4. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1ea562f-d4b6-4b6f-a08e-2779a79148b4/JamieGray-SeedSong.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Jamie Gray, Seed Song, 2024, wax and pigment on reclaimed wood, 36 x 66 inches, reconfigurable set of 13. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d451be7f-ab44-4d06-9a39-6593b8edb83c/Fitzsimmons_Abiquiu_2022.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Leslie Fitzsimmons, Abiquiu, 2022, watercolor on 300gsm paper, 12 x 10 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1cf1c24a-7fed-466c-9fa9-44e2a005a495/Fitzsimmons_Humility_2023.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Leslie Fitzsimmons, Humility, 2023, watercolor on 300gsm paper, 20 x 16 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/871eaa73-614d-4df4-ae2c-24254a4c2926/Fitzsimmons_At+the+Watering+Hole_2022.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Leslie Fitzsimmons, At the Watering Hole, 2022, watercolor on 300gsm paper, 24.2 x 15.7 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b19da890-7871-4f39-9c20-bfda1544854b/Gutin_Window+Weaving+%2344.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Ilan Gutin, Window Weaving #44, 2023, cotton and polyester, 67 x 54 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b7a7b619-e252-4953-9d09-e71e3db2e062/Gutin_Window+Weaving+%2322.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Ilan Gutin, Window Weaving #22, 2024, cotton and polyester, 54 x 34 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ab26f165-90be-492f-873d-90b83cb971f1/Gutin_Window+Weaving+%2328.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Ilan Gutin, Window Weaving #28, 2024, cotton and polyester, 54 x 34 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d320d369-d1e0-482a-8189-6e63f1653fa4/Gutin_Window+Weaving+%236.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>Ilan Gutin, Window Weaving #6, 2023, cotton and polyester, 67 x 54 inches. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/65bfb479-0091-4e80-b504-b0a4fc171b8b/Gray_Fitzsimmons.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>An installation view of Jamie Gray’s work (left) and Leslie Fitzsimmons’ work (right) in the exhibition OSCILLATIONS at SeeSaw Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1e5f2f1a-2a5b-441e-96ae-ff9709793431/Oscillations_installation+view+3_SeeSawImage.jpg</image:loc>
      <image:title>Reviews Home - OSCILLATIONS - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition OSCILLATIONS at SeeSaw Gallery. Image courtesy of SeeSaw Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/ungrafting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69dce6c6-0c31-4d3f-8680-7312ae836b67/InstallationViewofUngrafting_FAC+image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>An installation view of Hương Ngô’s exhibition Ungrafting at the Colorado Springs Fine Arts Center. Image courtesy of the Colorado Springs Fine Arts Center at Colorado College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/12aedf06-e2c8-4602-bd85-bb8dada0fe80/Hu%CC%9Bo%CC%9Bng_Ngo%CC%82_Ungrafting_installation_view_II_PetersonImage_150dpi+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>An installation view of Hương Ngô’s exhibition Ungrafting at the Colorado Springs Fine Arts Center at Colorado College. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/374307f2-b345-4744-b4d5-8c1c7e7d45d8/Hu%CC%9Bo%CC%9Bng_Ngo%CC%82_Ungrafting_installation_view_I_PetersonImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>An installation view of Hương Ngô’s exhibition Ungrafting. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6521f210-cdb3-4c87-8c10-11a5a1472816/Hu%CC%9Bo%CC%9Bng+Ngo%CC%82+with+her+work+Graphs_FAC+image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>The artist Hương Ngô with her work Graphs, 2024, wood, clamps, and sound. Image courtesy of the Colorado Springs Fine Arts Center at Colorado College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/36c191dd-4b7d-4f21-9f2d-315bb264fad1/Hu%CC%9Bo%CC%9Bng_Ngo%CC%82%2C_Graphs_PetersonImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Graphs, 2024, wood, clamps, and sound. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e6263d9a-4f87-4bf2-b2eb-7b014db68b73/Ngo%CC%82%2C+We+Are+Still+Here_FAC+image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, We Are Still Here, 2021, hectographs. Image courtesy of the Colorado Springs Fine Arts Center at Colorado College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/238f2eed-7c0c-4829-b042-15f0942b42e4/Hu%CC%9Bo%CC%9Bng_Ngo%CC%82%2C_Latent_Images_%28Grafts%29_PetersonImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Latent Images (Grafts), 2024, Van Dyke Brown prints on paper. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/be7c3189-9f26-4632-90a4-991efc66634f/Ungrafting_Latent-Images_lightened_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Latent Images (Grafts), 2024, Van Dyke Brown prints on paper. Image courtesy of the Colorado Springs Fine Arts Center at Colorado College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2fb3577b-cf62-4d4d-8ef0-55a5c834c375/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Latent Images (Grafts), 2024, Van Dyke Brown prints on paper. Image courtesy of the Colorado Springs Fine Arts Center at Colorado College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2a74f9c5-a937-44c7-b0e2-b7e650571622/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Latent Images (Grafts), 2024, Van Dyke Brown prints on paper. Image courtesy of the Colorado Springs Fine Arts Center at Colorado College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0172636c-5a59-46f0-abd7-0d552a7ad8f1/Ungrafting_Latent-Images3_lightened_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Latent Images (Grafts), 2024, Van Dyke Brown prints on paper. Image courtesy of the Colorado Springs Fine Arts Center at Colorado College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/313f6081-d83b-4284-b7f9-bdbf8c00f730/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Latent Images (Grafts), 2024, Van Dyke Brown prints on paper. Image courtesy of the Colorado Springs Fine Arts Center at Colorado College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04cfccbf-a293-43c9-8b75-502fdfbcd267/Ungrafting_Latent-Images2_lightened_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Latent Images (Grafts), 2024, Van Dyke Brown prints on paper. Image courtesy of the Colorado Springs Fine Arts Center at Colorado College.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/32f5eacb-b507-4fdb-835c-588908912edb/Profile_of_Nguyen_Thi_Minh_Khai_PetersonImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, (Nguyễn Thị Minh Khai letter), 2017, laser-cut onion skin paper on teak backing. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b1d15214-5b8b-4aae-91b6-e154a124cfd9/Profile_of_Nguyen_Thi_Minh_Khai_page2_PetersonImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, (Nguyễn Thị Minh Khai letter), 2017, laser-cut onion skin paper on teak backing. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0a9a2fe7-8c50-452f-a901-00154e48b7b7/Hu%CC%9Bo%CC%9Bng_Ngo%CC%82%2C_Da_Skin_%28I%2C_II%29_PetersonImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Da/Skin (I, II), 2024, stitched handmade dó paper. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/26a5cdba-1648-4684-bb88-e815c14dc999/Hu%CC%9Bo%CC%9Bng_Ngo%CC%82%2C_Da_Skin_%28detail%29_PetersonImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Da/Skin (I, II), 2024, stitched handmade dó paper. Image by Nina Peterson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ea4e08b4-660e-4822-ba1a-d84c3c6d333e/Hu%CC%9Bo%CC%9Bng_Ngo%CC%82%2C_Da_Skin_PetersonImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ungrafting - Make it stand out</image:title>
      <image:caption>Hương Ngô, Da/Skin (I, II), 2024, stitched handmade dó paper. Image by Nina Peterson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/we-cu-a-visual-celebration-of-black-womanhood-presence-and-connectedness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2c10cef9-52a4-4f73-ba48-34e19ba4e3e1/Overall+with+living+room_MagyarImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness at the University of Colorado Art Museum. Image by Wes Magyar, © The Museum for Black Girls and © CU Art Museum and University Libraries, University of Colorado Boulder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/98e11a5a-4138-4860-947e-0764626a6782/BeautyShopInstallation_AngelaBassett_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>The beauty shop installation with projections of photos and video stills of Black women in the exhibition We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/099adfa7-51fc-4e2e-a2e4-f56f24f196db/Living+Room+installation_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>The living room installation in the We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f254fbff-a8e7-46f3-a91f-353adc9e3950/YazzAtmore_installationdetail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>A detail view of Yazz Atmore’s installation on the walls of one of the rooms in the in the exhibition We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ebfa0446-0ba1-4b00-b237-ca2d73dec021/View+into+Dining+Room_MaygayImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>An installation view of the entry archway to the installation A Seat at the Table in the We CU exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7b92525a-2f07-462f-9e70-d3079c4beab6/A+Seat+At+The+Table_detail+view_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>A view of the installation A Seat at the Table in the We CU exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/98c31898-f609-4d7d-9066-b65125f0d522/LoveLettersToBlackWomen_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>The Love Letters to Black Women work in the We CU exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b2b56545-b6e9-49bb-95cf-79a0ca5a4f43/WordsMatter_installationview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>The Words Matter installation in the We CU exhibition. Image by Wes Magyar, © The Museum for Black Girls and © CU Art Museum and University Libraries, University of Colorado Boulder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0105170d-ca21-4d7a-b121-c3ce9af16314/WordsMatter_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>The Words Matter installation featuring quotes by Hannah Phifer, Toni Morrison, and Angela Davis. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a9798397-497c-4878-9816-940bb1186e4c/Amplified+Voices_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>The Amplified Voices installation in the We CU exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3b235cd0-0a73-4e42-9986-6fecdef51fef/InstallationView_FirstRoomOnTheLeft_150dpi.jpg</image:loc>
      <image:title>Reviews Home - We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness - Make it stand out</image:title>
      <image:caption>An installation view of one room in the exhibition We CU: A Visual Celebration of Black Womanhood, Presence, and Connectedness featuring projections, paintings, and a wall installation of botanical imagery by Yazz Atmore. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/i-belong-in-a-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1f0f67c8-413b-44d7-b839-95ebb5fbbeaa/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>An installation view of I belong in a museum: Colorado Women Artist Museum Members Exhibition, Part 1 at D’art Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e0e0cc95-00e0-49ab-9ba7-682de495ba60/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Carrie MaKenna, Dazzling Veins Crackle With Life: Atmospheric Conditions, acrylic on canvas, 30 x 42 x 2 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ffddf993-7a10-494b-9b9f-3e7edf05f900/Salzman_RememberingMartha_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Naomi Salzman, Remembering Martha, acrylic on canvas, triptych: 36 x 10 x 1.5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/84f2406b-1c8f-4322-aa45-bc64c75c6f57/Coleman_Glacier_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Annette Coleman, Glacier, stained glass mosaic, 12 x 12 x 2 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1aed7234-d762-4610-a70b-49788aab2b94/Bush_New+Mexico+Night+Drive_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Lyndy Bush, New Mexico Night Drive, oil on canvas, 18 x 24 x 2 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d4330f7f-971b-4b55-a285-d93684f84807/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>A view of the works in I belong in a museum: Colorado Women Artist Museum Members Exhibition, Part 1 at D’art Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8465ff19-ac03-43dc-ad4b-c8151e6cb7a2/Youngquist_Sunburst+at+Dawn_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Bernadette Youngquist, Sunburst at Dawn, acrylic on wrapped canvas, 18 x 18 x 1.5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7ebe4260-6b5a-41a2-bebd-dc8cbac2fca7/Gabriel_Sarah_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Rebecca Gabriel, Sarah, egg tempera and oil on canvas, 12 x 16 x 1 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f7b22efe-539f-44df-84e3-3c90a5ac4bd4/Emmons_Mother+Child+Triptych+III_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Anne Emmons, Mother Child Triptych III, egg tempera and gold leaf on gessoed board, 14 x 10 x 2.5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c497ea5c-f314-4086-8cf0-9c85417772ac/I+Belong+In+A+Museum_three+works_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Works by Lisa Blidar, Susan M. Gibbons, and Pamela Neyman in I belong in a museum: Colorado Women Artist Museum Members Exhibition, Part 1 at D’art Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b312d99f-6ee2-4bfe-ba07-25c947b2b9df/Frances_Conceal+and+Reveal+P3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Carlene Frances, Conceal and Reveal P3, acrylic on panel, 24 x 24 x 2 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fdb9e639-c520-438b-ad62-cb17a5c0e9b3/Morrell_SerendipityPoolParty_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Johanna Morrell, Serendipity Pool Party, acrylic and ink on plexiglas and birchwood, 24 x 9 x 2.5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a2cd62bc-7991-45d7-9831-19ed066310f5/Doherty_Wings+and+Whorls_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>Judy Doherty, Wings and Whorls, mixed media on wood panel, 16 x 20 x 2 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a1dd690c-2f85-46f2-b14d-7088719148ef/I+Belong+In+A+Museum_installationview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I belong in a museum - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition I belong in a museum: Colorado Women Artist Museum Members Exhibition, Part 1 at D’art Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/quicksand</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0f834297-c57d-4ed8-982f-c5bbb239b8eb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>An installation view of Sarah Bowling’s exhibition Quicksand at Rule Gallery. Image by Wes Magyar, courtesy of Rule Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7a76c08a-16a7-43b7-8366-122a2fbf174e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>A view of Sarah Bowling’s works in her exhibition Quicksand. Image by Wes Magyar, courtesy of Rule Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/603a5b59-c6ff-4f09-b47b-fabab7ea6407/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>A detail view of Sarah Bowling’s Weeping willow, 2024, concrete, plaster, muslin, enamel, resin, 16 x 14 x 12 inches. Image courtesy of Rule Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9de1dcc7-f423-4be6-9877-76039969435c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>Sarah Bowling, Weeping willow, 2024, concrete, plaster, muslin, enamel, resin, 16 x 14 x 12 inches. Image courtesy of Rule Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7866dc1e-fb83-441c-a2f7-91831686e025/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>Sarah Bowling, I just wanted to be floating, 2024, plaster, enamel, foam, and resin, 9 x 7 x 3.5 inches. Image courtesy of Rule Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/560d65c6-9585-44e9-abab-71aa902e0cf4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>A detail view of Sarah Bowling’s I just wanted to be floating, 2024, plaster, enamel, foam, and resin, 9 x 7 x 3.5 inches. Image courtesy of Rule Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/28e9e521-8df6-482a-b692-d30dcb49a5b3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>Sarah Bowling, Spring frost I, 2024, plaster, enamel, and resin, 12 x 9.5 x 6.5 inches. Image courtesy of Rule Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b0e07d07-31b7-4865-af27-11a9bd7999b9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>Sarah Bowling, Clouds shaped like the ocean, 2024, acrylic and oil on panel, 49 x 55 x 2.75 inches. Image courtesy of Rule Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/905b9615-181e-4c80-8ed6-d08ad8373c41/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>Sarah Bowling, A quiet whisper, 2024, acrylic on panel, 5.75 x 5.25 inches. Image courtesy of Rule Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f5749f88-57bd-4731-835d-df0559e66ac8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Quicksand - Make it stand out</image:title>
      <image:caption>A view of three sculptures by Sarah Bowling in her exhibition Quicksand. Image by Wes Magyar, courtesy of Rule Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-presence-of-absence-the-silhouette-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8b5dacc9-29aa-45f2-89fa-ff9829b46461/2024_dona+and+inbal-18_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Presence of Absence/The Silhouette Project: Newcomers - Make it stand out</image:title>
      <image:caption>An installation view of Inbal Abergil’s The Presence of Absence at Colorado Photographic Arts Center. Image courtesy of CPAC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/16268631-8eed-4146-a38e-91a8e40548ce/03_Inbal+Abergil_BIRDWELL_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Presence of Absence/The Silhouette Project: Newcomers - Make it stand out</image:title>
      <image:caption>Inbal Abergil, WHITING, 2014-2024, digital C- Print, 16 x 20 inches. Image courtesy of CPAC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f5308c42-14d4-442e-ae5b-34d7b24d8fc4/04_Inbal+Abergil_BIRDWELL_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Presence of Absence/The Silhouette Project: Newcomers - Make it stand out</image:title>
      <image:caption>Inbal Abergil, PICKETT, 2014-2024, digital C- Print, 20 x 24 inches. Image courtesy of CPAC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b4c6a353-c840-4367-8f23-d3e8af4ee4e8/InbalAbergil_AintNoSunshine_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Presence of Absence/The Silhouette Project: Newcomers - Make it stand out</image:title>
      <image:caption>Inbal Abergil, JOHNSON, 2014-2024, digital C- Print, 30 x 40 inches. Image courtesy of CPAC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a54a66cd-d2c7-4c42-9f51-9347d57f3eeb/2024_dona+and+inbal-2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Presence of Absence/The Silhouette Project: Newcomers - Make it stand out</image:title>
      <image:caption>A view of Inbal Abergil’s ORTEGA, 2014-2024, vinyl, 96 x 144 inches (left) and Scoti, 10:18 min video, 2024, from the series Four Mothers (right). Image courtesy of CPAC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c1c4cc1c-cc44-4920-a67e-c5beb0e03e74/2024_dona+and+inbal-9_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Presence of Absence/The Silhouette Project: Newcomers - Make it stand out</image:title>
      <image:caption>An installation view of Dona Laurita’s The Silhouette Project: Newcomers at CPAC. Image courtesy of CPAC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/43178be7-3aac-4bdb-815f-153522454a65/Laurita_I+Saw%2C+I+Heard%2C+I+Felt_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Presence of Absence/The Silhouette Project: Newcomers - Make it stand out</image:title>
      <image:caption>Dona Laurita, I Saw, I Heard, I Felt, 2023, inkjet print, 24 x 36 inches. Image courtesy of CPAC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f7f7be0d-f674-455b-8801-c6e12bbd99a5/Laurita_Soaring+in+Survival_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Presence of Absence/The Silhouette Project: Newcomers - Make it stand out</image:title>
      <image:caption>Dona Laurita, Soaring in Survival, 2023, inkjet print, 24 x 36 inches. Image courtesy of CPAC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1b32f35f-8578-4bd8-9e5a-ba3998596304/2024_dona+and+inbal-14_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Presence of Absence/The Silhouette Project: Newcomers - Make it stand out</image:title>
      <image:caption>An installation view of Dona Laurita’s The Silhouette Project: Newcomers at CPAC. Image courtesy of CPAC.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/apis-opus-encaustic-invitational</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d6f2dc39-f056-4266-9d35-f924b681e578/Apis+Opus_galleryshot4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>An installation view of the Apis Opus Encaustic Invitational exhibition at NKollectiv gallery in Denver. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e4a0f300-4f03-4f4d-b1c4-51d44f9b01fa/Apis+Opus_galleryshot3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>A view of the Apis Opus Encaustic Invitational exhibition at NKollectiv gallery. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5acb0894-71fc-4cc9-8337-863ec1fa3e91/Apis+Opus_galleryshot2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>A view of four works by Linda Armacost in the Apis Opus Encaustic Invitational exhibition at NKollectiv gallery. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3370b9fb-b3d4-4129-94f1-b69ee000a1e7/Alane+_Holsteen_floralsculpture_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>Alane Holsteen, Floral Sculpture, 2023, encaustic on plaster, 12 x 10 inches. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5291ec3a-c400-4f76-b0cd-8aacaa384a01/Alane+Holsteen_floralbowl1_2023_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>Alane Holsteen, Floral Bowl 1, 2023, encaustic on paperclay, 8 x 8 inches. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1dfc09a-31bd-45f8-9c46-4a9413de2552/Alane+Holsteen%2C+from+left+to+right%2C+Floral+Bowl+2%2C+Floral+Sculpture%2C+Floral+Bowl+4%2C+2023_CunninghamImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>A view of Alane Holsteen’s works in the Apis Opus Encaustic Invitational. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/98b85a5b-6b75-42fd-abb7-cdcf6d92ec0a/Mary+Lynn+Baird_Its+Complicated%2C+2024_CunninghamImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>Mary Lynn Baird, It’s Complicated, 2024, encaustic and clay monotype on wood, 10 inches in diameter. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5c33d03a-ae4f-4617-9eb3-d431c2f39159/Mary+Lynn+Baird_tenlayersdeep_maybe_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>Mary Lynn Baird, Ten Layers Deep, 2024, encaustic and clay monotype on wood, 24 x 6 inches. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eb5b7f23-dcad-4284-bf53-5881e2c75514/ShannonMello_SaltFlats_2024_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>Shannon Mello, Salt Flats, 2024, encaustic on wood, 14 x 8 inches. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/123cbee4-6db7-4d74-a496-bad7c037b601/ShannonMello_OntheFence_2024_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>Shannon Mello, On the Fence, 2024, encaustic on wood, 12 x 10 inches. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fe636c74-6e3a-4632-a702-a148c5bb7aef/Shannon+Mello%2C+from+top+left%2C+down%2C+then+right%2C+Wrapped%2C+On+the+Fence%2C+Salt+Flats_CunninghamImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>A view of Shannon Mello’s works in the Apis Opus Encaustic Invitational. Image by Dani/elle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a5610704-4903-4da7-b720-60e2211563f5/Jennifer_Wilson_+Memory+of+a+Day+16x16_2023_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>Jennifer Wilson, Memory of a Day, 2023, encaustic on wood, 16 x 16 inches. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d81bf0fd-6869-4fec-b45a-b66040f0fedb/Jennifer_Wilson_The+Reader+14x14-+2023_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>Jennifer Wilson, The Reader, 2023, encaustic on wood panel, 14 x 14 inches. Image courtesy of NKollectiv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/908d03d8-7926-4e1c-86e1-3d5c871b53e6/Apis+Opus_Galleryshot1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Apis Opus Encaustic Invitational - Make it stand out</image:title>
      <image:caption>An installation view of the Apis Opus Encaustic Invitational exhibition at NKollectiv gallery. Image courtesy of NKollectiv.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/ways-to-leave-save-earth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/877dff10-11d4-42a0-86b5-d9810193088b/Stuart+Sachs.+Fiduciary+Duty+to+the+Star+Holders.+Front+detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>On the right: Stuart Sachs, Fiduciary Duty to the Star Holders, 2023, AI-generated faux circuitry diagrams etched onto metal. On the left: Julio Alejandro, We are the world, we are the children, 2024, airbrush paint. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c55adcd-45e1-47a2-a88e-29dafa28977a/Hannah+Ronan-Daniell.+Detail+of+Same+Shit%2C+Different+Lifetime_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>Hannah Ronan-Daniell, Same shit, different lifetime, 2024, mirror, plaster, coal slag, acrylic, marker, and found materials. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/35e70b5a-da89-4f9a-aabf-2ae5e7f4accf/Hannah+Ronan-Daniell.+Detail+of+Same+Shit%2C+Different+Lifetime4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>Hannah Ronan-Daniell, Same shit, different lifetime, 2024, mirror, plaster, coal slag, acrylic, marker, and found materials. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/17c58e4d-2ad5-4c22-b212-1d3ad0b11582/Stuart+Sachs.+Fiduciary+Duty+to+the+Star+Holders_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>Stuart Sachs, Fiduciary Duty to the Star Holders, 2023, AI-generated faux circuitry diagrams etched onto metal. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f9194329-b9e7-421b-bf29-2d3efd0dccaa/Stuart+Sachs.+Fiduciary+Duty+to+the+Star+Holders.+Rear+detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>A view of the back of Stuart Sachs’ Fiduciary Duty to the Star Holders. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f96e682-9d6d-47ec-9c3a-5c8fbd1321cb/Laura+Beacom.+Felo-de-se+%28view+from+orbital+vacation+palace%29.+Mixed+media.+2024.+Detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>A detail view of Laura Beacom’s Felo-de-se (view from orbital vacation palace), 2024, multimedia. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1515c77e-05cf-4f30-b74b-1f7c5de81cef/Max+Kauffman.+Mid-Mod+Future.+Goauche%2C+ink%2C+%26+water-based+spray+paint+on+panel.+2023_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>Max Kauffman, Mid-Mod Future, 2023, gouache, ink, and water-based spray paint on panel. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dff9b8fe-bbe6-4915-97a2-a8002ac063cb/Install+view+of+Laura+Beacom+%28left%29+and+Max+Kauffman+%28right%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>An installation view of Laura Beacom’s Felo-de-se (view from orbital vacation palace) and Max Kauffman’s Mid-Mod Future. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69dcfd35-e729-46a5-9acb-c002d9ea121b/Yazz+Atmore.+Egungan+%28Ancestors%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>Yazmin Atmore, Egungan (Ancestors), 2023, mixed media (analog and digital collage). Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0f01db8f-1fe9-4ca6-bebc-346acd8105ae/Christine+Nguyen.+Detail+of+CRYSTAL+ORBITS_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>Christine Nguyen, CRYSTAL ORBITS, 2021, archival pigment inks on Entrada Moab paper with salt crystals. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8302e678-d60d-4b13-be88-422398fb2cb3/Julio+Alejandro.+Detail+of+We+are+the+world%2C+we+are+the+children2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>A view of Julio Alejandro’s We are the world, we are the children, 2024, airbrush paint. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/abb08804-745c-4380-8463-c9f5b4656b14/Julio+Alejandro.+Detail+of+We+are+the+world%2C+we+are+the+children1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>A detail view of Julio Alejandro’s We are the world, we are the children. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d99bc8bf-bcb1-4f63-a322-276e48cb5e70/Works+by+Hannah+Ronan-Daniell+%28left%29+and+Christine+Nguyen+%28right%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ways to Leave (Save) Earth - Make it stand out</image:title>
      <image:caption>An installation view of Hannah Ronan-Daniell’s Same shit, different lifetime and Christine Nguyen’s CRYSTAL ORBITS. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/albert-chong</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1205bdec-5301-41db-9afb-7e6d398c7e41/Chong+with+Cigar+%26+Macka+Shirt_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Chong with Cigar and Maka Shirt, 1997, digital pigment print, 26 x 20 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/13bc532f-c92f-4961-897e-122e8a534284/Exhaling+Ganja+smoke%2C+1982_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Exhaling Ganja Smoke, from the I-Traits series, 1982, gelatin silver print, 39 x 39 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7fb6d017-ae07-4930-8041-c5b44f2c639d/Dancing+with+the+Palo+1983_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Dancing with the Palo, from the I-traits series, 1983, gelatin silver print, 30 x 30 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/10bf67d9-6398-4640-a119-23917c76a96d/Joe+beneath+Termite+Nest%2C+1995_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Joe Beneath Termite Nest, from the Jamaican Portraits series, 1995, gelatin silver print, 56 x 44 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e10f547-71d5-48f1-86fe-a1c6116219e7/Selfportrait+as+Victim+of+Colonial+Mentality+2010_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Self Portrait as Victim of Colonial Mentality, from the Photomosaics series, 2010 (original image made in 1980), image transfer on 144, 4-inch tiles. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b089b6c0-0f4a-4db2-ac41-b2c6e6e19a80/Throne+for+the+Justice+1991_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Throne for the Justice, 1991, gelatin silver print, 30 x 40 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a4466f6c-68a4-411d-80e6-998883a406bd/The+Buddha%2C+1998_150dpi.png</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, The Buddha, 1998, digital pigment print on canvas, 30 x 40 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6143bfe9-460d-4e34-92f3-f681276ce1e3/Hope+Deferred+2011_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Hope Deferred, from the Photomosaics series, 2011, mixed media and acrylic gelatin medium transfer on marble tiles, 60 x 60 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e247156f-019d-4265-a05e-9d064c41a579/Abu+Graib_150dpi.png</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Abu Ghraib, from the Photomosaics series, 2010, acrylic gelatin medium transfer on stone tiles, 24 x 28 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d8db5fde-a4e2-4257-acf1-6074137392f0/Winged+Evocations+2000%2C+Havana%2C+Cuba_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Winged Evocations, 2000, in Havana, Cuba, installation. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/03b26a9c-a1c8-48cd-ab21-9ba60c4024e6/Feathered+Crucifixes+2000%2C+Havana%2C+Cuba_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Feathered Crucifixes from the exhibition Winged Provocations in Havana, Cuba in 2000, feathers and paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8966b300-7b07-46b4-94b7-549916ed3dad/Carrie+Mae+Weems+%2314_150dpi.png</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Portrait of Carrie Mae Weems, 1994, gelatin silver print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d0e2038c-a921-4672-a454-1ad8bb318e49/Blessing+The+Throne+1993_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Blessing the Throne, 1993, gelatin silver print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/28474aba-e719-44c3-a646-b46f6899a6e2/Some+of+the+Bamboo+Community+1994_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Some of the Bamboo Community, from the Jamaican Portraits series, 1994, digital pigment print, 20 x 26 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8140ecb1-cd6a-4d34-8bf5-71c17b5e25ea/Cindy+1995_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Cindy, from the Jamaican Portraits series. 1995, digital pigment print, 30 x 40 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f3b0d39a-b5db-40ef-ac0f-09d599927d9c/Rooftop+Gazzebo+during+construction+2019_150dpi.png</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>A view of the construction of Chong’s rooftop gazebo at his “Carew Castle” in rural Jamaica, 2019. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c61c5269-8108-4c24-bf85-5ef024f0a346/Chong+in+the+Clouds%2C+1994_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Albert Chong - Make it stand out</image:title>
      <image:caption>Albert Chong, Chong in the Clouds, 1994, gelatin silver print. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/trying-to-get-all-my-birds-to-land-in-the-yard</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/48127247-bccc-45b9-92b1-fbcc732a2489/Mychaelyn+Michalec_installationview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>An installation view of Mychaelyn Michalec’s exhibition Trying to get all my birds to land in the yard at K Contemporary. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/76f70e96-5a0a-434a-8888-e102ed640125/05.+I+know+people+who+quail+at+the+sight._large_closer_KContemporaryImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>Mychaelyn Michalec, I know people who quail at the sight, 2024, hand and machine tufted wool yarn on cloth with knitted embellishments and quail feathers with felt backing, 65 x 51 inches. Image courtesy of Mychaelyn Michalec and K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3a6fefc3-54cc-4bc9-9be8-b05f1ad870a8/Some+people+quail+at+the+sight_SavaImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>Mychaelyn Michalec, Some people quail at the sight, 2024, hand and machine tufted wool on felt back cloth with knitted elements, quail feathers, wings, and feet, 63 x 27 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/21370e69-125c-49d6-870a-3d06e506ae49/Some+people+quail+at+the+sight_detail_SavaImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>A detail view of the quail feathers and feet in Mychaelyn Michalec’s Some people quail at the sight. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d29134c2-f1b7-45b6-9767-d252f276a4f4/02.+Lamentation+of+Swans_large_+full_KContemporaryImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>Mychaelyn Michalec, Lamentation of Swans, 2023, hand and machine tufted wool yarn on felt-backed cloth, 120 x 55 inches. Image courtesy of Mychaelyn Michalec and K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/610ccbc0-911c-410e-b968-8bb07c4804cc/05.+Harpy_large_full_closer%281%29_KContemporaryImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>Mychaelyn Michalec, Harpy, 2024, hand and machine tufted wool on felt-backed cloth, 44 x 32.5 inches. Image courtesy of Mychaelyn Michalec and K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/534e0517-8734-40da-b91a-8245e4272692/05.+Harpy_large_full_closer_KContemporaryImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>Mychaelyn Michalec, Harpy 2, 2024, hand and machine tufted wool on felt-backed cloth, 37 x 35 inches. Image courtesy of Mychaelyn Michalec and K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7cb69d24-0063-4e19-a03e-9044ccf90f66/05.+Hypericum+perforatum+%28I+am+the+poison+and+the+antidote%29_large_detail+1_KContemporaryImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>Mychaelyn Michalec, Hypericum perforatum (I am the poison and the antidote), 2023, hand and machine tufted wool yarn on felt-backed cloth, 106 x 40 inches. Image courtesy of Mychaelyn Michalec and K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6f13605e-8231-4ba8-8638-0d4e2946f3f2/07.+Hypericum+perforatum+%28I+am+the+poison+and+the+antidote%29_large_detail+3_KContemporaryImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>A detail view of an eviscerated pigeon in Mychaelyn Michalec’s Hypericum perforatum (I am the poison and the antidote). Image courtesy of Mychaelyn Michalec and K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fa8db9ed-7add-4288-be76-8bdd13824161/05.+All+my+geese+are+swans._large_detail+1_KContemporaryImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>Mychaelyn Michalec, All my geese are swans, 2023, hand and machine-tufted wool yarn on cloth with knitted and crocheted elements, feathers, and vintage lace, 65 x 89 inches. Image courtesy of Mychaelyn Michalec and K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4977d26d-5999-4ecf-96a7-919731dba912/03.+All+my+geese+are+swans_large_full_KContemporaryImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>Mychaelyn Michalec, All my geese are swans 2, 2024, hand and machine-tufted wool on felt-backed cloth with vintage lace and knitted elements, 94 x 49 inches. Image courtesy of Mychaelyn Michalec and K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/854383c2-dca6-4119-b2dd-14ecf9771ca5/09.+I+know+people+who+quail+at+the+sight._large_detail+2_KContemporaryImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>A detail view of Mychaelyn Michalec, I know people who quail at the sight. Image courtesy of Mychaelyn Michalec and K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/05fb6c52-57b6-4ee1-85e4-d1e707de9c03/Mychaelyn+Michalec_installationview4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Trying to get all my birds to land in the yard - Make it stand out</image:title>
      <image:caption>An installation view of Mychaelyn Michalec’s exhibition Trying to get all my birds to land in the yard at K Contemporary. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/silver-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f8166e78-b4e4-4f80-9e88-616108ab1046/Silver+Park_detail_two+doors+and+mirror+window_MarshImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Silver Park - Make it stand out</image:title>
      <image:caption>An installation view of Bob Marsh’s Silver Park in Pueblo. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/66547563-0b44-4737-a864-cffa6b00bc61/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Silver Park - Make it stand out</image:title>
      <image:caption>A detail view of a window sculptural arrangement in Bob Marsh’s Silver Park. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a668285c-70e5-4d90-b58d-fca8b910ddf3/Silver+Park_detail_window+with+fan+blades_MarshImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Silver Park - Make it stand out</image:title>
      <image:caption>A window sculptural arrangement in Bob Marsh’s Silver Park. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4a028f29-9868-40f6-8b71-7279b670eced/Silver+Park_side+installation+view_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Silver Park - Make it stand out</image:title>
      <image:caption>An installation view of Bob Marsh’s Silver Park in Pueblo. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/471d0eb9-0991-4f87-adbb-63920db2ec43/Silver+Park_detail_cube_MarshImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Silver Park - Make it stand out</image:title>
      <image:caption>A view of a chair, branch, and cube installation in Bob Marsh’s Silver Park. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cde99313-3e9f-4007-b9ee-aca9e02f08c4/Silver+Park_detail_twochairs_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Silver Park - Make it stand out</image:title>
      <image:caption>A view of two doors and a window in Bob Marsh’s Silver Park. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/nightwalks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cef2f08e-5b0a-48ad-b9cf-bd6f7f1e2682/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Nightwalks - Make it stand out</image:title>
      <image:caption>An installation view of Alexander Richard Wilson’s exhibition Nightwalks at Dateline. Image courtesy of Dateline.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/81692fcd-99a7-4cdd-8f17-3d8acaed45b2/Wilson_Esquire_DeniseImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nightwalks - Make it stand out</image:title>
      <image:caption>Alexander Richard Wilson, Esquire, acrylic on linen, 48 x 34 inches. Image by Denise Zubizarreta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/92288b73-7c6f-427c-ad8f-a9538c92c2b7/Wilson_Dog_Walkers_At_Night%2C_Capitol_Hill_DeniseImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nightwalks - Make it stand out</image:title>
      <image:caption>Alexander Richard Wilson, Dog Walkers At Night, Capitol Hill, acrylic on bed sheet, 36 x 24 inches. Image by Denise Zubizarreta.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/16ee5d5e-9536-455f-8bd3-5982a4181561/Wilson_Two+Ducks+In+The+Lake+at+Wash+Park_DatelineImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nightwalks - Make it stand out</image:title>
      <image:caption>Alexander Richard Wilson, Two Ducks In The Lake at Wash Park, acrylic on linen, 24 x 24 inches. Image courtesy of Dateline.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5bac6e1-7854-4c01-8acd-6bb5e2d138ec/Wilson_11th+and+Clarkson%2C+A+Girl+And+Her+Dog_DatelineImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nightwalks - Make it stand out</image:title>
      <image:caption>Alexander Richard Wilson, 11th and Clarkson, A Girl And Her Dog, acrylic on canvas, 32 x 32 inches. Image courtesy of Dateline.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d1001a5-5ed4-4601-9883-2f487c7f463c/Wilson_install+2_DatelineImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nightwalks - Make it stand out</image:title>
      <image:caption>An installation view of Alexander Richard Wilson’s Esquire and Two Ducks In The Lake at Wash Park. Image courtesy of Dateline.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/designer-of-a-thousand-talents</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af81755b-97b6-4766-ac93-b738bb704333/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Gio Ponti: Designer of a Thousand Talents at the Denver Art Museum. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2e9efad4-bd21-47df-a0b7-e3fc51bfc69d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>The revitalized Gio Ponti tube entrance into the Martin Building at the Denver Art Museum. Photo by James Florio Photography, courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/272943f0-b1d6-46bd-b90c-3423b84434da/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>Gio Ponti, Elevation (a-i Façade), 1967, pencil and colored pencil on tracing paper, 20.5 x 42 inches. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9102582e-6946-4a9e-979b-07c31e0de22c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>Gio Ponti, Superleggera Chair (model 699), 1957, lacquered ash and cane, 32.375 x 15.875 x 18 inches, manufactured by Cassina, Meda, Italy. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0c0dd5fb-4bea-4c5f-995c-4a2dd9b39881/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>Gio Ponti, Writing Desk, about 1935, walnut, brass, and nickel-plated brass, 35.5 x 45 x 19.5 inches, manufactured by Cassina, Meda, Italy. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6c650ac9-9523-4b60-b3cf-462a889e15b3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>Gio Ponti, Italian Triumph Demitasse Set, 1967, porcelain, manufactured by Richard Ginori, Milan, Italy, from the collection of Kirkland Museum of Fine and Decorative Art. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9366f273-ec14-4090-bb5b-b2831988a901/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>Gio Ponti, The Four Seasons Plates, about 1930, porcelain, 9.75 inches in diameter each, manufactured by Richard Ginori, Milan, Italy. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a5e2996c-f38d-4e10-a471-d310a51e77ff/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>Gio Ponti, Portrait of an Architect Tile, about 1930, earthenware ceramic, 5.75 x 5.75 inches, manufactured by Richard Ginori, Milan, Italy. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69af7bcb-5e81-4833-b61b-4f182cf55dab/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>A view of the exhibition Gio Ponti: Designer of a Thousand Talents at the Denver Art Museum. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b77f31e9-8df7-4cee-bb76-3869af1ed9d8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>Gio Ponti, Pyramidal Exterior Tile for the Denver Art Museum, about 1969, glass, 5.875 x 2.875 x .375 inches, manufactured by Corning Glass Works, Corning, New York. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4e7414fb-9c6a-4b5e-a60a-2776a73955fe/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Designer of a Thousand Talents - Make it stand out</image:title>
      <image:caption>A view of the stairwell in the Martin Building at the Denver Art Museum, featuring red and white pyramidal glass tiles designed by Gio Ponti in about 1969. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/uncommon-collective-colorado-printmakers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fcd666d3-0f95-4b6c-a350-131b2d65aa57/Uncommon+Collective_installation+and+poster_GPimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>A view of the Uncommon Collective: Colorado Printmakers exhibition and poster at the A.R. Mitchell Museum in Trinidad, Colorado. Image by Gina Pugliese.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/74aba2a6-a6eb-46ca-93ad-7f72aa3c29ec/Palmer_Eugene_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Amanda Palmer, Eugene on Love’s Razor Edge, linoleum block print, 21 x 27 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8c1268d6-dd21-4adc-8e1f-28adfe7edc1d/Uncommon+Collective_installation+view+with+horseshoe+shaped+railing_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>A view of the horseshoe-shaped mezzanine at the A.R. Mitchell Museum and the Uncommon Collective: Colorado Printmakers exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bb7f26fa-04de-4784-85c8-3d6bd8958401/MitchellMuseum_installationview1_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>A view of works by Arthur Roy Mitchell on display at the A.R. Mitchell Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e5e637ad-44e3-4cd1-8ae8-e2952a1c5401/Uncommon+Collective_installation+view+of+one+wall+at+an+angle_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>An installation view of the Uncommon Collective: Colorado Printmakers exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f59bade-12e5-45ef-983c-e745ac68feaa/Palmer_Virgil_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Amanda Palmer, Virgil’s Last Waltz, two block linoleum print, 21 x 27 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3341e2a1-2183-42b3-b047-d79b9bcff8ea/Palmer_I+Met+a+Coyote+at+the+Archery+Range_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Amanda Palmer, I Met Coyote at the Archery Range, linoleum block print, 21 x 27 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2df3f73f-129b-4dd9-b544-72160bcd9df7/Miller_Sorry_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Arna Miller, Sorry Cat, screen print, 11 x 17 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1edc32ed-8576-4cff-b6b5-c189c907f870/Miller_After+Party_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Arna Miller, The After Party, screen print, 18 x 24 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c4ef1352-0b57-4831-9df3-2eae9448c18a/Mueller_A_Day_Will_Come_300-2023-09-11_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Johanna Mueller, A Day Will Come, relief engraving, collage, and mixed media. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fa9af19e-e37e-415a-a7ec-895c583285b3/Mueller_Oil_Field_Ponies_11-12-2-23_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Johanna Mueller, Oil Field Ponies, relief engraving on topographic map. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/726678b0-c98b-48bb-b770-c19060692052/Haberkorn_Thalgau_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Theresa Haberkorn, Thalgau, linoleum block, woodcut, mixed media, and monoprint on vintage postcard. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d1b6070-62bf-4648-9f15-d620d2ef01db/Haberkorn_Hold+it+Together_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Theresa Haberkorn, Hold it Together, linoleum block, woodcut, mixed media, and monoprint on vintage postcard. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9ea41252-8bc1-4512-97d4-2dcafdb8cc13/Eubanks_three+works_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Three works by Victoria Eubanks in the Uncommon Collective exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/07a06ddb-39ff-48b5-9731-3def8fba2c4f/Gardner_Passage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Judy Gardner, Passage, monoprint with solar plate, linocut, stencils, and colored pencil, 22 x 30 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0e2076c4-94b2-41f0-b18f-d429e24ea7da/Alpers_ABACA+Dimensional+Broadside+Cryptothele+Series+Lichen_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Riannon Alpers, ABACA: Dimensional Broadside/Cryptothele Series (Lichen), 2023, over-beaten fermented abaca, dimensional frame, and monoprint. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4758b058-cab7-4930-a198-ada1eab12b0d/Gumpper_Unfurling+Time_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Jean Gumpper, Unfurling Time, woodcut. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ba71537e-c3e9-4955-b820-a27ecaf4a240/McGuinness_+Temple+Wall_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Katherine McGuinness, Temple Wall, monotype, 40 x 39 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c19dfa25-9fe4-4b24-bde0-03a4ee17279b/Holmquist_Bowed+Lines_GPimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Tony Holmquist, Bowing Patterns, intaglio, 42 x 30 inches. Image by Gina Pugliese.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/080be846-faa3-4104-a0ab-d8a7b0de45f5/Holmquist_Currents_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Tony Holmquist, Currents, intaglio collage, 30 x 42 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cd2bcde7-ca00-40df-bf7f-75519ed9a829/Lunning_Confluence2_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Mark Lunning, Confluence #2, polymer plate etchings with chine collé, 29 x 20 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c16bd4b4-d77b-4008-8ef0-ab7a23dd9dfd/Joshua+Butler%E2%80%99s+Elemental+Earth+Meets+Fire+in+a+Field+of+Boundless+Capacity_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Joshua Butler, Elemental: Earth Meets Fire in a Field of Boundless Capacity, relief print and collagraph with encaustic, 24 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/54e9a89d-9c45-485f-92ee-136465b54d40/Yazzie_Watching_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Melanie Yazzie, Watching, monotype, 6 x 6 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/355e94e0-1af2-470e-895c-21e6a09207ba/Ghormley_Weep_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>Jennifer Ghormley, Weep, shaped woodblock print and linoleum block print on Rives BFK paper, 18 x 36 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/151b960e-9e2f-4179-bf71-cbfffb011daf/Corn+Mothers+exhibition_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>A view of the Corn Mothers exhibition on display at the A.R. Mitchell Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/99dd84bf-8b2a-4fbe-a0fa-6e67ac59b6a6/Uncommon+Collective_installation+view+of+one+wall+section_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Uncommon Collective: Colorado Printmakers - Make it stand out</image:title>
      <image:caption>A view of works by Arna Miller and Amanda Palmer in the Uncommon Collective: Colorado Printmakers exhibition. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/proclaiming-colorados-black-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4d19a60f-a432-4c58-b55e-9639dfe72e06/Proclaiming_installationview2_VisualArtSection_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>An installation view of the visual art Afrofuturism section of the exhibition Proclaiming Colorado’s Black History at the Museum of Boulder. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e369e020-a53a-44c5-8f1e-9eaea0a16356/Proclaiming_installationview_BlackColoradanAccomplishments_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>An installation view of historical information and objects in the “Black Coloradan Accomplishments Through 1905” section of Proclaiming Colorado’s Black History at the Museum of Boulder. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7a3b9f5d-0eb2-46f5-bea6-286541bfde31/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>A view of Proclaiming Colorado’s Black History with Judy Haslee Scott’s quilt Lincoln Hills Colorado: An African American Heartbeat, 2009. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/32ad3901-6e43-4ae1-bc4a-20e47ebc135f/Proclaiming_This+Is+Not+Who+We+Are_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>A poster from the film This Is [Not] Who We Are, directed and produced by Beret E. Strong and Katrina Miller, on display in Proclaiming Colorado’s Black History. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ebe820ce-0a31-467f-9ee7-01121cdd4363/Judy+Haslee+Scott_detail1_Lincoln+Hills+Colorado_An+African+American+Heartbeat_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>A detail view of Judy Haslee Scott’s Lincoln Hills Colorado: An African American Heartbeat, 2009, quilt. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8e7235d-81d4-41a9-941a-fa241e437872/Proclaiming_signage_BirthOfBlackColoradansCivilRightsStruggle_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Text panels featuring information about early Black American history in Colorado, which are on display at the beginning of the exhibition Proclaiming Colorado’s Black History. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8cc21d5b-05eb-4bc0-a2bf-112c1cb64b8e/Proclaiming_installationview_1951+to+Present_BlackColoradanAccomplishments_GWimage_150dpi+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>An installation view of the “Black Coloradan Accomplishments 1951-Present” section of Proclaiming Colorado’s Black History. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/892d03fb-1fc6-428b-b501-fa6ba624adc3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>A text panel in Proclaiming Colorado’s Black History about Boulder’s Mayor Penfield Tate II. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1f943619-23ab-4edf-ac83-c0c83c75e4ef/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Archival objects and documents about Boulder’s Mayor Penfield Tate II. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/51949638-b1c9-4113-a78e-03a442fde9df/Dearfield_ZeekImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>A view of the Dearfield, Colorado section of Proclaiming Colorado’s Black History, including an installation of corn and a recreation of a Dearfield home. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8a549342-9b09-47de-899e-b22662bdcec7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>A display of objects from the Black community of Dearfield, Colorado and a text panel. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4d48c340-77d3-4447-8925-9907b7c1c374/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>A detail view of John Toms’ 2 Sides of a Trio, wood, acrylic, and mixed media, 48 x 68 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/26d1542f-ad2d-4681-b079-f4fc7efedd8d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Louise Cutler, Father’s Love, bronze, 7 x 8 x 7 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d74ecf98-a94f-4423-a02f-8a1d21bb2e23/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Adderly Grant-Lord, Joy Elevates, acrylic on canvas, 48 x 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce35f4b8-6d3f-44bf-92d0-1a5159f0aa30/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Thomas Elias Lockhart III, I Will Send Down an Army for You, mixed media on canvas, 48 x 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4097e0e9-c6b0-4f27-815a-c80487e01c29/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Jahna Ray, Dream State, 2023, mural, location: KGNU Headquarters, 1720 14th Street, Boulder, CO 80302. Image courtesy of Street Wise Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fb3c4a6e-2315-47ad-b53d-7ce68ec9c173/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Marcus Murray, Astro, 2023, mural, location: The Root of the Hill, 1121 Broadway, Boulder, CO 80302. Image courtesy of Street Wise Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dc471cba-c0b5-43de-9881-e34c04c94bbd/Street+Wise+Panel+Discussion_ZeekImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>A photo of the panel discussion that took place at the Museum of Boulder on January 20, 2024, organized by Street Wise Arts featuring, from left to right: Devin “Speaks” Urioste, Marcus Murray, Jahna Ray, Rob Hill, and Yazz Atmore, with host Moe Gram. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a50b76d8-54e5-47ec-a800-a2f1761a5358/ChurchSanctuaryRecreation_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Proclaiming Colorado’s Black History&amp;nbsp; - Make it stand out</image:title>
      <image:caption>A recreation of the interior of the Second Baptist Church of Boulder in the Proclaiming Colorado’s Black History exhibition. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/soundtracks-for-the-present-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37d213da-972a-404a-9df1-4e0f7c011c3d/Charley+Friedman_installationview3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Soundtracks for the Present Future - Make it stand out</image:title>
      <image:caption>An installation view of Charley Friedman’s Soundtracks for the Present Future, 2024, dimensions variable, at the Gregory Allicar Museum of Art in Fort Collins. Image by Wesley Leffingwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1bc49d27-6d28-4c2e-9e32-bbbadf579379/Charley+Friedman_detailview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Soundtracks for the Present Future - Make it stand out</image:title>
      <image:caption>A detail view of a guitar in Charley Friedman’s Soundtracks for the Present Future, 2024, dimensions variable, at the Gregory Allicar Museum of Art. Image by Wesley Leffingwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c036e3e-2529-4300-a606-458d94356898/Friedman_cords+1_GW+image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Soundtracks for the Present Future - Make it stand out</image:title>
      <image:caption>A detail view of the cords in Charley Friedman’s Soundtracks for the Present Future, 2024, dimensions variable. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e1b3a876-3067-4b51-94cb-a00e4a4b7a3f/Friedman_computer+1_GW+image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Soundtracks for the Present Future - Make it stand out</image:title>
      <image:caption>A view of the computer that programs the instruments in Charley Friedman’s Soundtracks for the Present Future, 2024, dimensions variable. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/26cb2a4a-877e-4b66-ba2f-df3a34cbf19e/Charley+Friedman_detailview2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Soundtracks for the Present Future - Make it stand out</image:title>
      <image:caption>A detail view of a guitar with a robotic arm in Charley Friedman’s Soundtracks for the Present Future, 2024, dimensions variable. Image by Wesley Leffingwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9df93862-1191-46fa-b190-512060be3467/Charley+Friedman_closeupview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Soundtracks for the Present Future - Make it stand out</image:title>
      <image:caption>A view of Charley Friedman’s installation Soundtracks for the Present Future, 2024, dimensions variable. Image by Wesley Leffingwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/68d9881b-09a0-4030-bbe1-5ffdd9fee891/Friedman_installation+view+1+vertical_symmetrical_GW+image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Soundtracks for the Present Future - Make it stand out</image:title>
      <image:caption>An installation view of Charley Friedman’s Soundtracks for the Present Future, 2024, dimensions variable, at the Gregory Allicar Museum of Art. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/laws-of-nature</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3daca396-deb6-41bb-831e-884d0a05c8cc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>An installation view of Tanya Marcuse’s exhibition Laws of Nature at Denver Botanic Gardens. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c2c2daef-4f92-444b-8237-1b76ba893591/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>An installation view of Tanya Marcuse’s exhibition Laws of Nature. Image by Scott Dressel-Martin, courtesy of the Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/00178b78-2666-44b3-bb3f-b3fab1fd93c4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>Tanya Marcuse, Woven Nº 16, 2016, pigment print, 62 x 124 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8ee4dc5c-1e3f-4016-8605-25950542224c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>Tanya Marcuse, Woven Nº 30, 2018, pigment print, 62 x 160 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31092216-cc0a-4144-82f4-7c2889411178/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>A detail view of Tanya Marcuse’s Woven Nº 16, 2016, pigment print, 62 x 124 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f252e9e-1450-4d02-a89b-1518f2c02358/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>Tanya Marcuse, Woven Nº 30, 2018, pigment print, 62 x 160 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/68b8aa31-4696-4171-bc7c-ab29cad8eaf9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>Tanya Marcuse, Nº 2 Book of Miracles, 2020, UV pigment print on aluminum composite, 62 × 124 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f3cc3599-0fa9-4a7a-ac66-4f11c72ba7e2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>A still from Tanya Marcuse’s Untitled, 2023, from the series Book of Miracles, Part III Emblem, stop motion video, 10 minutes. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f8a7de2-d200-4135-8993-fc186db05473/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>An installation view of Tanya Marcuse’s exhibition Laws of Nature. Image by Scott Dressel-Martin, courtesy of the Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8a67c934-e8a0-4bd8-b520-27b8af913c1b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Laws of Nature - Make it stand out</image:title>
      <image:caption>An installation view of Tanya Marcuse’s exhibition Laws of Nature. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/northern-colorado-weavers-guild-celebrating-50-years</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d52cd123-5f5f-4223-a2c8-387f235706e4/WeaversGuildShow_InstallationView4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>An installation view of the Northern Colorado Weavers Guild’s exhibition Celebrating 50 Years at the Loveland Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/82185147-18b7-4af6-b9cb-ef13165e4496/Becky+Irons_Sheet+to+Shawl+2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Becky Irons, Sheep to Shawl. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/583087b0-a80a-4a8e-a4d7-27389b72e162/WeaversGuild_case1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Weaving tools and yarn in one of the display cases in the Northern Colorado Weavers Guild’s exhibition Celebrating 50 Years. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cfd54ef8-f5a0-4293-b295-986ee74c32d7/Kristi+Bott_Felted+Animals_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Kristi Bott, Felted Rabbit and Sheep, felted sheep’s wool. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9203eb09-0777-4ea3-b396-1bd537652c26/Margaret+Tullis_Nuno+felted+jacket_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Margaret Tullis, Nuno Felted Jacket. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b7261f65-038b-463d-baf2-3074b19de70c/Al+Canner_Spiraling+Under+Control_GW+image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Al Canner, Spiraling Under Control, knotted macramé cords of cotton and jute and found objects. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a6eb0fb3-9db0-49b1-bb4c-cdf0ae31c3bd/Beth+Fox_Wall+Hanging_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Beth Fox, Wall Hanging, cotton weave, beading, and driftwood. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/26b2dfc5-9efc-4f26-a235-42caa057b36e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>The display of shawls in the Northern Colorado Weavers Guild’s exhibition Celebrating 50 Years. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b857726f-7f48-4cfb-9dca-aef6c4feb1e7/Elizabeth+Quick_Navajo+Country_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Elisabeth Quick, Navajo Country. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c913d013-f517-46a5-a976-62e85b3233ea/Gunnel+Oresjo_Sample_purple_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/43056f1f-86ab-4324-afc0-ce4eb1688931/Gunnel+Oresjo_Sample_red_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/38189a0e-0bf0-456b-ab93-0cd0fa264ee2/Gunnel+Oresjo_Sample_yellow_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>Gunnel Oresjo, Samples. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/91e63876-a3fe-4329-b6d7-d0a670a370a6/WeaversGuild_case2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>One of the display cases in the Northern Colorado Weavers Guild’s exhibition Celebrating 50 Years. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4e0c4a52-5c05-4742-a078-8d026be3aac1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Celebrating 50 Years - Make it stand out</image:title>
      <image:caption>A view of the Northern Colorado Weavers Guild’s exhibition Celebrating 50 Years. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/to-see-inside-art-architecture-and-incarceration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/55f8998f-7114-4b0f-bc19-34892e627c83/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition To See Inside: Art, Architecture, and Incarceration at the Museum of Art Fort Collins. Image by Sarah McKenzie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/92f2fbe0-c6e4-4bbb-bbc5-7da21f6df985/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>An installation view of To See Inside: Art, Architecture, and Incarceration with Sarah McKenzie’s work. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b9c5a199-ff23-4503-b9e7-c89087d5216c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>Sarah McKenzie, View From the Second Tier (Alcatraz), 2022, oil and acrylic on canvas, 48 x 72 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a09e1119-6fac-4341-a921-543cfb5f75e9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>Sarah McKenzie, Window Blinds (Administrative Segregation Unit, Sterling Correctional), 2022, oil and acrylic on canvas, 36 x 54 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5383491c-dc11-44ce-8504-432a3a6d02e8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>Sarah McKenzie, Some Days the Sky Is Just a Ceiling (Yard, Sterling Correctional), 2022, oil and acrylic on canvas, 40 x 56 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d0b5ef19-4521-4506-bc94-c6307dbb86dc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>Sarah McKenzie, Corridor (Closed Facility, San Diego Youth Campus), 2022, oil and acrylic on canvas, 48 x 48 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0a6483cd-eb07-43f9-afca-317bc2cdef32/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>Billy Scott, Can I Come Into the Out Now? (Impossible Door), 2021, graphite and colored pencil on paper, 11 x 8.5 inches. Image by Nico Toutenhoofd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/21f865de-b33b-4bf2-b8fd-65727330ee51/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>Shawna Hockaday, Locked Out, 2023, graphite and colored pencil on paper, 14 x 17 inches. Image by Nico Toutenhoofd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0ce6bf16-4965-417b-ad29-8cc93ecc5852/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>Mario Rios, To Live With Death, 2022, acrylic on canvas board, 24 x 18 inches. Image by Nico Toutenhoofd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2b93b5ff-5197-46d1-98c0-5fba76d48871/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>Mario Rios, A Fish Tank For My Fish, 2023, acrylic on canvas board, 20 x 24 inches. Image by Nico Toutenhoofd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e6dd086a-98f4-492f-927a-e46699901c3a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>Hector Castillo, Growing Up in My Cell, 2021, acrylic on canvas board, 16 x 20 inches. Image by Nico Toutenhoofd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/56c2b100-c8ed-47a7-8a69-f9976b57d0ef/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>JR Gilbertson, The Learning Tree, 2022, graphite on paper, 9 x 12 inches. Image by Nico Toutenhoofd.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/44f7e37c-5b04-4edc-8e8c-db34c73c8530/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>A view of works in To See Inside: Art, Architecture, and Incarceration. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6e1ccc24-c1cc-49e9-8566-383f976d319d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - To See Inside: Art, Architecture, and Incarceration - Make it stand out</image:title>
      <image:caption>An installation view of To See Inside: Art, Architecture, and Incarceration at the Museum of Art Fort Collins. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/control-and-freedom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31bb4d1f-574d-47c4-b883-0d2e2957c751/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>Hung Liu, Village Portrait: Broken Bridge, 2013, mixed media (duo-tone) on panel, 12.5 x 13.25 inches. Image courtesy of the Vicki Myhren Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a769c5ed-9df6-4f0d-af30-4f0ee31acae8/Hung+Liu_installationview4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Hung Liu: Control and Freedom at the Vicki Myhren Gallery at the University of Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c828685-1f1d-4f55-bb9a-f853a55b205a/Hung+Liu_installationview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Hung Liu: Control and Freedom at the Vicki Myhren Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/86c64817-2480-4caf-a78d-af2e3323eb5d/Hung+Liu_Relic+VIII_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>Hung Liu, Relic: VIII, 2004, oil on canvas with wooden box, 66 x 66 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8ff925f0-db06-400c-b20d-f09fe234b9f0/Hung+Liu_Golden+Lotus_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>Hung Liu, Golden Lotus, 1990, oil and silk on canvas (diptych), 48 x 56 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/260cb1d1-c841-4d4b-bab3-6a6aa8f5d63c/Hung+Liu_Modern+Time_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>Hung Liu, Modern Time, 2005, oil on canvas with lacquered wood and Cultural Revolution clocks, 66 x 168 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3cdf06b5-8939-4fab-9ad2-f4f2cf6c910a/Hung+Liu_Modern+Time_left+side_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>The left panel of Hung Liu’s Modern Time, 2005, oil on canvas with lacquered wood and Cultural Revolution clocks, 66 x 168 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/75db3cc3-ba20-4a49-be13-ae7790ece858/Hung+Liu_Modern+Time_clock_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>A detail view of one of the Cultural Revolution clocks in Hung Liu’s Modern Time. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/afc431b7-643d-4bb5-8671-0f17d1b3ad41/Hung+Liu_For+the+Struggle+Carries+On_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>Hung Liu, For the Struggle Carries On, 2009, oil on canvas, 36 x 36 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ec624cd1-2d6e-4bcc-8d91-5ceeb43bf393/Hung+Liu_Laundry+Lady_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>Hung Liu, Laundry Lady, 1995, oil on shaped canvas, 72 x 38 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/79e633e8-e45a-4c6f-946d-3acca2a4f5b4/Hung+Liu_Old+Black+Joe_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>Hung Liu, Old Black Joe, 2016, oil on canvas, 41 x 41 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/19012a96-cc8f-44be-a62b-f12af247aa81/Hung+Liu_The+Tale+of+Da+Fan+Che+%233_print_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Control and Freedom - Make it stand out</image:title>
      <image:caption>Hung Liu, The Tale of Da Fan Che #3, 2004, mixed media, 60 x 60 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/home-a-photographic-journey-into-identity-place-and-belonging</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d3dc8d9-9555-4c72-89ad-644ec0656120/Home_installationview2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Home: A Photographic Journey into Identity, Place, and Belonging at The Collective Community Arts Center. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c0189262-a97f-4859-9a3b-b49d32062638/Anastasia+Kreigler_three+works_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>Three works by Anastasia Kreigler, from left to right: Mama Niño; Ete Cato; and El Jardin, digital pigment prints. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6f35f18d-90c4-4673-bbb7-f81d31186c0a/Anastasia+Kreigler_El+Jardin_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>Anastasia Kreigler, El Jardin, digital pigment print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f54585b-6202-4287-a8c0-065fbf1b5a2c/Anastasia+Kreigler_Ete+Cato_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>Anastasia Kreigler, Ete Cato, digital pigment print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1ed8b9c7-fedc-496f-80a2-7d459273b95d/Ellen+O%27Donnell_Hands+on+the+Wheels_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>Ellen O’Donnell, Hands on the Wheels, digital pigment print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d0dd169c-b6b9-4b09-abc3-ef838b2bb9d7/Ellen+O%27Donnell_Belonging+to+the+Now_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>Ellen O’Donnell, Belonging to the Now, digital pigment print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1f0363ff-4cfe-4f99-8b7d-31ea29bd0408/Ellen+O%27Donnell_Home+As+History+Lafayette_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>Ellen O’Donnell, Home as History, Lafayette, digital pigment print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c6a5f221-9b23-428c-962d-bf235c1fa781/Steven+McBride_Standing+Together_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>Steven McBride, Standing Together, black and white photograph. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5d184f81-a277-4278-b61a-c93e2e338f87/Tanya+London_slaughtering_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>Tanja London, slaughtering …, digital pigment print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a2e2974d-a2d3-428d-a5ee-7b166e9041bd/Tanya+London_me+the+OMNIVORE_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>Tanja London, me…the OMNIVORE, digital pigment print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fdedc791-f501-499d-8cd7-67c414b85b46/Home_installationview4_150dpi.jpg</image:loc>
      <image:title>Reviews Home - HOME: A Photographic Journey into Identity, Place, and Belonging - Make it stand out</image:title>
      <image:caption>A view of works in the exhibition Home: A Photographic Journey into Identity, Place, and Belonging at The Collective Community Arts Center. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/month-of-printmaking-2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b6e30a4d-1773-443f-a39a-6d65fd081037/Julia+Fernandez-Pol_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Julia Fernandez-Pol, Eclipse #1, 2023, intaglio monoprint, 34 x 47 inches, on view in the exhibition Artist Proof: Print Process at Oehme Graphics at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69da5d03-1b35-45cd-91de-bdfce4f96d6c/Emily+Moyer_Litho+Magic_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Emily Moyer, Litho Magic, 2015, stone lithography, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bdc4a6a4-c5b4-4e80-836f-19bf760b3aa4/emily-moyer-150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A portrait of Emily Moyer, co-organizer of Mo’Print, the Month of Printmaking. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/587d4026-0372-4516-8d0e-ec9014bc8f4f/Jennifer+Ghormley_Sinking_onesection_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A detail view of Jennifer Ghormley’s Sinking, 2023, woodblock print on sheer fabric, sewing, and thread, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1334aa4-1979-424d-89ed-4e0dce88cc06/jennifer_ghormley_headshot3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A portrait of Jennifer Ghormley, co-organizer of Mo’Print, the Month of Printmaking. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/187d25f9-5532-468e-8667-234e85f2468c/Andi+Newberry_My+Mother%27s+Arrow_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Andi Newberry, My Mother's Arrow, 2022, screenprint on Arnhem paper, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cfb2f6d2-d278-4569-95f7-d14766e86144/ArvadaCenterShow_installationview_CharlesLivingston+in+the+foreground_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A view of the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/62d4f7ee-762a-4f13-9549-2d6a8bd059e3/Brady+Smith_To+Fold+And+Divide_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Brady Smith, To Fold and Divide, 2023, screenprint and metal folding chairs, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c66a5016-f910-4e1a-b692-193dcd9bbcc7/Brady+Smith_To+Fold+And+Divide_detail3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A detail view of Brady Smith’s To Fold and Divide, 2023, screenprint and metal folding chairs. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f71735c3-80bd-49fe-b720-513c89df2b48/Favianna+Rodriguez_seven+works_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Works by Favianna Rodriguez in the exhibition Pressing for Change at the Center for Visual Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/afdca4c1-7e25-4871-b380-b05eead8de0c/John+Hitchcock_Landlines_Buffalo_Stars+Tanks+Helicopter_Elk_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Three works by John Hitchcock in the exhibition Pressing for Change at the Center for Visual Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eee62cdc-23a7-47b7-9117-ef1e861ff2b5/Heather+Kahn-Pyatt_Six+Hours+Walking_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Heather Kahn-Pyatt, Six Hours Walking, 2022, woodcut prints, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f41245df-50b0-45ff-bac0-39a7467fdee5/Taiko+Chandler_Point+to+Point_detail1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A detail view of Taiko Chandler’s Point to Point, 2023, monotype, Sumi ink on Kozo paper, thread, and glue, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/397f618e-bf1f-4672-a3ab-da3f1d96afa7/Karen+Kunc_four+works_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Four works by Karen Kunc in the exhibition Pressing for Change at the Center for Visual Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/27b0f19a-fcec-4635-b390-be126cc9646b/Dianne+Fine+and+Mario+Laplante_Seed+Bank_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Diane Fine and Mario Laplante, Seed Bank, 2023, digital ink jet print and woodcut, on view in the exhibition Pressing for Change at the Center for Visual Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cadd1fba-3899-4efb-a09a-a5cf78d606e8/Dianna+Miguez_A+Seat+at+the+table+Or+A+Brick+through+the+window_1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Dianna Miguez, A Seat (at the table) Or A Brick (through the window), 2023, ink and wax on rice paper, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/82901ed0-d729-40bd-bc3c-cd6e2231b4c0/Adriana+Barrios_Global+Wake+up+Call+Goes+To+Voicemail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Adriana Barrios, Global Wake Up Call Goes To Voicemail, 2023, handmade abaca paper, screen print, and California beach sand, on view in the exhibition Pressing for Change at the Center for Visual Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b12a9d06-86fa-4f60-808e-d7b3f1f1cad8/Adriana+Barrios_Global+Wake+up+Call+Goes+To+Voicemail_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>One component of Adriana Barrios’ Global Wake Up Call Goes To Voicemail, 2023, handmade abaca paper, screen print, and California beach sand. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Julia Fernandez-Pol, Interstellar Echo #7, 2023, assembled 3-D collaged monoprint, on view in the exhibition Artist Proof: Print Process at Oehme Graphics at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8a5557d4-7433-4b55-a3be-2f15c96416db/Julia+Fernandez-Pol_Interstellar+Echo+%231_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A detail view of Julia Fernandez-Pol’s Interstellar Echo #1, 2023, assembled 3-D collaged monoprint, on view in the exhibition Artist Proof: Print Process at Oehme Graphics at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/640635b7-a4f9-445c-8577-92b650261a54/Catherine+Shuman+Miller_Yes....And_150dpi+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Catherine Shuman Miller, Yes…And, 2021, oil and watercolor woodblock monoprint diptych, on view in the exhibition Artist Proof: Print Process at Oehme Graphics at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/66817823-4850-4e1b-8ffa-3cc24a61c471/Susan+Goethel+Campbell_Seasonal+No+1_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Susan Goethel Campbell, Seasonal No. 7, 2022, walnut stains with hand-perforation and hand-sewing on Japanese paper, on view in the exhibition Pressing for Change at the Center for Visual Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7bea3a1d-3cae-4bcb-98fe-7dc0c588815c/Samira+Hemmat_Hidden+Harvest_detail1_300dpi+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A detail view of one panel in Samira Hemmat’s Hidden Harvest (Migration Story), 2023, relief and embossing on paper, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9cf262a0-26fb-4836-8187-a067dfc5bbec/Laura+Grossett_two+works_vertical_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Laura Grossett, 1: Growing, Unfolding, 2023, etching and hand-coloring, and 2: Experiment in Green, 2023, etching, hand-coloring, vellum, and linen cardstock, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/babeaa9a-128d-46ea-8d47-1b9c1974ca01/Sue+Oehme_Confluence_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A detail view of Susan Oehme’s Confluence, 2024, individual inked elements and ephemera pinned to the wall, on view in her exhibition Inclusions at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/68549daf-41bf-4074-9248-7132f45362d1/Sue+Oehme_Exploder_detailcenter_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>A detail view of the center of Susan Oehme’s Exploder, 2024, watercolor and oil monoprint and hand-coloring, on view in her exhibition Inclusions at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7eedb459-409e-4b28-9269-baf2e51654da/Sue+Oehme_Tracers+Unassailable_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Susan Oehme, Tracers: Unassailable, 2022, cut oil monoprint with colored pencil and stamping, on view in her exhibition Inclusions at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7ffa306f-bdb1-4e65-b381-f69674700659/Leilani+Derr_Dead+Ends_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Leilani Derr, Dead Ends, 2023, relief print on mulberry paper, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/61074b80-43c6-4a70-b3aa-1d0e01ba238d/Patrick+Casey_Fear+Itself_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Patrick Casey, Fear Itself, 2023, woodcut, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b831a263-176f-482c-8997-5318985b45a1/Tony+Ortega_Text-Mex+1_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Tony Ortega, Text-Mex 2, 2023, hand-colored etching, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ab27a2ec-759a-4723-88e0-11b7d2267e9d/Rick+Griffith_The+Construct_view3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Rick Griffith, The Construct, 2017, installation, on view in the exhibition Pressing for Change at the Center for Visual Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a6c5ee51-7827-4179-a638-0f639f8a57d1/Rick+Griffith_The+First+Laws+of+Afro-Futurism_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Rick Griffith, The First Laws of Afro-Futurism, 2019, installation, on view in the exhibition Pressing for Change at the Center for Visual Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/791dd9a2-2e2d-42cc-a76e-f8a47106c689/Joanne+Lefrak_You+are+a+monsoon_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>Joanne Lefrak, You are a monsoon, 2023, clear glass silkscreened with clear glass and shadow, on view in the 528.0: Regional Juried Printmaking Exhibition at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/76678cd3-0b03-4936-b27a-eb2029137c7e/Joanne+Lefrak_You+are+a+monsoon_one+of+five+panels_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Month of Printmaking 2024 - Make it stand out</image:title>
      <image:caption>One panel in Joanne Lefrak’s You are a monsoon, 2023, clear glass silkscreened with clear glass and shadow. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/revolt-1680-2180-runners-gliders</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ca44f05d-19cd-4a38-a003-d67b8c76f591/ortizinstall1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>An installation view of Virgil Ortiz’s exhibition Revolt 1680/2180: Runners + Gliders at History Colorado. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3bbad887-02d1-4b3d-a974-e1a0f0afcf02/ortiz_runner_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>Virgil Ortiz, Omtua, Runner 1680, 2023, digital image printed on aluminum. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5b780681-4b62-452d-ad50-257e589356c0/ortiz_omtuaglider_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>Virgil Ortiz, Omtua, Glider 2180, 2023, digital image printed on aluminum. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4a9b0445-e164-45fd-a449-f4b93cea86b4/ortiz_entertheportal_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>Virgil Ortiz, Enter the Portal, video projection. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8ca40348-e4e6-428a-aebe-9ec40791630b/puebloanmug_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>Artist unknown, Ancestral Puebloan Mug, 1150-1300, Wilmarth Collection. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/51ed0cb7-7fb1-442d-b84d-52a639639169/ortiz_cochitimono_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>Artist unknown, Cochiti Mono, 1880s-1890s. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3fdc054c-2bca-4076-a7ee-60e1ddb965a3/ortiz_watchman_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>Virgil Ortiz, Mopez, Recon Watchman Series, 2022, high fire clay and glazes. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/66a902cc-8f63-41e8-a9dd-a052ab026c5f/ortiz_popay_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>Virgil Ortiz, Po'pay Onyx, 2021, high fire clay and glazes. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/156fda2b-440f-4788-b65f-8326e7320e8d/ortiz_needle_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>Virgil Ortiz and Theodore Andriese, Portal Needle of Mitz Nopek, 2023, poplar wood, steel, and spray paint. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2cc384b1-d3c8-4dfa-bb44-ac3edba97dbf/ortizcochitimonos_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>Historic ceramic works from the History Colorado collection chosen by Virgil Ortiz to be part of his exhibition Revolt 1680/2180: Runners + Gliders. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/185a754b-acd0-4063-81dd-038c0aa8802f/ortizinstall3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Revolt 1680/2180: Runners + Gliders - Make it stand out</image:title>
      <image:caption>An installation view of Virgil Ortiz’s exhibition Revolt 1680/2180: Runners + Gliders. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/draped-in-velvet</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c0f408fb-b2eb-4ca4-ab38-edefe1c338be/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Draped in Velvet at Memento Mori Gallery in Lakewood. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5fe5cbbf-cdaf-4053-b29b-26ebf67f12d6/Carver_WhiteRosesonVelvet_galleryimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>Roger Carver, White Roses on Velvet, 2024, oil on velvet on panel. Image courtesy of Memento Mori Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ae007019-3d10-42d2-9625-532d86c0f6fc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>Lynon Aksamit, Myrtle the Turtle, 2010, oil on velvet. Image courtesy of Memento Mori Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6d4cf51a-eb7f-4324-8112-03b6f6ac7b70/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>An installation view of Draped in Velvet with Lynon Aksamit’s Myrtle the Turtle on the left . Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f3691ef8-02c6-4f87-8656-180b3cf06dcd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>Carol Cooper, Coming Back, 2015, mixed media. Image courtesy of Memento Mori Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0c2637e5-85cb-4de0-9895-7b526df334d7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>A detail view of the images on black velvet in Carol Cooper’s Coming Back, 2015, mixed media. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a2e09cab-1f7e-429d-aa93-0ec52d8036a9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>Michael La Breche, There Goes Tokyo, 2024, acrylic on velvet. Image courtesy of Memento Mori Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/073511b5-7730-4830-8b5c-de7ea6c7cc67/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>Erica Astbury, Felix, 2024, oil and acrylic on velvet. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7fd9c593-e1c8-4752-a328-d82bf95d85eb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>Jesse Neumann, Wood Nymph (Julia Louis-Dreyfus in Troll), 2024, acrylic on velvet. Image courtesy of Memento Mori Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/12eb589f-e021-4456-8aab-f93d2072ce16/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>Cami Thunder, The Scully Effect, 2024, acrylic paint on faux velvet. Image courtesy of Memento Mori Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cdc3cc20-2e0f-4474-9dcb-9a41309a4287/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>Erin Astbury, Clown of Love, 2024, oil and acrylic on velvet. Image courtesy of Memento Mori Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8da23a71-8e90-405a-862c-7ca41579c517/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Draped in Velvet - Make it stand out</image:title>
      <image:caption>An installation view of Draped in Velvet at Memento Mori Gallery . Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/five</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a08291d-2f96-406f-b35b-329e87ee50c7/Five_installationview10_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Five at Surface Gallery in Colorado Springs. Image by Jes Moran.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cf297c53-46aa-4668-9db6-19a0002aa1ba/Five_Artists_Group_Shot_2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>The five artists in the Five exhibition at Surface Gallery. From left to right: Jes Moran, Tara Kelley-Cruz, Valerie Lloyd, Becca Day, and Diane Reeves. Image courtesy of Jes Moran.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c81ba393-d046-4963-b9cb-600066c962a9/Five_installationview6_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>An installation view of the Five exhibition at Surface Gallery. Image by Jes Moran.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0e056336-35f4-4c4b-a738-99808b52debe/SurfaceGalleryFacade_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>A view of the façade of Surface Gallery. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/940459e0-54f2-48b9-b730-31706341d397/Diane+Reeves_Directly+Behind+It%2C+Half+Way+Up_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Diane Reeves, Directly Behind It, Half Way Up, acrylic and gesso on canvas, 16 x 20 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c26001b-f310-4dbc-ab70-50909606c20f/Dianne+Reeves_Lady+Painter_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Diane Reeves, Lady Painter, acrylic and gesso on canvas, 36 x 48 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/554ca2ed-10f5-4fb9-a36a-3c4d7a9f8107/Becca+Day_In+Memory+of+My+Feelings%2C+18x24+Oil_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Becca Day, In Memory of My Feelings, oil on canvas, 18 x 24 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6fd2a3c3-ed1a-4f57-b72e-86e91d921575/Becca+Day_Beyond%2C+Beyond+36x48+Oil_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Becca Day, Beyond, Beyond, oil on canvas, 36 x 48 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/78ee3457-dbb6-4b7f-8a0e-29acb636ca98/Valerie+Lloyd_Even+on+Mondays_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Valerie Lloyd, Even on Mondays, oil on canvas, 30 x 24 inches. Image courtesy Auric Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/476f6d16-952a-414e-884a-256bbed4be3c/Valerie+Lloyd_A+Rose+by+a+Few+Other+Names_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Valerie Lloyd, A Rose by a Few Other Names, oil on canvas, 36 x 24 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/719439ee-61a5-48d5-9a21-0c1b455e02ef/Valerie+Lloyd_Seattle+Sunshine_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Valerie Lloyd, Seattle Sunshine, oil on canvas, 36 x 24 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c53b77f-2561-4409-8da5-b72a7c40d938/Tara+Kelley-Cruz_earlybird_12x12_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Tara Kelley-Cruz, Early Bird, mixed media on cradled wood panel, 12 x 12 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/062c5d2d-28ce-4c38-99d8-0039d671ad55/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Tara Kelley-Cruz, Meander, mixed media on cradled wood panel, 36 x 36 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9dc0eb00-87ac-40a5-8da5-ad0b3462d694/Tara+Kelley-Cruz_clandestine_48x48_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Tara Kelley-Cruz, Clandestine, mixed media on cradled wood panel, 48 x 48 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/169118eb-6490-4897-acf9-22ccb8228fc5/Tara+Kelley-Cruz_Clandestine_detailview_Image+by+Jose%CC%81+Antonio+Arellano.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>A detail view of Tara Kelley-Cruz's Clandestine. Image by José Antonio Arellano</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/39754993-b3cf-4845-94e8-1dd759ec7bd8/Jes+Moran-FilmStrip_60x48_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Jes Moran, Film Strip, acrylic on sewn canvas, 60 x 48 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/570675f4-3058-4659-bce7-2e1b96881151/Jes+Moran-5-Grab_Your_Shades_16x14_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Jes Moran, Grab Your Shades, acrylic on sewn canvas, 16 x 14 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/41de2a52-42cb-409e-be39-4925d7683a61/Jes+Moran_polaroid_light_leak_1_2_diptych_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>Jes Moran, Light Leak #1 and Light Leak #2, acrylic on sewn canvas, both 48 x 36 inches. Image courtesy of Surface Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/280039d8-c180-416c-9808-03777b85fede/Five_installationview7_ValerieLloyd+work+and+TaraKelleyCruz+work_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Five - Make it stand out</image:title>
      <image:caption>A view of works by Valerie Lloyd and Tara Kelley-Cruz in the exhibition Five. Image by Jes Moran.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/aging-bodies-myths-and-heroines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/721d7e7e-cf81-4717-b69b-aa3580c824c3/1_AgingBodies_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>East Window’s front façade at 4550 Broadway in Boulder, Colorado, with a view of Sherry Wiggins and Luís Filipe Branco’s Death of Cleopatra (after Jean-Baptiste Regnault, 1796-97), 2023, photography/inkjet print on the entry wall. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9bbcee74-94f6-40e0-9adf-d2328b6f24ec/5_AgingBodies_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>An installation view of Aging Bodies, Myths and Heroines at East Window. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d39e0a98-e45b-4804-9b4c-1880d00fce03/16_Stewart_three+works_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>Marissa Nicole Stewart, excerpts from Call Me When You Get Home, 2022, photography/inkjet prints. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3b2bcfd1-eeb0-40c0-9a83-9f76782031e2/17_Stewart_single+work_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>Marissa Nicole Stewart, excerpts from Call Me When You Get Home, 2022, photography/inkjet prints. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/61299135-4518-491d-8929-fc776b2601cc/Will+Wilson_JohnGritts_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>Will Wilson: John Gritts: Cherokee Nation, 2013, archival pigment print from wet plate collodion scan. Image courtesy of East Window.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d5150ded-e42f-41c6-97aa-4937347fa121/11_Cardana_Seewalker_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>Danielle SeeWalker and Carlotta Cardana, Ula and Tim Tyler (left) and Andy Jones (right) from The Red Road Project, 2013-present, inkjet prints. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6fad2c76-5be5-4cd7-b45d-ef5bbd7d41ab/Incontinence+and+diapers%2C+new+friends+after+prostate+surgery.+Discomfort+and+humility%2C+our+best+teachers%2C+2022.+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>Roddy MacIness, Incontinence and diapers after prostate surgery. Discomfort and humility, our best teachers, 2022, archival inkjet photographic print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/48c5a61c-fb26-4886-8f50-2cb5efe92c80/SElf-portrait+with+the+Niepce+Heliograph%2C+2023+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>Roddy MacIness, Self-portrat and Niépce’s Heliograph (oldest photograph still in existence, 2023, archival inkjet photographic print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fe26f99e-903e-48e7-8f94-17e4f499b8e8/001__Donigan+Cumming.+Untitled+%28May+3%2C+1989%29%2C+from+the+series+Pretty+Ribbons%2C+1993+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>Donigan Cumming, Untitled (May 3, 1989), from the series Pretty Ribbons, 1993, archival inkjet print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2b1a3b2f-748f-446c-b4c9-9ffbd175f7a1/002__Donigan+Cumming.+Untitled+%28June+16%2C+1983%29%2C+from+the+series+Reality+and+Motive+in+Documentary+Photography%2C+Part+1%2C+1986+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>Donigan Cumming, Untitled (June 16, 1983), from the series Reality and Motive in Documentary Photography,  Part 1, 1986, archival inkjet print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b1abe0f6-d41f-4e12-80be-ee3139d82239/13_Squire_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>Mitchell Squire, gucci muthaf**ka, 2020, inkjet print. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a32d59b0-d31e-4887-817b-7e9b4ca978f7/9_Hosking_Wiggins_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>James Hosking, Donna Personna (3 excerpts), from the Beautiful by Night series, 2014, archival inkjet print (left) and Sherry Wiggins and Luís Filipe Branco, Cleopatra at the Cafe, 2023, archival inkjet print (right). Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ddf45527-8e87-4d59-9806-8d669e8b2d0a/andreramoswoodard_Eastwindow.jpeg</image:loc>
      <image:title>Reviews Home - Aging Bodies, Myths and Heroines - Make it stand out</image:title>
      <image:caption>André Ramos-Woodard, Guardian (Hartense), from what it’s like to feel., 2023, digital collage and archival inkjet print. Image courtesy of East Window.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/migiwa-orimo-margins</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/694bc2ce-3bd6-4e29-a6c4-e8f3a1013520/margins_install1.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>A view of Migiwa Orimo’s exhibition ]Margins[ at Mariani Gallery at The University of Northern Colorado. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9f907b94-c3c4-4d40-818a-2fc18a821bec/margins_install3.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>A view of Migiwa Orimo’s exhibition ]Margins[. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/be3bb6c8-cde1-42dc-b34b-5df8b9d4f9b6/orimo_notes45.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>Migiwa Orimo, Notes 4:5, 2022, mixed media. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4fae4673-ee51-4adb-bb78-2566877737ea/orimo_notes45_detail.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>A detail view of feathers, notes, texts, and the yellow organza in Migiwa Orimo’s Notes 4:5, 2022, mixed media. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bc72e392-9da0-438f-8e1a-5cbc37b02be1/orimo_whitenoise.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>Migiwa Orimo, Marginalia: White Noise, 2023, fabric, embroidery floss, and vintage postcards. Image by Paloma Jimenez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/20da80b6-b98b-4fa0-a547-104ba03bef40/orimo_whitenoise_detail2.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>A detail view of one of the two panels in Migiwa Orimo’s Marginalia: White Noise, 2023, fabric, embroidery floss, and vintage postcards. Image by Paloma Jimenez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e7ff097-4c00-4f05-a8c9-ab958c957812/orimo_surrogate.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>Migiwa Orimo, Marginalia: Surrogate Writing, 2023, fabrics and embroidery floss. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9941bd81-7b6c-47d3-9881-ce52506d3fd5/orimo_surrogate_DEtail.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>A detail view of the embroidery in Migiwa Orimo’s Marginalia: Surrogate Writing, 2023, fabrics and embroidery floss. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e3601308-81c7-42a5-a025-ffb0e5fb2a98/orimo_daybeforetomorrow_prints+%281%29.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>Migiwa Orimo, The Day Before Tomorrow: Sites and Footprints of ICE Detention Centers, 2019, Sumi ink on pages of a Dictionary of the Underworld, wooden boxes, and painted artificial birds. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af922193-0155-4186-a5a9-ed089fdae8cc/orimo_daybeforetomorrow_printsdetail+%281%29.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>A detail view of an ink drawing in Migiwa Orimo’s The Day Before Tomorrow: Sites and Footprints of ICE Detention Centers, 2019, Sumi ink on pages of a Dictionary of the Underworld, wooden boxes, and painted artificial birds. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2f8d4ee9-7d40-4f6c-80d9-9bfd747ea6e0/orimo_daybeforetomorrow_birddetail.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>A view of the boxes and yellow birds in Migiwa Orimo’s The Day Before Tomorrow: Sites and Footprints of ICE Detention Centers, 2019, Sumi ink on pages of a Dictionary of the Underworld, wooden boxes, and painted artificial birds. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7bc41957-6c14-4bd7-8287-613a3d564e88/orimo_fieldmargins+%281%29.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>Migiwa Orimo, Field Margins, 2023, mixed media. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a058f37e-b23d-4a07-ad22-acdba142a501/orimo_fieldmargins_detail5+%281%29.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>A detail view of Migiwa Orimo’s of Field Margins, 2023, mixed media. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed5412af-77ae-4c3e-8461-3f81f3e8bb6a/marginsinstall2.jpg</image:loc>
      <image:title>Reviews Home - ]MARGINS[ - Make it stand out</image:title>
      <image:caption>A view of Migiwa Orimo’s exhibition ]Margins[. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/artist-profile-yazz-atmore</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/33ad4851-acef-43a0-9bbe-add0d439d2d2/Atmore_AsAboveSoBelow_installationview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Yazz Atmore - Make it stand out</image:title>
      <image:caption>Yazz Atmore, As Above, So Below, 2021, mixed media 2-D and 3-D installation, 10 x 11 feet. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c51534d2-bbf9-4ec6-8595-0ed0b7a01012/Atmore_PortraitOfTheArtist_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Yazz Atmore - Make it stand out</image:title>
      <image:caption>A portrait of the artist Yazz Atmore in her studio at RedLine Contemporary Art Center. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/59a0239c-d6ae-468c-bf0a-c94112a146d0/Atmore_Lilith%27sShadow%281%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Yazz Atmore - Make it stand out</image:title>
      <image:caption>Yazz Atmore, Lilith’s Shadow, 2021, collage, crushed glass, and glitter on wooden panel, 24 x 12 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/568ea0a4-6957-4bd6-8996-f0e29ea76812/Atmore_ZelmaIreneRay_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Yazz Atmore - Make it stand out</image:title>
      <image:caption>Yazz Atmore, Zelma Irene Ray, 2021, collage on wooden panel, 10 x 10 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/edaa83d1-c3b0-47c9-bdd5-417d3aa41d6d/Atmore_MutualButterflies_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Yazz Atmore - Make it stand out</image:title>
      <image:caption>Yazz Atmore, Mutual Butterflies, 2021, collage on wooden panel, 12 x 24 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f4a2bbb-582d-4974-8cc2-a57d4114ac1a/Atmore_Phoenix_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Yazz Atmore - Make it stand out</image:title>
      <image:caption>Yazz Atmore, Phoenix, 2021, collage, crushed glass, glitter, resin, and crystals on wooden panel, 26 x 28 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-crux-of-the-biscuit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ffb995bd-181e-4720-97b5-f7b65dadcd64/Kaplan_InstallationViewWithTheArtist_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>The artist Jonathan Kaplan in Plinth Gallery with his exhibition, The Crux of the Biscuit. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1b586c44-5f85-49ae-86fe-68619762a494/Kaplan_Three+By+Three_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>Jonathan Kaplan, Three By Three, 2023, slip cast whiteware with glaze, 18 x 18 x 2.25 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1bc48621-7f05-4095-aed1-0dd891ff098e/Kaplan_InstallationViewWithROYGBIV_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>An installation view of Jonathan Kaplan's exhibition The Crux of the Biscuit. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2f5a60a9-15ce-4d71-b2e5-42d3ae375e4f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>Jonathan Kaplan, ROYGBIV, 2023, slip cast whiteware with glaze, 48 x 48 x 4 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c95fcb5c-50c6-46d9-b51e-5f28804fda2e/Kaplan_InstallationView2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>A view of works in Jonathan Kaplan's exhibition The Crux of the Biscuit. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/217a5f02-7487-42e1-a69a-6d02fea3e60e/Kaplan_Tall+Vase+with+Birds_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>Jonathan Kaplan, Tall Vase with Birds, 2023, slip cast whiteware with glaze, 24 x 12 x 5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6b53850d-4502-4d57-a27f-7875cee9b1c6/Tall+Vase+with+Birds_detail_Kaplan+Image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>A detail view of Jonathan Kaplan’s Tall Vase with Birds. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1d0052f4-6edb-4b05-831b-33ac111a0516/Kaplan_Vase+with+Triangle+Appendages_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>Johnathan Kaplan, Vase with Triangle Appendages, 2023, slip cast whiteware with glaze, 15 x 12 x 5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a9d40f8c-dcaf-4e28-be98-9edb7dc5e274/Teapot+Quintet_KaplanImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>Johnathan Kaplan, Teapot Quintet, 2023, slip cast whiteware with glaze, 24 x 9 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/870c32cf-aba1-469e-bb06-c92f0d8fbb83/Kaplan_Teapot_handleview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>A detail view of the colorful marks and circular handle on Jonathan Kaplan’s Teapot, 2023, slip cast whiteware with glaze, 9 x 9 x 6 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/24f943f3-e83e-456e-ba67-ab88be7a0ce2/Kaplan_Pink+Teapot_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>Johnathan Kaplan, Pink Teapot, 2023, slip cast whiteware with glaze, 15 x 10 x 6 inches. Image by DARIA.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b82feb29-e779-4fad-9ec1-ecf2a309dad1/Kaplan_ConstructedVase_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Crux of the Biscuit - Make it stand out</image:title>
      <image:caption>Johnathan Kaplan, Constructed Vase, 2023, slip cast whiteware with glaze, 18 x 9 x 6 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/arte-mestiza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1da946f9-f2c0-479e-a85f-8d6b73537bf3/MartinezRepaintingIndigenousMother_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>Emanuel Martinez restoring the 1986 mural Arte Mestiza in 2023 at the Colorado Springs Fine Arts Center. Image by Gray Warrior, courtesy of the Colorado Springs Fine Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/60a5e6d0-e701-4b70-8fee-647182a04c62/trabajadores-y-su-regreso-altrabajo.jpeg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>José Clemente Orozco, The Workers, 1926, Fresco, Antiguo Colegio de San Ildefonso, Mexico City. Image courtesy of Antiguo Colegio de San Ildefonso.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c47eea9b-0827-47aa-ae48-af9cf45dfb90/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>Two sections of Emanuel Martinez’s Arte Mestiza, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by John Mortland, courtesy of the Colorado Springs Fine Arts Center. On the right: a depiction of the profile of a woman from José Clemente Orozco’s mural The Workers (1926).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/11725140-3b4b-4f96-8885-268b8f27b9da/Arte+Mestiza_Mestiza+daughter_Indigenous+mother_European+father_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza depicting the Mestiza daughter, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by John Mortland, courtesy of the Colorado Springs Fine Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a9676f62-a724-4559-b0ee-05ed06ee9c21/JA+image_Vel%C3%A1zquez_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A section of Emanuel Martinez’s Arte Mestiza depicting Diego Velázquez’s The Lady with a Fan (c. 1640), 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/06fdc5f7-ff04-4f6f-9e20-dd3c1fcf6b56/JA+image_El+Greco_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A section of Emanuel Martinez’s Arte Mestiza depicting El Greco’s St. Francis in Ecstasy (17th century), 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/17ab43cd-22c5-45c8-9041-01da611775cf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A detail view of the Mestiza daughter in Emanuel Martinez’s Arte Mestiza mural, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/78d5bb9c-66b9-49d8-9ba7-29d985fe9faf/JA+image_Picasso_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza depicting Pablo Picasso’s The Sailor (1934), 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/471f14c9-b157-4dac-a7e7-ce0cfa43ac7c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A section of Emanuel Martinez’s Arte Mestiza depicting a Santero, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/08304249-a06f-4970-bdd6-4249d7b39849/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza depicting a Navajo blanket and ceramic pot, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9e6de2ce-44fe-4c9b-ab90-b4b4759d3b7a/Arte+Mestiza_MayanFigure_VirginMary_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza depicting a Mayan figure and the Virgen de Guadalupe, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by John Mortland, courtesy of the Colorado Springs Fine Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/02a1cc66-f370-49e5-bec9-d1057ce8f019/JA+image_Virgin+and+Arch_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza depicting the Virgen de Guadalupe, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46a6c0c4-b802-4361-85b0-7e4903877294/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza depicting Death in the style of José Guadalupe Posada. Image by John Mortland, courtesy of the Colorado Springs Fine Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a4a49ddb-0a44-4d15-b2cc-307f51b6cddf/Arte+Mestiza_SkeletonHorseAndRider_WomanWithHeadScarf_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>The sections of Emanuel Martinez’s Arte Mestiza that pay homage to works by José Guadalupe Posada and José Clemente Orozco, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by John Mortland, courtesy of the Colorado Springs Fine Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ab85c0fa-2a30-4437-85ed-2f00fc492be0/JA+image_Figure+Grinding+Maize_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza depicting Diego Rivera’s La Molendera (1924), 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a07194c3-649b-4d98-80a7-1d2f5a86f637/JA+image_Figure+In+Chains_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza depicting David Alfaro Siqueiros’ New Democracy (1945), 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2fbe5adf-31c2-483a-a5cf-a8f4cceb5d31/JA+image_Tamayo_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza depicting Rufino Tamayo’s America (1955), 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b6515329-9510-4ca1-9c7b-d656c95f0cf9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>Rufino Tamayo, America, 1955, vinylite and sand on canvas, 13 feet 2 inches x 45 feet 10 inches. Image courtesy of WikiArt.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46e934bd-6699-4d05-ac7a-1bb791f56b72/JA+image_wallview_MotherMestizaFather_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A portion of Emanuel Martinez’s Arte Mestiza, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/63890019-e8cf-4c31-aacb-cb3606335bd0/MartinezRepaintingStatueImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>Emanuel Martinez restoring the 1986 mural Arte Mestiza in 2023 at the Colorado Springs Fine Arts Center. Image by John Mortland, courtesy of the Colorado Springs Fine Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/494d2f98-bbc0-48b3-ae00-7cecc59c679c/JA+image_wallview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Arte Mestiza - Make it stand out</image:title>
      <image:caption>A view of one of the walls of Emanuel Martinez’s Arte Mestiza, 1986/2023, acrylic and oil on concrete, 200 x 10 feet. Image by José Antonio Arellano.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/orisons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9eb2aa48-2c2c-468a-911c-f6b51dacef0a/13.Sandhill+Crane+Songs+in+Orisons.+Image+by+Madeleine+Boyson.150dpi.jpg</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>Marguerite Humeau, Sandhill Crane Songs in Orisons, 2023-2025, wind and zinc-passivated recycled steel. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5cb572f-4432-445d-9442-57af4e1134ad/Orisons_Sandhill+CraneSongers_distanceview_BlackCubeImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>Marguerite Humeau, Sandhill Crane Song in Orisons, 2023-2025, wind and zinc-passivated recycled steel. Image courtesy of the artist and Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/86d6e4ac-28e9-4b7d-93dd-d9cb954304e7/Orisons-map_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>A map of Marguerite Humeau’s Orisons, 2023-2025, curated and produced by Black Cube, A Nomadic Art Museum. Image courtesy of the artist and Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/439dd628-4470-4ce8-a505-fb019b28caf6/10.+Horseweed+Pendulum+in+Orisons.+Image+by+Madeleine+Boyson.+150dpi.jpg</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>Marguerite Humeau, Horseweed Pendulum in Orisons, 2023-2025, wind, zinc-passivated recycled steel, hand-carved hardwood, stoneware, and luster glaze. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/10df8ad7-c8ec-497d-bedd-bb8c44fbc7a6/5VIE%7E4GZ.JPG</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>A view of Ronald Rael’s adobe bricks under Flying Rain Sandhill Crane in Marguerite Humeau’s Orisons, 2023-2025, recycled steel, hand-woven rope, rye straw, dried flowers, hardwood, horsehair, water stone, stoneware, luster glaze, and lying humans. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6fc2be35-9dfc-4aa8-b0b5-9bc8cb799b3e/Orisons_Flying+Rain+Sandhill+Crane_detail2_BlackCubeImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>A detail view of Flying Rain Sandhill Crane in Marguerite Humeau’s Orisons, 2023-2025, recycled steel, hand-woven rope, rye straw, dried flowers, hardwood, horsehair, water stone, stoneware, luster glaze, and lying humans. Image courtesy of the artist and Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6da72548-bb48-40ab-ae58-b6194dd54910/Orisons_Spurge+Dance_BlackCubeImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>Marguerite Humeau, Spurge Dance in Orisons, 2023-2025, wind, zinc-passivated recycled steel, hand-carved hardwood, stoneware, and luster glaze. Image courtesy of the artist and Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/499d92be-3042-4663-b12f-ab7e3ae92b45/1.+A+burial+mound+with+adobe+bricks+by+Ronald+Rael+on+Marguerite+Humeau%27s+ORISONS%2C+2023-2025.+Image+by+Madeleine+Boyson.150dpi.jpg</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>A burial mound in Marguerite Humeau’s Orisons, 2023-2025, adobe bricks by Ronald Rael. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6ad13328-399d-4f49-815f-d0b749b1e659/Orisons_Sandhill+Crane+Songs_detail_BlackCubeImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>A detail view of Sandhill Crane Song in Marguerite Humeau’s Orisons, 2023-2025, wind and zinc-passivated recycled steel. Image courtesy of the artist and Black Cube Nomadic Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8dd703a2-0c3a-40aa-b3d4-2896bdb3287e/11.Russian+Thistle+Spin+in+Orisons.+Image+by+Madeleine+Boyson.150dpi.jpg</image:loc>
      <image:title>Reviews Home - Orisons - Make it stand out</image:title>
      <image:caption>Marguerite Humeau, Russian Thistle Spin in Orisons, 2023-2025, wind, zinc-passivated recycled steel, glass, and hand-carved hardwood. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/modern-love</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a652dd69-f355-4abe-9814-2d40bb198278/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Modern Love - Make it stand out</image:title>
      <image:caption>An installation view of Frank Martinez’s exhibition Modern Love at Space Gallery in Denver. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9b1e7e1-9f09-448d-906d-182b70a91581/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Modern Love - Make it stand out</image:title>
      <image:caption>Frank Martinez, Untitled 9-24, acrylic on canvas, 96 x 72 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9238ee0c-790a-4ece-88c4-1d44a11ce94a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Modern Love - Make it stand out</image:title>
      <image:caption>Frank Martinez, Untitled 11-19, acrylic on canvas, 72 x 60 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4337752f-6d65-4c91-b967-1e7852ab9753/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Modern Love - Make it stand out</image:title>
      <image:caption>Frank Martinez, Untitled 11-7, acrylic on canvas, 36 x 30 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6698755f-b65d-4703-abfb-2dc2d5544dd0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Modern Love - Make it stand out</image:title>
      <image:caption>A view of works by Frank Martinez on the black walls at Space Gallery. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5eb55d76-8157-47a6-b417-83ac42592215/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Modern Love - Make it stand out</image:title>
      <image:caption>Frank Martinez, Untitled 11-1, acrylic on canvas, 11 x 14 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ec9a88c2-2edf-48d9-a997-1300ba93b69a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Modern Love - Make it stand out</image:title>
      <image:caption>Frank Martinez, Untitled 11-10, acrylic on canvas, 16 x 12 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c11f10d-d4a4-452a-a466-4dbe91026f3f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Modern Love - Make it stand out</image:title>
      <image:caption>Frank Martinez, Untitled 11-9, acrylic on canvas, 16 x 12 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c2fb089f-760e-41af-8106-6092e0c33029/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Modern Love - Make it stand out</image:title>
      <image:caption>An view of Frank Martinez’s exhibition Modern Love. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/thoughtful-intuition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fe704df9-dcc7-476d-9f56-2c3ce6b6431c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Thoughtful Intuition - Make it stand out</image:title>
      <image:caption>An installation view of Taiko Chandler’s solo exhibition Thoughtful Intuition at the Littleton Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1d79f301-380e-4a8e-8999-4fc67222f2a3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Thoughtful Intuition - Make it stand out</image:title>
      <image:caption>Taiko Chandler, Out of the Blue, 2021, cyanotype on kozo paper, 84 x 60 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b5c0fc51-9b13-4b2e-8c69-263290e2673c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Thoughtful Intuition - Make it stand out</image:title>
      <image:caption>Taiko Chandler, Exploring the Depths #2, 2020, acrylic paint on wood panel, 36 x 24 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d18c3cc8-1e3d-4dfe-8a47-81e1d17d67b0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Thoughtful Intuition - Make it stand out</image:title>
      <image:caption>Taiko Chandler, Exploring the Depths #1, 2020, acrylic paint on wood panel, 36 x 24 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/caeae018-5096-402d-8516-ee3ba09d43db/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Thoughtful Intuition - Make it stand out</image:title>
      <image:caption>Taiko Chandler, Chain Reaction, 2023, washers and wire. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d8238afe-81fd-46dc-8851-ae2bd2d25119/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Thoughtful Intuition - Make it stand out</image:title>
      <image:caption>Taiko Chandler, One By One #2, 2021, discarded rubber traffic delineator base and dressmaker pins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1fa50d2e-1299-4ab2-8e19-dec791a765c9/Chandler_PraticeMakesPerfect_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thoughtful Intuition - Make it stand out</image:title>
      <image:caption>Taiko Chandler, Practice Makes Perfect, 2023, tyvek (monotype) and paper (discarded calligraphy by the artist’s mother), dimensions variable. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/56138fb8-5261-4790-af40-e40b61565077/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Thoughtful Intuition - Make it stand out</image:title>
      <image:caption>Taiko Chandler, On and On #124, #136, and #93, 2023, 2023, and 2020, monoprint diptych with stencils, 43 x 30.5 inches, 49.4 x 33.25 inches, and 43 x 30.5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/01fbfdaa-0041-4a2d-9e70-7275ef625572/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Thoughtful Intuition - Make it stand out</image:title>
      <image:caption>A view of Thoughtful Intuition at the Littleton Museum. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/agriculture-art-inspired-by-the-land</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/573cca63-5e57-4dd4-8fd2-87663af0a002/Margarita+Cabrera_CARE+Longmont+Feast+and+Dialogue_view2_Blackwell+Image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - agriCULTURE: Art Inspired by the Land - Make it stand out</image:title>
      <image:caption>Margarita Cabrera, CARE Longmont: Feast and Dialogue, 2023, clay, slip, and wood. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e145363a-e48b-4198-98f6-d107588fe4da/Margarita+Cabrera_CARE+Longmont+Feast+and+Dialogue_detail3_Blackwell+Image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - agriCULTURE: Art Inspired by the Land - Make it stand out</image:title>
      <image:caption>A detail view of Margarita Cabrera’s CARE Longmont: Feast and Dialogue, 2023, clay, slip, and wood. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aa36d1ec-ccda-4b5a-8abd-4645c9043d93/Patrick+Marold_CornstalkScreen_artist+image2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - agriCULTURE: Art Inspired by the Land - Make it stand out</image:title>
      <image:caption>Patrick Marold, Cornstalk Screen (the scale of consumption), 2023, cornstalks and toothpicks. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e33b27e-675a-42d1-9ce2-b0e814af0756/Sam+Van+Aken_cyanotypes_Blackwell+Image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - agriCULTURE: Art Inspired by the Land - Make it stand out</image:title>
      <image:caption>Sam Van Aken, Tree of 40 Fruit: The Boulder Trees, 2023, cyanotypes of fruit tree varieties. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/497f0939-c861-4c35-8dad-5b45bc7804a8/IMG_6223+%281%29.jpg</image:loc>
      <image:title>Reviews Home - agriCULTURE: Art Inspired by the Land - Make it stand out</image:title>
      <image:caption>An example specimen from Sam Van Aken’s project Tree of 40 Fruit: The Boulder Trees, 2023, grafted fruit trees. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c971d2a-ada0-4864-80c3-7a4a380bc78f/Sam+Van+Aken_Tree+of+40+Fruit_closeup+of+466+King+David+variety+marker_Blackwell+Image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - agriCULTURE: Art Inspired by the Land - Make it stand out</image:title>
      <image:caption>The identifying “King David” tag on a tree from Sam Van Aken’s project Tree of 40 Fruit: The Boulder Trees, 2023, grafted fruit trees. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1085eadb-407a-4ad5-925a-97fa1b60c491/IMG_6164+%281%29.jpg</image:loc>
      <image:title>Reviews Home - agriCULTURE: Art Inspired by the Land - Make it stand out</image:title>
      <image:caption>A view of the exhibition AgriCULTURE: Art Inspired by the Land at Longmont Museum. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cad8d25e-873a-46a2-aa67-7b7510e6c7ee/PatrickMarold_Cornstalk+Screen_2023-Longmont+Museum+Image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - agriCULTURE: Art Inspired by the Land - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition agriCULTURE with Patrick Marold’s Cornstalk Screen (the scale of consumption) in the foreground on the left. Image courtesy of Longmont Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/cu-faculty-exhibition-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/63bd9413-d87a-425d-9709-1afbac5cc62e/FacultyExhibition2023_installationview3_MagyarImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>An installation view of the Faculty Exhibition: 2023 at the CU Art Museum. Image by Wes Magyar, © CU Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/00ae74ff-9a9b-4841-83b3-c8607186e2e3/Gregorio_Pasok+Na_view2_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>Alvin Pagdanganan Gregorio, Pasok Na, 2023, mixed media site-specific wall painting. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d2a1cc59-73d8-4196-a817-5af353a89780/Tsouhlarakis_installationview_GWImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>An installation view of Anna Tsouhlarakis’ Drawing I, Drawing II, Drawing V, Drawing VI, 2020, fire and ash on paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/948e2cf9-bd82-4eeb-9b0b-2b36a48611ab/Tsouhlarakis_Drawing_1_artistimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>Anna Tsouhlarakis, Drawing III (Burned propaganda used for Native American relocation and assimilation, marks not evenly dispersed), 2020, fire and ash on paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0f6ae01c-731a-41bb-a346-31dee46b0b25/Theodore_The+Garden_installationview_GucwaImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>Michael Theodore, Why Four? (painting), Tang’s Song (sound), Artist Statement (text and drawings), 2023, acrylic on canvas, text, ink on paper, and sound. Image by Clarissa Gucwa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1777dd6b-1dc2-41d7-bd7b-7f4e1df557e8/Theodore_The+Garden_detailview1_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>Michael Theodore, Tang’s Song (sound) and Artist Statement (text and drawings), 2023, text, ink on paper, and sound. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6ae2a4e4-f82b-4f65-b3e9-0792bcb2ecae/Russo_incubo_fullview2_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>Martha Russo, incubo, 2020-2023, Buddha’s hand, cactus buds, glass, glaze materials, Egyptian paste, Karo syrup, low-fire casting slip, metal, paper clay, Petri dishes, porcelain, porcelain casting slip, protea, Pyrex, roofing nails, rug, shellac, and underglaze. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1aaa6798-1f42-4ccd-b732-016fd66dda6d/Russo_incubo_detailview6_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>A detail view of Martha Russo’s incubo, 2020-2023, Buddha’s hand, cactus buds, glass, glaze materials, Egyptian paste, Karo syrup, low-fire casting slip, metal, paper clay, Petri dishes, porcelain, porcelain casting slip, protea, Pyrex, roofing nails, rug, shellac, and underglaze. Image by Clarissa Gucwa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/05a0e77f-6103-46d1-90b7-7e7b14710986/Yazzie_rebuilding_fullview_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>Melanie Yazzie, rebuilding, 2023, mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/70689ac2-f50f-464f-aff4-9ccb46bc8dc9/Yazzie_rebuilding_detailview3_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>A detail view of Melanie Yazzie’s rebuilding, 2023, mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0527fc8d-c715-475d-a4c9-72ae4a3b7d6a/FacultyExhibition2023_installationview1_MagyarImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Faculty Exhibition: 2023 - Make it stand out</image:title>
      <image:caption>An installation view of the Faculty Exhibition: 2023 at the CU art Museum. Image by Wes Magyar, © CU Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/community-cloth-culture-cloth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/92fee255-ece9-4493-b347-b2597c2f96fd/CommunityCloth_installationview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>An installation of the group exhibition Community Cloth at the McNichols Building in downtown Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f6ce1b3-1020-4686-975d-5dcc2e6be8a8/VictoriaVillasana_2worksandbio_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>Two works by Victoria Villasana, left: Metamorphosis, 2022, yarn on canvas print of vintage photograph; right: Red Panther, Cheyenne Scott, Distinguished Warrior, 2023, yarn on canvas print of Latin A. Huffman’s photograph from 1879. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/45cb8c3f-4d17-473e-a6f6-d2d5059b703e/VictoriaVillasana_purpleworkdetail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>A detail view of Victoria Villasana’s Purple Haze, 2020, yarn on canvas print of vintage photograph. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cb331fd0-64d7-4e84-8ed3-a2c3ac07f851/Liv+Aanrud_1work2faces1butterfly_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>Liv Aanrud, Whirl Girl, 2022, tufted yarn on monkscloth. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c8e2031-b504-4d44-b266-b2691175af99/Liv+Aanrud_1work2faces_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>Liv Aanrud, Mirror Mirror, 2020, flannel and burlap. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a0408443-6cd1-4723-91f7-6cbb0bb4cae3/Rachel+Wellisch_EnfoldedLandscape2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>Rachael Wellisch, Enfolded Landscape #2, 2023, digital print of indigo-dyed, salvaged textiles. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dccad959-f86c-4414-9a90-827e3249ed92/RACH%7EYZW.JPG</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>Rachael Wellisch, Softest hard #2, 2022, handmade paper, from indigo-dyed salvaged textiles. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0d26847b-5eb6-4e9f-9fe8-db7f78b5af9f/Dante+Biss-Grayson_redgarmentcloseup_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>Dante Biss-Grayson, Red Dress from the Sky-Eagle Collection. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f8c17ba-7682-4a05-915e-16451b027f24/RachaelLevine_1garmentdetail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>A detail view of Rachael Levine’s Isla Button Down Duster, Shibori-dyed silk chiffon. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4bc74117-fe84-4b29-9219-2c1609e41998/MelanieWalker_installationview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>Melanie Walker, Ghost Forest, 2020, installation of dye sublimation on fabric. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e656c663-a792-4292-9228-7c95677215e1/MelanieWalker_detailview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>A detail view of Melanie Walker’s Ghost Forest, 2020, installation of dye sublimation on fabric. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b4baa5fd-454e-4c43-b3ec-ad10af2b363d/TurkiskRugs_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>A Turkish sheep-skin coat and rugs in the Community Cloth exhibition at the McNichols Building. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5d6ced0-c1c4-4c61-8558-6e729faf57fc/PaulRamsey_installation_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>Paul Ramsey’s Marbled Media I, 2023, marbled paper and silk, in the Community Cloth exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f0f6b925-0714-4977-8541-fc3538514420/C</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>A view of the entryway in the Culture Cloth exhibition at the McNichols Building. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b4313696-1e13-4634-a4ad-d08bfeb4c325/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Community Cloth | Culture Cloth - Make it stand out</image:title>
      <image:caption>An installation view of the Culture Cloth exhibition at the McNichols Building. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/silsila</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/637ba3c5-aa75-44be-9561-20775b831bb6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>An installation view of Sama Alshaibi's exhibition Silsila at the Hatton Gallery at Colorado State University in Fort Collins. Image by Clare Gucwa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8991f9c2-51cd-4559-9d63-23c0d7a1c133/Alshaibi_Silsila_Link_2013_C4FAP+Image_150dpi.png</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>Sama Alshaibi, Silsila (Link), 2014, digital archival print, 44 x 32 inches. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/483409d0-e00e-4f0d-82ab-b0565db5169e/Alshaibi_Fa%CC%84tnis+al-Jazi%CC%84rah_Fantasy+Island_2014_C4FAP+Image_150dpi.png</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>Sama Alshaibi, Fātnis al-Jazīrah (Fantasy Island), 2014, digital archival print, 44 x 32 inches. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/244ceb7a-2bba-4502-9769-5c3b2818f6f4/Alshaibi_Birket%2BSiwa%2B%28Siwa%2BLake%29_C4FAP+Image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>Sama Alshaibi, Birket Siwa (Siwa Lake), 2014, digital archival print, 44 x 32 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/634c95e2-4639-44ad-9144-8d0b8ecc907d/Alshaibi_Noor_Illumination_GucwaImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>Sama Alshaibi, Noor (Illumination), 2013, single-channel digital video with audio, 6 minutes 16 seconds. Image by Clare Gucwa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cfa5c30c-8e12-4cfd-8f57-573a7e4858dd/Alshaibi_Iihya_Revival_installation+view_GucwaImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>An installation view of Sama Alshaibi's Iihya’ (Revival), 2023, single-channel digital video with audio, 12 minutes 19 seconds. Image by Clare Gucwa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f83f4b23-70ea-4279-8387-8f36c5105a68/Alshaibi_Iihya_Revival_still+image_C4FAP+Image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>A still from Sama Alshaibi's Iihya’ (Revival), 2023, single-channel digital video with audio, 12 minutes 19 seconds. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/40d6216f-730b-4b24-b8fe-8fea29bd5049/Alshaibi_Jarasun+Yaqra%CA%BF+li-l-Mawt_Death+knell_2010_C4FAP+Image_150dpi.png</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>Sama Alshaibi, Jarasun Yaqra’ Ii-I-Mawt (Death Knell), 2010, digital archival print, 44 x 32 inches. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/262c8952-47a2-4865-af20-fa847fae3979/Alshaibi_Ta%CA%BEshi%CC%84r_Marking_2010_C4FAP+Image_150dpi.png</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>Sama Alshaibi, Ta’shīr (Marking), 2010, digital archival print, 44 x 32 inches. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1d112bb-92fa-4353-9be1-5351527035ac/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Silsila - Make it stand out</image:title>
      <image:caption>Three works by Sama Alshaibi in herexhibition Silsila at the Hatton Gallery. Image by Clare Gucwa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/caesura</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2ec93be2-555a-48df-9cb6-53b08320f9cf/Russo_phaseshift_wattling_outside_295_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A view of Martha Russo’s installation phase shift (wattling) at the Ent Center for the Arts, 2023, shredded aspen tree wattles, plastic netting, biodegradable cloth netting, metal plates, and rebar. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d59a88df-f466-4291-b117-6f9cf241694f/Russo_phaseshift_wattling_inside_100_June+15%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A view of Martha Russo’s installation phase shift (wattling) at the Ent Center for the Arts, 2023, shredded aspen tree wattles, plastic netting, biodegradable cloth netting, metal plates, and rebar. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ca23c0e9-6eab-459b-9634-cafa1759cfea/Russo_phaseshift_wattling_inside_50_June+15%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A detail view of Martha Russo’s installation phase shift (wattling) at the Ent Center for the Arts, 2023, shredded aspen tree wattles, plastic netting, biodegradable cloth netting, metal plates, and rebar. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/656ec13c-ee59-4d66-97c0-6f6ad30bbc47/Russo_phaseshift_wattling_inside_263_June+15%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A ledge view of Martha Russo’s installation phase shift (wattling) at the Ent Center for the Arts, 2023, shredded aspen tree wattles, plastic netting, biodegradable cloth netting, metal plates, and rebar. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ebee3631-7240-4193-a1dd-d98bd6d21346/Russo_titlewall_phaseshift_wattling_01_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A view of the title wall of Martha Russo’s exhibition caesura at the Marie Walsh Sharpe Gallery of Contemporary Art, along with parts of the installation phase shift (wattling). Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/473104e5-e9db-4278-a935-a0e2b8849510/Russo_pensum_51_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A view of Martha Russo’s series pensum, 2023, acrylic and hardware, 51 x 62 x 16 inches each. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0c972a0b-4fa1-4cf9-b580-f4a51293bfee/Russo_lacuna_113_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A view of Martha Russo’s lacuna, 2023, porcelain, paperclay, metal, wood, polyethylene foam, tracing paper, adhesives, epoxy, and hardware, 24 x 7 x 12 feet. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af549c9d-924f-42bb-9bec-b0b25dad20a7/Russo_lacuna_detail_150_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A detail view of Martha Russo’s lacuna, 2023, porcelain, paperclay, metal, wood, polyethylene foam, tracing paper, adhesives, epoxy, and hardware, 24 x 7 x 12 feet. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b39dabe9-5484-4d5f-851d-59bfba5a9cd3/Russo_incubo_246_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A view of Martha Russo’s incubo, 2023, glass, porcelain, paperclay, metal, glaze materials, and mixed media, 24 x 10 x 3 feet. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bb555d6a-ac39-41f4-bef0-2835a35aef26/Russo_incubo_220_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A detail view of Martha Russo’s incubo, 2023, glass, porcelain, paperclay, metal, glaze materials, and mixed media, 24 x 10 x 3 feet. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/98759c58-fe47-4fef-b454-e86e79303f79/Russo_chute_229_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A view of Martha Russo’s chute, 2016, porcelain, porcelain casting slip, aluminum, paper clay, pine needles, string, rope, kitchen sponges, plastic mesh fruit bags, pinecones, potato, and wire, 156 x 9 x 24 inches. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/51644bd1-0be7-4714-90c4-7894ccfc04d2/Russo_chute_detail_241_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A detail view of Martha Russo’s chute, 2016, porcelain, porcelain casting slip, aluminum, paper clay, pine needles, string, rope, kitchen sponges, plastic mesh fruit bags, pinecones, potato, and wire, 156 x 9 x 24 inches. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46789077-f1de-49ae-9a4a-81789d4dce6c/Russo_installationview_lacuna_252_August+07%2C+2023.jpg</image:loc>
      <image:title>Reviews Home - caesura - Make it stand out</image:title>
      <image:caption>A view of Martha Russo’s exhibition caesura at Marie Walsh Sharpe Gallery of Contemporary Art at the Ent Center for the Arts. Image by Wes Magyar, courtesy of GOCA at UCCS.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/a-mi-manera-latitude-37-art-of-southern-colorado-colcha-embroidery-of-the-san-luis-valley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6585bd65-ec3c-490a-9b98-c509683e2a82/Lobato_installationview3_with_sculptures_MagyarImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>An installation view of Emilio Lobato’s exhibition A Mi Manera: A 40-Year Survey at the Arvada Center for the Arts and Humanities. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a895e428-8aac-46fc-8acd-cb51d297e13c/Lobato_Snowflake_Europa_Adrastea_Io_MaygarImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>Four works by Emilio Lobato: (from left to right) Snowflake, 2023, rubber on panel; Europa, Adrastea, and Io, all 2022, rubber and nails. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/86a4dc19-f017-43e4-918b-6341022cec9c/Lobato_LightYears_8incheswide150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>Emilio Lobato, Años Levianos (Light Years), 2018, oil and collage on panel. Image courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/93d9b695-affb-4678-b148-149902f11b26/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>Emilio Lobato, Io, 2022, rubber and nails. Image courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0df0bfdc-4f49-49c8-8962-301c7c43777e/Lobato%2C+Make-Do_ArvadaImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>Emilio Lobato, Make Do, 2021, porcelain and wire. Image courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5849dbf5-c74a-4c16-8fa1-281d5e126aea/Latitude37_installationview1_MagyarImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>An installation view of Latitude 37º at the Arvada Center for the Arts and Humanities. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/336b2a54-6377-492c-88b2-57c438f37f04/Annette+Troncoso+Back+in+the+Fields+Oil+on+canvas+2021_GWimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>Annette Troncoso, Back in the Fields, 2021, oil on canvas. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bb1e1d9c-a87d-4292-8128-12c254528dfe/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>Eric Havelock Bailie, From Abandoned I and II, 2021-22, archival inkjet prints. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6b4be311-86b1-41e8-b02f-830998abbebc/Colcha_installationview6_MagyarImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>An installation view of Colcha Embroidery of the San Luis Valley. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0aa3062d-0719-4010-a095-1378f6500836/Martinez%2C+An+Elk+for+Frank_ArvadaImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>Lydia Martinez, An Elk for Frank, 1984, wool on cotton. Image courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4824a8e7-e0b6-49c8-ac79-12b86ca863f8/Lobato%2C+Penitentes_ArvadaImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>Josephine Lobato, Los Penitentes, 1991, wool on cotton. Image courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6c53c740-208c-4aba-845d-7fea734072c1/Lobato+Crespin%2C+Mis+Lobatos+Ante+Pasados_ArvadaCenterImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - A Mi Manera | Latitude 37°: Art of Southern Colorado | Colcha Embroidery of the San Luis Valley - Make it stand out</image:title>
      <image:caption>A detail view of Rita Lobato Crespin’s Mis Lobato's Ante Pasados, 2020-21, wool on cotton. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/reflections-on-amache</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c7770323-803c-4cf4-ae53-06806f682ccc/ReflectionsOnAmache_installationview1_MGBernardimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections on Amache - Make it stand out</image:title>
      <image:caption>An installation view of Sarah Fukami’s exhibition Reflections on Amache at Parker Arts, Culture &amp; Events Center. Image by MG Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9a3c1167-b6e5-468d-bca5-b6a6bc5c7f04/Fukami_3lightboxworks_MGimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections on Amache - Make it stand out</image:title>
      <image:caption>Three works by Sarah Fukami: (from left to right) Prisoners of War, We Want Rubber, and No Japanese Labor, photo plate lithography, screen printing, and laser cutting on paper mounted on lightbox. Image by MG Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/080b7373-5d5f-4cff-aea0-99fff1054103/granada-II_FukamiImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections on Amache - Make it stand out</image:title>
      <image:caption>Sarah Fukami, 08 (Granada) II, 2023, acrylic and laser cutting on Plexiglas®, 18 x 24 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2343c83b-841d-460a-9923-5ff8718fb011/takayuki-tashima_FukamiImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections on Amache - Make it stand out</image:title>
      <image:caption>Sarah Fukami, 24133C (Tashima Takayuki), 2023, acrylic and laser cutting on Plexiglas®, 28 x 24 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7e5b863f-90a4-4a11-ad7a-269c2c4c1f96/kay-fukuda-IV_FukamiImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections on Amache - Make it stand out</image:title>
      <image:caption>Sarah Fukami, 03773D (Fukuda Kay) IV, 2017, photo plate lithography, screen printing, and laser cutting on paper, 18 x 24 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e01703cd-4bc5-4263-880d-2a6e07f52efb/Fukami_09061D+%28Hirata+Yuichi%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections on Amache - Make it stand out</image:title>
      <image:caption>Sarah Fukami, 09061D (Hirata Yuichi), acrylic and laser cutting on Plexiglas®. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fd9f8de1-4aa4-4177-9ddb-2d125d592281/manzanar-II_FukamiImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections on Amache - Make it stand out</image:title>
      <image:caption>Sarah Fukami, 01 (Manzanar) II, 2023, acrylic and laser cutting on paper, 13 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9cacf605-44ee-4fb8-b4f0-c7f35be1de92/wakeme_FukamiImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections on Amache - Make it stand out</image:title>
      <image:caption>Sarah Fukami, Wakeme (Partition), acrylic, screen printing, and laser cutting on Plexiglas®, 27 x 72 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/530cd177-61a3-4dcf-a74f-67df6bee4dda/Fukami_installation_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections on Amache - Make it stand out</image:title>
      <image:caption>Sarah Fukami, 01 (Manzanar), 2023, acrylic and laser cutting on Plexiglas®, 60 x 72 x 98 inches. Image by MG Bernard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/its-a-wrap-/-ifeel-monsters-/-giving-voice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e854ee5a-7fee-42ba-954b-ca36f30524d3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>An installation view of the It’s A Wrap exhibition at Access Gallery featuring works by DILLPhoenix, Heather H., Jareth J. Charles, and Skylar K. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/672113ef-40f2-48e1-ac9d-45f34e8b6693/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>A view of a tree wrapped sculpture in the It’s A Wrap exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0b348c76-3210-4faa-ae4e-884d6ab420dd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>An installation on a column in the It’s A Wrap exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af253c07-74e0-46c2-b81c-ff6808e2ca69/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>A three-pronged wrapped sculpture installed on a blue felt puddle. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8a8e7624-0782-41c9-a4de-607f2806b271/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>A wrapped sculpture in primary colors installed on a blue felt puddle. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cdc5e48d-a259-4836-94c1-f994bdaffa5b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>A detail view of a blue and orange work in the It’s A Wrap exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/70f4ceb4-f334-44b6-a762-b17c50a78f57/ItsAWrap_RedPiece_closeup_150dpi.jpg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>A detail view of a red and yellow work in the It’s A Wrap exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/45486a6b-9d07-4082-bc60-061dbc84afd4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>A yellow work made with patterned cotton fabric, velvet, and yarn. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a4b049e1-662c-4eff-aa1a-c04325133c7c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>A detail view of monster sculptures made by Access Gallery artists in collaboration with the artist Enchanted Dichotomy (Alli Broderick) for the IFeel Monsters project. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dc9ea5b0-856e-432a-8bd0-1beadacccf61/ifeelbuttons_150.jpg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>Buttons made using the button-making station that is part of the IFeel Monsters and Giving Voice projects at Access Gallery. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6696608d-9a8c-4a8c-ac86-23f39f08e3ad/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>Posters made in collaborations between Access Gallery artists and AIGA Colorado designers for the Giving Voice project, as well as the button-making station in the gallery. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f4534a26-eddd-498d-ae98-73e7e900abfd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>A poster made as part of the Giving Voice project by artist Saddey and AIGA designer Audrey. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bcc3493f-a3bf-4233-811c-3fed4cad1975/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - It’s a Wrap / IFeel Monsters / Giving Voice - Make it stand out</image:title>
      <image:caption>An view of the It’s A Wrap exhibition at Access Gallery. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/light-contrasting-with-dark</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5286f1d2-e8fc-4e93-a315-e22ee397e43b/Light+Contrasting+with+Dark_frontinstallationview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>A view of the exhibition Light Contrasting with Dark by Terrel Bailey and Leigh Cabell at Artists on Santa Fe Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/68953103-9d45-4567-ae8d-5e5f1788e036/Terrel+Bailey+Humbled+Archival+Pigment+Print.JPG</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Terrel Bailey, Humbled, 2022, archival pigment print, 18 x 24 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/50e6172e-8fe3-49d9-9bd1-2e3102f08cd2/Leigh+Cabell+Humbled+Coffee+bags%2C+chip+bags%2C+calendar%2C+envelopes%2C+mailer.JPG</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Leigh Cabell, Humbled, 2023, coffee bags, chip bags, calendar, envelopes, mailer, thread, and seed beads, 8 x 8 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0206040e-2fad-4c01-9816-fa72929d7a49/Terrel+Bailey+Pink+Clouds+Archival+Pigment+Print_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Terrel Bailey, Pink Clouds, 2019, archival pigment print, 17 x 29 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/123c2940-bb3d-4ea6-9f61-96928ee48cbe/Cabell_Pink+Clouds_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Leigh Cabell, Pink Clouds,  2023, chip bag, shopping bags, mailers, envelopes, thread, and seed beads, 8 x 8 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bffe1f99-6eaa-44e4-8488-7691796ee8a7/Terrel+Bailey+The+Road+to+Somewhere+Archival+Pigment+Print_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Terrel Bailey, The Road to Somewhere?, 2018, archival pigment print, 20 x 16 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9dc860c2-1dcd-4d90-b68b-62f08c433112/Cabell_Road+to+Somewhere_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Leigh Cabell, The Road to Somewhere?, 2023, calendars, chip bags, cereal liner, envelopes, craft paper, thread, and seed beads, 8 x 9 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1097a1d6-9fbb-43d7-94f6-e67b7adf36ed/Terrel+Bailey+Disappearing+Glaciers+Archival+Pigment+Print_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Terrel Bailey, Disappearing Glaciers, 2021, archival pigment print, 18 x 24 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ddfed901-d571-43f3-92c5-306b33faf7ab/Leigh+Cabell+Disappearing+Glaciers+Chip+bags%2C+magazines%2C+calendar%2C+envelopes%2C+mailer_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Leigh Cabell, Disappearing Glaciers, 2023, chip bags, magazines, calendar, envelopes, mailer, thread, and seed beads,  8 x 9 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5b09ac80-891f-4521-b120-c096cf39e36a/Terrel+Bailey+Not+as+Cold+as+it+Seems+Archival+Pigment+Print.JPG</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Terrel Bailey, Not as Cold as it Seems, 2023, archival pigment print, 17 x 29 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/61be6958-a78d-4069-b2b2-962b5cb22518/Leigh+Cabell+Not+as+Cold+as+it+Seems+Chip+bags%2C+nut+bags%2C+magazines%2C+cereal+liner%2C+craft+paper.JPG</image:loc>
      <image:title>Reviews Home - Light Contrasting with Dark - Make it stand out</image:title>
      <image:caption>Leigh Cabell, Not as Cold as it Seems, 2023, chip bags, nut bags, magazines, cereal liner, craft paper, thread, and seed beads, 8 x 8 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/colorado-women-to-watch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6fbdaa83-7abd-4ed9-a27e-fc47600ac587/installview_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>A view of the exhibition Colorado Women to Watch at the Center for Visual Art. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/752fe11a-1dfb-483d-95d5-ad17b0a81f40/installview2_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>A view of works by Senga Nengudi in the Colorado Women to Watch exhibition at the Center for Visual Art. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fb1dc3bd-fe41-44db-a6ae-63d5041295f5/paradiseelsewhere_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>Kim Dickey, Paradise Elsewhere (detail), 2023. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b1f8ccd8-d60d-4f6c-b437-07b755b8795e/archipelago.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>Kim Dickey, Archipelago, 2023 and Mirage (solo version), 2000-2023. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7b55c8d4-da97-43a0-9568-6f95f2b045b2/mattaiinstall_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>A view of works by Suchitra Mattai in the Colorado Women to Watch exhibition. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/db588791-81b4-47c0-ba58-1814cf49756c/intrepidgarden.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>Suchitra Mattai, the intrepid garden (detail), 2023, vintage saris, fabric, vintage objects made of salt, cast objects made of salt, porcelain objects, and vintage shelves, 120 x 168 inches. Image by Zoe Ariyama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6e455ad3-ab6f-4346-b41f-fa3b6b497179/hernandoinstall_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>A view of works by Ana María Hernando in the Colorado Women to Watch exhibition. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e559baf6-de86-4664-aab9-e0dd0ba280fa/hernandodark_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>Two works by Ana María Hernando: on the left, El mar enamorado de la noche // The Sea in Love with the Night, 2022, tulle, metal lattice, wood, and felt, 52 x 28 x 8 inches; and on the right, El Retumbe // The Rumble, tulle, metal lattice, wood, and felt, 32 × 29 × 11 inches. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ba284314-cff5-4c82-9771-aaf69819cdbe/lee_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>Maia Ruth Lee, &lt;Rhythmed in silence&gt; (detail), 2023, painter’s tape on found metal forms, dimensions variable. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4d371843-7f66-4255-87fe-bb59dd972545/leedetail_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>Maia Ruth Lee, &lt;Rhythmed in silence&gt; (detail), 2023, painter’s tape on found metal forms, dimensions variable.. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2e5bbf00-42e8-420b-8404-7c8a5d2dd225/nengudiperformance_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>Senga Nengudi, Performance Piece, 1978, silver gelatin photographic prints, 31.5 × 40 inches each. Photographer: Harmon Outlaw © Senga Nengudi, 2023. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8fece684-0b8b-4320-92f6-16891542b9eb/nengudieellioutt.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>Senga Nengudi, Ellioutt ~ Love, 2022, a triptych of two chromogenic photographic prints and one silver gelatin photographic prints, 30.7 × 137.8 inches total. Photographer: Doug Harris © Senga Nengudi, 2023. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/edd006cd-6bc8-421a-b9fe-bfb10482d13e/install3_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>A view of Colorado Women to Watch with works by Suchitra Mattai and Ana María Hernando visible. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cbfbde2d-4677-42a7-9705-fd75c8ed3fbb/fluidstate_150.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>A view of the exhibition Fluid State in the Center for Visual Art’s 965 Project Gallery. Image by Zoe Ariyama.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eb6fbb53-8717-423e-bb6a-d847d7ab599e/installview4.jpg</image:loc>
      <image:title>Reviews Home - Colorado Women to Watch - Make it stand out</image:title>
      <image:caption>A view of Colorado Women to Watch with works by Maia Ruth Lee and Senga Nengudi visible. Image by Wes Magyar, courtesy of CVA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/wild-and-precious</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fca4dea1-1ba2-4559-8f73-b360496837d5/installview2_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>A view of Rachel Denny’s exhibition Wild and Precious at Visions West Contemporary. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d9313a82-d072-4295-8a41-8b8f10f34049/treelife_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>Rachel Denny, Tree of Life, 2023, polyurethane foam, wood, clay, aluminum, felt, and thread, 38 x 32 x 20 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0e42e994-73d1-4ba7-851e-2f4d46044848/bigthaw_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>Rachel Denny, Big Thaw, 2023, wood, steel, polyurethane foam, cotton, thread, glass beads, found fishing lures, and silver charms, 47 x 52 x 15 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7082bff6-6d4d-428d-b8b1-9f3c4426524d/marsh_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>Rachel Denny, Monarch of the Marsh, 2023, polyurethane foam, wood, aluminum, steel, and cotton thread, 50 x 47 x 42 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cec96510-5f0e-41c0-b7de-0cac78f9675d/snag_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>Rachel Denny, Snag, 2023, wood, polyurethane foam, steel, yarn, and thread, 70 x 55 x 22 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d18ee968-5275-48c3-b75a-f6b5b74c6b93/wallmounts_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>Rachel Denny, from left to right: Young Buck, Trickster, Alpha, and Summer Sky, polyurethane foam, wood, clay, aluminum, thread, and glass beads, varying sizes. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ea6bd239-fd42-487a-ba63-19d54c256cc8/stargrazer_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>Rachel Denny, Star Grazers, 2023, wood, clay, aluminum, fiber, glass beads, nails, and thread, 54 x 54 x 7 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e21f40ec-2a96-48ee-8b30-9cfb34b508e1/rabbitwall_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>Rachel Denny, Snowshoe - Spring (left) and Snowshoe - Summer (right), 2023, wood, aluminum, clay, felt, fiber, and thread, varying sizes. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cc159129-a781-43ee-8316-3a0f0b9fc8de/youngprince_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>Rachel Denny, The Young Prince, 2023, wood, aluminum, clay, recycled fibers, yarn, felt, antler, and glass beads, 50 x 48 x 7 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1a341187-0368-4b41-948e-239bed09f00a/installview1_150.jpg</image:loc>
      <image:title>Reviews Home - Wild and Precious - Make it stand out</image:title>
      <image:caption>A view of Rachel Denny’s exhibition Wild and Precious at Visions West Contemporary. Image by Laura I. Miller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/neuron-forest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce9367d0-33d8-4197-96de-7f5102e5feef/NeuronForest_installationview3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Neuron Forest - Make it stand out</image:title>
      <image:caption>A view of Katie Caron’s exhibition Neuron Forest at Dairy Arts Center. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dd7dc0b4-9129-47b5-8875-2a1a4b711b99/Katie+Caron_Branching+Structures_6works_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Neuron Forest - Make it stand out</image:title>
      <image:caption>Katie Caron’s series Branching Structures, 2022, laser-etched intaglio print on porcelain with LED lights, 8.5 x 11 x 4 inches each. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/33c1be5e-304b-4571-a93f-ba0cef56e79c/Katie+Caron_Branching+Structures_oneworkunframed_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Neuron Forest - Make it stand out</image:title>
      <image:caption>One work in Katie Caron’s series Branching Structures, 2022, laser-etched intaglio print on porcelain with LED lights, 8.5 x 11 x 4 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c1e165d9-8371-4acb-ab56-63b3fe7b2a52/Katie+Caron_Somatic+Botanicals_view1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Neuron Forest - Make it stand out</image:title>
      <image:caption>An installation view of Katie Caron’s Somatic Botanicals, 2023, porcelain, dimensions variable. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e93ceda5-71cb-49cd-a909-8b89f5b0e354/Katie+Caron_Somatic+Botanicals_2works_horizontal_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Neuron Forest - Make it stand out</image:title>
      <image:caption>Katie Caron, Somatic Botanicals, 2023, porcelain, dimensions variable. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/369cab67-3245-4333-94ac-1f74e837e508/Katie+Caron_NeuronForest_view1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Neuron Forest - Make it stand out</image:title>
      <image:caption>Katie Caron, Neuron Forest, 2022, fiberglass, resin, tree branches, and video projection, 10 x 12 x 12 feet. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aa1c842f-1ca5-43bd-8812-0c9009a4967b/Katie+Caron_NeuronForest_detail2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Neuron Forest - Make it stand out</image:title>
      <image:caption>A detail view of Katie Caron’s Neuron Forest, 2022, fiberglass, resin, tree branches, and video projection, 10 x 12 x 12 feet. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a7644fa1-da78-4210-9cdf-fca524c1410e/Katie+Caron_NeuronForest_view3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Neuron Forest - Make it stand out</image:title>
      <image:caption>Katie Caron, Neuron Forest, 2022, fiberglass, resin, tree branches, and video projection, 10 x 12 x 12 feet. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/last-chance-module-array-modules-no-4-5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f2c2493f-371d-4780-9a78-92f1e902e2d2/overhead2.jpg</image:loc>
      <image:title>Reviews Home - Last Chance Module Array (Modules No. 4, 5) - Make it stand out</image:title>
      <image:caption>An overhead view of Last Chance Module Array (Modules No. 4, 5) by M12 Studio with Onix Architects, 2015-16, permanent installation. Image courtesy of M12 Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0229ce3f-8543-4c4c-bd86-7896b6a7ea0e/detail2.jpg</image:loc>
      <image:title>Reviews Home - Last Chance Module Array (Modules No. 4, 5) - Make it stand out</image:title>
      <image:caption>A detail view of Last Chance Module Array (Modules No. 4, 5) by M12 Studio with Onix Architects, 2015-16, permanent installation. Image courtesy of M12 Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/940973e8-59e3-4b17-9cd4-6405a162f3b9/LCMALC49.jpg</image:loc>
      <image:title>Reviews Home - Last Chance Module Array (Modules No. 4, 5) - Make it stand out</image:title>
      <image:caption>M12 Studio with Onix Architects, Last Chance Module Array (Modules No. 4, 5), 2015-16, permanent installation. Image courtesy of M12 Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/high-desert-homecoming-and-nude-masculine-states</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/76d7d8bc-82b1-4a78-bff6-356ee8e1b98b/Gray_installationview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - High Desert Homecoming / Nude Masculine States - Make it stand out</image:title>
      <image:caption>A view of Jamie Gray’s exhibition High Desert Homecoming at Bell Projects. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2984dc32-3849-47a3-b3b0-ca329eb48d8f/Gray_Terra+Lantern_artistimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - High Desert Homecoming / Nude Masculine States - Make it stand out</image:title>
      <image:caption>Jamie Gray, Terra Lantern, 2023, encaustic on reclaimed wood, 48 x 22 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8c48898c-6a25-4408-8771-91c073f5df79/Gray_Terra+Lantern_detail2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - High Desert Homecoming / Nude Masculine States - Make it stand out</image:title>
      <image:caption>Jamie Gray, Terra Lantern (detail), 2023, encaustic on reclaimed wood, 48 x 22 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b0e8cd22-8361-4add-ae34-1b018de3145c/Gray_Crown+Canopy_artistimage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - High Desert Homecoming / Nude Masculine States - Make it stand out</image:title>
      <image:caption>Jamie Gray, Crown Canopy, 2023, encaustic on reclaimed wood, 44 x 28 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d092c15-c2f0-4bed-bcb6-5e21d2700b2b/Sargent_installationview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - High Desert Homecoming / Nude Masculine States - Make it stand out</image:title>
      <image:caption>A view of Jon Sargent’s exhibition Nude Masculine Series at Bell Projects. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8cd0fcbd-f287-47a8-a290-0467d8e094d8/Sargent_installationview1_MGphoto_150dpi.jpg</image:loc>
      <image:title>Reviews Home - High Desert Homecoming / Nude Masculine States - Make it stand out</image:title>
      <image:caption>A view of Jon Sargent’s exhibition Nude Masculine Series at Bell Projects. Image by MG Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7078bbb3-5d6d-4b1b-af36-9a608d34dde1/Sargent_Belly+of+the+Wale_150dpi.jpg</image:loc>
      <image:title>Reviews Home - High Desert Homecoming / Nude Masculine States - Make it stand out</image:title>
      <image:caption>Jon Sargent, Belly of the Whale, 2022, photography, 11 x 14 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3872b1d0-d87d-43cd-8989-0e6a91315608/Sargent_Veil+of+Masculinity_150dpi.jpg</image:loc>
      <image:title>Reviews Home - High Desert Homecoming / Nude Masculine States - Make it stand out</image:title>
      <image:caption>Jon Sargent, Veil of Masculinity, 2022, photography, 11 x 14 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e115b9ff-2e35-4651-8ac9-0e1907780fe6/Gray_4+works_150dpi.jpg</image:loc>
      <image:title>Reviews Home - High Desert Homecoming / Nude Masculine States - Make it stand out</image:title>
      <image:caption>A view of Jamie Gray’s exhibition High Desert Homecoming at Bell Projects. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/fiber-art-international-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ee0922bd-e296-49ce-bb82-9ffa3ff5f9e1/FiberArtInternational_installationview_Room2_alternateview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>A view of the exhibition Fiber Arts International 2022 at the Museum of Art Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8fdd06e1-72fd-44f2-92fd-12cdc9fa03d4/Coddington_95+forms_frontview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>Ann B. Coddington, 95 Forms, 2021, mixed media fiber, 120 x 300 inches (dimensions variable based on the wall space). Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/436fbdc2-5df7-4e29-9d86-6b319fb47d2e/Coddington_95+forms_detail2_horizontal_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>Ann B. Coddington, 95 Forms (detail), 2021, mixed media fiber, 120 x 300 inches (dimensions variable based on the wall space). Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/13f177f9-0e72-4259-acb1-ac9d34b869eb/Alonso_Intercorporeity_frontview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>Jacobo Alonso, Intercorporeity, 2020, 2,300 laser cut modules of recovered radiographs, 118 x 79 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a2d5a223-7e22-4423-86b5-643ca8ac817f/Harwell_Ignoring+Reality_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>Anne Harwell, Ignoring Reality, 2021, fiber, 48 x 61 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9450bf62-9e6a-4d1b-8596-1a71ffe036c1/FiberArtInternational_installationview_Sloane_At+the+End+of+My+Rope_foregroundleft_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>A view of the exhibition Fiber Arts International 2022 at the Museum of Art Fort Collins. In the left foreground: Adrienne Sloane, At the End of My Rope, 2019, knit cotton and rope, 57 x 14.5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/34a9ff9a-9826-4858-9983-bfdd41232420/Ruppert_PlasticPrayers_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>Sophia Ruppert, Plastic Prayers, 2019, plaster, Lycra, tacks, and thread, 68 x 80 x 4 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b9655bd7-6d56-409c-9a33-51e667b206af/Koz%C5%82owska_Coca+Cola+Box_view2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>Alicja Kozłowska, Coca Cola Box, 2020, textiles, 8.5 x 10.5 x 7.9 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f115987e-9eec-4161-ae09-d339d54dafab/Morgan_Pandemic+Necessities_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>Suzan Ann Morgan, Pandemic Necessities, 2019, embroidery, 16.5 x 20 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f60dbee0-809f-4161-9e90-628c3ac38fb5/Hicks_20x14x6_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>Catherine Hicks, The Golden Calf, Portrait of a Con, 2020, embroidery on mirror, 14 x 20 inches. Image courtesy of the Museum of Art Fort Collins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2378b6bc-5e80-4d0a-8799-f50518568689/Alonso_Intercorporeity_sideview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Fiber Art International 2022 - Make it stand out</image:title>
      <image:caption>An installation view of Jacobo Alonso’s Intercorporeity, 2020, 2,300 laser cut modules of recovered radiographs, 118 x 79 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/abstract-expressions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/73aeb014-3881-4e28-b676-5432c45ec7a3/West+terrace+detail+5+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>A detail view of Nathan Hall and Kevin Philip Williams’ Abstract Expressions installation on the west terrace of the Clyfford Still Museum, 2023. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/35ee9fa1-3243-4af4-9847-748195998a93/Nathan_Hall_CSM_Galleries_by_Fireside_Production.jpg</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>The artist and composer Nathan Hall at the Clyfford Still Museum, 2023. Image by Fireside Production.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ccc2c8a1-7994-4993-a2ba-ee8d6c74077b/West+terrace+exterior+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>A view of the exterior of the west terrace at the Clyfford Still Museum, with a construction crane in the background. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e687daf1-4df2-4f6b-b2e3-af072e888c31/West+terrace+wide+shot+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>Nathan Hall and Kevin Philip Williams’ Abstract Expressions installation on the west terrace of the Still Museum in spring 2023. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/829318c8-f7ef-4e99-b398-8d912fd9434b/East+terrace1+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>A view of Nathan Hall and Kevin Philip Williams’ Abstract Expressions installation on the shady east terrace of the Still Museum in spring 2023. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/df0d794b-3a58-472a-808d-56df9735993e/Kevin_Williams_CSM_East_Terrace-before-installation_by_Fireside_Production.jpg</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>The horticulturist Kevin Philip Williams seated on the east terrace of the Still Museum in early 2023. Image by Fireside Production.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/13e4fd39-2557-4507-88b8-336266e426ea/West+terrace+detail3+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>A detail view of the plants in Nathan Hall and Kevin Philip Williams’ Abstract Expressions installation on the west terrace of the Still Museum, spring 2023. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/40edda8a-bff9-4fe5-a3b8-026c855c2b85/East+terrace+detail3+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>A view of the initial plantings in Nathan Hall and Kevin Philip Williams’ Abstract Expressions installation on the east terrace of the Still Museum, spring 2023. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/406778c8-64f5-496a-9c72-26cdedb1cf2b/PH-417_1946.jpg</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>Clyfford Still, PH-417, 1946, oil on canvas, 39.75 x 28 inches. Image courtesy of Clyfford Still Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cefdad40-013a-47fb-a3b4-30a32b74c847/PH-160_1957.jpg</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>Clyfford Still, PH-160, 1957, oil on canvas, 49 x 37.125 inches. Image courtesy of Clyfford Still Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d396fd32-6b0b-4368-9451-2de92fcd3570/West+terrace+detail5+%281%29.JPG</image:loc>
      <image:title>Reviews Home - Abstract Expressions - Make it stand out</image:title>
      <image:caption>A view of the initial plantings in Nathan Hall and Kevin Philip Williams’ Abstract Expressions installation on the west terrace of the Still Museum, spring 2023. Image courtesy of Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/islands-beyond-blue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cd7db9ed-0a36-441e-b401-3c9f0daa38b7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>Niki Hastings-McFall (Sāmoan/Pākehā), No Man Is an Island, 2023, mixed media. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6e34f6aa-1c46-461f-a7e3-97ac16c14aba/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>A view of the title wall and works in the exhibition Islands Beyond Blue: Niki Hastings-McFall and Treasures from the Oceania Collection at the Denver Art Museum. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/19ea3e6e-34c4-446c-a867-26ba5a32578d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>A view of works in the exhibition Islands Beyond Blue: Niki Hastings-McFall and Treasures from the Oceania Collection at the Denver Art Museum. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9a64ef6-b5c9-47fe-9d0b-0d89b984ef99/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>Asmat artist, Bisj Memorial Pole, 1900s, wood, fiber, and paint. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/799a0ffb-23b4-41dd-b5eb-822dba3cf533/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>An installation view of two Bisj Memorial Poles in the Islands Beyond Blue exhibition. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/776752e6-8cf5-4171-a52d-b66069d76eaf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>Marquesan artist, Tattooed Wooden Leg, early 1800s, wood. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6600451c-32d5-400e-98fa-766fbd11e99a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>A view of the Tattooed Wooden Leg work in Islands Beyond Blue with part of Niki Hastings-McFall’s lei installation No Man Is an Island. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9295d767-e451-4af3-a1f9-7c344211e6dc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>Mary Jewett Pritchard (American Sāmoan), Siapo Mamanu (Sāmoan Bark Cloth), about 1970, painted bark cloth. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/34934f6d-3a5a-4c32-adf4-2bae43cc2f7b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>An installation view of the Islands Beyond Blue exhibition with Mary Jewett Pritchard’s Siapo Mamanu on the right. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aa4e30dd-b17c-452c-9768-dfc6c0775cb2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>A view of works in Islands Beyond Blue. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dfa289c3-d809-45db-ad83-2843eb1d608b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Islands Beyond Blue - Make it stand out</image:title>
      <image:caption>Islands Beyond Blue: Niki Hastings-McFall and Treasures from the Oceania Collection in the Joan and George Anderman Gallery at the Denver Art Museum. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/clayprints</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/430a6d9f-076a-4f41-8253-2facbc32278f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>A view of the exhibition Clayprints at The Bridge Gallery in Colorado Springs. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fa7994c4-d471-44ef-b306-2f9dabf12f5c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>An artist applies kaolin-based pigments onto a clay surface—the first step in the clayprinting process. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/796aa091-1079-41a7-92a9-4a14266fa9f2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>An artist presses the polyester fabric called Reemay onto a prepared composition made with the kaolin-based pigments. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aa453c9c-45bc-4660-98ca-78beef4beef5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>Mary Lynn Baird, Untitled, clayprint. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ff475172-ffd1-4305-93e3-d71f9e3b4ecc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>Mary Lynn Baird, Untitled, clayprint. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bb00469d-a9b8-4d35-a0af-b2d93a1bc538/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>Cindy Migliaccio, Untitled, clayprint. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d81f7f18-89a2-411b-b262-e0b8f6c47862/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>Katy Irvin, Blue Bulbs, clayprint. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5d50027-998e-4324-b4f0-ab2d6bae4003/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>Miki Reddy, Blue Beam 1, clayprint. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/372773a0-d897-4dd5-aa05-4800dc23f1aa/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>Tamara Folven Anderson, Shark Tooth Bay Welle, clayprint. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/41828013-7132-456c-ac33-2f8c1e50aadb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>Michael Cellan, #8, clayprint, 2023. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d70d0149-64c5-49b6-85bd-8f17468dac7f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>Michael Cellan, #10, clayprint, 2023. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/726395a8-9370-4b0e-be5e-dab30d1b3542/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Clayprints - Make it stand out</image:title>
      <image:caption>Michael Cellan, Map of the World—Eat, clayprint, 2018. Image by Jillian Blackwell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/evocation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c2aff3cf-58e9-448c-9cc2-c3904eb19e63/july%2Bpano.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>A view of the exhibition Evocation at Walker Fine Art. Image courtesy of the gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d692322d-429e-464f-94e6-5492738bee60/ferrer_install.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Works by Kim Ferrer in the exhibition Evocation. Clockwise from bottom: Surrender, ponderosa pine, steel, and porcelain, 24 x 50 x 16 inches; Cycles of Change (take it as it comes), graphite prints on Kozo paper and porcelain, 82 x 190 x 2 inches; Shed, butternut, porcelain, swiss rug rope, and steel, 85.5 x 6 x 11.5 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/189c1bb2-50e7-4c5a-93d1-97657e5f5d48/ferrer_regeneration.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Kim Ferrer, Regeneration, aspen, graphite, and steel, 79 x 41 x 8.5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a0bd02ff-e0f8-4404-a828-54d156caedc3/regeneration_detail.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>A detail view of Kim Ferrer, Regeneration, aspen, graphite, and steel, 79 x 41 x 8.5 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4826b3e2-122a-4045-9f3c-14537bddcaaa/christie_view.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>A view of Matt Christie’s paintings in Evocation at Walker Fine Art. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/760e1d91-a9d3-4bf6-a36f-f40a7185c0e7/christie_unknown.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Matt Christie, Unknown Interior, oil on panel, 60 x 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2251d3e6-5f21-4185-baef-c13feab3aac7/Christie_Magician_60x48_oil%2Bon%2Bpanel_6500.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Matt Christie, Magician, oil on panel, 60 x 48 inches. Image courtesy of the gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9973dbad-ae29-4a4d-9e84-b0200e413dd1/christie_solitary.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Matt Christie, Standing Solitary, Love Falls from the Sky, oil on panel, 60 x 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/55e4cbf1-b8d2-4db1-b596-59b8dcb1a13e/steck_forestreign.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Virginia Steck, Forest Reign, oil on canvas, 60 x 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c37ca26e-b768-423a-9020-73faf51882e6/steck_sundrenched.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Virginia Steck, Sundrenched, oil on canvas, 48 x 60 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7b9536c4-8dea-4f42-96b7-27bf69b025ad/atticus_sojoon2.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Atticus Adams, Combahee V, aluminum, mesh, gesso, acrylic, and wire, 37 x 30 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5cc161ad-4752-4e87-be2d-8e2e22c4fc6b/atticus_sojoon.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Atticus Adams, Sujoon Carnival Night, aluminum mesh, gesso, acrylic, and wire, 52 x 52 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e33e87ca-394b-448e-ad48-bd614790bd58/haeussner_beachhouse.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Doug Haeussner, Beach House, oil on panel, 30 x 30 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a570f434-81ec-463d-bf6e-f31c5a845dda/haeussner_paradise.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Doug Haeussner, Paradise, oil on panel, 30 x 30 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/50fe07a4-f037-438c-bfaf-83edf465b61c/illig_place.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Peter Illig, This Must Be the Place, oil and enamel on canvas with electric neon sign, 40 x 26 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37127b0b-2cab-4833-a6e7-64eff15eb54d/illig_Dream.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Peter Illig, It Was All A Dream, oil and enamel on canvas with electric neon sign, 37 x 24 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fef2e5ce-d282-4c94-ac05-c840e788419c/illig_wesee.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>Peter Illig, We See What We Want, oil and enamel on canvas with electric neon sign, 37 x 24 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8897da17-5506-4d3b-8eb3-6c16f1d7c78a/walker_view.jpg</image:loc>
      <image:title>Reviews Home - Evocation - Make it stand out</image:title>
      <image:caption>A view of the exhibition Evocation at Walker Fine Art. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/marina-eckler</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/26dac22f-bdf9-44e7-a447-99b4f0090fc7/LoveHelps+B.jpg</image:loc>
      <image:title>Reviews Home - Marina Eckler - Make it stand out</image:title>
      <image:caption>Marina Eckler, Love Helps, 2022, gouache, 10 x 12 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/830cf0e3-37c3-4f04-8028-ca1f348dc21c/OrOrOr.jpeg</image:loc>
      <image:title>Reviews Home - Marina Eckler - Make it stand out</image:title>
      <image:caption>Marina Eckler, Or Or Or, 2022, gouache, 4 x 6 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d667bd78-ac72-4fe2-a4c8-440c572f281f/MOUTHTOMOUTHGREENRED2020.jpeg</image:loc>
      <image:title>Reviews Home - Marina Eckler - Make it stand out</image:title>
      <image:caption>Marina Eckler, Mouth to Mouth, 2020, acrylic and beeswax on canvas, 72 x 72 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9bc2ba2a-8017-46f9-bb8e-ed678ae4d4bd/NaiveMeander.JPG</image:loc>
      <image:title>Reviews Home - Marina Eckler - Make it stand out</image:title>
      <image:caption>Marina Eckler, Naive Meander, 2022, gouache, 4 x 6 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/85fd0894-ca3c-4fd2-8065-7b744c4a8443/StandardFortune2023.jpeg</image:loc>
      <image:title>Reviews Home - Marina Eckler - Make it stand out</image:title>
      <image:caption>Marina Eckler, Standard Fortune, 2023, gouache and pencil, 33 x 40 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9fb4f057-d88d-4db3-a304-b659fbd71770/TheContextualSelf2020.jpeg</image:loc>
      <image:title>Reviews Home - Marina Eckler - Make it stand out</image:title>
      <image:caption>Marina Eckler, The Contextual Self, 2020, acrylic, rubber bands, and hardware on wood board, 20 x 24 x 6 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fb502c75-4609-4328-ac10-1c7121e6a8f4/9A240C4D-AB12-4541-AEC2-451F88BF0A43_1_201_a.jpeg</image:loc>
      <image:title>Reviews Home - Marina Eckler - Make it stand out</image:title>
      <image:caption>Marina Eckler, Untitled (one place at one time), 2022, gouache, 10 x 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/colombia-the-corn-the-river-and-the-grave</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/239cce2b-708b-43c2-83bf-eea21cff6b0d/Gallery+view.jpg</image:loc>
      <image:title>Reviews Home - Colombia: The Corn, the River, and the Grave - Make it stand out</image:title>
      <image:caption>An installation of view of Colombia: The Corn, The River, and the Grave at Museo de las Americas. Image by Marco Briones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/97af748f-f4fe-4429-8869-34e9500f5856/_CLS3066+copy.jpg</image:loc>
      <image:title>Reviews Home - Colombia: The Corn, the River, and the Grave - Make it stand out</image:title>
      <image:caption>Colectivo Antónima (Tania Blanco + Aldo Hollmann), Vírgenes del monte (Virgins of the Mount), 2017, photography on paper. Image by Marco Briones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9098c35f-4a71-4582-bacf-2152928bae07/Forero+Segunda+leccio%CC%81n+%28Second+lesson%29.jpg</image:loc>
      <image:title>Reviews Home - Colombia: The Corn, the River, and the Grave - Make it stand out</image:title>
      <image:caption>Jorge Vaca Forero, Segunda lección (Second lesson), 2019, sandblasted mirror. Image by Marco Briones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/90b7b68c-5d4f-44a7-ad8f-74cddf0574df/Granados+Gallery+View2.jpg</image:loc>
      <image:title>Reviews Home - Colombia: The Corn, the River, and the Grave - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition with Nadia Granados’s Colombianización (Colombianization) project on the left. A mí me pagan por hablar bien de Colombia. Marca colombianización (They pay me to speak well about Colombia. Colombianization Brand), 2021, video, and La respuesta es Colombia. Un país en venta (The Answer is Colombia. A Country on Sale), 2022, video. Image by Marco Briones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8d15843b-527c-456b-9c05-d2986ba857e5/_CLS3073+copy.jpg</image:loc>
      <image:title>Reviews Home - Colombia: The Corn, the River, and the Grave - Make it stand out</image:title>
      <image:caption>Erika Diettes, Río abajo (Downriver), 2015, digital photography series printed on glass. Image by Marco Briones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bc739070-3e66-4c6d-992d-57a21e93d5ad/Rio+Abajo+1.jpg</image:loc>
      <image:title>Reviews Home - Colombia: The Corn, the River, and the Grave - Make it stand out</image:title>
      <image:caption>Erika Diettes, Río abajo (Downriver), 2015, digital photography series printed on glass. Image by Marco Briones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/68277432-8948-4ade-99eb-d1e2db23bad7/_CLS3060+copy.jpg</image:loc>
      <image:title>Reviews Home - Colombia: The Corn, the River, and the Grave - Make it stand out</image:title>
      <image:caption>Carlos Uribe, ¡Destapen! ¡Destapen! (Uncover! Uncover!), 2008, installation with digital photography adhered to flooring. Image by Marco Briones.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/i-invited-myself-vol-ii</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/191d2e6d-939e-4173-8439-ad8ea1e99bff/image-asset.png</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>A view of Eiko Otake’s exhibition I Invited Myself, vol. II at the Colorado Springs Fine Arts Center. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cf1a162f-09fd-4a11-8698-be7bb890b009/image-asset.png</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>A video still from Eiko Otake’s Visiting Manzanar, 2019.  Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a4fa53c7-ce9d-406a-88c9-3b5d3dc6b307/image-asset.png</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>A video still from Eiko Otake’s Visiting Manzanar, 2019.  Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8ed28d78-fa6b-480b-8e72-fc18d44f6e0d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>A view of Eiko Otake’s A Body in Tokyo, 2021, on view at the Colorado Springs Fine Arts Center. Image by William Johnston.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ace71db3-3da9-4e73-aa12-02d10a6f217c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>A still from Eiko Otake’s Dune, 2020. Image by William Johnston.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2fb72272-1aad-4fa8-bb4d-bdc374d987a2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>A video still from Eiko Otake’s Night with Moths, 2019. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0f1ea608-00ba-4d11-b2f9-9249c70a9350/image-asset.png</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>A view of works in the darkened gallery space in Eiko Otake’s exhibition I Invited Myself, vol. II at the Colorado Springs Fine Arts Center. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1d172ede-7796-4bed-b022-c42bb77a5915/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>Eiko Otake, A Body in Places (Green-Wood Cemetery), 2020. Image by William Johnston.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/48196ed6-c6af-44a3-8dcb-efc034c7bdf8/I+Invited+Myself+performance-018_150dpi.jpg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>Eiko Otake performing at the Colorado Springs Fine Arts Center on February 3, 2023. Image by Stacy J. Platt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/072bc668-01a2-4fd3-9053-61801f14810c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>Eiko Otake performing in the foyer of the Colorado Springs Fine Arts Center under a Dale Chihuly sculpture. Image by Stacy J. Platt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/47feb11f-85c1-42c8-994d-2ca0f1ce25bb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>Eiko Otake performing outside of the Colorado Springs Fine Arts Center on April 7, 2023. Image by William Johnston.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/17f84105-6cc2-488a-9e39-b00cc7945fae/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>Eiko Otake performing in the exhibition space of I Invited Myself, vol. II at the Colorado Springs Fine Arts Center on February 3, 2023. Image by William Johnston.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7a1b953b-8669-4c1b-a8eb-9e95ea245306/Otake_ABodyInFukushima_150dpi_GWimage.jpg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>A video still from Eiko Otake’s A Body in Fukushima, 2022. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3a2b05a9-f3f2-440c-afff-4c6e136cd7a7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I Invited Myself, vol. II - Make it stand out</image:title>
      <image:caption>A view of I Invited Myself, vol. II at Colorado Springs Fine Arts Center. Image by William Johnston.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/mfa-thesis-exhibition-2023</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a244f0e3-8294-405b-9a33-f2d072d706d1/In+Cart+2.jpg</image:loc>
      <image:title>Reviews Home - MFA Thesis Exhibition 2023 - Make it stand out</image:title>
      <image:caption>An installation view of the Master of Fine Arts (MFA) Thesis Exhibition at Colorado State University in Fort Collins. Vicente Delgado, Ask Us About In-Cart Financing (center), Sam Hamilton, As Above So Below (right), Leila Malekadeli, In Absence (left). Image by MG Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7ec8ae9d-1a67-45c1-8d18-4837fe3a835d/In+Cart+4.jpg</image:loc>
      <image:title>Reviews Home - MFA Thesis Exhibition 2023 - Make it stand out</image:title>
      <image:caption>Vicente Delgado, Ask Us About In-Cart Financing, 2022, mixed media. Image by MG Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b194f9b5-e736-416b-85f0-8da2e348d60b/IMG_9064.png</image:loc>
      <image:title>Reviews Home - MFA Thesis Exhibition 2023 - Make it stand out</image:title>
      <image:caption>A detail view of Vicente Delgado’s Ask Us About In-Cart Financing. Image by MG Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4761ec7b-baf0-4c1d-9042-8e007caefd29/IMG_6851.jpg</image:loc>
      <image:title>Reviews Home - MFA Thesis Exhibition 2023 - Make it stand out</image:title>
      <image:caption>Vicente Delgado, Built Structure: 113, 2022, mixed media. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4ec13c74-3e25-4a2d-b111-9d17059b13d1/as+above+4.jpg</image:loc>
      <image:title>Reviews Home - MFA Thesis Exhibition 2023 - Make it stand out</image:title>
      <image:caption>Sam Hamilton, As Above So Below, 2022-2023, acrylic on reclaimed sunshade. Image by MG Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/28216a78-4ae9-4ced-a6d2-fd22cacda00c/IMG_6838.jpg</image:loc>
      <image:title>Reviews Home - MFA Thesis Exhibition 2023 - Make it stand out</image:title>
      <image:caption>Leila Malekadeli performing inside of In Absence, 2023, mixed media. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/made-in-colorado</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-07-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3b531e39-ddcd-4872-8734-cdbd18cc99fd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>A view of the exhibition Made in Colorado at the CU Denver Experience Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7a280bed-4a14-4753-89a7-06d4c8baf310/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>A view of Made in Colorado at the Emmanuel Gallery. Image by Tomas Bernal, courtesy of the gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c0f2b393-d771-4110-a07d-3bc3cb3f5490/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Melissa Furness, Fair Game, 2022, oil on linen. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7895634c-73a9-4b0a-aa8c-f4c31245ead5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Gregory Ellis, You Are Waiting… Should You Be Waiting?, 2023, oil on canvas. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dbbb60eb-c97c-4290-92ba-35522bcb2422/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Notation 9-23, 2023, security envelope, pencil, artist’s hair, and thread on paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7683de5e-0844-4513-86cc-4030971961f9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Notation 12-23, 2023, security envelope, pencil, artist’s hair, and thread on paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e91cd17b-bb67-4e7c-bc67-18168d39a9ed/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Lauri Lynnxe Murphy, Fra Angelico’s Secret, 2023, found object, honeycomb, plaster, brass, and tree root. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bb6dde29-3e68-465b-afdf-2042edd0f8b6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Albert Chong, Throne for the Gorilla Spirits, 1993, chromogenic color print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ff26fa0f-f347-4d05-b36c-8a333af8cbae/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Danielle SeeWalker, LAND | HOSTAGE, 2023, acrylic, oil stick, and uncashed government checks on canvas. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/14913abe-ea02-4e4b-bb7b-c4c28d5744c4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Levi Fischer, The Tub, 2022, giclée print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5dcd3ad1-e996-45a0-b3a5-748855d62121/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Laura Merage, Nausy Nausy, 2018, fabric and Polyfill fiber. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2aa2062a-c4e2-4276-af96-e5710a2dc42a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Universal Bunny, 2022, mixed media. Image by Tomas Bernal, courtesy of the gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d8c71444-d0a7-4211-9318-bef9dd2cc326/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Made in Colorado - Make it stand out</image:title>
      <image:caption>A view of Laura Merage’s Nausy Nausy and Floyd D. Tunson’s Universal Bunny. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-castle-and-blossom-and-decay</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/015e05ec-7aeb-42db-9d9c-5fad3d3e684e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Castle / Blossom &amp;amp; Decay - Make it stand out</image:title>
      <image:caption>Leo Franco’s installation The Keep in his exhibition The Castle at Pirate Contemporary Art. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0313073a-e0d9-4d0c-a226-5a0083dffac0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Castle / Blossom &amp;amp; Decay - Make it stand out</image:title>
      <image:caption>One of the wood sculptures in Leo Franco’s installation The Keep. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/77430b13-4ad8-4843-97dd-5044a4cca53d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Castle / Blossom &amp;amp; Decay - Make it stand out</image:title>
      <image:caption>A detail view of Leo Franco’s installation The Keep. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ff4239bf-105c-4d82-af56-7b069d820f41/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Castle / Blossom &amp;amp; Decay - Make it stand out</image:title>
      <image:caption>A view of Brian Cavanaugh’s exhibition Blossom &amp; Decay at Pirate Contemporary Art. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/200a494f-74d8-4523-be7e-5848a416bb7e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Castle / Blossom &amp;amp; Decay - Make it stand out</image:title>
      <image:caption>Two figures in Brian Cavanaugh’s exhibition Blossom &amp; Decay. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fa23308c-5f42-44d1-9656-b148c967919b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Castle / Blossom &amp;amp; Decay - Make it stand out</image:title>
      <image:caption>A detail view of an installation in Brian Cavanaugh’s exhibition Blossom &amp; Decay. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/acd9967a-bc1d-445f-a692-f2bfd106070a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Castle / Blossom &amp;amp; Decay - Make it stand out</image:title>
      <image:caption>One of the sculptures in Brian Cavanaugh’s exhibition Blossom &amp; Decay. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/08801071-4827-4e66-920a-01dcacbb3c73/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Castle / Blossom &amp;amp; Decay - Make it stand out</image:title>
      <image:caption>One of the wood sculptures in Leo Franco’s installation The Keep. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/prismatic</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b1bdd2f4-0026-4c2e-b723-1c84e13efab9/Burgess.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Prismatic at the Dairy Arts Center in Boulder with Scottie Burgess’s Loaded Logo on the right, 2023, flocking and acrylic on canvas, 72 x 72 inches. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d2f538c-cce5-4804-a1de-3d1bf8565cb1/Burgess+detail.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>Detail of Scottie Burgess’s Loaded Logo, 2023, flock and acrylic on canvas, 72 x 72 inches. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6b2172c9-828a-4cd0-9e0d-ab2ce507f73d/Marquez+Dark+%280-00-55-06%29.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>Cherish Marquez, Flux, 2023, animation, 1920 x 1080 pixels, 02:07 minutes. Video still courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37866ab6-ca34-483f-a3a5-45c2272fe65c/Candrian+MaryLou+and+Agnes+Final+enh.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>MaryLou and Agnes, a portrait from Carey Candrian’s series Eye-to-Eye: Portraits of Pride, Strength, Beauty, digital photography. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6860d7b6-67e0-4630-a28c-424156fce792/Hall+2.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>Nathan Hall, You're Not the Boss of Me, 2019, screen printed leather sheet music, leather cord, hardware, music-etched paddles, and tuning fork. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f571c80d-ffbb-4105-b0b1-52d36b9abbc4/exhibition+installation+1.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>A view of the exhibition Prismatic at Dairy Arts Center in Boulder. Image Courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8ebab546-042a-4af6-834f-e2f643c772a6/Hatfield+Claire+2.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>Hudson Hatfield, Claire, 2022, Aves Apoxie® sculpt, house paint, foam, spray paint, and wood, 60 x 26 x 14.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/52afe276-7a6b-43a0-a709-0fd17ab54997/Swanson+detail.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>Detail of Joel Swanson’s [ s ], 2023, DYMO® label tape on panel, 14 x 11 inches. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/731a4a4c-610c-46f0-a153-c69ffd279bb7/Richard+Wilson.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>Alexander Richard Wilson, the Darkest, part 4, oil on canvas, 36 x 24 inches. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/14aafc97-3f99-4b50-9147-338ad00afb7c/Louis+Trujillo+-+A+Great+Blow.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>Louis Trujillo, A Great Blow, 2019, colored pencil on paper, 11 x 22 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e1908b8-cf7c-4c61-bc22-6710779880e0/exhibition+installation+7.jpg</image:loc>
      <image:title>Reviews Home - Prismatic - Make it stand out</image:title>
      <image:caption>A view of pink and purple works in Prismatic at Dairy Arts Center in Boulder. Image courtesy of Dairy Arts Center.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/high-strangeness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/189b6f54-3817-44b5-86f1-3fffc4bcb05b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - High Strangeness - Make it stand out</image:title>
      <image:caption>An installation view of Mark Farrell’s exhibition High Strangeness at Lane Meyer Projects. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/efb6f9ea-c271-4c63-a678-8752f72404f6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - High Strangeness - Make it stand out</image:title>
      <image:caption>Mark Farrell, Cthulhu’s Oubliette, 2021, oil on canvas, 60 x 63 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a71089bf-3ad5-42db-8bcd-86bb1440da7e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - High Strangeness - Make it stand out</image:title>
      <image:caption>Mark Farrell, Premature Burial, 2022, oil on canvas, 60 x 48 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2beed8de-fda2-428e-8a1f-4ab34d6667cf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - High Strangeness - Make it stand out</image:title>
      <image:caption>Mark Farrell, Swamp, 2023, oil on canvas, 48 x 60 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/81584c25-ae5a-4932-bda9-aea794bb4f79/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - High Strangeness - Make it stand out</image:title>
      <image:caption>Mark Farrell, On the Corner, 2022, oil on canvas, 60 x 48 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bec4fa7a-20f8-44bf-a0a4-456ec05278dc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - High Strangeness - Make it stand out</image:title>
      <image:caption>Mark Farrell, Beyond the Boundaries of Sin, 2023, oil on canvas, 48 x 60 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e0bcf670-8614-444f-975e-6468ff475066/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - High Strangeness - Make it stand out</image:title>
      <image:caption>Mark Farrell, Plague Effigy, 2021, oil on canvas, 48 x 60 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a3af89fe-3e26-4cc4-81d7-641e493db7a0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - High Strangeness - Make it stand out</image:title>
      <image:caption>Mark Farrell, Stanley Hotel, 2022, oil on canvas, 60 x 63 inches. Image by Erynn McConnell, courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/skyspace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e24ec8e4-ed48-491f-8fa0-5df9ddd37901/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Skyspace - Make it stand out</image:title>
      <image:caption>An exterior view of James Turrell’s Green Mountain Falls Skyspace, 2022. Image by David Lauer Photography, courtesy of Green Box Arts, © James Turrell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/55cc3ba2-95c4-4a54-a861-e7db645f653c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Skyspace - Make it stand out</image:title>
      <image:caption>A view of the interior and oculus in James Turrell’s Green Mountain Falls Skyspace, 2022. Image by David Lauer Photography, courtesy of Green Box Arts, © James Turrell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/90e613d5-bb98-4d8a-95e7-19bf6584c5f4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Skyspace - Make it stand out</image:title>
      <image:caption>Visitors viewing the oculus in James Turrell’s Green Mountain Falls Skyspace, 2022. Image by David Lauer Photography, courtesy of Green Box Arts, © James Turrell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/df2cd1cf-9f3c-4820-981e-30ac360b3d3e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Skyspace - Make it stand out</image:title>
      <image:caption>A view of the interior of James Turrell’s Green Mountain Falls Skyspace, 2022. Image by Jeff Kearney, TDC Photography, courtesy of Green Box Arts, © James Turrell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/77998b43-fa41-4ecf-a87f-3abfd76ee00b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Skyspace - Make it stand out</image:title>
      <image:caption>A view of entrance to James Turrell’s Green Mountain Falls Skyspace, 2022. Image by David Lauer Photography, courtesy of Green Box Arts, © James Turrell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/sanctuary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/76b38345-7647-4b15-bec7-d99157cdc2af/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>A view of Todd Edward Herman’s exhibition Sanctuary at Mercury Framing in Boulder. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a807b5d8-01cb-4438-a09c-1acd69436d67/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>One wall of photographs in Todd Edward Herman’s exhibition Sanctuary. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4f3e4cc0-4522-4de1-91e1-c1486984ec09/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>Todd Edward Herman, Untitled, 2023, inkjet print, 12 x 12 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1043c079-a00b-4e07-9ad8-362606407e35/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>Todd Edward Herman, Untitled, 2023, inkjet print, 12 x 12 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/394e65d1-aa97-4d24-8df4-2d99430f0a7b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>Todd Edward Herman, Untitled, 2023, inkjet print, 12 x 12 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8c293864-df04-420d-8856-787dc0324633/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>Todd Edward Herman, Untitled, 2023, inkjet print, 12 x 12 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/647cea1e-7f71-4e8c-a94d-56bea308f46d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>Todd Edward Herman, Untitled, 2023, inkjet print, 12 x 12 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2c6a721d-1aff-4396-805e-a45b88c0c836/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>A view of one wall of photographs in Todd Edward Herman’s exhibition Sanctuary. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4a7c423d-9694-48e9-bd26-4193253c74cc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>Todd Edward Herman, Untitled, 2023, inkjet print, 12 x 12 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f93e7cd0-8231-4c21-a4e3-6a02f97be1d5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>Todd Edward Herman, Untitled, 2023, inkjet print, 12 x 12 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/44f2e854-edf4-436e-9532-8e5f74d26efe/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>A view of five photographs in Sanctuary. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9757a992-d120-438e-ab7a-99d4badac42c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sanctuary - Make it stand out</image:title>
      <image:caption>A view of Sanctuary through the window at Mercury Framing. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/clerestory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9ba45d8d-6d42-4c67-b10d-7cb89a85250b/clerestory_OutsideOfTheBuilding_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Clerestory - Make it stand out</image:title>
      <image:caption>An exterior view of the corner of the Rodolfo “Corky” Gonzales Library where Ethan Jackson’s clerestory, 2016, camera obscura, is housed. Image by J. Benjamin Burney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7993ccc1-dc87-45c5-8748-3b4448c5626c/clerestory_InsideRoomView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Clerestory - Make it stand out</image:title>
      <image:caption>An interior view of the corner of the Rodolfo “Corky” Gonzales Library where Ethan Jackson’s clerestory, 2016, camera obscura is housed. Image by J. Benjamin Burney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ffe6e1c0-1da7-4392-80b7-3c5d538335a2/clerestory_CeilingAndCornerWithCurtain_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Clerestory - Make it stand out</image:title>
      <image:caption>A view of the corner and ceiling of Ethan Jackson’s clerestory, 2016, camera obscura. Image by J. Benjamin Burney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f51bd70b-8848-47e4-b5f8-c33ca578dc5a/clerestory_CeilingImage_horizontal_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Clerestory - Make it stand out</image:title>
      <image:caption>A view of the ceiling image of Ethan Jackson’s clerestory, 2016, camera obscura. Image by J. Benjamin Burney.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/lasting-impressions-and-onward-and-upward</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/00c42d05-c635-4511-ad9d-c46f7ef6fd59/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>A view of the exhibition Lasting Impressions at the University of Colorado Art Museum in Boulder. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9f3d8e8-5873-459f-9d89-b1ef0e128f41/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Dyani White Hawk, Wókağe | Create, 2019, from the series Take Care of Them, edition 2/18, screen print with metallic foil, 55.5 x 32 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a002a89-406d-4b07-8f4b-aa22e3090513/image-asset.png</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Dyani White Hawk, Nakíčižiᶇ | Protect, 2019, from the series Take Care of Them, edition 2/18, screen print with metallic foil, 55.5 x 32 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/125b2e1d-5fb8-464e-aba1-9414031a68bb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Alison Saar, Redbone Blues, 2017, intaglio on found vintage handkerchief, 17.5 x 16.875 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0826d73f-a824-4f56-90b3-a960782d936c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Alison Saar, Coal Black Blues, 2017, intaglio stained cotton shop rag, 17 x 13 inches. Image by Wes Magyar, courtesy of the CU Art Museum, University of Colorado Boulder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e7bf3d72-c758-4ea2-a098-8bb48195d3b3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>James McNeill Whistler, The Forge, 1861, printed later, fifth state of six, drypoint, 7.75 x 12.25 inches. Image by Wes Magyar, courtesy of the CU Art Museum, University of Colorado Boulder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2d6fe323-09d4-4098-a769-44d3684f4bd0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Gene Alice Kloss, Nostalgia, 1973, drypoint and aquatint, 10.875 x 13.875 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b6b1fb0b-e1a0-4a49-892a-0626d8c218bf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Agnes Denes, Strength Analysis - A Dictionary of Strength, 1971-81, lithograph, edition 37/50, 23.25 x 17.5 inches. Image by Wes Magyar, courtesy of the CU Art Museum, University of Colorado Boulder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ccaf2b93-4687-4580-ac36-f4b21beaeb34/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>A detail view of Agnes Denes’ Strength Analysis - A Dictionary of Strength, 1971-81, lithograph, edition 37/50, 23.25 x 17.5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7fc1794b-78d7-44e0-8491-ca596b703c4a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Elizabeth Murray, Snake Cup, 1984, lithograph, 32 x 25 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d7e2049e-1d5a-46ee-bcec-e3a12076e17f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Joan Mitchell, Smoke, 1989, illustrated book with sugar-lift and spit bite aquatints, each page 14 × 9.0625 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3873a03f-9733-41f8-96e7-99c7b5bd54c1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Onward and Upward: Shark’s Ink at the University of Colorado Art Museum in Boulder. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3656e952-7dcd-4b23-aece-7d52474ac75f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>William T. Wiley, Leviathan II, 1992, working proof, hand-colored woodcut on white Rives BFK paper, 26.375 x 78.5 inches. Image by Wes Magyar, courtesy of the CU Art Museum, University of Colorado Boulder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/52a3f1f4-1ff4-447d-8f7a-0545e798a2d7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Jane Hammon, Love Laughs, 2005, color lithograph with colored pencil and collage on Rives BFK, amate, and Thai mulberry papers, 51.25 × 33.75 inches. Image by Wes Magyar, courtesy of the CU Art Museum, University of Colorado Boulder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ecb335a6-30a5-46e9-8af3-5d476976c752/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Betty Woodman, Kabuki Space, 2000, color woodcut on natural Thai mulberry paper, 37 x 25.25 inches. Image by Wes Magyar, courtesy of the CU Art Museum, University of Colorado Boulder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d5ed21d5-e9be-4937-8105-ee7473a41d47/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Tom Burckhardt, Workshop, 2004, color lithograph on white Rives BFK paper with chine collé linocut on blue and pink Yamamoto and green Thai Chiri papers. Image by Wes Magyar, courtesy of the CU Art Museum, University of Colorado Boulder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/19b6bb9d-3d80-4183-a6c1-0432b03b7ecc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>Red Grooms, Little Italy, 1989, color lithograph on white BFK paper, cut, assembled in three dimensions with glue in Plexiglass case, working proof 3/5, 27 × 38.5 × 16.75 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aeaacb10-f3dd-4af6-be2e-c80724e0ae4f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lasting Impressions / Onward and Upward - Make it stand out</image:title>
      <image:caption>An view of Onward and Upward: Shark’s Ink at the University of Colorado Art Museum in Boulder. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/art-in-black-and-white</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d54bf119-6a17-4a22-871a-219e12b5775e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art in Black and White - Make it stand out</image:title>
      <image:caption>A view of the exhibition Art in Black and White at 3 Square Art Gallery in Fort Collins. Image courtesy of the Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/97ae9313-0c11-41b3-a0d1-f41ca4a63475/XiaodongYu_EternalMomentNo9_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art in Black and White - Make it stand out</image:title>
      <image:caption>Xiaodong Yu, Eternal Moment No. 9, 2023, digital art on metal panel, 25.5 x 51 x .75 inches. Image courtesy of 3SA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4dd807b5-60a1-4bce-a75a-23c076d2169c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art in Black and White - Make it stand out</image:title>
      <image:caption>A detail view of Xiaodong Yu’s Eternal Moment No. 9, 2023, digital art on metal panel, 25.5 x 51 x .75 inches. Image courtesy of 3SA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/64931865-6484-4f9c-a3cc-efdc5879af7f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art in Black and White - Make it stand out</image:title>
      <image:caption>Rebecca Kuri, One/Two One/Two, 2022, fiber art quilt, 56 x 52 inches. Image courtesy of 3SA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8b9ce97-2bd1-4b66-8335-1494b84f2ee8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art in Black and White - Make it stand out</image:title>
      <image:caption>Roger Sherman, Whirl, 2022, digital art on metal, 36 x 24 x 1 inches. Image courtesy of 3SA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e1498534-8904-43a4-ba03-3fbf7860ca97/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art in Black and White - Make it stand out</image:title>
      <image:caption>Alison Lake, Table and Shadows, 2022, digital photograph, 14 x 20 inches (framed: 23 x 29 x 1 inches). Image courtesy of 3SA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d66b2360-6e4f-4bb4-a0c9-9c897ab6570d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art in Black and White - Make it stand out</image:title>
      <image:caption>Joe Fortunato, Gossamer, 2023, digital photograph, 20 x 14 inches (framed: 21.5 x 15.5 x 1.5 inches). Image courtesy of 3SA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0f13b1cd-8be5-497b-89f5-00c0d85a6304/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art in Black and White - Make it stand out</image:title>
      <image:caption>John Potter, Bare Lamp Bulbs, 2023, digital photograph on canvas, 16 x 20 x 1 inches. Image courtesy of 3SA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/79f5ebdd-ad99-4783-8eb5-d82c32f8686e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art in Black and White - Make it stand out</image:title>
      <image:caption>A view of Art in Black and White at 3 Square Art Gallery. Image courtesy of the Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/thomas-yi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/45e34d0c-c433-49fb-a5af-8dab8ba109d3/Thomas+Yi+in+front+of+Tied+Duck+%282018%29+and+Chicken+Feet+and+Acrylic+Nail+Polish+%282018%29.+Photo+by+Parker+Yamasaki_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi with his photographs Chicken Feet and Acrylic Nail Polish (left) and Tied Duck (right), both 2018. Photo by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eeb2294c-fd21-44bb-82c4-c6dba6f322df/yi_squid_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi, Squid with Beads, 2018, archival pigment print, 20 x 28 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bf6c47c4-49af-441e-b521-158beb97bf2b/yi_bobacondom_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi, Boba Tea Condom, 2018, archival pigment print, 20 x 28 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6ae3d62f-7e31-43cf-81a9-5fb427354f74/Yi_Thomas_03_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi, Tied Duck, 2018, archival pigment print, 16 x 20 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9054f15-c19e-4b5e-ad2c-c0b8049705bc/yi_chickenfeet_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi, Chicken Feet and Acrylic Nail Polish, 2018, archival pigment print, 16 x 20 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e7949a3b-438c-4ef0-aa35-b49881c61172/yi_octopus_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi, Octopus Arrangement, 2019, archival pigment print, 16 x 20 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/170ad6cb-ae6d-4194-92ae-952b02aa9222/yi_strangeharmfromelectricfans_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi, strange harm from electric fans, 2023, archival pigment print, 16 x 20 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6e2886b7-ea55-4d60-abae-01f7eb4bf546/yi_MSG_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi, MSG, 2022, archival pigment print, 20 x 28 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/814aa0e7-887a-4149-abfe-fe57285ecbfd/yi_yuddy_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi, Yuddy, 2022, archival pigment print, 16 x 20 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ddb1dbff-eb80-4144-9107-06bd4edb6288/Thomas+Yi%2C+Chicken+Feet+and+Acrylic+Nail+Polish%2C+2018%2C+inkjet+print.+Photo+by+Parker+Yamasaki_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Thomas Yi - Make it stand out</image:title>
      <image:caption>Thomas Yi, Chicken Feet and Acrylic Nail Polish, 2018, inkjet print. Image by Parker Yamasaki.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/duality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3802521f-392b-4867-bad9-cc1958cb0771/Duality_InstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>A view of of the exhibition Duality: Contemporary Works by Indigenous Artists. Image courtesy of the Longmont Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ade5d598-c3db-4b55-b3a7-4d358335d8c2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>Virgil Ortiz, Velocity Jar, 2012, clay, slip, and wild spinach paint. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/87b9fb51-7679-44a9-b566-c3e7b9ba71f6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>Jamie Okuma, Common Ground: Culture isn’t Black and White, 2020, cradleboard and mixed media. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/47140cfa-011c-4ee8-b936-ac0950012374/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>Gregg Deal, Visual Blood Quantum Color Chart, 2022, acrylic paint, plastic, bullet casings, and horsehair on wood cabinet. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5f54b7be-7674-4950-b3bb-677e7c16fd8f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>Danielle SeeWalker, But I Have Something to Say, 2023, aerosol, acrylic, oil, and oil stick on canvas. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b2cced0f-a710-43c9-bac0-5c88ea0571e7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>A still image from Cannupa Hanska Luger’s Future Ancestral Technologies: New Myth, 2021, video. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4649ae69-20e6-487b-b0a5-5ae78a77dbbf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>Jeffrey Gibson, Burn Baby Burn, 2015, repurposed wool army blanket, canvas, glass beads, plastic beads, copper jingles, nylon fringe, and artificial sinew. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dedd9cae-a590-44d6-9229-931bd58c11d3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>Natani Notah, Outgrowth, 2022, White Cleveland Indians MLB Stitched Logo T-shirt, zip ties, acrylic paint, and hook. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f1c948d0-9fc7-4b25-b1e0-c41790b2045b/JayCee+Beyale_Sa%E2%80%99ah+Naagh%C3%A1i+Bik%E2%80%99eh+H%C3%B3zh%C3%B3%C3%B3_LongmontMuseumImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>JayCee Beyale and Porfidia Beuke, Sa’ah Naaghái Bik’eh Hózhóó, 2023, ribbon, sand, and eagle feather. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8772ddd7-a24b-4501-97eb-8e358a240eb3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Duality - Make it stand out</image:title>
      <image:caption>A view of the exhibition Duality: Contemporary Works by Indigenous Artists with works by the curator Gregg Deal in the foreground. Image courtesy of the Longmont Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/pioneer-printmaker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/58602012-2e56-4cc7-95c1-b6294e744306/Kloss_InstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Pioneer Printmaker - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Gene Kloss: Pioneer Printmaker at the Sangre de Cristo Arts &amp; Conference Center in Pueblo, Colorado. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/10f5a794-a040-4977-9a97-c52d37e9daa2/IMG_4632.jpg</image:loc>
      <image:title>Reviews Home - Pioneer Printmaker - Make it stand out</image:title>
      <image:caption>A wall of black and white prints in the exhibition Gene Kloss: Pioneer Printmaker at the Sangre de Cristo Arts &amp; Conference Center. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4038f37e-e275-41f0-a48e-d09c6be8a1b4/Kloss_ThreeSelfPortraitDrawings_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Pioneer Printmaker - Make it stand out</image:title>
      <image:caption>Gene Kloss, Sketches and Studies, dates unknown, charcoal and pencil on paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cd28f2cc-9fb8-4f16-9f7f-57bf285b20dd/Kloss_SelfPortrait_Intaglio_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Pioneer Printmaker - Make it stand out</image:title>
      <image:caption>Gene Kloss, Self Portrait with Golden Gate, 1951, intaglio print, 13.5 × 10.75 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8f25cbe7-ae91-4d3c-9f8b-f3c53c8215d0/Kloss_TheGuitarPlayer_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Pioneer Printmaker - Make it stand out</image:title>
      <image:caption>Gene Kloss, The Guitar Player, 1934, intaglio print, 7.25 x 5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8c34b1f0-27f0-4c2c-8269-c100bd67ad46/Kloss_IndianDancersTaosPueblo_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Pioneer Printmaker - Make it stand out</image:title>
      <image:caption>Gene Kloss, Indian Dancers–Taos Pueblo, 1932, intaglio print, 9.875 x 7.875 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9faf13d4-9b0b-496c-94f4-abaafce53e80/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pioneer Printmaker - Make it stand out</image:title>
      <image:caption>The title wall of the exhibition Gene Kloss: Pioneer Printmaker at the Sangre de Cristo Arts &amp; Conference Center, with Kloss’s River Towers, 1968, intaglio print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d493a4cf-48f6-42c3-9687-9724969dd3db/Kloss_WinterWoods_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Pioneer Printmaker - Make it stand out</image:title>
      <image:caption>Gene Kloss, Winter Woods, 1941, intaglio print, 6.75 x 8.4 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/defining-our-voices</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c347eb9e-16a0-4cd5-95cf-90eed2dd29b4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Defining Our Voices: Evolving into the Artists We Want to Be at the University of Denver’s Davis Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1bbd9b74-a820-4b94-af6c-060738a56f10/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>A view of the photographs and wall text in Linneya Gardner’s Dear Me, 2023, inkjet photography and textile. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/096c63a5-a390-4e35-8632-f1ce90c36ce6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>Linneya Gardner, Dear Me, 2023, inkjet photography and textile. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/40b6e8aa-7798-48ed-9e4f-6e51eadcc2b7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>A detail view of Olivia Kayang’s Hands_Remembering, 2022, charcoal on paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aba06778-2d95-4b46-a6b5-9e47020c531f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>Olivia Kayang, It shall not be erased, 2022, charcoal and pastel on paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/55ba6ca1-8829-4229-9405-2552238dca3b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>Clare Link-Oberstar, Flow, 2022, encaustic on canvas and wood panels. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5499b0a6-785e-4f21-90be-499e448a803c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>A detail view of one of the component works in Clare Link-Oberstar’s Flow. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5cbec1f0-8a5f-42c3-bd65-7018a3ec373c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>Sofia Hailu, A Mother’s Gaze, 2022, ink on paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/64d2b2bf-6007-47a9-a1d6-95f0a8c9404b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>Blake Ballard, No Place Like Home, 2021, filet crochet panel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b0cd0087-75eb-4cf8-a6b5-87124b97ca8d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>A view of Defining Our Voices: Evolving into the Artists We Want to Be from the doorway of the Davis Gallery. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/220835fb-eb1f-465f-8269-a1f26064918a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>A still image from Olivia Kayang’s To be a body, 2023, single channel video. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/98bd6b64-1891-4900-8272-e5e75fb68e40/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Defining Our Voices - Make it stand out</image:title>
      <image:caption>A view of the curators’ exhibition text for Defining Our Voices: Evolving into the Artists We Want to Be and works by Blake Ballard and Linneya Gardner. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/young-gifted-and-black-the-lumpkin-boccuzzi-family-collection-of-contemporary-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/55b0bb29-2625-477d-b47c-86938e715048/Young+Gifted+And+Black_installationview2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>A view of the exhibition Young, Gift, and Black at the Vicki Myhren Gallery at the University of Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1f908c2-bbca-4cd6-a0d4-d9c4f87f30d8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>A number of works displayed “salon style” in the Young, Gift, and Black exhibit at the Vicki Myhren Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37280e62-266d-4a9c-9c87-d98f20ae975c/Young+Gifted+And+Black_installationview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>A view from the right side of the Vicki Myhren Gallery of the exhibition Young, Gift, and Black. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8b39cab7-e4a3-43cc-8461-95d64fe6fa2f/SamuelLeviJones_Agency_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Samuel Levi Jones, Agency, 2018, football tackling pad covers on canvas, 30 x 30 x 2 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e8b3f02d-fcac-406a-b727-1d9e6f19490b/ArcmanoroNiles_TheNightsIDontRemembertheNightsICantForget_oilacrylicandglitteroncanvas2018_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Arcmanoro Niles, The Nights I Don't Remember, the Nights I Can't Forget, 2018, oil, acrylic, and glitter on canvas, 72 x 70 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9c91196f-27d4-4fff-b56d-6632422cda69/JarettKey_KeyFamilyInTheGarden_2019_oiloncementfresco_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Jarrett Key, Key Family in the Garden, 2019, oil on cement (fresco), 9 x 12 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9c08a430-8d74-4727-b011-6590b180d69e/KerryJamesMarshall_DenMother_1996_acrylicandcharcoalonpaper_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Kerry James Marshall, Den Mother, 1996, acrylic and charcoal paper, 39 x 37.75 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f65cb7d9-663f-4ec0-b235-e2d07f374a52/JordanCasteel_Kenny_2014_oiloncanvas_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Jordan Casteel, Kenny, 2014, oil on canvas, 72 x 54 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/57b6ad0e-d401-48ec-abe3-1aa8ce122cf4/VaughnSpann_RadiantSunshineTheMorningAfter_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Vaughn Spann, Radiant Sunshine, The Morning After (For Lula), 2017, oil and acrylic on paper, 99.38 x 76.25 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/01750cd8-92fb-42f0-840e-38c3087f5536/JenniferPacker_Untitled_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Jennifer Packer, Untitled, 2011-13, oil on canvas, 42 x 30 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04b457de-de42-4a0c-991e-2d5b9e819ac6/TomashiJackson_MagnetSchool1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Tomashi Jackson, Magnet School 1, 2014, acrylic and silkscreen on canvas, 36 x 25.5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aae96c48-2be8-4496-bba4-0a00ceeab7c5/nari-ward-any-time-prior-no-later_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Nari Ward, At any time prior to no later than, 2019, stencil ink and basketball cards on paper, 24.5 x 32 inches. Image courtesy of Lehigh University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cb7ffb34-c8b3-4619-abb4-00f3f146b91c/WilmerWilson_Pres_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>A detail image of Wilmer Wilson IV’s Pres, 2017, staples and pigment print on wood, 96 x 48 x 1.5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3fca7c94-1b35-4b9d-a43c-d01314b2c35a/KevinBeasley_Wrong_detail3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Young, Gifted and Black - Make it stand out</image:title>
      <image:caption>Kevin Beasley, Wrong, 2013, resin, body pillows, T-shirt, and hooded sweatshirt, 30 x 25 x 20 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/art-student-and-alumni-invitational</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f9ec899f-d391-4a46-aa76-6f5601476d4e/AAC_ArtStudentAndAlumniInvitational_InstallationView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>An installation view of the Art Student and Alumni Invitational exhibition at the Colorado Gallery of the Arts at Arapahoe Community College. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d15b3979-e589-43ae-9953-6dcc24f050ff/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Anthony Snyder’s Untitled series, 2023, Holga film images printed in the darkroom as a silver gelatin photographic prints. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a71cbe76-cfb1-4393-a77e-f183f18650d9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Anthony Snyder, Untitled, 2023, Holga film image printed in the darkroom as a silver gelatin photographic print. Image courtesy of Arapahoe Community College’s Colorado Gallery of the Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/161277ff-1cc9-4505-80ff-6c3d015bc455/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Nicole Hartman’s series Lost: An Evolution of Emotion, 2023, fine art pigment prints. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/03accf7d-0f00-4405-a9c9-3ae4b6b44a1c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Nicole Hartman, Split, 2023, fine art pigment print. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9ac2873a-a15e-48b7-9e30-83aba38d4ec4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Four works from Cindy Young’s Life series, 2023, black and white film photography printed in the darkroom as silver gelatin photographic prints. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4ee553bf-87b2-4702-8880-694d20329001/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Sisel Lan, Kal from the series Portraits in Confinement, 2023, installation with photography. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/807a0e0c-f2cb-4d47-8599-690b2e82f8f5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Sisel Lan, Portraits in Confinement, 2023, installation with photography. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aec2ef3f-2e4e-49e8-adff-1b5cdc30931f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>A detail view of Jodee Sweet’s Nihilism, 2023, installation, paint, and plastic, 16 x 42 feet. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/530848c2-8a41-4b30-b1f0-81a0bf65de65/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Amy Mower, Rotko Neck Piece, 2023, sterling silver, 22-karat chrysoprase, spiny oyster, and enamel. Image courtesy of Arapahoe Community College’s Colorado Gallery of the Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0bb9ec60-dd1b-42ad-8729-c69e5e317e05/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Mary Murphy, Art Deco Silver Mirror, 2023, sterling silver, mirror, cast, and fabricated. Image courtesy of Arapahoe Community College’s Colorado Gallery of the Arts.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7bb411e4-0b55-45f4-9ca5-e0e0ce77ab1d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Andrea Gordon, Becoming Dimensional, 2023, wallpaper, ceramic, and papier-mâché. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8840f9b9-b26a-484f-883c-411791daa2f5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Andrea Gordon, Pockets (in green), Loopy (in peach, yellow, and orange), Dot (in pink and red), Brainy (in red), and New Language #2 (in black, yellow, and orange), 2023, ceramic and papier-mâché. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/73160c57-fee5-40bc-9de3-20850b1443d5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Amber Seegmiller, Bad Hands #4, 2023, print of watercolor and ink on paper. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f36729bc-bc09-4887-a4d3-5cf3d95c6518/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Amber Seegmiller, Requiem, 2023, ceramic. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/71ada140-0310-4241-b7bc-a65c811fefed/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>A view of Zoe Handler's works in the Art Student and Alumni Invitational exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/80d488de-daba-4018-87ad-d4af9db56f86/ZoeHandler_single_cyanotype_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>Zoe Handler, These Golden Threads [I], 2023, cyanotype on cotton sateen, cotton linen backing, and metallic thread, 10 x 8 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4414b17f-2724-4deb-af95-e06646220d6b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Art Student and Alumni Invitational - Make it stand out</image:title>
      <image:caption>An installation view of the Art Student and Alumni Invitational exhibition. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/nature-flora-fauna-earth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/57183cc6-60f0-451d-b82c-714df209e816/Nature%2C+Flora%2C+Fauna%2C+Earth_InstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nature, Flora, Fauna, Earth - Make it stand out</image:title>
      <image:caption>An installation view of Nature, Flora, Fauna, Earth at Rocky Mountain Quilt Museum in Golden, Colorado. Image by MG Bernard and Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/67bf359c-aee3-41ba-a300-5d2689a9c9f0/Freedom+Quilt_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nature, Flora, Fauna, Earth - Make it stand out</image:title>
      <image:caption>Yasuko Saitoh &amp; Students of Japan, Freedom Quilt, 2001-2002, cotton and silk, machine and hand pieced, hand applique, machine quilted, 75 x 86.5 inches. Courtesy of the Rocky Mountain Quilt Museum, Golden, Colorado. Image by MG Bernard and Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/800b682e-d7ad-47e2-b05c-49479b893f71/Nature%2C+Flora%2C+Fauna%2C+Earth_InstallationView2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nature, Flora, Fauna, Earth - Make it stand out</image:title>
      <image:caption>An installation view of the traditional quilts in Nature, Flora, Fauna, Earth at the Rocky Mountain Quilt Museum in Golden, Colorado. Image by MG Bernard and Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f9197ae6-91df-464c-918a-964ca3dca639/MARY%7EW18.JPG</image:loc>
      <image:title>Reviews Home - Nature, Flora, Fauna, Earth - Make it stand out</image:title>
      <image:caption>Mary Jane “Minnie” Lang Morgan, Dogwood, ca. 1930s, hand and cabled stitched cotton, 77 x 83.5 inches. Courtesy of the Rocky Mountain Quilt Museum, Golden, Colorado. Image by MG Bernard and Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e57febb-1631-4b76-8785-ac2b383b6e25/MARY%7E9Q8.JPG</image:loc>
      <image:title>Reviews Home - Nature, Flora, Fauna, Earth - Make it stand out</image:title>
      <image:caption>A detail view of Mary Jane “Minnie” Lang Morgan’s Dogwood. Courtesy of the Rocky Mountain Quilt Museum, Golden, Colorado. Image by MG Bernard and Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d74eb174-6968-4e3e-8c43-992cfc51c6e8/Hand+Shadows_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nature, Flora, Fauna, Earth - Make it stand out</image:title>
      <image:caption>Nancy Erickson, Hand Shadows, 1995, cotton canvas, commercial fabrics, acrylic paints, machine pieced, and machine quilted, 59 x 61.5 inches. Courtesy of the Rocky Mountain Quilt Museum, Golden, Colorado. Image by MG Bernard and Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b86daded-2f9a-423b-849d-7c11c641fc48/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Nature, Flora, Fauna, Earth - Make it stand out</image:title>
      <image:caption>Wendy Hill, Falling Into Liquid, 2003, cotton batiks, machine pieced, machine quilted with rayon, metallic, and monofilament threads, 41.5” x 41”. Courtesy of the Rocky Mountain Quilt Museum, Golden, Colorado. Image by MG Bernard and Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e615be1f-7704-46ef-b882-e7270c346fe8/SewingMachineAndIrons_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nature, Flora, Fauna, Earth - Make it stand out</image:title>
      <image:caption>A sewing machine and various irons in Nature, Flora, Fauna, Earth at Rocky Mountain Quilt Museum in Golden, Colorado. Image by MG Bernard and Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/rice-and-resilience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6a3a4806-5ee0-4799-ad33-088945a1e61d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rice &amp;amp; Resilience - Make it stand out</image:title>
      <image:caption>A view of the atrium and exhibition Colorado’s Asian Food Culture: Rice &amp; Resilience at History Colorado. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5859216f-4626-4a53-8142-cfcdd75df038/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rice &amp;amp; Resilience - Make it stand out</image:title>
      <image:caption>Akemi Tsutsui-Kunitake, Nourishment, 2021, ink on watercolor paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1f9895b7-74ad-4839-9962-018aca2e2486/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rice &amp;amp; Resilience - Make it stand out</image:title>
      <image:caption>On the left: a view of Courtney Ozaki’s Inheritance Kitchen, 2022, cupboard, food, spices, and mixed media;. On the right: text and image panels about Colorado’s Asian food cultures. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a6e626d0-a969-47d2-afb6-77544e6e306a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rice &amp;amp; Resilience - Make it stand out</image:title>
      <image:caption>Thomas Yi, MSG, 2021, archival inkjet print. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b5c20c84-e587-4909-98c5-14831b26ff60/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rice &amp;amp; Resilience - Make it stand out</image:title>
      <image:caption>Sammy Seung-Min Lee, BOLT DOWN: our narrative of food insecurity, 2021, mural, paper, gouache, and acrylic varnish. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a19a09b4-68e0-464f-b53a-df0e37c84f89/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rice &amp;amp; Resilience - Make it stand out</image:title>
      <image:caption>Grace Gee, Precious Egg, 2022, handmade and commercial papers, paper pulp, acrylic paint, thread, and colored pencil. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/60fcf5c5-9ae2-4d74-a7ba-891f8da058c7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rice &amp;amp; Resilience - Make it stand out</image:title>
      <image:caption>Courtney Ozaki, Inheritance Kitchen, 2022, cupboard, food, spices, and mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e60c796c-6fff-4a27-b986-32ceaa1bfd11/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rice &amp;amp; Resilience - Make it stand out</image:title>
      <image:caption>A mixed media work from Raj Manickam’s series State of the Spices, 2022. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f3604d59-b406-4d75-b0bc-1c58c3a93870/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rice &amp;amp; Resilience - Make it stand out</image:title>
      <image:caption>One photograph from Raj Manickam’s series State of the Spices, 2022. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/immortalized-lens-and-light</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0cd206ba-ccd9-4965-80bd-9683d57c5486/Immortalized_InstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Immortalized: Lens and Light at the Center for the Arts Evergreen. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/345a0749-d5c0-4643-ad59-2d985976db28/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>Maria Sheets, Sword of Daniel (Portrait of the artist’s nephew), kiln-fired, stained glass painting, 26 x 52 inches. Image courtesy of the Center for the Arts Evergreen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b476de23-c98d-45c6-9243-756c1862967e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>A detail view of the historic and contemporary African American activists and leaders and Civil Rights events depicted in Maria Sheets’ Sword of Daniel (Portrait of the artist’s nephew). Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a28eae10-295b-4b54-b6e6-381deabd7f86/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>Susan Wechsler, Living in Color, glass and ceramic mosaic, 36 x 48 inches. Image courtesy of the Center for the Arts Evergreen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/55f86e51-1ade-4683-b229-93249b1b7a79/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>A detail view of Susan Wechsler’s Living in Color. Image by Shana-Cruz Thompson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5742d6b0-73cf-4cdc-9a14-bbcb3a3f11b0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>An installation view of Immortalized: Lens and Light with Susan Wechsler’s Living in Color in the center left surrounded by black and white photographs. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/58f433f3-f9fc-403b-bc65-c3742717f3a8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>Thomas Carr, Shards of Uncertainty, archival inkjet print from 35mm negative, 14 x 18 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0536d559-cc03-41e2-8e53-382b6a4fe5b6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>Thomas Carr, Transforming Uncertainty, archival inkjet print from 35mm negative, 14 x 18 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4b643976-243a-4d5d-8b1e-c6870b12c764/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>Ward Russell, Viewing the Past, black and white print on archival paper with museum glass, 20 x 16 inches. Image courtesy of the Center for the Arts Evergreen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/24688bfa-165b-47b5-a03f-9dc672948089/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Immortalized: Lens and Light - Make it stand out</image:title>
      <image:caption>Ward Russell, Passing Through, black and white print on archival paper with museum glass, 20 x 16 inches. Image courtesy of the Center for the Arts Evergreen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/entanglements</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1fcbe7d7-ef76-4551-b5a1-838284a5918b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>The title wall for the exhibition Entanglements at the Center for Visual Art in Denver. Image by J. Benjamin Burney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/30a660c4-f23f-40f1-a48a-111843c07751/SARAHSENSE_Extermination_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>Sarah Sense, Extermination of the American Bison from the Power Lines series, 2022, woven archival inkjet prints on Hahnemuhle bamboo paper and Hahnemuhle rice paper, beeswax, and artist tape. Image courtesy of Center for Visual Art, Metropolitan State University of Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6801dfbb-7ca3-46e9-992c-a20bf73a3992/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>Sarah Sense, Louisiana from the Power Lines series, 2022, woven archival inkjet prints on Hahnemuhle bamboo paper and Hahnemuhle rice paper, beeswax, and artist tape. Image courtesy of Center for Visual Art, Metropolitan State University of Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/601628dc-2c4c-4246-aebc-9a8a953d5862/Hammond_InstallationView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>An installation view of works by Felicity Hammond in the Entanglements exhibition. Image by J. Benjamin Burney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7d077867-6739-42c6-a8e0-f4e71354d8dc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>Felicity Hammond, Hidden Gems, 2022, c-type print, frame, and vinyl hazard tape. Image courtesy of Center for Visual Art, Metropolitan State University of Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fcd065f6-e54f-4d31-b244-fa471e7ac2cb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>Felicity Hammond, Deep Disposal, 2022, c-type print, wood, and paint. Image courtesy of Center for Visual Art, Metropolitan State University of Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/812b8a46-573d-4ba5-bbf6-a921916a3214/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>An installation view of Jana Hartmann, DIE TÜR INS MEER (THE DOOR INTO THE SEA), 2017–ongoing, photography. Image courtesy of Center for Visual Art, Metropolitan State University of Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dd0c7081-48a7-4511-9922-080d7240607e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>One of the photographs in Jana Hartmann’s series DIE TÜR INS MEER (THE DOOR INTO THE SEA), 2017–ongoing. Image by J. Benjamin Burney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5237b0c2-e8ff-4799-97e9-7a2b9d22afa6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>An installation view of Regan Rosburg, dear future, 2020, video, 5:11 minutes and Everything is Fine, 2017–present, handwritten letters, ongoing project. Image courtesy of Center for Visual Art, Metropolitan State University of Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/95209c22-083a-40ec-af30-bd7ebe575a9e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>A still image from Regan Rosburg’s dear future, 2020, video, 5:11 minutes. Image courtesy of Center for Visual Art, Metropolitan State University of Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d4f45601-e91c-4a73-a452-4dec8990e50f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Entanglements - Make it stand out</image:title>
      <image:caption>A detail view of Regan Rosburg’s Everything is Fine, 2017–present, handwritten letters, ongoing project. Image by J. Benjamin Burney.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/samantha-johnston-month-of-photography-denver</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c164013-1703-49cd-ab1c-3b3ed878cb75/Panebianco_Catherine_Soaring+Navigation_2021_JamestownUSA_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Catherine Panebianco, Soaring Navigation, 2021, one of the works in The Big Picture 2023 exhibition at RedLine Contemporary Art Center and various locations in the Denver metro area. Image courtesy of Mark Sink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ad907239-54ec-4e26-a38a-9ebfc207e0c1/Dater_186-594_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Judy Dater, Imogen and Twinka at Yosemite, 1974, silver gelatin print, 9.5 x 7.5 inches, part of the exhibition Looking Back, Moving Forward: Permanent Collection Highlights. Image courtesy of the Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/21c1f68a-5e75-4263-abfc-d8e246f382be/Cunningham_186-585_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Imogen Cunningham, Minor White, Photographer, 1963, silver gelatin print, 8 x 7.75 inches, one of the works in the exhibition Looking Back, Moving Forward: Permanent Collection Highlights. Image courtesy of the Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1f6ec99-9b2c-45a8-bed2-3cafc5da93ca/Golemboski_186-677_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Carol Golemboski, They Hook and They Hold, silver gelatin print, 9 x 9 inches, one of the works in the exhibition Looking Back, Moving Forward: Permanent Collection Highlights. Image courtesy of the Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e6d1f660-1afe-4694-b5f4-e6acdcc3b033/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Denis Roussel, Tangerine, 2012, archival inkjet print of wet-plate collodion, 13 x 16 inches, one of the works in the exhibition Looking Back, Moving Forward: Permanent Collection Highlights. Image courtesy of the Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9602c0da-a69d-401e-9752-f62c7d62fe87/KJax_Studios_Funkadelic__2020_Aurora_CO_USA_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>KJax Studios, Funkadelic, 2020, one of the works in The Big Picture 2023 exhibition at RedLine Contemporary Art Center and various locations in the Denver metro area. Image courtesy of Mark Sink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ef46ee38-7089-469d-b666-c31c158aad1a/CPAC+2022+members+show-1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>A view of the Colorado Photographic Arts Center’s 2022 Members’ Exhibition. Image courtesy of CPAC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/28f2b470-38d6-4aa0-b87e-98d99f2a0bf7/Panebianco_Catherine_Racing+Time_2019_JamestownUSA_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Catherine Panebianco, Racing Time, 2019, part of The Big Picture 2023 exhibition at RedLine Contemporary Art Center and various locations in the Denver metro area. Image courtesy of Mark Sink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ee091b2f-484b-4f25-b1a1-bc600242fe98/Murff_186-869_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Zora Murff, Dillon at 18, 2015, archival inkjet print, 30 x 40 inches, one of the works in the exhibition Looking Back, Moving Forward: Permanent Collection Highlights. Image courtesy of the Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ac7b6bc9-4bff-417f-9fca-b16b8365ef48/Panebianco_Catherine_Visible+Limelight_2020_JamestownUSA_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Catherine Panebianco, Visible Limelight, 2020, part of The Big Picture 2023 exhibition at RedLine Contemporary Art Center and various locations in the Denver metro area. Image courtesy of Mark Sink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2a8f9c15-015e-4e44-905b-474076df1962/Hahn_186-568_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Betty Hahn, New Mexico Sky, 1944, laser print on glazed ceramic plate, 4.75 x 3.875 inches, part of the exhibition Looking Back, Moving Forward: Permanent Collection Highlights. Image courtesy of the Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5de7342-d927-4ad9-82e6-e76efe789d1f/Nagatani_186-550_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Samantha Johnston | Month of Photography Denver - Make it stand out</image:title>
      <image:caption>Patrick Nagatani, National Atomic Museum, Kirkland Air Force Base, 1989, chromogenic print, 20 x 24 inches, part of the exhibition Looking Back, Moving Forward: Permanent Collection Highlights. Image courtesy of the Colorado Photographic Arts Center.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/rob-hill</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7383798f-4c3e-4caa-bf3f-b11e23952c25/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>Rob Hill with his works Move (left) and Unity (right), acrylic on canvas, 4 x 6 feet each, on display in the Black Love Mural Festival exhibition at the McNichols Civic Center Building in Denver in July 2021. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d94ca50a-162d-4a70-b8a6-c2145086d3e1/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>Rob Hill, Harmonization, 2020, acrylic, oil, fabric, and ink on canvas, 4 x 5 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/60ce8f80-6f42-4705-8c32-775030126f5b/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>An installation view of Rob Hill’s FABRIK / Cut from a different cloth, 2022, fabric on canvas with metal stand, each panel 40 x 60 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b74036b4-0626-4b58-b5ea-ebdad2777335/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>The model Sunaina wearing clothing by Rob Hill at the Denver Arts &amp; Venues Cultural Fashion Runway Series: Street on July 23, 2022. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9d5589f5-8058-45b9-b037-95bb5ad95ff8/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>Rob Hill, City View, 2018, acrylic on wood, 4 x 4 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5cfa1864-ddc1-42c2-a874-e34285b4e9fb/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>Rob Hill, UNTITLED FREEDOM, 2021, acrylic on canvas, 3 x 4 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/87949d47-c20a-49a9-aa68-453d0093169f/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>Rob Hill, BLEU 11, 2019, acrylic on canvas, 6 x 10 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1b50f22-9eec-40da-bf73-ec4fb03a8154/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>Rob Hill, Designer, 2018, acrylic on wood and mixed media, 4 x 7 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/efa73383-5f00-4da9-9487-ed7f93a89f3e/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>Rob Hill, Peace, 2020, acrylic and ink on canvas, 3 x 4 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/21a32c47-2398-4072-b5e8-eab8196b371b/image-asset.png</image:loc>
      <image:title>Reviews Home - Rob Hill - Make it stand out</image:title>
      <image:caption>Rob Hill, FABRIK / Cut from a different cloth, 2022, fabric on canvas, each panel 40 x 60 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/dancing-in-the-diaspora</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/79a0c759-b2a4-4520-91d5-e5b0f9efa136/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>An exterior view of Understudy with Autumn T. Thomas’s exhibition Dancing in the Diaspora on display. Image by Thadeaous Mighell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/512a23c7-a12d-47d3-bd73-e18f13b8de2a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>The title window of Autumn T. Thomas’s exhibition Dancing in the Diaspora at Understudy. Image by Thadeaous Mighell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/86c40d68-bddd-49c1-a309-0c19f0c4abe9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>Autumn T. Thomas, The Weight of Growth, concrete, Wenge wood, Purpleheart wood, Padauk wood, and resin, 72 x 60 x 7 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5b8fbc73-dfea-40c0-ae2d-94ca0809d9d7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>A detail view of Autumn T. Thomas’s Reverberations, Padauk wood, resin, copper, and wood screws, 30 x 20 x 1 inch. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/444e0530-8be2-42e7-a624-f049ac49cfe7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>Autumn T. Thomas’s Reverberations, Padauk wood, resin, copper, and wood screws, 30 x 20 x 1 inch each. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/41a32f3d-e804-44e2-91d7-c30ff17f5082/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>A still image of a video projection of the dancer Alia Kache, which is part of Dancing in the Diaspora. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b7efe415-62f4-475c-ad8c-62bc97e8181a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>A view of the projected shadows in Dancing in the Diaspora. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/27f18f4f-d36e-4721-9d42-4f5917569a79/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>One of the sculptures in Autumn T. Thomas’s Concrete Fragment Triptych, concrete and wood, 13 x 5 x 3 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b29124fd-7059-448d-8bdd-82a6e802b24d/AutumnThomas_installation2.jpg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>Autumn T. Thomas, Concrete Fragment Triptych, concrete and wood, 13 x 5 x 3 inches, with text on a LED screen. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2048b258-1770-48f3-b461-d6a2081c1eb6/ATThomas-TheWeightofGrowth_pre-2023.jpg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>Autumn T. Thomas, The Weight of Growth, concrete, Wenge wood, Purpleheart wood, Padauk wood, and resin, 72 x 60 x 7 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31f1e5ae-3ecb-4ab0-913e-f3d81f4a2ee0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>A close-up view of the Purpleheat wood and concrete of Autumn T. Thomas’s sculpture The Weight of Growth. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/03d4980e-70b2-4753-8de5-332df92c1aa5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dancing in the Diaspora - Make it stand out</image:title>
      <image:caption>Autumn T. Thomas’s Reverberations, Padauk wood, resin, copper, and wood screws, 30 x 20 x 1 inch. Image by Raymundo Muñoz.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/before-and-after</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0c00fef4-8125-43a8-a8d0-2c9179769a9e/Watt_ExhibitionInstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Before &amp;amp; After - Make it stand out</image:title>
      <image:caption>An installation view of Rob Watt’s Before &amp; After exhibition at the Manitou Art Center’s Hagnauer Gallery. Image by Tim Vacca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f82f2558-9e2d-478f-90a8-05725bc5d0a0/Watt_History_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Before &amp;amp; After - Make it stand out</image:title>
      <image:caption>Rob Watt, History, 2017, embroidery, cotton thread on silk, 7 x 9 inches. Image by Tim Vacca.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ac64c718-503d-4f80-9797-de47fb5f4583/Watt_ABirdsEyeViewEdgeOfTheCity_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Before &amp;amp; After - Make it stand out</image:title>
      <image:caption>Rob Watt, A Bird’s Eye View–The Edge of the City, 2021, embroidery, cotton thread on silk, 4 x 11 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7d530b62-e070-45c3-bcff-a16c32966e3f/Watt_Fig2TheFortress_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Before &amp;amp; After - Make it stand out</image:title>
      <image:caption>Rob Watt, Architecture Series: Fig. 2, 2019, embroidery, cotton thread on silk, 5 x 5 inches.  Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ab681d84-0cdc-403d-b13d-b2cb9c91d565/Watt_Fig1DeepWindows_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Before &amp;amp; After - Make it stand out</image:title>
      <image:caption>Rob Watt, Architecture Series: Fig. 1, 2019, embroidery, cotton thread on silk, 5 x 5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d0f216f-5984-4a6b-831d-7310895284d7/Watt_Street+Patterns_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Before &amp;amp; After - Make it stand out</image:title>
      <image:caption>Rob Watt, Street Patterns, 2020, embroidery, cotton thread on silk, 4 x 18 inches together. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/56c13005-4634-4ec9-93a0-1a2698320176/Watt_Our+Family+Dog_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Before &amp;amp; After - Make it stand out</image:title>
      <image:caption>Rob Watt, Our Family Dog, 2022, black and white photograph, embroidery, and cotton thread on silk, 4 x 6 inches.  Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/30566c5e-10e5-4722-98a9-b9aa5c86915a/Watt_Our+Family+Dog_closeup_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Before &amp;amp; After - Make it stand out</image:title>
      <image:caption>A detail view of Rob Watt’s Our Family Dog, 2022, black and white photograph, embroidery, and cotton thread on silk, 4 x 6 inches.  Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-beginning-in-the-land-around-me</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fe6a7fb8-dba7-43d7-91a4-2806f221a430/BurningAway_1.jpg</image:loc>
      <image:title>Reviews Home - The Beginning, in the land around me - Make it stand out</image:title>
      <image:caption>A view of Kei Ito’s exhibition The Beginning, in the land around me at the Gregory Allicar Museum of Art in Fort Collins. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ddf0fee5-46b6-4f06-8325-f60ddbf941fe/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Beginning, in the land around me - Make it stand out</image:title>
      <image:caption>A video still from Kei Ito’s Aborning New Light, 2021, video (scanned chromogenic print, U.S. nuclear testing footage, sunlight) and sound. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/446b8339-4054-4608-b039-b6fa1c9122c6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Beginning, in the land around me - Make it stand out</image:title>
      <image:caption>A chart of U.S. nuclear tests from July 1945 to September 1992 that is part of Kei Ito’s work Aborning New Light, 2021, ink on paper scroll. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2f6366c6-51b7-4250-bd44-8855a8a035ed/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Beginning, in the land around me - Make it stand out</image:title>
      <image:caption>Kei Ito, Burning Away, 2021, silver gelatin chemigrams (sunlight, honey, various oils) and stones, 20 x 24 inches each. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0aa2e67c-9eea-45cb-b61f-4e85134a1501/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Beginning, in the land around me - Make it stand out</image:title>
      <image:caption>A close-up view of one of the chemigrams in Kei Ito’s installation Burning Away, 2021, silver gelatin chemigrams (sunlight, honey, various oils) and stones, 20 x 24 inches each. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d51fa72d-ae74-473d-a28b-e268a42c5d7e/EyeWhoWitnessed_2.jpg</image:loc>
      <image:title>Reviews Home - The Beginning, in the land around me - Make it stand out</image:title>
      <image:caption>Kei Ito, Eye Who Witnessed, 2020-the present, unique chromogenic print photograms (using sunlight, historic, and archival images), 8 x 10 inches each. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6cae33cd-8a0a-45c8-9817-f94a6d837f14/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Beginning, in the land around me - Make it stand out</image:title>
      <image:caption>Kei Ito, Eye Who Witnessed, 2020-the present, unique chromogenic print photograms (using sunlight, historic, and archival images), 8 x 10 inches each. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a34bcbf5-bfdf-4b9d-9ea1-04a23684966c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Beginning, in the land around me - Make it stand out</image:title>
      <image:caption>A detail view of Kei Ito’s Eye Who Witnessed, 2020-the present, unique chromogenic print photograms (made using sunlight and historic and archival images), 8 x 10 inches each. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46bb5693-a4f7-430d-b6e8-a56893d34122/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Beginning, in the land around me - Make it stand out</image:title>
      <image:caption>One of the individual prints in Kei Ito’s Eye Who Witnessed, 2020-the present, unique chromogenic print photograms (made using sunlight and historic and archival images), 8 x 10 inches each. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/dirty-south</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6ea42f17-5d8d-4cca-8c09-b357bfa6ec28/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>A view of works on display in Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse at the Museum of Contemporary Art Denver. On the left: Kevin Sipp, Take It to the Bridge, 2009, found wood, turntable, vessel, and mixed media. On the right: RaMell Ross, Caspera, 2019, inkjet print mounted on dibond. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cd973962-82fe-48ab-a354-c27e3c5d6cc5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>El Franco Lee II, DJ Screw in Heaven 2, 2016, acrylic on black canvas with cassette tape and silk rose. Image courtesy of the Museum of Contemporary Art Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37c2c352-f163-4b87-b8a1-b47a9a2c9a1a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>An installation view of works on the lower level of the Museum of Contemporary Art Denver in the Dirty South exhibition. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3052e95f-d5d5-423d-98ca-2fcdaff7e716/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>Works in the Dirty South exhibition on display on the second level of the Museum of Contemporary Art Denver, with Rita Mae Pettway’s Housetop (Fractured Medallion), 1977, corduroy, on the right. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9f17386a-6751-476f-9618-e772d419a18f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>A still image of Allison Janae Hamilton’s Wacissa, 2019, single-channel video. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/be71140b-5f17-4005-82d7-a4699eb0d371/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>Nathaniel Donnett, I looked over Jordan and what did I see; a band of angels coming after me, 2017, florescent light, wood, roofing shingles, machete, glass, and acrylic paint. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2b22a250-ad52-4368-94ec-937b98cde016/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>Kaneem Smith, The Past is Perpetual/Weighted Fleet, 2012, reclaimed cotton bale, vintage iron hanging scales, bailing wire, and wood palette. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fba607fc-c8a2-40bf-8043-62107acf1e6a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>Kevin Sipp, Take It to the Bridge, 2009, found wood, turntable, vessel, and mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/57fd3e38-cf47-43ac-b386-f6a3503951b1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>Renee Stout, She Kept Her Conjuring Table Very Neat, 1990, mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/972785b2-4327-44db-9aa6-05a6dabb4321/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>A view of Rodney McMillian’s installation From Asterisks in Dockery, 2012, vinyl, thread, wood, paint, and lightbulb. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c229a8f0-1dc6-4b98-a31a-b657d968deb2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>Sanford Biggers, Khemestry, 2017, antique quilt, birch plywood, and gold leaf. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e8f175b-ec19-4f93-847d-1d293b860f34/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>Rita Mae Pettway, Housetop (Fractured Medallion), 1977, corduroy. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/42933d53-a416-49f2-bfe2-d190a6a3219c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>Felandus Thames, Just Hanging, 2014, fat-lace shoestrings and vintage shoes. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6a2c0f45-d4d0-464c-ad28-7ac82bb873b2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>An installation view of the “Cabinet of Curiosities” on the lower level of the Museum of Contemporary Art Denver in the Dirty South exhibition. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/300a6b2c-f9c7-42e8-ab63-a5a48c5bedba/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>The “Flower Suit” worn by Ceelo Green for the November 11, 2015, performance of “Music to My Soul” on the television program The X Factor UK. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ae188751-4158-462a-88be-9c0f6699e1c1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>A detail view of El Franco Lee II’s painting DJ Screw in Heaven 2, 2016, acrylic on black canvas with a cassette tape. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0459b0da-102b-4f14-b910-6d8d0c050ee6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dirty South - Make it stand out</image:title>
      <image:caption>A detail view of El Franco Lee II’s painting DJ Screw in Heaven 2, 2016, acrylic on black canvas with a silk rose. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/ends-beginnings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7a41adc9-e8e1-42a0-b5ac-005ea2c7da71/DaphneSweet_+installationview_GWimage.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>An installation of view of works by Daphne Sweet in the exhibition Ends + Beginnings at Alto Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/75157922-d374-49d0-a767-3ee9e2681e0d/EileenRoscina_AllThatDigging2.png</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>Eileen Roscina, still from All That Digging, 16mm color video and VHS family archive, 9 minutes and 16 seconds. Image courtesy of Alto Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7d439a4e-8f15-4208-b2bd-b034d3bd34ae/Frazier_WareingSteele_closeup_GWimage.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>Ashley Frazier and Becky Wareing Steele, Untitled, egg shell, human hair, and mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4d698c31-ea95-4394-b1ae-ca0dfc46dc42/DaphneSweet_+Dew+On+My+Screen.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>Daphne Sweet, Dew On My Screen, acrylic on canvas, 30 x 48 images. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bd10c2f2-9869-498a-b349-289d2c9553ad/JanelleAnderson_Forward_Through.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>On the left: Janelle Anderson, Forward, oil on wood panel, 8 x 8 inches. On the right: Janelle Anderson, Through, oil on wood panel, 8 x 8 inches. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/18474df8-3bdd-41dd-b56f-09a3460aa925/Brian+Fouhy_twoworks_GWimage.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>On the left: Brian Fouhy, KGB Bar (First), archival print and text, 12 x 16 inches. On the right: Brian Fouhy, Bar Franca (Last), archival print and text, 12 x 16 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1e911b28-612d-4e2f-9bcd-4d8344756d05/Brian+Fouhy.+KGB+Bar+%28First%29.+Archival+print.+1+of+30.+12+in+x+16+in.+Framed.+450.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>Brian Fouhy, KGB Bar (First), archival print, 12 x 16 inches. Image courtesy of Alto Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d8130632-a534-423b-a667-1202f710d21f/Brian+Fouhy.+KGB+Bar+%28First%29_textpanel_GWimage.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>The accompanying text panel for Brian Fouhy’s KGB Bar (First), archival print and text, 12 x 16 inches. Image by DARIA. [4]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/08f27e6f-d642-4e68-8f30-875d3f7b9de2/AndurielWidmark_OneQuartTitaniumWhite_GWimage.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>Anduriel Widmark, One Quart Titanium White, acrylic on canvas, 6 x 6 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8c8b28ac-ebe9-4f84-8be9-7b37fd9affea/EmilyGraceKing.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>Emily Grace King, left to right: May We Be in Suspension; May We Be Unmoored; May We Float Away, encaustic on vellum, 11 x 17 inches each. Image by Raymundo Muñoz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/541f8bfc-82c8-4670-88bc-8e39069c17f0/EndsAndBeginnings_installationview_GWimage.jpg</image:loc>
      <image:title>Reviews Home - Ends + Beginnings - Make it stand out</image:title>
      <image:caption>An installation view of Ends + Beginnings at Alto Gallery. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-distance-between-words</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/82824eac-e4d9-4250-b698-ffdaedbab1fd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>A view of the title wall of Joel Swanson’s exhibition The Distance Between Words at The Vault at New Collection in Denver. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c101dd2f-fcd5-4896-9458-0164d40313a4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>The 1929 edition of Webster's College, Home and Office Dictionary on display in The Distance Between Words exhibition. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/023bdf9f-0270-46af-b8c8-bc920ab400df/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>An installation view of Joel Swanson’s exhibition The Distance Between Words at The Vault. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4d22a8ad-5771-48a0-a3d1-e91072486f1f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Works from Joel Swanson’s Every Page series on display in The Distance Between Words exhibition. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e49d9d66-d852-49a8-8941-87a8e0e3fdf8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, Every Page (Verso) and Every Page (Recto), 2022, digital prints on paper, 56 x 40 inches each. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/57de6a86-722c-4ffd-aabe-898c3e5ac805/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, Every Page (Verso), 2022, digital print on paper, 56 x 40 inches each. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c0877bf-2de5-4921-bcfb-f086a068bc31/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, Every Page (Separated by Letter, Recto and Verso), 2022, slide projector and digitally-printed slides, dimensions variable. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d785d154-9c26-42e1-98fe-1a172d309e8e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>The slide image for the letter V in Joel Swanson’s Every Page (Separated by Letter, Recto and Verso). Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/271bfc56-5211-471c-9a30-70fd5ab51b83/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, Frequency Adverbs, 2022, graphite on paper, 14 x 11 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04c75eb2-9b79-405f-8d95-f796a3410582/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, Frequency Adverbs, 2022, neon and electronics, 156 x 336 x 4 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1dd25bf9-3cc9-481c-90db-5f167cbdd216/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, The Definition of Dictionary, 2022, found dictionary definition and vinyl, 60 x 23 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9e789d2a-dc18-41b8-8f30-b99e97d4efd8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson’s The Meaning of Lines series, 2022, digital animation and digital prints on aluminum. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9fa53fe8-c0ff-473d-8673-e9e7d8e0a681/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, The Meaning of Lines (All Headword Pairs Animated), 2022, digital animation, 46 minutes 16 seconds. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37fa933b-cb76-4f33-a57c-19b09a94743a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, The Meaning of Lines (All Headword Pairs), 2022, digital print on aluminum, 48 x 67 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1e47dc33-e619-460b-96f6-3bc4843bf1e4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, The Meaning of Lines (A Headword Pairs)–(Z Headword Pairs), 2022, digital prints on aluminum, 11 x 8 inches each. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1b907673-e09e-41d5-8131-f514987d6c91/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>Joel Swanson, All the Silence, 2022, digitally processed audio, 20 hours 2 minutes 42 seconds. Image by Mario Zoots.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/76a079ad-95d2-4f70-aaab-3ee388a66344/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>A view of Joel Swanson’s Frequency Adverbs and The Meaning of Lines series at The Vault at New Collection. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3229980b-453b-459b-a7e4-8500325d1664/Swanson_04_October+05%2C+2022_Dictionary_AngledView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>The 1929 edition of Webster's College, Home and Office Dictionary that was the basis for Joel Swanson’s exhibition The Distance Between Words. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b04afe1a-e6ec-404b-948c-df23c6d05551/Swanson_112_October+05%2C+2022_FrequencyAdverbsNeonInstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Distance Between Words - Make it stand out</image:title>
      <image:caption>A view of Joel Swanson’s The Distance Between Words at The Vault at New Collection. Image by Wes Magyar.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/plane-of-action-just-as-i-am-a-home-in-between</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5fadb724-1bc7-4f72-a2ec-c8837302de38/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>An installation view of Kevin Hoth and George P. Perez’s exhibition Plane of Action at the Boulder Museum of Contemporary Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a559928b-6a74-4f76-973e-076c12e2a317/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>George P. Perez, Neck Stretch, 2022, reclaimed ceramic tile and ceramic photo image, 32 x 50 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ba762fe5-627d-4b1e-a75e-59a9dcc4526c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>George P. Perez, Overlaps and Merging Images Lines Over, 2022, C-prints and tape, 36.5 x 46.25 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5fc26a8f-6915-4dcf-a366-c21c61a3f452/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>A detail view of George P. Perez’s Overlaps and Merging Images Lines Over, 2022, C-prints and tape, 36.5 x 46.25 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/38e911f6-6948-4025-a429-4d1529b3b9e8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>Kevin Hoth, Alpinia 01, 2019, instant film collage. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2aee00fd-95e9-49c8-9331-c4d46317765f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>Kevin Hoth, The Light and the Dark, 2020-2022, instant film collage. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/09fd469c-aa5a-4925-aa5b-df5b549bfbff/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>An installation view of Kristopher Wright’s exhibition Just As I Am at the Boulder Museum of Contemporary Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3fc248a3-7a72-42a4-b284-8e10fbb92e56/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>On the left: Kristopher Wright, Fire In My Bones, 2022, acrylic ink and paint on canvas, 6 feet x 7 feet x 2.5 inches. On the Right: Kristopher Wright, Come By Here, 2022, acrylic ink and paint on canvas, 4 feet x 4 feet x 1.5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0d393f72-4efe-4cdd-9f53-6a8c73649dd2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>Kristopher Wright, Come By Here, 2022, acrylic ink and paint on canvas, 4 feet x 4 feet x 1.5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/72426899-cc1f-4c79-b085-c8d0d9b95a64/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>Kristopher Wright, Summer Cypress, 2022, acrylic ink and paint on canvas, 6 feet x 9 feet x 1.5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c3e2a99-ab30-4962-823c-8aff7fc57fd2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>An installation view of Kristopher Wright’s exhibition Just As I Am at the Boulder Museum of Contemporary Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d32a1f01-038c-4815-b324-9cb79c0ffc64/Kang_A+Home+In+Between_installationview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>An installation view of Erin Hyunhee Kang’s exhibition A Home In Between at the Boulder Museum of Contemporary Art. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/531a9a83-3189-4f1c-bfcd-cabe6a99502f/Kang%2C+A+Home+in+Between%2C+Partial+B%2C+Disappearing+from+everything+and+everyone_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>Erin Hyunhee Kang, A Home in Between, Partial B: Disappearing from everything and everyone, 2022, digital drawing projection. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/47c017ce-6e7b-4c59-8616-2bde767c9867/Kang_My+child%E2%80%99s+walk+home+to+school_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>A drawing from Erin Hyunhee Kang’s series My child’s walk home to school, 2022, rubbing, image transfer, and graphite on paper, 18 x 24 inches. Image by Maggie Sava</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/856efc7d-2122-4ac1-9437-bff9375a7aef/Kang_My+child%E2%80%99s+walk+home+to+school_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Plane of Action / Just As I Am / A Home In Between - Make it stand out</image:title>
      <image:caption>A detail view of a drawing from Erin Hyunhee Kang’s series My child’s walk home to school, 2022, rubbing, image transfer, and graphite on paper, 18 x 24 inches. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/sweaty-wedding</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e4c10a2c-a898-4d4a-bdcd-6e12762f5ae2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sweaty Wedding - Make it stand out</image:title>
      <image:caption>A view of Juntae TeeJay Hwang’s exhibition Sweaty Wedding at Union Hall in Denver. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/287b74e6-e722-4354-947a-1cd3a82aa1c0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sweaty Wedding - Make it stand out</image:title>
      <image:caption>Juntae TeeJay Hwang, Jib Jib Queen, 2022, fired and painted clay, 8 x 10 x 16 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7fa921d2-2cab-4328-a31f-5fa7893a9ff0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sweaty Wedding - Make it stand out</image:title>
      <image:caption>Juntae TeeJay Hwang, Lady Money Bag, 2022, fired and painted clay, 7 x 9 x 14 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8dafcb92-ba6b-42a9-b6e7-8c2cfb5e9d73/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sweaty Wedding - Make it stand out</image:title>
      <image:caption>Juntae TeeJay Hwang, Sassy Lolo, 2022, fired and painted clay, 8 x 10 x 16 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8e206552-22b2-432f-a1eb-5d0d4ef442cf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sweaty Wedding - Make it stand out</image:title>
      <image:caption>Juntae TeeJay Hwang, Jolly Goblin, 2022, fired and painted clay, 8 x 10 x 16 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7257f90c-fdbb-4508-b272-fbdc9f6bd308/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sweaty Wedding - Make it stand out</image:title>
      <image:caption>A group of small ceramic works by Juntae TeeJay Hwang on display in a vitrine. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/77647343-2b9a-485c-98ca-e307b3f0ae7a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sweaty Wedding - Make it stand out</image:title>
      <image:caption>Juntae TeeJay Hwang, Confetti War, 2022, fired and painted clay, rubber, and polyurethane on stretched canvas, 24 x 24 x 5 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/29efc9c6-54c0-454e-b326-4c1443e7259f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sweaty Wedding - Make it stand out</image:title>
      <image:caption>Juntae TeeJay Hwang’s ceramic works in vitrines in the exhibition Sweaty Wedding. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/vessel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e4ce9b81-99ee-481c-9636-46b8d847c5b3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Vessel at the Dairy Arts Center in Boulder. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/beee6b11-bd3b-4513-b254-6785ceea4e00/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>A view of works by Marsha Mack, Robert Sunderman, Andrea Gordon, and Brenda Jones in the exhibition Vessel. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31cea1b9-a59e-4b86-b6f7-95115995ae1c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>thnhdnh, Halfway to Nowhere series, 2021-22, silkscreen on marbled jute paper, 15 x 19 inches each. Image by Drew Austin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/86a858c2-5e7b-4272-ab5b-9b7230efaf66/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>thnhdnh, Towards Bright Horizons v. 1, 2022, silkscreen on marbled jute paper, 15 x 19 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/936a558c-195c-4263-99fe-62203dd761b5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>A detail image of thnhdnh’s Towards Bright Horizons v. 1, 2022, silkscreen on marbled jute paper, 15 x 19 inches. Image by Drew Austin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1744ac03-0400-4470-bb01-8d24a2f5b227/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>Hannah Leathers, Soft Like Armor series, 2022, acrylic on canvas, 36 x 48 inches each, with plaster sculptures. Image by Drew Austin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c9f3c115-5d80-4cdc-a2a1-90536f215c32/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>Hannah Leathers, 10.11.19, 2022, acrylic on canvas, 36 x 48 inches, with plaster sculptures. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ddf6c5f2-0ae7-440a-8805-b7c70277818e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>Hannah Leathers, 2.1.21, 2022, acrylic on canvas, 36 x 48 inches, with plaster sculptures. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af5db6fb-6c1f-4521-a76b-078846165789/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>Evan Mann, Perpetual Rapture, 2012, ink on paper, 40 x 25.5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4e574c1e-7bef-4d01-ad62-e9aeb2e562eb/image-asset.png</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>Evan Mann, still from Real Ethereal, 2014, video, 00:10:18. Image courtesy of the artist, Drew Austin, and the Dairy Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e5fec2e3-5055-4bb9-8a34-8ec84c276c9d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>Tyler Alpern, 3 Attics, 2022, oil on canvas, 42 x 48 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4bcefa02-234c-4f43-8b4e-4c1f40170a9f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>A view of works in the exhibition Vessel on display in the McMahon Gallery at the Dairy Arts Center. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a7a61d13-747b-41a3-a701-ea1d5afbffae/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>Peter Manion, I Am A Joke, 2022, plaster dye and ink on felt, 74 x 74 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/83b0dd1f-bde3-46ce-aa92-577c5834ff23/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>Marsha Mack, Rift, 2022, ceramic and mixed media, 12 x 12 x 9 inches (ceramic work only), installation dimensions variable. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0548496a-a30f-47bf-93f4-2db36b6124e7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>A detail view of Marsha Mack’s Rift, 2022, ceramic and mixed media, 12 x 12 x 9 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c58be09d-f938-4cb2-8ef8-918dcdb388df/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vessel - Make it stand out</image:title>
      <image:caption>A close-up view of the ceramic sculpture and box of candy in Marsha Mack’s installation Rift. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/like-like</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/852ed94f-601c-41d0-8f48-f93b9b90f6f4/IMG-8951_LikeLikeInstallationView.jpg</image:loc>
      <image:title>Reviews Home - Like Like - Make it stand out</image:title>
      <image:caption>An installation view of Like Like: An Exhibition of Current TANK Studios Artists at Rocky Mountain College of Art and Design’s Rotunda Gallery. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/02f28b66-4bf5-4cf7-824b-017321f9073f/IMG-8948_MargaretNeumann.jpg</image:loc>
      <image:title>Reviews Home - Like Like - Make it stand out</image:title>
      <image:caption>Margaret Neumann, Afternoon Cherries, 2021, oil on canvas, 60 x 60 inches. Image by Laura I. Miller</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f5422131-8d0a-4eb2-bfc7-9f6bfb193158/IMG-8932_JaimeCarrejo.jpg</image:loc>
      <image:title>Reviews Home - Like Like - Make it stand out</image:title>
      <image:caption>Jaime Carrejo, A Whisper in a Palm No. 2, 2021, synthetic polymer on wood panel, 60 x 60 x 1 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0aae8665-f305-4366-9953-32d415e42c5c/IMG-8940_GretchenMarieSchaefer.jpg</image:loc>
      <image:title>Reviews Home - Like Like - Make it stand out</image:title>
      <image:caption>Gretchen Marie Schaefer, Precarious, 2022, papier-mâché, acrylic paint, and wood dowel, 38 x 37 x 49 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/19c9f485-52d9-4594-9d09-5a0c16534e0b/IMG-8942_TreyDuvall.jpg</image:loc>
      <image:title>Reviews Home - Like Like - Make it stand out</image:title>
      <image:caption>Trey Duvall, Repeat That Again, 2021, paper and custom pallet, 11.5 x 15.5 x 22 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a0f09e34-5cee-4f31-9d21-9b01744dbd5f/IMG-8922_MarioZoots.jpg</image:loc>
      <image:title>Reviews Home - Like Like - Make it stand out</image:title>
      <image:caption>Mario Zoots, Diversion, 2022, archival pigment print on dibond, 45 x 60 inches, courtesy of K Contemporary. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e3782e77-8017-4a03-b5de-c674f9354da4/IMG-8953_LikeLikeInstallationViewRotundaInterior.jpg</image:loc>
      <image:title>Reviews Home - Like Like - Make it stand out</image:title>
      <image:caption>An installation view of Like Like: An Exhibition of Current TANK Studios Artists at Rocky Mountain College of Art and Design’s Rotunda Gallery. Image by Laura I. Miller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/action-abstraction-redefined</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/57bd75ff-05f3-4f7f-8952-21f34b648c3c/DSC06144_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>A view of the gallery with Abstract Expressionist works in the exhibition Action/Abstraction Redefined at the Colorado Springs Fine Arts Center. Image by Gray Warrior.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f8f4ce59-c22e-46aa-899e-29f97eb6775b/DSC06175_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>A view of Redstar Price’s (Crow) Crow Parfleche, 1967, acrylic on canvas, 24.75 x 24.74 inches, from the Museum of Contemporary Native Arts Collection, on display in the Hard-Edge section of Action/Abstraction Redefined. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0fe5307a-54d0-4a9a-8c01-3dfd175eff92/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>Redstar Price (Crow), Crow Parfleche, 1967, acrylic on canvas, 24.75 x 24.74 inches, from the Museum of Contemporary Native Arts Collection. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e16a95db-470e-4e98-a5ac-059cbe7e52e8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>A view of Redstar Price’s (Crow) Crow Parfleche on display in the foreground in the Action/Abstraction Redefined exhibition. Image by Gray Warrior.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/683e6ebc-b4de-4230-adc7-8d8be255f3ec/Gray+Warrior+Image_Hard+Edge+and+Color+Field+gallery+installation+view_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>A view of the gallery with Color Field and Hard-Edge works in the exhibition Action/Abstraction Redefined. Image by Gray Warrior.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c31b8d67-f9fa-4f43-b8dd-61bb03253b46/DSC06106_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>The main corridor of the Action/Abstraction Redefined at the Colorado Springs Fine Arts Center. Image by Gray Warrior.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/35584158-f5cc-4400-b252-8f62468352d2/Arellano+Image_Abstract+Expressionism+Wall+view_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>A view of the intentionally unfinished wall paint in the Abstract Expressionist gallery of the Action/Abstraction Redefined exhibition, with Forms in Beadwork by Earl Elder (Tancan Hanska, Longchase) (Yanktonai Sioux), 1963, oil on canvas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/903ba31c-c303-4e63-a51b-e70ba31bc42b/Arellano+Image_Hard+Edge+Wall+view_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>A view of the demarcation between the Hard-Edge section of the Action/Abstraction Redefined exhibition in dark gray and the Color Field section in white. In the foreground, Juanita Waukazo (Chippewa), Untitled, 1966, acrylic on canvas. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0c0eb8bc-8e4d-4e74-b6d3-04f879c3c429/Arellano+Image_Zillioux+Jackson+Christian_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>Mike Medicine Horse Zillioux (Akimel O’Odham/Cheyenne/Pawnee), The Day Jackson Pollock Became a Christian, 1974, acrylic, rawhide, and salt on canvas, 52 x 48.25 inches, from the Museum of Contemporary Native Arts Collection. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/580250be-976d-4893-9ffa-258fc2e8a64a/Arellano+Image_+Detail+of+Zillioux_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>A detail image of Mike Medicine Horse Zillioux’s The Day Jackson Pollock Became a Christian, 1974, acrylic, rawhide, and salt on canvas, 52 x 48.25 inches, from the Museum of Contemporary Native Arts Collection. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f08520c8-d084-4dc0-90d6-1a806824e182/Gray+Warrior+Image_Abstraction+Expressionism+Room_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>A view of the gallery with Abstract Expressionist works in Action/Abstraction Redefined. Image by Gray Warrior.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c3314620-adec-4fd2-a299-0bda61e015c4/Gray+Warrior+Image_Color+Field+area+looking+into+Ab+Ex+gallery_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Action/Abstraction Redefined - Make it stand out</image:title>
      <image:caption>A view of the gallery with Color Field works in Action/Abstraction Redefined. Image by Gray Warrior.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/off-the-shelf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/89659f74-d013-4b86-9ae2-a0da00ae978f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Off the Shelf - Make it stand out</image:title>
      <image:caption>An installation view of Off the Shelf: Contemporary Book Arts in Colorado at the Gregory Allicar Museum of Art at Colorado State University in Fort Collins. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/062c7180-7582-43d9-a3b8-c665acb09958/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Off the Shelf - Make it stand out</image:title>
      <image:caption>A view of the Off the Shelf exhibition with Aaron Cohick’s Orpheus the stutterer: a poetics of silence in the center. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5218325-0cce-422a-9e5e-24eaa7f22991/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Off the Shelf - Make it stand out</image:title>
      <image:caption>An installation view of Off the Shelf: Contemporary Book Arts in Colorado. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/174767da-ebe3-40f1-8395-6b22e836764f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Off the Shelf - Make it stand out</image:title>
      <image:caption>Alicia Bailey, Lipstips, 2001, scroll type book with slit pages made of laser printed sumi paper coated with pigment and paste and bound into lipstick tube; box: fabric covered cardboard, coated with wax and pigment, with inside mirror and snap closure, 3.5 x 1 x .75 inches (closed). Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31ad4bef-0095-497d-8641-7bfbb67309e6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Off the Shelf - Make it stand out</image:title>
      <image:caption>An interior view of Sammy Seung-min Lee’s Mammorial, 2017, Hanji, handmade papers, CD with breast pump sound, silicone breasts, resin, and bra straps, 2 x 6.75 x 12.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2a8ec894-2b3f-4567-8278-17a53c4895aa/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Off the Shelf - Make it stand out</image:title>
      <image:caption>Aaron Cohick’s CURB, 2019, letterpress printed text from photopolymer plates and rubbings made directly from sidewalks and curbs, 12.5 x 8 inches (closed), 12.5 inches x 13 feet (fully extended). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6cd8eb15-0118-43be-a5ec-214b78bf5780/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Off the Shelf - Make it stand out</image:title>
      <image:caption>Aaron Cohick, CURB, 2019, letterpress printed text from photopolymer plates and rubbings made directly from sidewalks and curbs, 12.5 x 8 inches (closed), 12.5 x 13 inches (fully extended). Image by Mary Grace Bernard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/recurring-dreams</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e63167de-7d7e-4524-a166-f4cd7cafc5a0/Ables_installationview_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recurring Dreams - Make it stand out</image:title>
      <image:caption>A view of Nathan Abels’ exhibition Recurring Dreams at Rule Gallery. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e93e2727-6636-497e-9959-45c7b8af48d2/Abels_There+Is+No+Death+%28Echoes%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recurring Dreams - Make it stand out</image:title>
      <image:caption>Nathan Abels, There is No Death (Echoes), 2022, graphite on paper with ephemera on cork, 33.5 x 44.25 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f01735b3-5706-44fa-8c85-ce4543b95972/Abels_Beginnings_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recurring Dreams - Make it stand out</image:title>
      <image:caption>Nathan Abels, Beginnings, 2022, oil on canvas with oak frame, Paleolithic tool, brass mount, 12 x 24 x 2 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/58dce627-25af-47a2-baac-2df0c1e968a3/Abels_Equinox_closeup_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recurring Dreams - Make it stand out</image:title>
      <image:caption>Nathan Abels, Equinox, 2022, glass cast from Paleolithic tool, paleolithic tool (stone), and steel pedestal, 43 x 20 x 20 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/623bf0b0-c0f4-457a-973d-629f1af73bad/Ables_As+Above%2C+So+Below_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recurring Dreams - Make it stand out</image:title>
      <image:caption>Nathan Abels, As Above, So Below, 2022, acrylic on canvas, with wooly mammoth tooth, cement pedestal, and sand, 66 x 20 x 20 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1f3b5778-35a2-4cba-8644-f8d26177d14f/Abels_Former+Ghost+%28Silene+Stenophylla%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recurring Dreams - Make it stand out</image:title>
      <image:caption>Nathan Abels, Former Ghost (Silene Stenophylla), 2022, oil on linen, 30 x 48 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/a-wink-is-just-a-wink</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7ac97f97-2f25-414e-9339-7228e201c50b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Wink is Just a Wink - Make it stand out</image:title>
      <image:caption>A view of Amber Cobb’s exhibition A Wink is Just a Wink in the Galleri Gallery at Meow Wolf Denver. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6d7ff144-9dd6-4ca0-a7ff-ce37bf8d811a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Wink is Just a Wink - Make it stand out</image:title>
      <image:caption>Amber Cobb, Connotative Layers, 2022, gouache on wood panel, 20 x 20 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a15f6c5c-aba0-4090-a68e-780d44b5535c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Wink is Just a Wink - Make it stand out</image:title>
      <image:caption>Four works by Amber Cobb, on the left wall: Pink Wink, 2022, gouache on wood panel, 20 x 20 inches, and Linger, 2022, gouache on wood panel, 20 x 20 inches; on the right wall: To a Certain Degree, 2022, wood, plaster, paper pulp, and enamel paint, 35 x 19 x 9 inches, and To a Certain Extent, 2022, wood, plaster, paper pulp, and enamel paint, 34 x 16 x 11 inches. Image by Wes Magyar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/22d77ca3-790b-410e-9cb0-413763444506/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Wink is Just a Wink - Make it stand out</image:title>
      <image:caption>Amber Cobb, Trinity, 2022, gouache on wood panel, 20 x 20 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/315214a2-98bf-4af4-958f-719814d898aa/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Wink is Just a Wink - Make it stand out</image:title>
      <image:caption>On the left: Amber Cobb, To a Certain Degree, 2022, wood, plaster, paper pulp, and enamel paint, 35 x 19 x 9 inches; on the right: Amber Cobb, To a Certain Extent, 2022, wood, plaster, paper pulp, and enamel paint, 34 x 16 x 11 inches. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7fa5fd09-33e1-420e-9cb4-61a2685e274e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Wink is Just a Wink - Make it stand out</image:title>
      <image:caption>Three works by Amber Cobb, from left to right: To a Certain Degree, 2022, wood, plaster, paper pulp, and enamel paint, 35 x 19 x 9 inches; To a Certain Extent, 2022, wood, plaster, paper pulp, and enamel paint, 34 x 16 x 11 inches; and Solo Ride, 2022, gouache on wood panel, 20 x 20 inches. Image by Wes Magyar.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-everyday-and-everyday-objects-recontextualized</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/143edac9-a27d-4001-ab86-7220bde429ec/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>A view of the entry area and title wall of The Everyday and Everyday Objects Recontextualized at fooLPRoof Contemporary Art Gallery. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5c5ba9d-2bad-43e3-ab31-809b01b47196/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>Tobias Flores’ installation of light switch covers in cast iron aluminum. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9cb9123f-3d90-4437-9c38-3a18caf56b14/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>Laura Phelps Rogers, Wash and Dry, 2016, light-based mixed media work with digital photography. Image courtesy of FooLPRoof Contemporary Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/958febb9-9902-48d1-ab99-79f621e2a2a6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>Therese (Tess) Jones, Making Crazy series, 2012-2022, acrylic on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aa0d25cd-4e3f-4c60-a685-996fbc60495b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>Leslie Aguillard, The Aftermath from the Noir series, 2014, oil on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/db6b32d9-27ab-402f-9d56-853fc0c6a5b9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>Louis Recchia, Dada Ballerinas, 2018, oil on canvas, 36 x 48 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/32040660-754e-488b-8fae-fea82183a812/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>From top to bottom: Sandy Lane, Our Room; The Tearoom; A Domesticated Room; Private Room; Your Room, all 2007, C-print photographs, 13 x 20 inches each. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6c4d5548-e2e1-4798-812d-7898c64dbe7a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>Sandy Lane, Sunroom, 2007, C-print photograph, 29 x 42 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/06efb242-5adc-4ace-9dbe-80c5bacdc998/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>A view of Laura Phelps Rogers' The Art in the Everyday Community Quilt Project featuring over 800 submissions, ongoing, mixed media on wooden discs. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2ccad1d3-12f2-464a-af87-79eb2275c3bc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>A detail view of Laura Phelps Rogers' The Art in the Everyday Community Quilt Project featuring over 800 submissions, ongoing, mixed media on wooden discs. In the foreground, the discs include U.S. dollars and a design using cardboard. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/40f3e620-b2ab-4d99-b88c-276a5bb4fe18/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Everyday and Everyday Objects Recontextualized - Make it stand out</image:title>
      <image:caption>A detail view of Laura Phelps Rogers' The Art in the Everyday Community Quilt Project featuring over 800 submissions, ongoing, mixed media on wooden discs. In the foreground, the discs include plastic debris, seed beads, an empty paint tube, and a paint brush. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/la-inclusion-de-mi-raza</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/85ff0362-7d26-41b6-8f90-2c6ff7a269d3/Black-Cube-Gabriel-Rico-13_8incheswide_150dpi.png</image:loc>
      <image:title>Reviews Home - La inclusión de mi raza (The inclusion of my race) - Make it stand out</image:title>
      <image:caption>Gabriel Rico, La inclusión de mi raza (The inclusion of my race), 2022, installation and augmented reality. Image by Third Dune Productions, courtesy of the artist, Black Cube Nomadic Art Museum, and the Biennial of the Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d9db8226-f3d4-46b7-baf1-8fa05fb8f83d/Black-Cube-Gabriel-Rico-19_8incheswide_150dpi.png</image:loc>
      <image:title>Reviews Home - La inclusión de mi raza (The inclusion of my race) - Make it stand out</image:title>
      <image:caption>A viewer interacting with Gabriel Rico’s La inclusión de mi raza (The inclusion of my race), 2022, installation and augmented reality. View of the AR as seen through an iPad. Image by Third Dune Productions, courtesy of the artist, Black Cube Nomadic Art Museum, and the Biennial of the Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e166868f-3c24-4515-a24b-cc4d9e793d96/Black-Cube-Gabriel-Rico-7_8incheswide_150dpi.jpg</image:loc>
      <image:title>Reviews Home - La inclusión de mi raza (The inclusion of my race) - Make it stand out</image:title>
      <image:caption>Gabriel Rico, La inclusión de mi raza (The inclusion of my race), 2022, installation and augmented reality. A view of a totem with various objects including a kayak, mannequin, bench, and skis. Image by Third Dune Productions, courtesy of the artist, Black Cube Nomadic Art Museum, and the Biennial of the Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/788bc1ad-ff29-4254-8e65-965c979b5540/Black-Cube-Gabriel-Rico-22_8incheswide_150dpi.png</image:loc>
      <image:title>Reviews Home - La inclusión de mi raza (The inclusion of my race) - Make it stand out</image:title>
      <image:caption>Gabriel Rico, La inclusión de mi raza (The inclusion of my race), 2022, installation and augmented reality. A view of a totem with various objects including a kayak, toilet, picnic basket, and mannequin. Image by Third Dune Productions, courtesy of the artist, Black Cube Nomadic Art Museum, and the Biennial of the Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/064f9090-fb6e-4be9-9718-5e3da250df43/Miller+Image_blue+base+sculpture_150dpi.jpg</image:loc>
      <image:title>Reviews Home - La inclusión de mi raza (The inclusion of my race) - Make it stand out</image:title>
      <image:caption>Gabriel Rico, La inclusión de mi raza (The inclusion of my race), 2022, installation and augmented reality. A totem with various objects including a child’s bicycle, a child’s toy basketball hoop, a watering can, and a traffic cone. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/da25b545-318f-43d7-bbdb-46d24c93c22f/BlackCube_WhatsApp+Image+2022-09-13+at+1.54.37+PM_8incheswide_150dpi.jpg</image:loc>
      <image:title>Reviews Home - La inclusión de mi raza (The inclusion of my race) - Make it stand out</image:title>
      <image:caption>Gabriel Rico, La inclusión de mi raza (The inclusion of my race), 2022, installation and augmented reality. A human skeletal system in AR in front of a totem sculpture. Image courtesy of the artist, Black Cube Nomadic Art Museum, and the Biennial of the Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d0cc874-fd93-46b4-8d9e-343b8d8a5499/BlackCube_WhatsApp+Image+2022-09-13+at+1.54.38+PM_8incheswide_150dpi.jpg</image:loc>
      <image:title>Reviews Home - La inclusión de mi raza (The inclusion of my race) - Make it stand out</image:title>
      <image:caption>Gabriel Rico, La inclusión de mi raza (The inclusion of my race), 2022, installation and augmented reality. A moose and human bodily system in AR. Image courtesy of the artist, Black Cube Nomadic Art Museum, and the Biennial of the Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2daec9cb-b12d-4d10-9c4e-9aca10b4a5fc/Black-Cube-Gabriel-Rico-17_8incheswide_150dpi.png</image:loc>
      <image:title>Reviews Home - La inclusión de mi raza (The inclusion of my race) - Make it stand out</image:title>
      <image:caption>Gabriel Rico, La inclusión de mi raza (The inclusion of my race), 2022, installation and augmented reality. Image by Third Dune Productions, courtesy of the artist, Black Cube Nomadic Art Museum, and the Biennial of the Americas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/86816a35-99ca-4cea-b41d-d934c302f444/BlackCube_WhatsApp+Image+2022-09-13+at+1.54.37+PM+%281%29_8incheswide_150dpi.jpg</image:loc>
      <image:title>Reviews Home - La inclusión de mi raza (The inclusion of my race) - Make it stand out</image:title>
      <image:caption>Gabriel Rico, La inclusión de mi raza (The inclusion of my race), 2022, installation and augmented reality. A human circulatory system in AR. Image courtesy of the artist, Black Cube Nomadic Art Museum, and the Biennial of the Americas.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/paloma-jimenez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f9e13e65-7b1b-4b28-85cf-4000fb63d833/Jimenez_gutterguts_150dpi.png</image:loc>
      <image:title>Reviews Home - Paloma Jimenez - Make it stand out</image:title>
      <image:caption>Paloma Jimenez, Gutter Guts, 2022, ceramic and glaze, 11.5 x 17 x 6.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fa0fa70d-14c3-44b8-94e8-054897e81bc0/Jimenez_junkdrawerstudy_150dpi.png</image:loc>
      <image:title>Reviews Home - Paloma Jimenez - Make it stand out</image:title>
      <image:caption>Paloma Jimenez, Junk Drawer Study, 2020, ceramic, glaze, and found ceramic fragments, 9 x 5 x 1 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9ad8aa09-533a-45e3-9ea9-e25625c9d3ab/Jimenez_quantumquestion_150dpi.png</image:loc>
      <image:title>Reviews Home - Paloma Jimenez - Make it stand out</image:title>
      <image:caption>Paloma Jimenez, Quantum Question. 2021, ceramic, glaze, and found ceramic fragments, 8.5 x 6.75 x 1.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4bedf81b-e15b-4638-8177-286bff393f84/Jimenez_sticksstones_150dpi.png</image:loc>
      <image:title>Reviews Home - Paloma Jimenez - Make it stand out</image:title>
      <image:caption>Paloma Jimenez, Sticks, Stones, 2018, ceramic, glaze, wood, sawdust, latex paint, and brass hardware, 46 x 18.5 x 18.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6af921a2-acba-4bf9-8ac9-ddebb0ab86ce/Jimenez_percussioninstrument_150dpi.png</image:loc>
      <image:title>Reviews Home - Paloma Jimenez - Make it stand out</image:title>
      <image:caption>Paloma Jimenez, Percussion Instrument for a Broken Hand, 2019, stick, ceramic, underglaze, plaster, and found pottery fragments, 21 x 5.25 x 2 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/71ef5e89-0b1b-45a3-9921-b4b39b0df28e/pjimenez_mossverytangled+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Paloma Jimenez - Make it stand out</image:title>
      <image:caption>Paloma Jimenez, Moss, Very Tangled, 2019, plaster, comb, and watercolor, 4 x 3 x 2.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/af6b2e58-fd45-41d1-b8ed-1c660a7b3744/Jimenez_HerGoldenLocksBejeweled_150dpi.png</image:loc>
      <image:title>Reviews Home - Paloma Jimenez - Make it stand out</image:title>
      <image:caption>Paloma Jimenez, Her Golden Locks Bejeweled, 2019, ball, sponge, and tumbled stones, 5.5 x 4 x 3 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f6b7caf-1fd5-4cc2-810a-d1889af16262/Jimenez_topoftheheap_150dpi.png</image:loc>
      <image:title>Reviews Home - Paloma Jimenez - Make it stand out</image:title>
      <image:caption>Paloma Jimenez, Top of the Heap, 2022, ceramic and glaze, 11.5 x 8.5 x 8.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/24d05499-b5d2-4db0-8e65-db53699d6d0a/Jimenez_loambelow_150dpi.png</image:loc>
      <image:title>Reviews Home - Paloma Jimenez - Make it stand out</image:title>
      <image:caption>Paloma Jimenez, Loam Below. 2021, ceramic and glaze, 19 x 9.5 x 3 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/transformative-power-indigenous-feminisms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f3da6459-452a-449b-823e-b6d117273e96/TransformativePower_InstallationView_withBelmore_Apparition_intheforeground_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Transformative Power: Indigenous Feminisms - Make it stand out</image:title>
      <image:caption>A view of the exhibition Transformative Power: Indigenous Feminisms at the Vicki Myhren Gallery at University of Denver. In the foreground: Rebecca Belmore’s Apparition, 2013, video installation. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/14fc9530-d2d4-4536-88ce-d41fc7a668fd/Belmore_Apparition_2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Transformative Power: Indigenous Feminisms - Make it stand out</image:title>
      <image:caption>A still image from Rebecca Belmore’s Apparition, 2013, video installation. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3d658ad7-71df-4ce7-849b-7b36001a0d7c/Belmore_Apparition_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Transformative Power: Indigenous Feminisms - Make it stand out</image:title>
      <image:caption>A still image from Rebecca Belmore’s Apparition, 2013, video installation. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0903c067-d0ea-42c5-9f8c-40f4d7b1855f/Belmore_Nurturing+Mother_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Transformative Power: Indigenous Feminisms - Make it stand out</image:title>
      <image:caption>Performance documentation of Rebecca Belmore’s Nurturing Mother (Alma Mater), 2022, for the Transformative Power: Indigenous Feminisms exhibition at the Vicki Myhren Gallery. Image courtesy of Roddy MacInnes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/499d2bcc-3dc1-4594-aae3-f5466635819c/SarahSense_CowgirlsAndTheirGuns_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Transformative Power: Indigenous Feminisms - Make it stand out</image:title>
      <image:caption>Sarah Sense, Cowgirls and Their Guns, 2018, woven archival inkjet prints on bamboo and rice paper, wax, and tape. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1367a524-e372-45b4-9547-ec04008c5ed2/Kihara_Taualuga_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Transformative Power: Indigenous Feminisms - Make it stand out</image:title>
      <image:caption>A still image from Yuki Kihara’s Taualuga: The Last Dance, 2006, single-channel digital video. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6be12165-c9bd-4dcd-aaf9-fd68ad2218f9/Cuthand_Boi+oh+Boi_blackandwhite_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Transformative Power: Indigenous Feminisms - Make it stand out</image:title>
      <image:caption>A still image from TJ Cuthand’s Boi oh Boi, 2012, digital video. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b1935b50-7fc3-4947-a14d-83b9c0916ca4/EricLord_Untitled_ITanToLookMoreNative_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Transformative Power: Indigenous Feminisms - Make it stand out</image:title>
      <image:caption>Erica Lord, Untitled (I Tan to Look More Native) from The Tanning Project, 2006, inkjet print. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/omeallie-valant-khoury-wilbar</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6a3ed123-14f3-4a37-a5a4-53135ee9d811/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tree – Saw - Paint / Reimagined / the texture of life and the beauty of the world / Nightfall, Fallen - Make it stand out</image:title>
      <image:caption>Tanner Valant, Still Smiling, colored pencil, 22 x 30 inches (24 x 32 inches framed). Image courtesy of Kreuser Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/84dfd297-dcdc-4f4f-aa01-d2c998e2edb2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tree – Saw - Paint / Reimagined / the texture of life and the beauty of the world / Nightfall, Fallen - Make it stand out</image:title>
      <image:caption>Six works by Sean O’Maillie in his exhibition Tree - Saw - Paint at Kreuser Gallery. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b040e5d2-b413-447f-807f-ba7078c04f5a/Khoury_4works_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tree – Saw - Paint / Reimagined / the texture of life and the beauty of the world / Nightfall, Fallen - Make it stand out</image:title>
      <image:caption>Four works by Karen Khoury in her exhibition the texture of life and beauty of the world at G44 Gallery. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/422b0d49-5661-4f27-bc59-2259a3053dee/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tree – Saw - Paint / Reimagined / the texture of life and the beauty of the world / Nightfall, Fallen - Make it stand out</image:title>
      <image:caption>Karen Khoury, Untitled 16, acrylic on panel, 11 x 14 inches. Image courtesy of G44 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/39e52c41-e9b3-4fae-86f4-82011c396e80/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tree – Saw - Paint / Reimagined / the texture of life and the beauty of the world / Nightfall, Fallen - Make it stand out</image:title>
      <image:caption>Karen Khoury, Untitled 6, acrylic on panel, 16 x 16 inches. Image courtesy of G44 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e471e451-dfe0-4538-945b-73a48dd23973/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tree – Saw - Paint / Reimagined / the texture of life and the beauty of the world / Nightfall, Fallen - Make it stand out</image:title>
      <image:caption>Sean O'Meallie, Dream Fruit of Psychedelic Produce, 2021, painted wood, 52 x 43 x 7 inches. Image courtesy of Kreuser Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/09143252-6a3c-4b08-8292-6999b869570b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tree – Saw - Paint / Reimagined / the texture of life and the beauty of the world / Nightfall, Fallen - Make it stand out</image:title>
      <image:caption>Sean O'Meallie, Study in Black, 2020, painted wood, 45 x 54 x 4.5 inches. Image courtesy of Kreuser Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a69df2e1-6d1c-427b-ae5b-38890a9ce122/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tree – Saw - Paint / Reimagined / the texture of life and the beauty of the world / Nightfall, Fallen - Make it stand out</image:title>
      <image:caption>Meghan Wilbar’s exhibition Nightfall, Fallen at G44 Gallery, with the artist on the right. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f482f794-b65d-483b-a329-57b017f33690/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tree – Saw - Paint / Reimagined / the texture of life and the beauty of the world / Nightfall, Fallen - Make it stand out</image:title>
      <image:caption>Three works by Meghan Wilbar—left: Prequel: Scattering Sunset, mixed media (graphite, oil, paper, and matte board), 14 x 15 inches; center: Prequel: Night's Hallelujah, mixed media (graphite, oil, paper, and matte board), 16 x 20 inches; right: Prequel: Coming Home, mixed media (graphite, oil, paper, and matte board), 14 x 15 inches. Image by Emily Zeek.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/burns-sculpture-park</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f186a0bb-9d86-4b8a-bc63-1bffca46a22d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Temporary Concrete Lost to Time - Make it stand out</image:title>
      <image:caption>Angelo Di Benedetto, Untitled, 1968, painted concrete. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce13e41a-2d14-46f7-879e-cfb563c3e552/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Temporary Concrete Lost to Time - Make it stand out</image:title>
      <image:caption>Wilbert Verhelst, Untitled, 1968, paint on wood and fiberglass. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b0e54e36-c5db-41ae-abcc-9b9fa768abf9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Temporary Concrete Lost to Time - Make it stand out</image:title>
      <image:caption>Barbara Baer, Jazz, 1999, painted steel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9abe36dd-9375-44a6-9633-4124f5e587f0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Temporary Concrete Lost to Time - Make it stand out</image:title>
      <image:caption>Anthony Magar, Untitled, 1968, painted steel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/be6c2084-66ea-4cf5-a7bd-6e6f97f7f580/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Temporary Concrete Lost to Time - Make it stand out</image:title>
      <image:caption>Anthony Magar, Untitled (Dedicated to Martin Luther King, Jr.), 1968, paint on wood and fiberglass. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/adimensionalities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/71914826-c778-400e-8d7f-055c797f9498/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>A view of the exhibition Adimensionalities by Krzysztof Syruć (PROEMBRION) at Ryan Joseph Gallery in Denver. Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a11bff5-745a-4eef-aadb-35b69f7455ce/Proembrion+%27Eight+Exucubes%27%2C+2022%2C+acrylic+on+linen%2C+100x81cm.jpg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>Krzysztof Syruć (PROEMBRION). Eight Exucubes, 2022, acrylic on linen, 100 x 81 centimeters. Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4458aa75-6b03-4fbb-a7c7-0e6217c53f79/Proembrion+%27All+Components%27%2C+2019%2C+acrylic+on+linen%2C+110x80cm.jpg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>Krzysztof Syruć (PROEMBRION), All Components, 2019, acrylic on linen, 110 x 80 centimeters. Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b9bb4814-2ab7-41d7-822f-01a0edc858cd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>A view of works in Adimensionalities by Krzysztof Syruć (PROEMBRION). Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7e7d0ae1-c1ca-40bb-8fc1-93fabf685c66/Proembrion+%27Semicircle%27%2C+2022%2C+acrylic+on+linen%2C+80x120cm.jpg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>Krzysztof Syruć (PROEMBRION), Semicircle, 2022, acrylic on linen, 80 x 120 centimeters. Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/648b1089-1a98-430a-8430-a7f2c65454f4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>A view of Adimensionalities by Krzysztof Syruć (PROEMBRION) with the painting Semicircle on the right. Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2578165f-ccd2-4e02-871a-ad306ff99b59/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>Fours works in Adimensionalities by Krzysztof Syruć (PROEMBRION), with the painting Bridge, 2022, acrylic on linen, 150 x 120 centimeters, on the left. Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e3527995-ce9c-45de-873a-00a9fe8da2d9/Proembrion+%27Exucube+on+Green%27%2C+2022%2C+acrylic+on+linen%2C+40x20cm.jpg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>Krzysztof Syruć (PROEMBRION), Exucube on Green, 2022, acrylic on linen, 40 x 20 centimeters. Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aaba9880-ed5d-468a-90df-122e38e1959f/Proembrion+%27Corner+Vaults%27%2C+2022%2C+acrylic+on+linen%2C+50x90cm.jpg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>Krzysztof Syruć (PROEMBRION), Corner Vaults, 2022, acrylic on linen, 50 x 90 centimeters. Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/110b7d1b-4f54-4e13-b730-4b025bdd516e/Proembrion+%27Immense+Complexity%27%2C+2022%2C+acrylic+on+linen%2C+60x30cm.jpg</image:loc>
      <image:title>Reviews Home - Adimensionalities - Make it stand out</image:title>
      <image:caption>Krzysztof Syruć (PROEMBRION), Immense Complexity, 2022, acrylic on linen, 60 x 30 centimeters. Image courtesy of Ryan Joseph Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/recombobulation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/da71817c-6398-485d-82b7-002c997d187c/curtiscenter_installview1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recombobulation - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Recombobulation at Curtis Center for the Arts. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/09fd1861-06d0-4c9b-af0e-d50d206a0c01/curtiscenter_tunson_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recombobulation - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Synchro-Mesh 51, 2020, mixed media, 26 x 16 x 5 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/816b3bed-be56-4650-8c3c-df6270f179cb/curtiscenter_descant_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recombobulation - Make it stand out</image:title>
      <image:caption>Jimmy Descant, Pass the Hatchet! TOMAHAWK, 2018, Mahjong tiles, utensils, piano hammers, tools, keys, and other objects on a vintage wood desktop, 30 x 22 x 3 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7ff71d97-d351-4d90-bd2b-c60422016c42/curtiscenter_osborn_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Recombobulation - Make it stand out</image:title>
      <image:caption>Kelton Osborn, Dead Fish &amp; Debutantes, 2017, wood, cardboard, string, metal, and found objects, 23.5 x 9 x 12 inches. Image by Paloma Jimenez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/65a1a2bb-0d37-41b3-9a62-0476af33eefe/Lamb_Totem_withparts.jpg</image:loc>
      <image:title>Reviews Home - Recombobulation - Make it stand out</image:title>
      <image:caption>Michelle Lamb and Curtis Center workshop students, Recombobulation Interactive Totem, 2022, mixed media, dimensions variable. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e5139b27-0425-4bba-9d00-0d642884bc51/Cabell.jpg</image:loc>
      <image:title>Reviews Home - Recombobulation - Make it stand out</image:title>
      <image:caption>Leigh Cabell, The Henry Mountains, 2021, coffee bags, chip bags, folder, envelopes, pasta bag, shopping bag, ice cream bar wrapper, and chocolate chip bag, 8 x 8 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e109f4f2-5635-4753-aa25-7ce8ee4bceb5/InstallationView.jpg</image:loc>
      <image:title>Reviews Home - Recombobulation - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Recombobulation at Curtis Center for the Arts. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/dark-archive</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f8693a66-509f-4f01-881c-3d70bcfca476/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>The cover of elin o’Hara slavick’s book After Hiroshima (2013) featuring slavick’s work Hiroshima Flowers, 2008, cyanotype of dead Hiroshima flowers, Hiroshima, Japan. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/957f2ff9-f7df-4d07-84eb-cbb1754c5535/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>A view of elin o’Hara slavick’s exhibition Dark Archive at the University of Colorado, Colorado Springs (UCCS) Galleries of Contemporary Art (GOCA) Downtown, with photochemical drawings titled There Have Been 528 Atmospheric Above Ground Nuclear Tests To Date. Image by Tom Kimmell, courtesy of UCCS GOCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9d389c25-f905-4050-ac1a-f25ba3e1a441/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>elin o’Hara slavick, Fire Tree, 2008, silver gelatin contact print of a rubbing of a tree that survived the atomic bombing in Hiroshima in 1945. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b063470b-6732-4a52-aa40-74c0a8bc1e57/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>elin o’Hara slavick, top left: Vieques Island, Puerto Rico, U. S., 1941-1999; top right: Hypocenter in Hiroshima, Japan, 1945; lower left: We Are Our Own Enemy, Alamogordo, New Mexico, U.S., 1945; lower right: Johnston Atoll, U.S., 1958-1962, acrylic, graphite, gesso, ink watercolor, gouache, and ink on Arches paper. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c25ac87b-6fca-4f79-b456-4ac9fb959a34/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>elin o’Hara slavick, Hibakusha (A-Bombed) Tree, Hiroshima, 1 and 2, 2018, framed solarized silver gelatin prints. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1f6af3e5-b047-4be8-8e95-a293bc60cdeb/Arellano+Caltech+cyanotypes+wide_lessyellow_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>elin o’Hara slavick, far left top and far right bottom: Molecular Model I and II, 2022, cyanotypes of archival materials in the Caltech Archives, 11 x 14 inches each; far left bottom and far right top: Carl Anderson's Geiger Counter parts (used in 1930s in his 7 inch cloud chamber) I and 11, 2022, cyanotypes of archival materials in the Caltech Archives, 11 x 14 inches each; left and right of center: Rocket Missile Heads I and II, cyanotypes of archival materials in the Caltech Archives, 2022, 24 x 32 inches each; center: Drosophila Illustrations by Edith Wallace, 2022, cyanotype of transparencies of illustrations in the Caltech Archives, 24 x 32 inches. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f9b3d8e2-fc83-4bcb-96d1-829ef1bc8a8c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>elin o’Hara slavick, Sky Atlas Collage (Robert Oppenheimer), collage created using only materials from the California Institute of Technology (Caltech) on an archival Sky Atlas photograph from the Caltech Palomar Observatory, 14 x 14 inches. Image by José Antonio Arellano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/745cf263-4605-4221-824c-03ae2a2778e9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>elin o’Hara slavick’s Sky Atlas Collages on display at GOCA Downtown. Image by Tom Kimmell, courtesy of UCCS GOCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/265a0290-6c39-46d7-b2c9-0768033b7766/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>A view of works representing nuclear tests in the year 1958 from elin o’Hara slavick’s series There Have Been 528 Atmospheric Above Ground Nuclear Tests To Date, 2022, developer and fixer (photo chemical) drawings on outdated/fogged silver gelatin paper left at Caltech in the Sky Atlas processing room, variable dimensions from 8 x 10 inches to 20 x 24 inches. Image by Tom Kimmell, courtesy of UCCS GOCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bca6e085-f49d-4844-82af-297b21ca255f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>elin o’Hara slavick speaking at the opening reception for her exhibition Dark Archive at GOCA Downtown on September 2, 2022. Image by Tom Kimmell, courtesy of UCCS GOCA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2b1af88a-60a5-4bc7-9a4a-f1306e411ce2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>elin o’Hara slavick, Leaf from a Second Generation A-Bombed Chinese Parasol Tree, 2009, silver gelatin contact print from a rubbing of the leaf, Hiroshima, Japan. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1dc0a715-75c1-44d9-ba1d-2427f8b68a8a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dark Archive - Make it stand out</image:title>
      <image:caption>elin o’Hara slavick, Rocket Missile Heads II, cyanotypes of archival materials in the Caltech Archives, 2022, 24 x 32 inches. Image by José Antonio Arellano.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/a-culture-preserved-in-the-black-experience</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8edc184a-9035-40b1-9fb3-8bfea8d2dfb4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Culture Preserved (in the Black Experience) - Make it stand out</image:title>
      <image:caption>A view of the façade of the Museum of Art Fort Collins featuring a banner for the exhibition A Culture Preserved (in the Black Experience) with a reproduction of Gerald Griffin’s painting Tiana Too. Image by J. Benjamin Burney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a7ee8af-8ab3-4888-af70-8d9c2994ae5a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Culture Preserved (in the Black Experience) - Make it stand out</image:title>
      <image:caption>Louise Cutler, Septima Poinsette Clark, pen, ink, and pastel, 20 x 24 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6c151dd0-4269-44e8-8498-69ab174f79a7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Culture Preserved (in the Black Experience) - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition A Culture Preserved (in the Black Experience) at the Museum of Art Fort Collins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a4b39dc3-880d-4aef-824c-f155128a1b4d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Culture Preserved (in the Black Experience) - Make it stand out</image:title>
      <image:caption>A view of the title wall for A Culture Preserved (in the Black Experience). In the foreground: Karen Drewry’s Black and White Heads, 2020, gypsum plaster and acrylic, 1.5 x 1 x 1 feet. Image by J. Benjamin Burney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/92a37a5e-06b1-40ae-a0e4-8ceb778fab76/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Culture Preserved (in the Black Experience) - Make it stand out</image:title>
      <image:caption>Thomas Lockhart, Passing Generations, 2019, mixed media on canvas. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/321fb3e2-9d12-4947-a58e-2036d4c56b21/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Culture Preserved (in the Black Experience) - Make it stand out</image:title>
      <image:caption>Gerald Griffin, Tiana Too, 2016, oil on wood, 60 x 72 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a25c5304-f7ea-4978-ab10-842f0a044504/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Culture Preserved (in the Black Experience) - Make it stand out</image:title>
      <image:caption>The poem Tiffany Too on display next to Gerald Griffin’s painting Tiana Too. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a51ea1fa-57b8-4404-a141-c8bd724e10a4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Culture Preserved (in the Black Experience) - Make it stand out</image:title>
      <image:caption>Kevin Wak Williams, A Vote for Shirley, 2021, oil on canvas, 36 x 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/89f65b0c-4c04-4e29-a6ad-2b16461c55a8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Culture Preserved (in the Black Experience) - Make it stand out</image:title>
      <image:caption>Charly Palmer, Erase and Yellow, acrylic on canvas, 40 x 30 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/geometric-frustrations-/-volumes</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/22c198b4-7897-473a-ac13-e1810c5b186f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - geometric frustrations / Volumes - Make it stand out</image:title>
      <image:caption>An installation view of Marina Kassianidou’s exhibition geometric frustrations at east window SOUTH in Boulder. Image courtesy of east window.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed51fcab-ce9d-4ac4-a0ac-ad50b6b65244/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - geometric frustrations / Volumes - Make it stand out</image:title>
      <image:caption>Marina Kassianidou, Wrinklegram, 2022, black archival pigment ink on found log-log graph paper, 10.5 x 15.94 inches. Image courtesy of east window.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1432b3c9-bfd1-4ef5-93dc-92e47ef2867c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - geometric frustrations / Volumes - Make it stand out</image:title>
      <image:caption>In the foreground: Marina Kassianidou’s Wrinklegram VII, 2022, black archival pigment ink on found log-log graph paper, 10.5 x 15.94 inches; in the background, one work in Kassianidou’s Mapping series. Image by Danielle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2a5cbac2-31e8-4471-bc75-dc755dc6983c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - geometric frustrations / Volumes - Make it stand out</image:title>
      <image:caption>Marina Kassianidou, Mapping, 2022, copper drawings (drypoint), 10.5 x 15.94 inches. Image courtesy of east window.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cc1b7c17-ab18-44d1-b87f-48cb0a2eb733/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - geometric frustrations / Volumes - Make it stand out</image:title>
      <image:caption>An installation view of Marina Kassianidou and Maia Ruth Lee’s exhibition Volumes at Lane Meyer Projects in Denver. On the right, Kassianidou’s A Partial History III, 2022, graphite on 300gsm rough press watercolor paper and red oak, approximately 45 x 58 x 11.5 inches. Image courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a31b2569-c960-452a-9f12-b232a65755b0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - geometric frustrations / Volumes - Make it stand out</image:title>
      <image:caption>Marina Kassianidou, A Partial History IV, 2022, graphite on 300gsm rough press watercolor paper and red oak, approximately 33 x 56 x 7.5 inches. Image courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/db41af6c-03cb-4ac1-a210-73b0db69f2bb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - geometric frustrations / Volumes - Make it stand out</image:title>
      <image:caption>Marina Kassianidou, A Partial History (Book III), 2019, archival inkjet prints on luster paper (edition of 10 + 2 AP), left: 13 x 10.6 x 1.5 inches framed; right: 8.6 x 10.6 x 1.5 inches framed. Image courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e1b1bfde-a083-4a2c-8abe-27fd692ab69f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - geometric frustrations / Volumes - Make it stand out</image:title>
      <image:caption>A detail view of Kassianidou’s A Partial History IV, 2022, graphite on 300gsm rough press watercolor paper and red oak, approximately 33 x 56 x 7.5 inches. Image courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/process</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f29e1191-a512-425b-a8ba-b33afcabe562/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>An installation view of Process: Making Things on the Way to Other Things at the Art Students League of Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dc78d49a-9338-4ca9-9485-bbb6e254a317/Be+On%C3%A9_EverythingIsCeremony_150dpi.jpg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>Faatma Be Oné, Everything is Ceremony, ceramic, metal tray, and woven cloth. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9f4287fa-7475-4e61-b0b1-875b91808e48/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>Allison Sheldon, Compost (1, 2, 3), fabric and thread. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c101ee38-20df-4059-a0e2-c62f355b27d8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>Michael Gadlin, Rhythm Variations, mixed media. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/be9def3c-fe18-4693-9bb0-7f21e5864a13/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>Rick Griffith, Vending Reasonably Well Used Advice, vending machine, acrylic paint, paper, and wood. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>A detail view of Rick Griffith’s Vending Reasonably Well Used Advice. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a35c9ea7-4f02-49e3-89f2-cf79fb4ee811/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>David Ocelotl Garcia, Somos Latinos, acrylic on wood. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1304c903-6fd8-479f-b20f-3b7c1eb56521/Lee_MamabotHindsight2020_150dpi.jpg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>Sammy Seung-Min Lee, Mamabot Hindsight, 2020, Hanji, archival prints, and acrylic varnish. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/34e82ed9-b585-4d5a-b43b-9810dfdb8a0c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>Taiko Chandler, Barren Landscape 1&amp;2, mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/68c2fad3-766d-4678-8b9c-ac25b9b439b5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>Marin Griffith, Star Cuts, acrylic on wood, and Untitled, circa 1989, haircut poster from a barber shop, Kabala, Sierra Leone, from the private collection of Rick Griffith and Debra Johnson. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b6d8ad25-ed11-45d8-b86b-006810c4e771/Deal_SuspectDevice_150dpi.jpg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>Gregg Deal, Suspect Device (Stiff Little Fingers), acrylic on canvas. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bc9c3873-c6c5-4574-a6b0-e64cf20c05fd/EverythingSign_150dpi.jpg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>A view of the English language title signage for Process: Making Things on the Way to Other Things. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9c115c1f-010d-415e-8d42-18e6db9a9480/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - PROCESS:  Making Things  on the Way to Making Other Things - Make it stand out</image:title>
      <image:caption>A view of the Spanish language title signage for Proceso: Hacer cosas en el camino hacia hacer otras cosas. Image by Laura I. Miller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-contour-of-feeling</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3f0113f4-b424-4578-a042-09ba4ebf3b39/20220427_ursula-von-rydingsvard_049_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>An image of Ursula von Rydingsvard and her exhibition The Contour of Feeling at the Denver Botanic Gardens in 2022. Artwork courtesy of the artist and Galerie Lelong &amp; Co., New York. Image by Scott Dressel-Martin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f6a0ec34-c989-43cf-8b43-71bf4c8b6a34/VonRydingsvard_TwoWorks.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>An installation view of Ursula von Rydingsvard’s exhibition The Contour of Feeling. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3b455b30-df1b-4f95-bbfe-abcb7a9cb7c2/20220427b_ursula-von-rydinsvard_010_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>Ursula von Rydingsvard, Krasawica II, 1998-2001, cedar and graphite. Artwork courtesy of the artist and Galerie Lelong &amp; Co., New York. Image by Scott Dressel-Martin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8e5e2523-f6f7-41f8-9497-6369d36e3a86/VonRydingsvard_detail.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>A detail view of Ursula von Rydingsvard’s Krasawica II. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c815246b-cb5c-4e95-a794-60647cd65911/20220427b_ursula-von-rydinsvard_021_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>A view of works in Ursula von Rydingsvard’s exhibition The Contour of Feeling. Artwork courtesy of the artist and Galerie Lelong &amp; Co., New York. Image by Scott Dressel-Martin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b8a27b62-0274-4b91-8b9f-fe44855633da/20220426_ursula-von-rydingsvard_042_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>Ursula von Rydingsvard, COŚ, 2017, cedar and graphite. Artwork courtesy of the artist and Galerie Lelong &amp; Co., New York. Image by Scott Dressel-Martin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e0e3dbeb-a2bc-4946-97aa-e7d3434238d7/VonRydingsvard_Collar_with_Dots_2008_cedar%2C_pigment_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>Ursula von Rydingsvard, Collar with Dots, 2008, cedar and pigment. Image by Danielle Cunningham.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b4b390ee-1465-478f-beb0-cde027557b2c/20220426_ursula-von-rydingsvard_001_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>Ursula von Rydingsvard, Untitled (works on paper), 2017-2020, linen handmade paper and mixed media. Image by Scott Dressel-Martin.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6eb0fb0e-a432-485d-901b-683659620e34/VonRydingsvard_WorkOnPaper.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>A detail view of one piece in Ursula von Rydingsvard’s Untitled (works on paper) series. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4ad41440-871b-4c8d-93db-70ff36a0c7d0/VonRydingsvard_Untitled_%28nine_cones%29_1976_cedar_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>Ursula Von Rydingsvard, Untitled (nine cones), 1976, cedar. Image by Danielle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b14d9f05-7744-4e98-888f-c62700ecd50e/20220427b_ursula-von-rydinsvard_040_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Contour of Feeling - Make it stand out</image:title>
      <image:caption>An installation view of Ursula von Rydingsvard’s exhibition The Contour of Feeling with Untitled (nine cones), 1976, cedar, in the foreground. Artwork courtesy of the artist and Galerie Lelong &amp; Co., New York. Image by Scott Dressel-Martin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/zoid-room-the-black-dreamscape</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-08-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b9ad369e-9ece-42f5-964b-18f4ac34b808/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Zoid Room: The Black Dreamscape - Make it stand out</image:title>
      <image:caption>A view of J. Benjamin Burney’s exhibition Zoid Room: The Black Dreamscape at night. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/77c1ced2-8c48-4a2d-aad5-f002c9c4693a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Zoid Room: The Black Dreamscape - Make it stand out</image:title>
      <image:caption>A view of Zoid Room: The Black Dreamscape featuring paintings and collages, including in the center Hold Fast To Dreams (#2), 2022, mixed media collage, 32 x 48 inches, and in the foreground the sculptures Plymouth Rock, 2022, Styrofoam and acrylic, and Sit-In Bench, 2022, acrylic and marker on found bench. Image by Jasmine Williams.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e3dbd72d-f801-466e-8a90-5f1c2e576d48/ZoidRoom_HoldFastToDreams3.jpg</image:loc>
      <image:title>Reviews Home - Zoid Room: The Black Dreamscape - Make it stand out</image:title>
      <image:caption>J. Benjamin Burney, Hold Fast To Dreams (#3), 2022, mixed media collage, 32 x 48 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/796a4a94-216f-4c1a-89bb-e6fa94329a91/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Zoid Room: The Black Dreamscape - Make it stand out</image:title>
      <image:caption>J. Benjamin Burney, 4 Nipsey, 2021, acrylic paint and iron-on paper collage on upcycled blue flannel shirt. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2b066df1-f765-4b2b-9d5a-e616e2e1dd2e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Zoid Room: The Black Dreamscape - Make it stand out</image:title>
      <image:caption>J. Benjamin Burney, Trap Baby Statue, 2022, plastic, clay, spray paint, and chain, 7 x 2 x 2 feet. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6a07255d-8b57-45d2-bd7a-d2b518373845/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Zoid Room: The Black Dreamscape - Make it stand out</image:title>
      <image:caption>A view of J. Benjamin Burney’s exhibit Zoid Room: The Black Dreamscape with Sit-In Bench, 2022, acrylic and marker on found bench in the foreground. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ab1b3393-33eb-4760-ab4c-f5d84a5dcaf3/ZoidRoom_PhotoCollage.jpg</image:loc>
      <image:title>Reviews Home - Zoid Room: The Black Dreamscape - Make it stand out</image:title>
      <image:caption>J. Benjamin Burney, ZOIDPHOTOS, 2022, digital photo collage. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/juried-bfa-exhibition-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9f55d10b-71e0-41fe-a774-6422e5693ba0/CSU_JuriedBFAExhibition_InstallationView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>An installation view of the Juried BFA Exhibition 2022 at the Hatton Gallery at Colorado State University. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c8f87a19-926b-4d0e-bcf0-d5058cbe9f7b/IMG_3751.JPG</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>An installation view of the Juried BFA Exhibition 2022 at the Hatton Gallery at Colorado State University. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/73bd86b7-fe87-4176-baf3-904cc89ca852/IMG_3761+%281%29.jpg</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>Hannah Chatham, I can’t hear you, I have flowers in my ears, 2021, copper, Prismacolor, wool, thread, and flocking. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/478e987a-7f33-4f5b-b753-4ec2f0c1ba37/OrionGizzi_SelfPortrait_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>Orion Gizzi, Self Portrait, 2022, acrylic on canvas. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6d07967c-b5ba-4b16-ac42-d51246c6850c/AlisondraStephenson_Guidelines_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>Alisondra Stephenson, Guidelines, 2022, oil on canvas. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5cea1684-873f-492f-9aa5-0dc2cd1898b6/AlanisHernandez_Neva_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>Alanis Hernandez, Neva, 2022, printmaking. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b04a99bb-f954-44b1-8e28-059953ae7f4f/IMG_3660.JPG</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>A still image from Court Fichter’s 2/12/22, 2022, digital video. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/00548a67-79a5-4ecf-a970-b6029b263d5e/WrenStrother_PartsOfMe_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>Wren Strother, Parts of me, 2021, digital print with maps, journal pages, and mixed media. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a0ea4a79-de04-40f3-a179-44359b08d0f7/Irie+Sauceda-Lindsey_E+Pitkin+St%2C+E+Plum+St+1%2C+and+E+Laurel+St._150dpi.jpg</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>Irie Sauceda-Lindsey, E Pitkin St, E Plum St # 1, and E Laurel St, 2022, archival pigment prints. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e1e1420b-1e46-4001-b698-ff447b84338d/KateZynda_PlaceInMe_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>Kate Zynda, Place In Me, 2022, ceramic. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/43e934cd-ae89-4e81-9c01-4bf3d7a2ca45/IMG_3617.JPG</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>Kate Zynda, Place in Me, 2022, ceramic. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aef66e4c-ee1a-4d85-82af-c9fab772960a/Sophia+Hernandez_Matando+la+Rosa_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Juried BFA Exhibition 2022 - Make it stand out</image:title>
      <image:caption>A still image from Sophia Hernandez’s Matando la Rosa, 2022, digital video. Image by Emily Zeek.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/clyfford-still-art-and-the-young-mind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cae8ba77-5080-4e68-a342-932f5765b3ba/ClyffordStillAndTheYoungMind_InstallationView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Clyfford Still, Art, and the Young Mind - Make it stand out</image:title>
      <image:caption>An installation view of one gallery of the exhibition Clyfford Still, Art, and the Young Mind including a seating area for children, a video featuring children’s responses to Still’s art, and works by Still hung lower to be at the vantage point of children. Image by Meca’Ayo Cole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/de11fac0-2ced-4c57-b85a-877980592cc6/ClyffordStillAndTheYoungMind_PH-272_1950_OnDisplayWithChildsQuote_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Clyfford Still, Art, and the Young Mind - Make it stand out</image:title>
      <image:caption>Clyfford Still’s PH-272, 1950, oil on canvas, 105 x 88.125 inches, Clyfford Still Museum, Denver, CO, © City and County of Denver / ARS, NY. Image by Meca’Ayo Cole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a0d09c1b-d135-4142-a951-a139762e9409/ClyffordStillAndTheYoungMind_PH268_1955_OnDisplayWithChildsQuote_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Clyfford Still, Art, and the Young Mind - Make it stand out</image:title>
      <image:caption>Clyfford Still’s PH-268, 1955, oil on canvas, 92.75 x 79.125 inches, Clyfford Still Museum, Denver, CO, © City and County of Denver / ARS, NY. Image by Meca’Ayo Cole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/620e9718-3c78-4e9f-bbc0-57a8a6b542e0/YoungMind_InstallationView1.jpg</image:loc>
      <image:title>Reviews Home - Clyfford Still, Art, and the Young Mind - Make it stand out</image:title>
      <image:caption>An installation view of one gallery of the exhibition Clyfford Still, Art, and the Young Mind. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/127fd4c2-dccb-4dd8-bc51-19fa7253e8fd/YoungMind_InstallationViewWithTitleWall.jpg</image:loc>
      <image:title>Reviews Home - Clyfford Still, Art, and the Young Mind - Make it stand out</image:title>
      <image:caption>An installation view of one gallery of the exhibition Clyfford Still, Art, and the Young Mind. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2676ae7e-8dac-4d9e-b15b-07b3857c78dd/YoungMind_LightProjectionRoom2.jpg</image:loc>
      <image:title>Reviews Home - Clyfford Still, Art, and the Young Mind - Make it stand out</image:title>
      <image:caption>A mother and child use the light tables and gels to create projected images in the Making Space at the Clyfford Still Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/782b26c4-2912-4590-9a6d-a60a05449b3f/YoungMind_PatioWithMirrorsInstallation.jpg</image:loc>
      <image:title>Reviews Home - Clyfford Still, Art, and the Young Mind - Make it stand out</image:title>
      <image:caption>The outdoor display of mirrors on the terrace of the Clyfford Still Museum, inspired by environments at the Boulder Journey School. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/transformation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f98bbf01-d92b-4b94-951d-e57553687cbd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Transformation at the PACE Center in Parker, Colorado. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2b212c60-f3f3-46e0-834f-6cbbde49eb6c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>An installation view of the works in the hallway for the exhibition Transformation at the PACE Center. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/53626870-6763-430b-818c-bd5e62bca4b7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>Jean Herman, Conversation, mixed media, clothing, curtains, and stole on recycled upholstery. 44 x 28 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/028570c5-784a-4e94-8053-9e28ff6db291/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>Joan Sawada, Another Time Long Ago, linen tablecloth, sweater, worn work pants, a white towel, five shirts, and marker, 26 x 30.5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d9c83112-9900-4e63-b811-d9dacc17a559/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>Susan Brooks, My Mother’s Memories—She Had None, vintage napkins, linens, handkerchief, lace doilies, and silk buttonholes, woven and hand stitched with cotton thread, 25 x 51 inches. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a8dcdd97-6302-478a-8e41-647504890535/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>A detail view of Susan Brooks’ My Mother’s Memories—She Had None. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ae487721-d7bb-4548-b3dd-1c23fce04dc5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>Michelle Brackett, The Solace of Trees, tea-dyed table runner, Golden paints applied with cedar branches, old lace and textiles, gauze, yarn, felted commercial fabric, machine-quilted and hand-stitched, 52 x 7 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/56432bfe-cb2e-46e1-99d0-3530ea5e3ee4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>Regina Benson, The Burning, bras stitched onto felt and polyester, 24 x 18 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cc5bdbaf-7418-43ba-b96e-35e5c901fba3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>Lisa Longacher, Forge Piece, traditional quilting fabrics, gun case parts, pieces of guns, embroidery thread, machine-quilted and hand-stitched, 23 x 27 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed1d72e9-7b48-4fcf-ab0d-7cae4f40978e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>Regina Benson, Emerging, laminated and patterned plastic grocery bags, doll parts, wooden candlesticks, and wool blanket as armature, stitched together by hand and machine, 10.5 x 13.5 inches at base, 24.5 inches tall. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3fef764e-dd74-4cb7-ad11-623f9c153120/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>A detail view of Regina Benson’s Emerging. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bbe63856-91cb-4055-b65a-726f8fc8be3f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>LaVonne Dunetts, Lunch on a Pool Table, baize removed from a pool table, bag from 50 pounds of onions, an antique jacquard napkin, and yarn, 34 x 15 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/39893e71-4980-4304-adb0-219022df1f52/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Transformation - Make it stand out</image:title>
      <image:caption>A detail view of LaVonne Dunetts’ Lunch on a Pool Table. Image by Laura I. Miller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/ascent</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a0e861a5-6620-473f-8d56-4fe2299bc101/Tunson_AscentInstallationView_RedLine_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>An installation view of Floyd D. Tunson’s exhibition Ascent at RedLine Contemporary Art Center. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8664ec18-69ad-4633-827e-014f8ce95142/Racial+Facial+Recognition_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Racial/Facial Recognition, 2020, mixed media, 48 x 48 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eaff4b85-c189-4686-8b84-1e1efb86ecb6/Raw+Deal+3_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Raw Deal 3, 1989, mixed media, 48 x 72 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b02e0354-d222-48b9-bb56-7daf1f782b06/Soweto+Matches_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Soweto Matches, 1976, mixed media, 48 x 2 x 2 inches each and various sizes. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2836d474-85e7-4501-bdff-312afd965915/Haitian+Dream+Boats_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Haitian Dream Boats, 1993, various woods, various sizes; Adrift, 1993, acrylic on canvas, 96 x 144 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1290c29a-4fb2-4093-b5b7-398582cba877/Synchro-Mesh+51_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Synchro-Mesh 51, 2020, mixed media, 26 x 16 x 5 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1e7f9214-02a4-41df-a9bb-ada7742dea2f/4th+of+July+II_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, 4th of July II, 1992, mixed media, 60 x 60 x 4 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ac247e5f-5463-4e15-ab03-50d6cca8ddac/Nubian+I_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Nubian 1, 1994, acrylic on canvas, 64 x 85 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ff86b688-9f8b-48e5-b45f-cf7818b29f4c/Basic+Bunny_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Basic Bunny, 2011, mixed media, 20 x 16 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/84240bc4-93ed-4334-bdd4-c7c764c2ccff/Tunson_AscentInstallationView2_ArvadaCenter_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>An installation view of Floyd D. Tunson’s exhibition Ascent at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3a890d69-71d9-4b35-bc06-75e5bf42f754/Tunson_HeartsAndMinds_COSpringsFineArtsCenter_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Ascent - Make it stand out</image:title>
      <image:caption>Floyd D. Tunson, Hearts and Minds, 1995, mixed media. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/malinalli-on-the-rocks</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/27d56129-aab8-4fa7-b0b5-896f083cf71c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Malinalli on the Rocks - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Malinalli on the Rocks at Museo de las Americas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d63f0cad-5b75-4e4d-8e00-544c5009f844/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Malinalli on the Rocks - Make it stand out</image:title>
      <image:caption>Sylvia Montero, What She is Made of, 2022, acrylic, toner transfer, foil, and collage. Image by Marco Briones.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f2be77cf-8e1a-42e3-9de2-6b4cac7a4f07/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Malinalli on the Rocks - Make it stand out</image:title>
      <image:caption>Los Supersónicos (Carlos Frésquez and Frank Zamora), Our Ancient Future, 2022, acrylic on canvas and vinyl, parachute cord, and thrift store sunstones. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/700d6ac5-e185-4604-9bda-ffbe703d41e3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Malinalli on the Rocks - Make it stand out</image:title>
      <image:caption>Quintin González, Ixchel, 2022, digital painting. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d96f9adb-3471-47ca-a558-ff1a45fe5b58/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Malinalli on the Rocks - Make it stand out</image:title>
      <image:caption>Anthony García Sr., Tainted, 2022, acrylic on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/be826114-475d-470c-b9ac-6af2e06d0ed0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Malinalli on the Rocks - Make it stand out</image:title>
      <image:caption>Delilah Montoya, La Lengua Como Poder, photographed 1993/constructed 2022, wood and inkjet on e-Satin paper, one feather, gold leaf, and enamel paint. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ed9c4b2e-9733-457a-bcb2-682ff0205d44/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Malinalli on the Rocks - Make it stand out</image:title>
      <image:caption>Mario Zoots, La Malinche, 2022, mixed media. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/invisible-hypervisible</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9a7bcb94-a5f6-443d-b78a-4ef2591269b3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>An installation view of inVISIBLE | hyperVISIBLE at the Dairy Arts Center. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2c0e8e59-4460-407a-9f68-e41b157c1070/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Jennifer Ling Datchuk, American Flag, 2021, synthetic hair, porcelain beads from Jingdezhen, China, paracord, and collected affirmations, 60 x 30 x 3 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/725102f5-2249-47a1-8d97-4b6b99072061/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>A detail view of Jennifer Ling Datchuk’s American Flag, 2021. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7b88a88c-cb58-41b5-87f2-8adf52a20f05/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>A detail view of Renluka Maharaj’s Neo-Dorado, 2021, mixed media on pigmented ink print, 40 x 60 inches. Image courtesy of Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c1b9556-68bd-4921-9d6c-4a4896fc84c4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Yikui (Coy) Gu, above: Just the Tip, 2017, charcoal, acrylic, colored pencil, marker, ink, fabric, photograph, aluminum foil, and fortune cookie fortune on bristol board, 19 x 24 inches; below: The Reach Around, 2017, charcoal, acrylic, silicone, plastic, coins, yarn, chopsticks, fabric, aluminum foil, and shotgun shell on bristol board, 19 x 24 inches. Image courtesy of the Dairy Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9b3cf048-ca55-4611-b284-db53c3012237/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Joo Yeon Woo, Gyopo Portraits, Taekwondo Master, 2018, embossing on paper, 26.5 x 36 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1657c1d6-39af-43d5-b33e-3dfcbc888bda/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Maryrose Cobarrubias Mendoza, If These Walls Could Talk, 2020, wallpaper, baseboard, and crown molding, 234 x 108 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9fb757cd-6c03-4706-9611-7acefabf5cd6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>A detail view of Maryrose Cobarrubias Mendoza’s If These Walls Could Talk. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e25b3118-c0d1-4ee5-a57c-6f245c049d25/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Ren Light Pan, left: untitled (fire/fire), 2014, water, ink, and acrylic blend on canvas, 48 x 36 x .75 inches; right: self-portrait of an unseen woman, 2013, oil on canvas, 48 x 36 x .75 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/daca9d97-6a78-475c-b92b-529118cf83ab/Sammy+Lee%2C+FOB%2C+Arrived_150dpi.jpg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Sammy Lee, FOB, Arrived, 2017, various sized suitcases, hanji (Korean mulberry paper), and acrylic varnish. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/20054d89-b2e4-4f65-91f1-f8116c43011b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Yong Soon Min, OVERSEAS / at sea, 2011, mixed media installation. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/07ed930e-eb62-42bb-a0bf-e52de0a3b891/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Yong Soon Min, OVERSEAS / at sea, 2011, mixed media installation. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b147d348-4fda-4004-91ca-15f83e25f555/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Chinn Wang, Site 9, 2021, screen print on paper, 24 x 19 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/68421500-dd2a-48ae-b6af-1de7b7e600f8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Thomas Yi, Fish Bread, 2022, digital pigment print, 12 x 16 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/20182b96-b5c8-4916-9123-9ef996188395/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Jing Qin, Hand Manuscript II, 2022, oil on canvas, 28 x 36 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e617e788-4683-4c6b-9b2e-a9da5ba320fd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>A detail view of Liz Quan’s Dual Imprint, 2022, porcelain and wood, 23 inches in diameter. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3cba6fab-227e-4bbf-94e6-cbc4f025da51/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>A detail view of Tsogtsaikhan Mijid’s Motherland, 2020, fabric and polyester fiber, 39 x 24 x 32 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cb17c549-097b-4730-b598-a984f3d7ebf1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Erin Hyunhee Kang, The Mother Land, 2021, assorted photo and digital prints with acrylic on wood panel, 48 x 36 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bfcc7ecb-21ff-4d26-a412-0a67ed27de6b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - inVISIBLE | hyperVISIBLE - Make it stand out</image:title>
      <image:caption>Scott Tsuchitani, Memoirs of a Sansei Geisha: Snapshots of Cultural Resistance, 2004/2022, archival inkjet print (documentation of art intervention). Image by Renée Marino.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/711eaaa1-16c2-4576-812c-862f30222acc/JamesMullane_BlowingAngelsTrumpet_150dpi.JPG</image:loc>
      <image:title>Reviews Home - Us - Make it stand out</image:title>
      <image:caption>James Mullane, Blowing Angel’s Trumpet, 2017, DMC embroidery floss on hand-dyed Ava Evenweave embroidery fabric, 20 x 20 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cf546f65-5daf-4d27-a6b6-a4d149494ea4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Us - Make it stand out</image:title>
      <image:caption>James Mullane, Spreading that Seed, 2019, DMC embroidery floss on hand-dyed Ava Evenweave embroidery fabric, 20 x 20 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c31bd726-29f8-4680-bcff-8f43046f0ebf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Us - Make it stand out</image:title>
      <image:caption>Christopher La Fleur, Attention Whore, 2021, acrylic on cardboard, 40 x 30 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d7a86549-6f0c-48ab-9227-6fab5abd1594/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Us - Make it stand out</image:title>
      <image:caption>A view of Christopher La Fleur’s King of Peace, 2022, acrylic and Moroccan sand on primed canvas, 42 x 52 inches, on display at Bitfactory Gallery. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0ecbc831-a0f1-41a0-9057-e4a0ea4c6909/ClintRamstetter_Tools_150dpi.JPG</image:loc>
      <image:title>Reviews Home - Us - Make it stand out</image:title>
      <image:caption>Clint Ramstetter, Tools, 2022, oil on canvas paper, 20 x 16 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f4f6cd2f-dc93-4ee8-b37b-09be702dbfaa/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Us - Make it stand out</image:title>
      <image:caption>Clint Ramstetter, Paul, 2022, oil on canvas, 20 x 16 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f5c76034-8bbf-4d05-9163-5336a56312cd/Trujillo_RuggedAndRhinstoned.jpeg</image:loc>
      <image:title>Reviews Home - Us - Make it stand out</image:title>
      <image:caption>Louis Trujillo, Rugged and Rhinestoned, 2020, colored pencil on paper, 15 x 40 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/700379b3-5fd6-4fda-b584-d8d30bdef2bd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Us - Make it stand out</image:title>
      <image:caption>Louis Trujillo, A Great Blow, 2019, colored pencil on paper, 11 x 22 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/venus-a-space-to-hold</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-07-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2db81aaa-47d2-436d-8f96-297687117573/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Venus: A Space to Hold - Make it stand out</image:title>
      <image:caption>An image of a viewer using the Popwalk app on a smart phone to view Annette Isham’s Venus: A Space to Hold, 2021, site-specific augmented reality works in Colorado Springs. Image courtesy of The Yard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/260b7adc-a8ac-4918-89b6-9e897daeaed2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Venus: A Space to Hold - Make it stand out</image:title>
      <image:caption>A still image from Annette Isham’s Venus: A Space to Hold, 2021, site-specific augmented reality works in Colorado Springs viewed with a smart phone. Image courtesy of The Yard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e8665e99-ab3a-421a-8cff-04e19db05cfe/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Venus: A Space to Hold - Make it stand out</image:title>
      <image:caption>A still image from Annette Isham’s Venus: A Space to Hold, 2021, site-specific augmented reality works in Colorado Springs viewed with a smart phone. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8b978e71-c526-41c6-9d44-10e71bd2afd4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Venus: A Space to Hold - Make it stand out</image:title>
      <image:caption>An image of Annette Isham’s Venus: A Space to Hold, 2021, site-specific augmented reality works in Colorado Springs viewed on a smart phone. Image courtesy of The Yard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/stephen-shugart</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f3b2d4ac-b652-465e-8dbf-dec8d5251a66/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, Past, Present, Future, and Elsewhere, 2018, pine, embroidery hoops, polyester spandex, thread, springs, cable, clamp lights, remote control Bluetooth RGB LED bulbs, and hardware, 79 x 36 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/01c324b8-d31f-4606-a330-71e85f0db615/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>An installation view of Stephen Shugart’s exhibition Enlightenment of the Ordinary at Recreative in Denver in 2020. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1b8e24ac-57dd-408b-a385-11142955e38f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, Barracuda View from Unit 2, 2012, oil on canvas, 30 x 40 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1a9dc775-9d19-47d2-8b9f-5cef52c5328e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, Solar Disc, 2020, 1/8" bending plywood, MDF, remote control LED light strips, remote-control LED light bulb, clamp light, pure white flat house paint, and additional hardware, 22 x 20 x 12 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c6091e63-4136-4feb-b939-c66e12ecbedc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, 4 X 4 Mobile Landscape Viewing Device (a.k.a The Tourelle), 2014, 1987 Toyota 4X4 truck, viewing cowl: plywood, paint, color-changing remote-control LED strips and bulbs, chrome airplane hood ornament, and hardware. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7f32d3a5-f8ba-4a09-aaf6-cd08b107f68f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, Battery Powered Mobile Landscape Viewing Device, 2015, wide view, found picture frame, PVC pipe, plywood, found aluminum stand base, rope, color-changing remote control LED strips, bar stool/chair, and hardware. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/91b571d5-9657-4e05-a96d-847accc99710/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, Controlled Burn, 2021 1 x 4-inch pine board, cardboard shipping box, river stone, steel cable, remote-control RGB LED light strip, clamp light, remote control RBG LED light bulb, insulation packing rod, paint, graphite, shellac, and hardware, 32 x 25 x 3.5 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/addf289f-db0d-455d-9422-becb18a13c24/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, Past, Present, Future, and Elsewhere, 2018, pine, embroidery hoops, polyester spandex, thread, springs, cable, clamp lights, remote control Bluetooth RGB LED bulbs, and hardware, 79 x 36 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f4915a20-d5fc-4435-b50f-6a55519ee335/7STEPH%7E1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, A Little Poem, 2021, fluorescent light bulb, twigs, lamp holder, padauk, uranium glass beads, brass screws, and black light, 10 x 14 x 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/69e2f20d-883f-445b-aa34-4dd9f42964b9/8.+Stephen+Shugart%2C+Elegy+for+Rivers%2C+image+courtesy+of+the+artist_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, Elegy for Rivers, 2021, cardboard box, marker, remote control RBG LED light bulb, cinder block, and stones. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e1361513-0bb9-47ba-84c7-3fcfaa66303a/9.+Stephen+Shugart%2C+Big+Bangor+Bullet%2C+image+by+Madeleine+Boyson_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Stephen Shugart - Make it stand out</image:title>
      <image:caption>Stephen Shugart, Big Bangor Bullet, 2019, pine, MDF, spray paint, brass screws, glass fragment, and remote-control LED lights, 18 x 48 x12 inches. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/patterns-of-consumption</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7693ae37-130d-41b6-9630-35f66fe8ffd8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Patterns of Consumption - Make it stand out</image:title>
      <image:caption>An installation view of Kalliopi Monoyios’ exhibition Patterns of Consumption at the Littleton Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4532705a-8640-40fd-a4cf-b206e06f1a9c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Patterns of Consumption - Make it stand out</image:title>
      <image:caption>Kalliopi Monoyios, Drops in the Ocean, 2020, quilted single-use plastic, polyester lining, and polyester thread. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c314b51-202c-4c3c-b5de-8ee8717cf4f3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Patterns of Consumption - Make it stand out</image:title>
      <image:caption>A detail view of Kalliopi Monoyios’ Drops in the Ocean, 2020, quilted single-use plastic, polyester lining, and polyester thread. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1dfc98da-5dd8-44a8-b501-89665fca6ddf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Patterns of Consumption - Make it stand out</image:title>
      <image:caption>Kalliopi Monoyios, Four Lines, 2022, cane, reed, and single-use plastic from four snack lines. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/39106ce2-95db-47ad-9243-364488ad9b8f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Patterns of Consumption - Make it stand out</image:title>
      <image:caption>A detail view of Kalliopi Monoyios’ Four Lines, 2022, cane, reed, and single-use plastic from four snack lines. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/90f2b1a0-dc78-43bc-b6b3-4b9a9c2bdb96/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Patterns of Consumption - Make it stand out</image:title>
      <image:caption>Kalliopi Monoyios, Seduction, 2019, PTFE (Teflon) dental floss and “treeless” polypropylene paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/28a9c152-9068-4a59-b953-33b8021dcb71/KalliopiMonoyios_abc.jpg</image:loc>
      <image:title>Reviews Home - Patterns of Consumption - Make it stand out</image:title>
      <image:caption>Kalliopi Monoyios, abc, 2022, lacquer tray, gum base, and acrylic letters. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f9214891-3f88-42e7-8e08-fa53663c0993/KalliopiMonoyios_YearOfPlasticFamilyOfFour.jpg</image:loc>
      <image:title>Reviews Home - Patterns of Consumption - Make it stand out</image:title>
      <image:caption>Kalliopi Monoyios, Year of Plastic, Family of Four, 2021, single-use plastic and polyester thread. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-folly-of-dominion/-transient-objects-of-desire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b01ad553-c0ac-4860-ad22-2c7c06c66376/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Folly of Dominion / Transient Objects of Desire - Make it stand out</image:title>
      <image:caption>An installation view of Brenda Mallory’s exhibition The Folly of Dominion at Colorado State University’s Duhesa Gallery in the Lory Student Center in Fort Collins. Image courtesy of Doug Sink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9a1ba931-5860-45d5-aec5-6c004f606c8a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Folly of Dominion / Transient Objects of Desire - Make it stand out</image:title>
      <image:caption>Brenda Mallory, Warning Signs, 2022, cloth, wax, hog rings, and bailing wire. Image by Noa Fodrie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5c9812da-d697-43aa-8989-2148c65fa22b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Folly of Dominion / Transient Objects of Desire - Make it stand out</image:title>
      <image:caption>From left to right: Brenda Mallory, Broken Flow #2, 2022, reclaimed water hose, threaded pipe, and rubber cable; Relic #2, 2004, cast plaster, wire, and wax bike inner tube; Relic, 2004, cast plaster, wire, and wax bike inner tube; Modified Specimen, wax, cloth, and glass. Image by Noa Fodrie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/46cb766d-9bfb-4e05-bd29-ce3a08910844/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Folly of Dominion / Transient Objects of Desire - Make it stand out</image:title>
      <image:caption>Brenda Mallory, Relic, 2004, cast plaster, wire, and wax bike inner tube. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d7357a7e-3d61-43ca-9f7f-7319057f5bb1/Konopasek_Seclusion+8_and_Undergrowth.jpg</image:loc>
      <image:title>Reviews Home - The Folly of Dominion / Transient Objects of Desire - Make it stand out</image:title>
      <image:caption>In the foreground: Lenka Konopasek, Seclusion 8, 2021, mixed media, 22 x 1 x 20 inches; in the background: Lenka Konopasek, Undergrowth, 2018, paper and paint, 36 x 42 x 5 inches. Image by Noa Fodrie.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/11d4ada7-0c87-4dda-9168-51514755073c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Folly of Dominion / Transient Objects of Desire - Make it stand out</image:title>
      <image:caption>Lenka Konopasek, Pelt, 2019, paper and paint, 63 x 90 x 6 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/004ebe42-c54a-46c2-a087-38c9117f4ecb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Folly of Dominion / Transient Objects of Desire - Make it stand out</image:title>
      <image:caption>In the foreground: a detail view of Lenka Konopasek’s Graph, 2020, paper and paint, 55 x 36 x 6 inches; in the background: Lenka Konopasek, Scuffle Ground, 2018, paper and paint, 96 x 96 inches. Image courtesy of Doug Sink.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/71f297a4-a603-43f4-acbf-a13f85dc0589/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Folly of Dominion / Transient Objects of Desire - Make it stand out</image:title>
      <image:caption>In the foreground: Lenka Konopasek, Re-growing, 2022, mixed media, 14 x 20 x 16 inches; in the background: Lenka Konopasek, Staring Into the Light, 2022, paper, mixed media, and paint, 39 x 41 x 4 inches. Image by Noa Fodrie.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/discoveries</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d8f299a8-acc6-4706-b3ac-a729abd1b6a3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Discoveries - Make it stand out</image:title>
      <image:caption>A view of the title wall in Taylor Coble and Jean Herman’s exhibition Discoveries at Sync Gallery in Denver. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ec971a19-2db3-4035-92ba-7b1d6a5d69a0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Discoveries - Make it stand out</image:title>
      <image:caption>Jean Herman, Running of the Bulls, mixed media fiber, 36 x 62 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/38e55f13-26cf-4d4e-9ea1-5dcb1d30c3dc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Discoveries - Make it stand out</image:title>
      <image:caption>Jean Herman, Let There Be Light, mixed media fiber, 24 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bed0d9fd-927f-4bae-846b-b3404da800be/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Discoveries - Make it stand out</image:title>
      <image:caption>A detail view of Jean Herman’s Night at the Opera, mixed media fiber, 26 x 34 inches. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2956d0bf-61e5-412c-a22e-dfc501c908ec/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Discoveries - Make it stand out</image:title>
      <image:caption>Taylor Coble, Trail Blazer, oil and acrylic on photographic print, 22 x 26 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f16047d2-a246-4a51-94b5-17cc8d372653/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Discoveries - Make it stand out</image:title>
      <image:caption>Taylor Coble, Tea for Three, 2017, oil paint, acrylic, and charcoal on photographic print, 18 x 24 inches. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c390cd95-1624-427f-a7b5-1d6baff3e757/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Discoveries - Make it stand out</image:title>
      <image:caption>An installation view of works by Taylor Coble in the exhibition Discoveries. Image by Livy Snyder.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/story-line</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/abaebe8a-0447-46ac-a254-527144f681d5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Story Line - Make it stand out</image:title>
      <image:caption>An installation view of Susan Cooper’s exhibition Story Line, A Visual History from Poland to the USA at the University of Denver’s Anderson Academic Commons. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c5a09fd7-724b-4a4d-9dee-9e7ac1116e0b/Cooper_StoryLine_installationview2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Story Line - Make it stand out</image:title>
      <image:caption>A view of Susan Cooper’s Periodic Story Line works in the exhibition Story Line, A Visual History from Poland to the USA. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cd537261-66d2-435c-8781-b70cfdcd8590/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Story Line - Make it stand out</image:title>
      <image:caption>Susan Cooper, Sniadowo (18th Century Shtetl Synagogue, destroyed in 1939) from Periodic Story Line, 2019, laser-cut Plexiglas. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b5eb67e2-8c47-4a71-8648-7eb869c786d3/Cooper_StoryLine_multiplebronzeworks_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Story Line - Make it stand out</image:title>
      <image:caption>Works from Susan Cooper’s Story Line series, 2019, bronze, maple, and acrylic. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9611b4b6-afab-443c-b302-ee05e726afae/Cooper_Grandma%E2%80%99s+First+Car_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Story Line - Make it stand out</image:title>
      <image:caption>Susan Cooper, Grandma’s first car, Fort Worth, Texas, from Story Line, 2019, painted bronze relief, maple frame. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a90a0403-0ae9-4c59-a78b-8257b93c2a5a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Story Line - Make it stand out</image:title>
      <image:caption>Reproductions of Susan Cooper’s family photographs in a display titled The Artist’s Family. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a8e1a42c-96bb-4008-adf4-fc1540f522ac/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Story Line - Make it stand out</image:title>
      <image:caption>Portrait of the Lefkowitz family before they left Europe. Zelda (1916-2014, Cooper’s mom), Dora (1903-1984). (Top) Charlie, Rose, Hala, Gitel Raisel. (Middle) Paul, Dora, Grandpa Nathan with Zelda on his lap, Motek, Jacov Fiszel, Hugh. (Below) Hank. Image courtesy of Susan Cooper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/i-fly-petaow-hothouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3360a0c2-e1e0-48d7-8d11-02129067da5d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - i fly (petAow) / Hothouse - Make it stand out</image:title>
      <image:caption>A view of works by Philip Tarlow in the foreground, from his exhibition i fly (petAow) at SPACE Gallery in Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3297435e-1913-4a61-b6e1-0393c17b6475/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - i fly (petAow) / Hothouse - Make it stand out</image:title>
      <image:caption>Philip Tarlow, Fly Anywhere, oil and collage on canvas, 32 x 42 inches. Image by J. Benjamin Burney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/aeaa8842-51ca-415d-9053-0dccfcec523c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - i fly (petAow) / Hothouse - Make it stand out</image:title>
      <image:caption>Two untitled works by Phillip Tarlow, both oil and collage on board, 14 x 17 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/08e27841-b123-40b4-a383-f81ffba0d853/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - i fly (petAow) / Hothouse - Make it stand out</image:title>
      <image:caption>A bird’s eye view of Noelle Phares’ exhibition Hothouse at Space Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d94672cc-81d0-4b20-86f6-f15eb5b4de55/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - i fly (petAow) / Hothouse - Make it stand out</image:title>
      <image:caption>Noelle Phares, In the Pink Half-Light, oil, oil pastel, acrylic, and gouache on panel, 40 x 30 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fcf62006-fd01-401f-ae26-bfc1e59e4412/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - i fly (petAow) / Hothouse - Make it stand out</image:title>
      <image:caption>Noelle Phares, Course of the Valley, oil, spray paint, acrylic, and gouache on panel, diptych, 30 x 80 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/washi-transformed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cfddbd56-b650-426b-9a41-f08eae255db4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Washi Transformed: New Expressions in Japanese Paper at the Longmont Museum. Image courtesy of the Longmont Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4bf35fbf-cd7d-49fd-af58-74fd31e81852/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>Kyoko Ibe, Hanging Sail, 2000, reinforced kozo washi. Image courtesy of the Longmont Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/005f01c0-db3b-4e86-b063-56277fa08cfb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>Ayomi Yoshida, Blessed Rain, 2021, installation with woodblock-printed ink on indigo-dyed washi paper. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cf1f0892-d28e-43b6-a862-fec8a151c551/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>Kakuko Ishii, Japanese Paper Strings Musubu W1, 2007, washi paper and pigment. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/91c7776c-2c9d-41ee-89b5-ee18d053ab58/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>Eriko Horiki, Group of Ishi (Stone) Light Object, 2017, washi paper, resin molds, and steel light fixtures. Image courtesy of the Longmont Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fa147c3d-1b43-4fd6-912a-d8fd87678e31/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>Yoshio Ikezaki, The Earth Breathes, 2003, washi paper, sumi ink, and gold pigment. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9517270e-04f8-4de9-b23f-0efc4fd8beb3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>Yuko Nishumura, Line Transformation 03, 2021, kyokushi on wood panel wrapped with washi. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/db2180c1-883c-43b5-a7ac-5095379e77e7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>A detail view of Hina Aoyama, God-Ma, 2016, black origami paper on glass. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/de2f9d81-4ee5-4a74-a93f-aac4aeb40901/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>Takaaki Tanaka, Boat Island, 2018, kozo (mulberry fiber paper), flax, and iron. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/da6a2764-5673-4a06-9ccf-11e1ca49bb88/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Washi Transformed - Make it stand out</image:title>
      <image:caption>An installation view of Washi Transformed: New Expressions in Japanese Paper at the Longmont Museum with Eriko Horiki’s Group of Ishi (Stone) Light Object in the foreground. Image courtesy of the Longmont Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/architecture-of-form</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e8e3ba00-e742-441a-8064-da5047646e40/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Architecture of Form - Make it stand out</image:title>
      <image:caption>A view of the Architecture of Form exhibition curated by Jude Barton at Core New Art Space in Lakewood. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cfecb41a-6394-4630-b875-19eb5a40b4b9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Architecture of Form - Make it stand out</image:title>
      <image:caption>Nicholas Figel, Metroform, plywood, stretch fabric, and human body. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/567082d8-e487-43b7-97ad-26f0c193b532/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Architecture of Form - Make it stand out</image:title>
      <image:caption>Craig Robb, Beyond The Delight of More, 2022, wood, 14.5 x 13 x 3 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/13d4a4ce-c8cd-49d4-bf06-bd999b9e1572/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Architecture of Form - Make it stand out</image:title>
      <image:caption>Denise Demby, Parallel Parallelograms, tack-fused glass. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bb3adb52-d811-475a-a3fb-65f83de9b312/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Architecture of Form - Make it stand out</image:title>
      <image:caption>Chuck McCoy, Regenerated Other, inkjet on CnC (Computer numerical Control)-routed PVC panel. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dee1c338-1140-4efe-9c87-7262ebc7ef00/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Architecture of Form - Make it stand out</image:title>
      <image:caption>Craig Rouse, NAR Comp #1, acrylic on panel, 18 x 24 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5ba02405-77c1-442f-ab09-f3f3fcbaae8f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Architecture of Form - Make it stand out</image:title>
      <image:caption>Tim McKay, Preparing to Grieve, 2021, acrylic on canvas, 32 x 32 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3fff147d-7e2b-459d-aa92-eeaae2f9451e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Architecture of Form - Make it stand out</image:title>
      <image:caption>Jude Barton, Construction Zone #3, acrylic and ink, 20 x 16 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/tomorrow-is-a-new-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/103fb257-4560-4589-bcb2-a833e6ae5da9/TomorrowIsANewDay_InstallationView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tomorrow is a New Day - Make it stand out</image:title>
      <image:caption>An installation view of Tomorrow is a New Day at the McNichols Building during the opening night reception on January 20, 2022. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f14a615b-9fe4-4d47-9591-60fce24d3df0/MornChear_InstallationView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tomorrow is a New Day - Make it stand out</image:title>
      <image:caption>An installation view of Morn Chear’s work in Tomorrow is a New Day at the McNichols Building during the opening night reception on January 20, 2022. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a8f2b33f-b8eb-4a5d-8216-f2df487e3df6/MornChear_SometimesHappySometimesSad_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tomorrow is a New Day - Make it stand out</image:title>
      <image:caption>Morn Chear, Sometimes Happy, Sometimes Sad, 2019, limited edition block print, 25 x 25 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d44aa757-508f-42ce-bcb1-fcb306b8ec16/MornChear_Believe+in+Yourself_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tomorrow is a New Day - Make it stand out</image:title>
      <image:caption>Morn Chear, Believe in Yourself, 2019, limited edition block print, 12 x 18 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/41661caf-6c00-4055-b99e-ff1a6fd14e43/LaurenIida_Peril_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tomorrow is a New Day - Make it stand out</image:title>
      <image:caption>Lauren Iida, Peril, 2021, hand-cut paper and watercolor, 38 x 50 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/10503fc3-e15a-4080-ba34-234db9465591/LaurenIida_AdventureoftheIncarcerated_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tomorrow is a New Day - Make it stand out</image:title>
      <image:caption>Lauren Iida, Endangered, 2021, hand-cut paper and watercolor, 38 x 50 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2999bd5a-65c1-4dba-92cf-38a820f42a2e/LaurenIida_TheFivePointsMerchants_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Tomorrow is a New Day - Make it stand out</image:title>
      <image:caption>Lauren Iida, The Five Points Merchants, 2021, hand-cut paper, watercolor, and ink, 24 x 10 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/in-between</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/911709f2-6976-4788-a9b6-fc9a6606cbe3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>An installation view of the group printmaking exhibition In Between on view at the Downtown Aurora Visual Arts (DAVA). Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4dc5bc89-1ecc-4df8-a966-c5eb5893d405/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>Jon Olson, Glove, monoprint. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bff949b4-db9a-4571-8d8e-f18b7cea6f8a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>Javier Flores, Woodblock for Reverence, 2018. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c947b5c-4400-4be2-a10f-939a91a67f2b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>Jordyne Salinas, La Virgen, 2021, linoleum relief carving. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5eae5966-9d70-426f-9c3f-ee8f1b22102f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>Sarah Fukami, 03773D (Fukuda Kay) II, 2017, photo plate lithography, screen printing, and laser cutting on paper, 18 x 24 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7099ddd7-d252-4d38-9f13-43731efca36d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>Sarah Fukami, 09657A (Hirosawa Frank) IV, 2017, photo plate lithography, screen printing, and laser cutting on paper, 15 x 21 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6245386b-705c-48b8-9532-0c2610317d54/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>Zachary Carlisle Davidson, Am I not a Brother &amp; a Man?, 2015, screen print. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7e8904ab-d77c-48ae-b07e-b015eea3f036/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>Nitasha Perez, Bleeding Heart: Protect Trans Lives, 2019, woodblock, paint, and paint marker on handmade paper. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e090cb5e-0ea7-4a7e-a92d-2b99c3b25200/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>Jade Hoyer, Privilege Flower, 2022, relief monoprint, silkscreen, Scantron forms, colored pencil, and beeswax. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5bcb9d37-b124-4d4c-bde4-d4bc97adb511/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>Jade Hoyer’s Privilege Flower worksheets available for visitors to complete themselves. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6f722eb9-dba1-43e9-a6f7-c842a8ba49cc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Between - Make it stand out</image:title>
      <image:caption>A tribute to DAVA student artist Pablo Reyes. Image by Ashten Scheller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/impressed-transcendent-glitch</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b31b3075-0e61-4f9b-9094-cb75aa793571/InstallationView2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Impressed: Transcendent Glitch - Make it stand out</image:title>
      <image:caption>An installation view of the national juried exhibition Impressed: Transcendent Glitch at the Art Gym Gallery in Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f029c6c7-731f-4ba2-afab-c6e178555ce7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Impressed: Transcendent Glitch - Make it stand out</image:title>
      <image:caption>Works by Bryan Ritchie, Joseph Higgins, and Jennifer Scheuer on display in the Impressed: Transcendent Glitch exhibition. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/80fc4d86-0c7e-451b-9c02-aaa2d0eb9936/Amze+Emmons_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Impressed: Transcendent Glitch - Make it stand out</image:title>
      <image:caption>Amze Emmons, Levity, 2018, screen print with laser cut elements, 20 x 15 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f13e197d-7a09-4cfa-9c6a-4b8466e57bf6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Impressed: Transcendent Glitch - Make it stand out</image:title>
      <image:caption>Troy Zaushny, Bulgarian Thistle, wax-cut monoprint, 12 x 16 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1466421e-8bcc-412d-948f-c530458cb025/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Impressed: Transcendent Glitch - Make it stand out</image:title>
      <image:caption>A detail view of Troy Zaushny’s Bulgarian Thistle, wax-cut monoprint. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7c82640a-ca89-4f99-949c-a1eb6d43ca31/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Impressed: Transcendent Glitch - Make it stand out</image:title>
      <image:caption>Sydney McLeod, This Body Doesn’t Belong to Me, 2019, intaglio, 12 x 20 x 2 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d8c6c47b-e4e1-457e-9986-f4f988969c65/Sydney+McLeod_Text_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Impressed: Transcendent Glitch - Make it stand out</image:title>
      <image:caption>A sample of the text in Sydney McLeod’s This Body Doesn’t Belong to Me, 2019, intaglio. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e8d46a28-8dd3-494d-a643-6b6b39f08250/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Impressed: Transcendent Glitch - Make it stand out</image:title>
      <image:caption>A view of works in the Impressed: Transcendent Glitch exhibition. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ba9a1b06-b2a0-4eb9-900e-945a9a6b56d0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Impressed: Transcendent Glitch - Make it stand out</image:title>
      <image:caption>The front façade of the Art Gym Denver. Image courtesy of the American Society of Landscape Architects Colorado.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/in-the-garden-in-the-distance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9b300f90-5746-4a4f-84ff-1fda981d0e9d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In the Garden, In the Distance - Make it stand out</image:title>
      <image:caption>An installation view of Jennie Kiessling's exhibition In the Garden, In the Distance at the Loveland Museum. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d5774bef-6c25-48e6-8260-fea95136978d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In the Garden, In the Distance - Make it stand out</image:title>
      <image:caption>An installation view of Jennie Kiessling's series The Disciplined Painting, 2018-2020, latex paint and graphite on wood panel. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9fcdbb8f-33a2-4b89-b091-bede2be80cae/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In the Garden, In the Distance - Make it stand out</image:title>
      <image:caption>One work in Jennie Kiessling's series The Disciplined Painting, 2018-2020, latex paint and graphite on wood panel. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/04f9992b-e9f3-47bd-b020-552ce2b42862/image-asset.png</image:loc>
      <image:title>Reviews Home - In the Garden, In the Distance - Make it stand out</image:title>
      <image:caption>Agnes Martin, Tundra, 1967, acrylic and graphite on linen, 72 x 72 inches. Image courtesy of the Harwood Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6e68f7f4-612d-4597-a28c-e2c1e12fe4ed/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In the Garden, In the Distance - Make it stand out</image:title>
      <image:caption>Jennie Kiessling, Work (art as art), 2021, graphite and tape on paper from the 1912 book La Pia Giovinetta (The Pious Young Girl). Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d2cb0995-0b4f-4b37-9f72-6c7392b59c42/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In the Garden, In the Distance - Make it stand out</image:title>
      <image:caption>A display of Jennifer Kiessling’s grandfather’s prayer books in the exhibition In the Garden, In the Distance. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ce186b65-98e7-4814-9f0d-56b6d2346197/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In the Garden, In the Distance - Make it stand out</image:title>
      <image:caption>Jennie Kiessling, Work (warm), 2021, graphite, gouache, and tape on paper from 1912 book La Pia Giovinetta (The Pious Young Girl). Image by Livy Snyder.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/josef-hoffmanns-vienna</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5e8d9397-a4fe-46dd-800f-4dbae9495a1b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Josef Hoffmann’s Vienna - Make it stand out</image:title>
      <image:caption>Furniture designed by Josef Hoffman in the Josef Hoffmann’s Vienna exhibition, including from the left: Seven Ball Chair (No. 371), designed c. 1906, beech and mahogany woods, manufactured by Jacob &amp; Josef Kohn (1850-1914); Nesting Tables (no. 986), designed 1905, beech wood, manufactured by Jacob &amp; Josef Kohn (1850-1914); Table attributed to Hoffmann, designed c. 1907, beech wood, probably manufactured by Gebrüder Thonet (1853-present); and on the far right: Table, designed c. 1907, wood, probably manufactured by Gebrüder Thonet (1853-present). Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/54b44757-c2a3-4dd7-89ef-d320b5ee1a73/image-asset.png</image:loc>
      <image:title>Reviews Home - Josef Hoffmann’s Vienna - Make it stand out</image:title>
      <image:caption>Seven Ball Chair (No. 371), designed c. 1906 by Josef Hoffmann (1870–1956), manufactured by Jacob &amp; Josef Kohn (1850–1914), Kirkland Museum of Fine &amp; Decorative Art collection. Image courtesy of the Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cb95957f-c3c3-4833-a45c-a885e59ae4ad/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Josef Hoffmann’s Vienna - Make it stand out</image:title>
      <image:caption>Fledermaus Chair, designed by Josef Hoffmann in 1906, beech wood with cloth upholstery; manufactured by Gebrüder Thonet (1853-present); Right: Fledermaus Cabaret poster. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f6f8fa11-8f02-41d5-b3f6-a5256edbb9d0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Josef Hoffmann’s Vienna - Make it stand out</image:title>
      <image:caption>An installation view of Josef Hoffmann’s Vienna with issues of the Ver Sacrum publication in the foreground. Image courtesy of the Kirkland Museum of Fine &amp; Decorative Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/95e418d3-10ab-4889-be0e-a46f5ca495e3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Josef Hoffmann’s Vienna - Make it stand out</image:title>
      <image:caption>Issue Number One of Ver Sacrum, 1898, cover by Alfred Roller (1864–1935), Kirkland Museum of Fine &amp; Decorative Art collection. Image courtesy of the Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e1497050-16d6-4f2c-b8b7-cab27da2b8c6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Josef Hoffmann’s Vienna - Make it stand out</image:title>
      <image:caption>A photographic portrait of Josef Hoffmann in 1903. Image courtesy of the Kirkland Museum of Fine &amp; Decorative Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c221e3fd-34f5-4ead-96e9-bdf1cf39d744/6_Fledermaus_JosefHoffmannsVienna_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Josef Hoffmann’s Vienna - Make it stand out</image:title>
      <image:caption>A view of the Fledermaus Cabaret (1907-1913) furniture and poster as well as a photograph of the interior of the original building in Josef Hoffmann’s Vienna at Kirkland Museum of Fine &amp; Decorative Art. Image courtesy of the Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/african-america-contempt-of-greasy-pigs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2edec5f3-cd69-417b-9ac8-442ad5de96a3/image-asset.png</image:loc>
      <image:title>Reviews Home - African America: Contempt of Greasy Pigs - Make it stand out</image:title>
      <image:caption>An installation view of east window SOUTH featuring André Ramos-Woodard’s exhibition African America: Contempt of Greasy Pigs. Image courtesy of east window SOUTH.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8f528aa2-8c9c-4cc9-9ee8-5c4bc04a32ab/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - African America: Contempt of Greasy Pigs - Make it stand out</image:title>
      <image:caption>André Ramos-Woodard, Things Fall Apart, 2021, photography and collage, 24 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ded867cc-c6bc-452b-b631-b2ddd7270f01/image-asset.png</image:loc>
      <image:title>Reviews Home - African America: Contempt of Greasy Pigs - Make it stand out</image:title>
      <image:caption>André Ramos-Woodard, Weapon—Zimmerman Sold The Gun That Killed Trayvon Martin For A Quarter-Million Dollars, 2021, photography and collage, 24 x 30 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7ff05d5d-78bf-4275-a275-249b8e72fb0c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - African America: Contempt of Greasy Pigs - Make it stand out</image:title>
      <image:caption>Stills from André Ramos-Woodard’s Haulin’ Ass, 2021, single channel video, 4:40 minutes. Images courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/56611180-3756-4af7-9f97-38d927c16198/WHITE+PRIV+BLACK+TRAUMA_150dpi.png</image:loc>
      <image:title>Reviews Home - African America: Contempt of Greasy Pigs - Make it stand out</image:title>
      <image:caption>André Ramos-Woodard, White Privilege. Black Trauma., 2021, digital collage, 11 x 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3c599193-e458-4979-b6a2-c7606e4f79b0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - African America: Contempt of Greasy Pigs - Make it stand out</image:title>
      <image:caption>André Ramos-Woodard, Which one of y’all doesn’t see color?, 2021, photography and collage, 24 x 30 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c22b6317-7107-461f-90d4-de622ef7ae52/image-asset.png</image:loc>
      <image:title>Reviews Home - African America: Contempt of Greasy Pigs - Make it stand out</image:title>
      <image:caption>André Ramos-Woodard, New Year’s Resolution, 2020, archival inkjet print, 16 x 24 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eaaba28d-b3a7-451d-9ab7-b42b6b37bee0/image-asset.png</image:loc>
      <image:title>Reviews Home - African America: Contempt of Greasy Pigs - Make it stand out</image:title>
      <image:caption>An installation view of André Ramos-Woodard’s exhibition African America: Contempt of Greasy Pigs. Image courtesy of east window SOUTH.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/deborah-zlotsky-altoon-sultan-kate-petley-scott-chamberlin-stephanie-robison</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/15772bf3-e516-48bf-bf86-a0d55d065b68/ZLOTSKY_InstallationView1_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Deborah Zlotsky, Altoon Sultan, Kate Petley, Scott Chamberlin, and Stephanie Robison - Make it stand out</image:title>
      <image:caption>An installation view of Deborah Zlotsky’s exhibition Galatea at Robischon Gallery. On the far right: Deborah Zlotsky’s Bitch magic, 2022, oil on canvas, 60 x 48 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7de9a8ed-554e-4a14-b1c4-d01d8391d41d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deborah Zlotsky, Altoon Sultan, Kate Petley, Scott Chamberlin, and Stephanie Robison - Make it stand out</image:title>
      <image:caption>Deborah Zlotsky, Atropos, Lachesis and Clotho, 2022, oil on canvas, 48 x 60 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5fa9eb64-880e-4f2a-b74a-991249706b0a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deborah Zlotsky, Altoon Sultan, Kate Petley, Scott Chamberlin, and Stephanie Robison - Make it stand out</image:title>
      <image:caption>Altoon Sultan, Violet/Rose Ground, 2018, hand-dyed wool on linen, 12 x 10 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2f453262-b825-4bf6-800f-b79f6e3235b8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deborah Zlotsky, Altoon Sultan, Kate Petley, Scott Chamberlin, and Stephanie Robison - Make it stand out</image:title>
      <image:caption>Kate Petley, Half Shadow, 2020, archival print and acrylic on canvas, 48 x 52 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bf1a3d56-2078-4237-8f10-38feff9cbd14/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deborah Zlotsky, Altoon Sultan, Kate Petley, Scott Chamberlin, and Stephanie Robison - Make it stand out</image:title>
      <image:caption>Scott Chamberlin, hoofd, 2015, glazed ceramic and plant matter, 51 x 16 x 12 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/eed60bdd-8149-4cc8-94cc-be8dc718bae3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deborah Zlotsky, Altoon Sultan, Kate Petley, Scott Chamberlin, and Stephanie Robison - Make it stand out</image:title>
      <image:caption>Stephanie Robison, Summit, 2021, marble and wood, 14 x 10 x 5 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-horizon-and-everything-within-it</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5b5dbbed-e5e1-4592-b061-f92a6ca659c0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Horizon and Everything Within It - Make it stand out</image:title>
      <image:caption>An installation view of works by Lorenzo Triburgo and Sarah Van Dyck in the exhibition The Horizon and Everything Within It at Artworks Center for Contemporary Art in Loveland. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ff428454-f75a-43b8-8baa-00a50c803e63/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Horizon and Everything Within It - Make it stand out</image:title>
      <image:caption>Works by Kristianne Riddle in the exhibition The Horizon and Everything Within It. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6bcb1e39-58fa-4e20-aa8e-fd1fdffce7f6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Horizon and Everything Within It - Make it stand out</image:title>
      <image:caption>Kristianne Riddle, Consequence of the Sea, 2021, photo-based sculpture with rope, 14 x 73 x 15 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e0d58226-85d8-454c-973d-ef9eef249dcf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Horizon and Everything Within It - Make it stand out</image:title>
      <image:caption>Rafael Soldi, Remember Forgetting, 2013, personal snapshots mounted backwards, 16 x 60 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f83fb1a0-f3c8-46be-afea-8ceea2f9eae3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Horizon and Everything Within It - Make it stand out</image:title>
      <image:caption>Rafael Soldi, Untitled (XIV) , 2012, archival pigment print, 20 x 16 inches. Image by Danielle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/abfb9383-b831-4f4d-a92f-0de72b6c4d15/TheHorizon_Soldi_All+Day+I+Hear+The+Noise+of+Waters+%28Installation%29_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Horizon and Everything Within It - Make it stand out</image:title>
      <image:caption>Rafael Soldi, All Day I Hear the Noise of Waters, 2014, archival pigment prints, 24 x 72 inches (24 x 36 inches each panel). Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/72a2402f-27b4-430d-958d-98a54579eed2/TheHorizon_Triburgo_Van+Dyck_Terra_8in_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Horizon and Everything Within It - Make it stand out</image:title>
      <image:caption>Lorenzo Triburgo and Sarah Van Dyck, Terra, 2020, archival pigment print, 24 x 36 inches. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1c2d335b-0bac-4cb2-ae3a-a9f77715be88/Alvisa_Womb_still_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Horizon and Everything Within It - Make it stand out</image:title>
      <image:caption>A still image from Alicia Rodriguez Alvisa and Lidzie Alvisa’s Womb, 2020, video. Image courtesy of the Center for Fine Art Photography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/as-of-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/087d8c58-068b-4c9b-847f-a53fcea1aada/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - As of Now - Make it stand out</image:title>
      <image:caption>Suchitra Mattai, Oceans, Kisses, and Tears, 2021, vintage saris, bed frame, antique dollhouse furniture, hair rollers, fabric, and trim, 70 x 56 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9594265e-3ee8-4463-90d6-be534e895f5a/image-asset.png</image:loc>
      <image:title>Reviews Home - As of Now - Make it stand out</image:title>
      <image:caption>Francisco Souto, Resilient, 2020, colored pencil on paper, 8 x 8 x 2.63 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/31ca45df-05ba-4487-831c-67c8288a21a3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - As of Now - Make it stand out</image:title>
      <image:caption>Carlos Martiel, South Body (3/3), 2020, chromogenic print on Fuji crystal archive emulsion, 40 x 26.5 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1e0d05bc-2242-40ea-9af0-a0e74a23e8db/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - As of Now - Make it stand out</image:title>
      <image:caption>Shawn Huckins, (Watson and the Shark), 2020, oil and acrylic on canvas, rope, 48 x 78 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1faf381-15e8-46aa-9629-54c607774565/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - As of Now - Make it stand out</image:title>
      <image:caption>Daisy Patton, Untitled (Of Hoston), 2018, oil on archival print on panel, 90 x 135 inches. Image courtesy of K Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d1252a32-2fdf-40fc-8ca1-207c19a0184c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - As of Now - Make it stand out</image:title>
      <image:caption>A detail view of Andrew Jensdotter’s Wildfire, 2021, carved acrylic on canvas, 78.75 x 107.75 x 2 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b34f4910-253b-423a-bca5-97f37a7d4aab/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - As of Now - Make it stand out</image:title>
      <image:caption>Kevin Sloan, Saint Snow, 2017, acrylic on canvas, 72 x 60 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c1d63668-2b96-4131-a542-e4536472a4fb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - As of Now - Make it stand out</image:title>
      <image:caption>Doug Kacena, #ArtFindsUs / Shawn Huckins’ “Evening Glow at Lake Louise: Hey Siri, How Do I Leave The Planet?, 2020, mobile performance featuring photographic reproductions on vinyl, 9 x 18 feet. Image courtesy of K Contemporary.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/traitor-survivor-icon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a75cabda-ff80-4470-b121-7673fb9233db/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Traitor, Survivor, Icon: The Legacy of La Malinche at the Denver Art Museum. Image courtesy of the Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/137e1232-f518-4a7d-9660-918f872b12fb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>A view of the timeline for Malinche in the Traitor, Survivor, Icon exhibition and two works in show, including Sandy Rodriguez’s Mapa for Malinche and our Stolen Sisters, dedicated to Missing and Murdered Indigenous Women (MMIW) and families, 2021, hand-processed watercolor and 24k gold on amate paper. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9525ca1e-28a4-45be-83ad-9a63d7b1a934/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>Sandy Rodriguez, Mapa for Malinche and our Stolen Sisters, dedicated to Missing and Murdered Indigenous Women (MMIW) and families, 2021, hand-processed watercolor and 24k gold on amate paper. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/0b2df764-f3ae-4d29-9b95-7c838e120bea/Jes%C3%BAs+Helguera%2C+La+Malinche%2C+1941%2C+installation+view</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>An installation view of Jesús Helguera’s La Malinche, 1941, oil paint on canvas, 6 feet 9 inches x 5 feet 7 inches. A collaboration between Carolina Performance, a socially responsible company whose mission is to preserve the cultural heritage of their country, and the Quintana Corral Family, in honor of the roots and mixed-race heritage of our Mexican people. © and courtesy of Calendarios Landin. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/566309df-cf78-416a-a31f-b078c7209bb5/Alfredo+Ramos+Mart%C3%ADnez%2C+La+Malinche+%28Young+Girl+of+Yalala%2C+Oaxaca%29%2C+1940</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>Alfredo Ramos Martínez, La Malinche (Young Girl of Yalala, Oaxaca), 1940, oil paint on canvas, 50 × 40.5 inches. From the collection of the Phoenix Art Museum: museum purchase with funds provided by the Friends of Mexican Art, 1979.86. ©The Alfredo Ramos Martínez Research Project, reproduced by permission. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/acb8a0b5-eb23-45c2-bd2e-58b496faf4fa/Santa+Barraza%2C+La+Malinche%2C+1991%2C+oil+on+metal.+Image+by+Madeleine+Boyson.</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>Santa Barraza, La Malinche, 1991, oil paint on metal, 10.875 x 9.875 inches. Private collection, © Santa Barraza. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9c53cf49-5593-4c31-83e2-7458caa8b150/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>Jorge González Camarena, La pareja (The couple), 1964, oil paint on polyester and fiberglass, 7 feet x 48.25 inches. Private collection, © Fundación Cultural Jorge González Camarena, AC. Image courtesy of the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3439c4ba-e2aa-4199-94a5-dc5774321b78/Teddy+Sandoval%2C+La+Traici%C3%B3n+de+Malinche+%28Malinche%E2%80%99s+betrayal%29%2C+1993</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>Teddy Sandoval, La Traición de Malinche (Malinche’s betrayal), 1993, watercolor on treated canvas, 10.5 x 13.5 inches. Courtesy of Paul Polubinskas, from the estate of Teddy Sandoval. Image courtesy of Elon Schoenholz Photography and the Denver Art Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a4c09f73-58c7-4665-8002-5d171014f4fc/Annie+Lopez%2C+Sold+as+a+Slave%2C+1995%2C+reprinted+in+2021%2C+cyanotype.+Image+by+Madeleine+Boyson.</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>Annie Lopez, Sold as a Slave, 1995, reprinted in 2021, cyanotype. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5df9bff2-782d-42ee-a753-8bec3ee1a1ae/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Traitor, Survivor, Icon - Make it stand out</image:title>
      <image:caption>A view of the interactive wall “Remembering Malinche / Recordando a la Malinche” in Traitor, Survivor, Icon: The Legacy of La Malinche at the Denver Art Museum. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/pitit-tig-children-of-tigers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e8349e01-26c2-4280-a2a7-e11be74de05c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>The entry area of the exhibition Pitit Tig / Children of Tigers at Leon Gallery. On the left: Feret Charles, Untitled, 2022, textile, beads, and sequins, 66 x 76 inches. Image by Amanda Tipton Photography, courtesy of Leon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/11170ae8-bb65-4c33-a727-9864068d4ca2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>A detail view of Feret Charles’s Untitled, 2022, textile, beads, and sequins, 66 x 76 inches. Image by Amanda Tipton Photography, courtesy of Leon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bf6cf360-f8d9-43ba-9303-42b59f4b3989/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d96a6737-d6a4-4f16-a6be-573ce787761b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>Two views of Mme Moreau’s Dessalines, 2022, textile and beads, 26.75 x 22.25 inches. Images by Amanda Tipton Photography, courtesy of Leon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/504a7074-edf6-4481-ba84-c1e738b74401/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>Hugue Joseph, Two Mermaids, 2022, wood, 17 x 9 x 3 inches. Image by Amanda Tipton Photography, courtesy of Leon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fa7d570e-8d5c-4dcd-8bb8-c420b61c5c98/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>On the left: Viktor El-Saieh, Waterfall 1, 2022, ink on paper, 18.75 x 15.25 inches, and on the right: Herold Pierre-Louis, Portrait with Doves, 2022, acrylic on cardboard, 24.5 x 20.5 inches. Image by Amanda Tipton Photography, courtesy of Leon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1ddba900-7839-481d-9b01-e882580d24ba/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>Viktor El-Saieh, Waterfall 1, 2022, ink on paper, 18.75 x 15.25 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4fa1ec66-0498-4e7f-b331-2f99c12be176/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>Pierre Louis, Village Birth, 2022, painting on canvas, 30 x 20 inches. Image by Amanda Tipton Photography, courtesy of Leon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/721ea425-1bc4-469b-92c2-0d771e290d86/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>Marithou, Seated Woman, 2022, ceramic, 12 x 6 x 10 inches. Image by Amanda Tipton Photography, courtesy of Leon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2e2439dc-c1dd-47ab-bcd9-16b6cd0a814f/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>Lissa Jeannot, Untitled, 2022, ceramic, 5.5 x 5.5 x 15 inches. Image by Amanda Tipton Photography, courtesy of Leon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ca28cec6-4aca-4906-b7e1-dfd48db3e72c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pitit Tig / Children of Tigers - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Pitit Tig / Children of Tigers at Leon Gallery. Image by Amanda Tipton Photography, courtesy of Leon Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/new-horizons</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/886ebe36-08af-44ba-b86f-9f5352f38f7b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - New Horizons - Make it stand out</image:title>
      <image:caption>An installation view of New Horizons: Colorado Black Arts Festival at Understudy in Denver during the opening night reception. Image by Sam Nguyen, courtesy of Understudy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a2e592ea-b95c-4e73-8faa-029d9f4e5ee0/image-asset.png</image:loc>
      <image:title>Reviews Home - New Horizons - Make it stand out</image:title>
      <image:caption>Rob Hill, FABRIK, 2022, fabric, leather, and accessories on canvas with metal hinges, 40 x 60 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/004cdf23-b173-493f-aa1f-a5cd19d60ea1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - New Horizons - Make it stand out</image:title>
      <image:caption>MAE, Prometheus (from the series Cut from Granite), 2021, acrylic on canvas. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/825ad1da-ff1f-4062-aca2-95b367604faa/image-asset.png</image:loc>
      <image:title>Reviews Home - New Horizons - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2e23d1db-72bb-47e3-b44d-a2b4b7eb3b49/image-asset.png</image:loc>
      <image:title>Reviews Home - New Horizons - Make it stand out</image:title>
      <image:caption>Close-up views of two works from Devin “Speaks” Urioste’s series Royalty, 2022, collage on canvas. Images courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/449b6959-a721-47fb-bf99-54170c8dfe8a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - New Horizons - Make it stand out</image:title>
      <image:caption>Kaylee Bender, The Red Sun, 2020, acrylic on canvas. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/community-forms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/792af80c-b3b9-431c-9ca9-638b11185a48/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Community Forms - Make it stand out</image:title>
      <image:caption>Matt Barton, Community Forms, 2021, concrete, formed earth, recycled materials, and landscaping. This site-specific installation is located at the TAXI Campus at 3455 Ringsby Court in Denver, Colorado. Image by Third Dune Productions, courtesy of the artist and Black Cube.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1d0c486e-508f-4751-86d5-3d59114e6e1c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Community Forms - Make it stand out</image:title>
      <image:caption>Matt Barton, Community Forms, 2021, concrete, formed earth, recycled materials, and landscaping. This site-specific installation is located at the TAXI Campus in Denver. Image by Third Dune Productions, courtesy of the artist and Black Cube.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/88ec8eb2-1632-46a8-abbe-87f2957f5ecb/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Community Forms - Make it stand out</image:title>
      <image:caption>An aerial view of Matt Barton’s Community Forms, 2021, concrete, formed earth, recycled materials, and landscaping. This site-specific installation is located at the TAXI Campus in Denver. Image by Third Dune Productions, courtesy of the artist and Black Cube.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/deep-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c0c90a06-1e85-4705-9f42-c4fcf570a688/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deep Space - Make it stand out</image:title>
      <image:caption>An installation view of the current group exhibition Deep Space at fooLPRoof contemporary art in Denver. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4c947522-6f36-4740-86e3-c8f7fc63609a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deep Space - Make it stand out</image:title>
      <image:caption>Louis Recchia, Rising Tide, acrylic on canvas, 36 x 48 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e50750bc-4a72-4476-a4ed-f1e6119b1633/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deep Space - Make it stand out</image:title>
      <image:caption>Jennifer Hope, Untitled, acrylic on canvas. 76 x 96 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6f89ec05-d62d-497d-b399-d723fa35a05e/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deep Space - Make it stand out</image:title>
      <image:caption>Laura Phelps Rogers, Deep Space #4-6, acrylic on canvas, 27 × 33 inches, 25 x 32 inches, and 21 x 26 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5f87d33f-be1d-454a-9bf2-c159939983c8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deep Space - Make it stand out</image:title>
      <image:caption>Gillie and Marc, They Love Each Other to the Moon and Back, bronze, 17 × 11 x 11 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b00e410a-c54a-49bb-a145-39da8f996d06/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deep Space - Make it stand out</image:title>
      <image:caption>Laura Phelps Rogers, Down the Rabbit Hole, hanging installation with bronze sculpture and painting in culvert, 46 inches in diameter. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/90cd3579-7b37-40e4-89d2-a8d532193a7c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deep Space - Make it stand out</image:title>
      <image:caption>On the left: Sahand Tabatabai, Walking on the 40th Parallel, oil on linen, 42 x 32 inches and on the right: Sahand Tabatabai, Watching Orion and Taurus with Thor, oil on linen, 42 x 36 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b3746741-4a15-483a-834e-44ebabb0ef16/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Deep Space - Make it stand out</image:title>
      <image:caption>A view of the Deep Space exhibition with David Lobdell’s hanging sculpture Mrs. Automatic Orator in the foreground on the left. Image by Ashten Scheller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/margaret-kasahara</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7d9c7066-f6f0-4c45-a847-f3b15b92c313/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Margaret Kasahara - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Foreign Accents, 2008, oil and oil stick on canvas, 48 x 48 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/290b8930-b257-498a-9ad7-9b12b6ee47a0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Margaret Kasahara - Make it stand out</image:title>
      <image:caption>An installation view of Margaret Kasahara’s exhibition Between the Lines at the Colorado Springs Fine Arts Center from June 21 to September 28, 2014. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8c33cb7b-3d22-4cfd-8579-48a100f722b6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Margaret Kasahara - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Notation 22-21, 2021, 22-karat gold leaf on sushi rice and pencil on rag paper, 3.625 x 3.625 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f8ea3419-9493-4040-856e-9da29a998c8d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Margaret Kasahara - Make it stand out</image:title>
      <image:caption>Works from Margaret Kasahara’s Notation series on view as part of the U OK? exhibition at the University of Colorado at Colorado Springs Gallery of Contemporary Art from June 4 to August 6, 2021. Image by Stellar Propeller Studio, courtesy UCCS Galleries of Contemporary Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e0fe48b5-cefd-4d07-93ab-b8f4efdce637/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Margaret Kasahara - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Notation 5-18, 2018, washi origami paper, artist's hair, thread, and pencil on rag paper, 3.625 x 3.625 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c3b13cea-33d3-4525-8c68-2c18f309ab8e/kasahara_notation+121-17_Cropped150dpi.jpg</image:loc>
      <image:title>Reviews Home - Margaret Kasahara - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Notation 121-17, 2017, Unryu paper, artist's hair, thread, and pencil on rag paper, 3.625 x 3.625 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/34e8d67d-435f-4161-aace-ba53e9bfd36c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Margaret Kasahara - Make it stand out</image:title>
      <image:caption>Margaret Kasahara, Notation 130-17, 2017, Unryu paper, artist's hair, thread, and pencil on rag paper, 3.625 x 3.625 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/voices-of-the-desert</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cc5e18e8-84fc-4e31-8fbb-c6f98040223d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Voices of the Desert - Make it stand out</image:title>
      <image:caption>An installation view of Cherish Marquez’s exhibition Voices of the Desert at Union Hall in Denver. Image by Raymundo Muñoz, courtesy of Union Hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/80e6a0bb-4d5c-4fed-9499-d2ea871c3c8d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Voices of the Desert - Make it stand out</image:title>
      <image:caption>Two gallery visitors interact with Cherish Marquez’s A Piece, 2021, dirt, barrel, desert plants, and vinyl label. Image by Erynn McConnell, courtesy of Union Hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/48df4e30-b3a7-4270-9def-04dd11f15da8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Voices of the Desert - Make it stand out</image:title>
      <image:caption>Cherish Marquez, Yucca, 2020, 3-D rendered animation and dried yucca stalk (on the right) and other works in the Voices of the Desert exhibition. Image by Erynn McConnell, courtesy of Union Hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d989b938-d44d-4ab7-94cf-019ce8d71e15/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Voices of the Desert - Make it stand out</image:title>
      <image:caption>Two gallery visitors interact with Cherish Marquez’s I Am Here With Others, 2021, video game, using the Topography of the Sierra Blanca fabricated game controller, 2021, fabric, conductive fabric, Arduino, flora, USB cord, conductive thread, yarn, and string. Image by Erynn McConnell, courtesy of Union Hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/c525fc79-0354-4848-b4e3-5a5ddd1e09ac/Marquez_Topography+of+the+Sierra+Blanca_RaymundoMunoz_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Voices of the Desert - Make it stand out</image:title>
      <image:caption>Cherish Marquez, Topography of the Sierra Blanca (fabricated game controller), 2021, fabric, conductive fabric, Arduino, flora, USB cord, conductive thread, yarn, and string. Image by Raymundo Muñoz, courtesy of Union Hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/08749a8d-5c23-47c6-83cd-db6516461015/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Voices of the Desert - Make it stand out</image:title>
      <image:caption>Cherish Marquez, The Others, 2021, Devil’s Claw seed pods taken from the Chihuahuan Desert. Image by Erynn McConnell, courtesy of Union Hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/36344f95-98e0-49c9-ae9b-29f694fe53bd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Voices of the Desert - Make it stand out</image:title>
      <image:caption>On the left: Cherish Marquez, Voices, 2020, 3-D rendered animation; on the right: Cherish Marquez, Land, 2021, 3-D rendered animation. Image by Erynn McConnell, courtesy of Union Hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/caae2cc2-ace1-4e90-a39d-3973ef312257/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Voices of the Desert - Make it stand out</image:title>
      <image:caption>A view of Cherish Marquez’s I Am Here With Others, 2021, video game. Image by Erynn McConnell, courtesy of Union Hall.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/im</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8aa6c218-e19b-4d3c-87d6-01cb88fcf595/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I’m - Make it stand out</image:title>
      <image:caption>An installation view of Deborah Roberts’ exhibition I’m at the Museum of Contemporary Art Denver. Image by Wes Magyar, courtesy of the MCA Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/4805dbe9-48b5-4203-a808-0628f0c03662/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I’m - Make it stand out</image:title>
      <image:caption>Deborah Roberts, Cock-a-doodle-do, 2019, mixed media collage on canvas, 65 x 45 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/488174da-500a-4a51-bf1b-121c4fbcbc9c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I’m - Make it stand out</image:title>
      <image:caption>Deborah Roberts, The unseen, 2020, mixed media collage on canvas, 65 x 45 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/76d13de2-82a1-44b9-8520-6401e958dfbd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I’m - Make it stand out</image:title>
      <image:caption>Deborah Roberts, The looking glass, 2019, mixed media collage on panel, 60 x 48 inches. Image by Renée Marino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/bb32be81-58ff-4bca-8b5a-f66a54c49433/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I’m - Make it stand out</image:title>
      <image:caption>Two works from Deborah Roberts’ series Portraits: When they look back, 2020, mixed media collage on canvas, 45 x 35 inches each. Image by Wes Magyar, courtesy of the MCA Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/556bac4d-4efb-4883-b0f5-78071cb58eda/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I’m - Make it stand out</image:title>
      <image:caption>Deborah Roberts, What if?, 2020, mixed media installation, 84 x 96 x 48 inches. Image by Wes Magyar, courtesy of the MCA Denver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8aa7ca80-13d8-4c49-a1b5-ed26a667b528/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - I’m - Make it stand out</image:title>
      <image:caption>Two works from Deborah Roberts’ series Pluralism, 2020, silkscreen on paper, 30 x 22 inches each. In the background: Roberts’ Fighting all the ISM, 2019, mixed media collage on canvas, 72 x 60 inches. Image by Wes Magyar, courtesy of the MCA Denver.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/sinners-saints-and-fools</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9ff498e8-2551-43e5-a4e8-d341cb7e5e24/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sinners, Saints &amp;amp; Fools - Make it stand out</image:title>
      <image:caption>An installation view of Maria Sheets’ exhibition Sinners, Saints &amp; Fools at Valkarie Gallery. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/669566c8-99f1-42eb-b883-ac07ee70cc7b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sinners, Saints &amp;amp; Fools - Make it stand out</image:title>
      <image:caption>Maria Sheets, Wonderwoman, kiln-fired, painted stained glass, soldered, 52 x 27 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/9aa8f4f2-580d-4e18-b09b-c0e6ec38f46c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sinners, Saints &amp;amp; Fools - Make it stand out</image:title>
      <image:caption>Maria Sheets, Saint Corona, kiln-fired, painted stained glass, soldered, 24 x 32 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fb655f70-d035-4e00-94f3-4d731ef1a792/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sinners, Saints &amp;amp; Fools - Make it stand out</image:title>
      <image:caption>Maria Sheets, Great American Eclipse, kiln-fired, painted stained glass, soldered, 25 x 25 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/25979a88-526d-4b5a-9d41-f6e45571b256/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sinners, Saints &amp;amp; Fools - Make it stand out</image:title>
      <image:caption>Maria Sheets, Last Cigarette, kiln-fired, painted stained glass, soldered over a Nimbus Frame with rotating images, 19 x 31 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/80d61efe-0926-451e-a77b-f2109d1d860c/Sheets_LastCigarette1_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Sinners, Saints &amp;amp; Fools - Make it stand out</image:title>
      <image:caption>A detail view of Maria Sheets’ Last Cigarette, kiln-fired, painted stained glass, soldered over a Nimbus Frame with rotating images, 19 x 31 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a53bebf8-1296-4d94-994d-8c4234bc9bb6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sinners, Saints &amp;amp; Fools - Make it stand out</image:title>
      <image:caption>Maria Sheets, Last Cigarette, kiln-fired, painted stained glass, soldered over a Nimbus Frame with rotating images, 19 x 31 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cd734786-501c-49fb-8e96-61689fba0845/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sinners, Saints &amp;amp; Fools - Make it stand out</image:title>
      <image:caption>Maria Sheets, Void Series, kiln-fired, painted stained glass with stands, 8 x 12 inches each. Image by Maggie Sava.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/fervor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/6bd6daa4-c14c-4712-8d98-06bcba5e298b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Fervor - Make it stand out</image:title>
      <image:caption>An installation view of Ana María Hernando’s exhibition Fervor at the Denver Botanic Gardens. On the right, works from the series Écoutons/We Listen/Escuchamos, 2020-2021 (ongoing), recorded bird songs, cotton thread embroidery on organza, and printed organza on paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8650f0bf-3f60-4c23-b183-bc13e439c01c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Fervor - Make it stand out</image:title>
      <image:caption>A view of works hanging from the ceiling in Ana María Hernando’s series Écoutons/We Listen/Escuchamos, 2020-2021 (ongoing), recorded bird songs, cotton thread embroidery on organza, and printed organza on paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dd830509-c293-4b66-948e-e7554165c513/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Fervor - Make it stand out</image:title>
      <image:caption>“Blue Jay from Wilmette, Illinois” from Ana María Hernando’s series Écoutons/We Listen/Escuchamos, 2020-2021 (ongoing), recorded bird songs, cotton thread embroidery on organza, and printed organza on paper. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2a41a2f8-e7b9-418f-b2a4-0012f36a7cad/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Fervor - Make it stand out</image:title>
      <image:caption>Ana María Hernando, Ñusta de la hora sagrada/Ñusta of the Holy Twilight, 2021, tulle, wood, and mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/25976991-d3a2-4ebd-8a0c-8f72c2b23daa/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Fervor - Make it stand out</image:title>
      <image:caption>Ana María Hernando, Fervor, 2021, tulle and mixed media. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/581ac439-7386-4c29-8ba3-8ff5182c30d3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Fervor - Make it stand out</image:title>
      <image:caption>A detail view of Ana María Hernando’s Fervor, 2021, tulle and mixed media. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/tools-of-conveyance-and-staring-into-the-fire</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-12-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a2319900-976d-4957-850a-6d4f52d64f59/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tools of Conveyance / Staring into the Fire - Make it stand out</image:title>
      <image:caption>Tim Whiten, Perceval, 2013, lead crystal glass, courtesy of the artist and Olga Korper Gallery, Toronto. Image by j. gluckstern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/67c82cbd-1ba1-4dfa-bb88-b040ae0e3d76/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tools of Conveyance / Staring into the Fire - Make it stand out</image:title>
      <image:caption>Tim Whiten, Spanner, 1975, graphite stick and graphite pencil on paper, courtesy of the artist and Olga Korper Gallery, Toronto. Image by j. gluckstern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ca078c75-069f-4919-b1b7-00126cb1a477/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tools of Conveyance / Staring into the Fire - Make it stand out</image:title>
      <image:caption>Tim Whiten, Rope, 1973, hemp fiber and leather, courtesy of the artist and Olga Korper Gallery, Toronto. Image by j. gluckstern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/d04b118e-c6cf-4105-b999-21bfa2f24305/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tools of Conveyance / Staring into the Fire - Make it stand out</image:title>
      <image:caption>Tim Whiten, Enigmata with Rose, no. 20, 1996-1998, coffee-stained cotton hospital sheets, courtesy of the artist and Olga Korper Gallery, Toronto. Image by j. gluckstern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/258a0736-3d0b-4cb5-b026-a02594f18e81/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tools of Conveyance / Staring into the Fire - Make it stand out</image:title>
      <image:caption>An installation view of Kate Petley’s exhibition Staring into the Fire at the CU Art Museum in Boulder. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/de62e39e-59ca-49b8-808f-90600315594d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tools of Conveyance / Staring into the Fire - Make it stand out</image:title>
      <image:caption>Kate Petley, Floodgates, 2021, archival print and acrylic on canvas, 48 x 52 inches. Image courtesy of the artist and Robischon Gallery © Kate Petley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3bddeb93-8ad8-4f03-bdf3-b8e5e4b735fc/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tools of Conveyance / Staring into the Fire - Make it stand out</image:title>
      <image:caption>Kate Petley, Counterclockwise, 2021, archival print and acrylic on canvas, 48 x 52 inches. Image courtesy of the artist and Robischon Gallery © Kate Petley.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8d49ab42-2df8-45c6-999f-440e6b2a2d34/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Tools of Conveyance / Staring into the Fire - Make it stand out</image:title>
      <image:caption>A view of Kate Petley’s works, from left to right, Difficult Character 4, Difficult Character 3, and Difficult Character 2, 2020, acrylic on altered cardboard, 70 x 108 inches, 38 x 42.5 inches, and 38 x 42.5 inches. Image by Wes Magyar, © CU Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/where-is-every-body-and-wandering-spirit</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-01-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1f22dbb2-c038-47ec-8d49-aef1a6d84c2c/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Where Is Every Body? / Wandering Spirit - Make it stand out</image:title>
      <image:caption>A view of the façade of the Avenir Museum at Colorado State University in Fort Collins. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/81aca9b9-dc77-4e25-aa5a-4f92dde2fdc9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Where Is Every Body? / Wandering Spirit - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition Where Is Every Body? Mannequins and Mounts at the Avenir Museum in Fort Collins. Image courtesy of Colorado State University.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2841f592-57a8-4fe4-8ac0-746878e2baa3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Where Is Every Body? / Wandering Spirit - Make it stand out</image:title>
      <image:caption>Mannequins in a display titled “Why are these mannequins so white?” in the Where Is Every Body? Mannequins and Mounts exhibition at the Avenir Museum. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5a0699c1-aa0f-40be-b18f-7ac0e07e786d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Where Is Every Body? / Wandering Spirit - Make it stand out</image:title>
      <image:caption>Mannequin busts and a text and image panel in the Where Is Every Body? exhibition. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b545da5f-147c-4788-b63a-02d0d3b9de79/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Where Is Every Body? / Wandering Spirit - Make it stand out</image:title>
      <image:caption>Three mannequins that are part of a display questioning body size ideals in the Where Is Every Body? exhibition. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/fa5d992e-47d3-4928-b78e-29b2b3b5d8d4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Where Is Every Body? / Wandering Spirit - Make it stand out</image:title>
      <image:caption>Fabric samples on display in the Wandering Spirit: African Wax Prints exhibition at the Avenir Museum. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/5d385d20-91b8-4b69-869a-e171d9331e48/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Where Is Every Body? / Wandering Spirit - Make it stand out</image:title>
      <image:caption>King’s Chair Dress in the exhibition Wandering Spirit: African Wax Prints at the Avenir Museum. Image courtesy of the Beatrice Benson Collection and ExhibitsUSA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-fantasy-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/dec2feaa-46e7-44fd-b884-f8bf62df0487/FantasyShow_InstallationView2_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Fantasy Show - Make it stand out</image:title>
      <image:caption>An installation view of The Fantasy Show group exhibition at the Museum of Outdoor Arts. Featured here: works by the Design and Build Emerging Artists, including The Human Garden, Botanical Realism, and Venus Fly Trap in the foreground; Storybook Illustration Come to Life in the middle ground; and The Dream Dragon and Fantasyville Apartments in the background. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/196d4b4e-a261-43b9-ba53-a40d08c86ee6/Collaborative+Design+and+Build+installation+Fun-gi+Forest%2C+2021%2C+papier+m%C3%A2ch%C3%A9.+Image+by+Madeleine+Boyson_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Fantasy Show - Make it stand out</image:title>
      <image:caption>The Design and Build Emerging Artists collaborative, Fun-gi Forest, 2021, papier mâché, acrylic paint, moss, and various media. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2908648f-5638-4daa-b7e7-8f35a66201c3/HumanGarden_detail_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Fantasy Show - Make it stand out</image:title>
      <image:caption>A detail image of the Design and Build Emerging Artists’ collaborative Botanical Realism, 2021, mixed media. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ec76fdab-7998-4002-bbbc-aa2ca5a1db1a/AnnetteIsham_DimDescension_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Fantasy Show - Make it stand out</image:title>
      <image:caption>Annette Isham, Dim Descension, 2021, photograph from a performance video. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f2ae0c66-cef6-4120-bab7-a0afd74b9979/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Fantasy Show - Make it stand out</image:title>
      <image:caption>Scottie Burgess, Soft Static, 2021, fiber and mixed media. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ba6480a5-fdeb-4de7-8edb-8ac3b5195df1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Fantasy Show - Make it stand out</image:title>
      <image:caption>Jodi Stuart, Form Futura, 2021, 3-D pen-formed ABS plastic and silicone adhesive. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/44d41d0b-4d0d-4fa3-aef2-c0ad4f5fbc59/INST%7EYQ0.JPG</image:loc>
      <image:title>Reviews Home - The Fantasy Show - Make it stand out</image:title>
      <image:caption>An installation view of WAVEFORM Experiential (Pat Higgins and Sam Moritz), I.R.I.S. (The Inhabitable Reality Intelligence System), 2021, mixed media. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/at-the-line</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/ceadaa37-08e5-4bad-8ab9-e22c258ebc29/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - at the line - Make it stand out</image:title>
      <image:caption>Ronny Quevedo, Zoot Suit Riot at Qoricancha, 2017, pattern paper, enamel, gold leaf, and silver leaf on panel. Image courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/14457202-7b1e-4ecf-9be7-75e8749db8cf/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - at the line - Make it stand out</image:title>
      <image:caption>A detail image of Ronny Quevedo, Zoot Suit Riot at Qoricancha, 2017, pattern paper, enamel, gold leaf, and silver leaf on panel. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/699b0723-a8dc-4408-9192-0ce03c8e1bd8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - at the line - Make it stand out</image:title>
      <image:caption>Ronny Quevedo, revolutions abound (Estadio Olímpico Atahualpa), 2019, wax on oak tag. Image courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/814a59da-34b2-4296-982c-22976befb59b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - at the line - Make it stand out</image:title>
      <image:caption>Ronny Quevedo, Revolutions Unbound, 2019, wax on muslin. Image courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/b9d36617-03d2-4aae-a4b6-bb3c0cf80a22/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - at the line - Make it stand out</image:title>
      <image:caption>Ronny Quevedo, el perimetro, 2017, gold leaf and silver leaf on dress maker wax paper. Image courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/43515e0e-2661-4d13-a683-069f8fd1e51d/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - at the line - Make it stand out</image:title>
      <image:caption>Ronny Quevedo, Ulama, Ule, Olé, 2012, milk crates and zip ties. Image courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3e82b4c5-9d83-4fdb-b508-4129a19b2682/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - at the line - Make it stand out</image:title>
      <image:caption>An overhead view of Ronny Quevedo, at the line, 2021, vinyl on gym flooring, 20 x 30 feet, commissioned by the Colorado Springs Fine Arts Center at Colorado College. Image by Emma Powell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1d3697e4-a237-4601-af72-d1120b17a0a2/image-asset.png</image:loc>
      <image:title>Reviews Home - at the line - Make it stand out</image:title>
      <image:caption>Ronny Quevedo, errantry (the benefit of being offsides), 2019, cement and metal leaf on linoleum tiles. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/05f3f1bd-8ff5-4e91-9b0f-79337a5825ef/image-asset.png</image:loc>
      <image:title>Reviews Home - at the line - Make it stand out</image:title>
      <image:caption>Ronny Quevedo, installation view of Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art at the Whitney Museum of Art, 2018. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/catalyst</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/02ab7c16-23c7-4726-b267-c90e2d45a71b/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>Kendra Fleischman, CATALYST, 2021, video projection, acrylic forms, and fabric. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/05897d26-bbcf-4e37-81c4-233dcc404ad0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>Kendra Fleischman, CATALYST, 2021, videos, acrylic forms, and fabric. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/8a0de38a-2752-44bf-8cc9-7f3c63e133ed/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>Judy Gardner, CATALYST, 2021, 3-D printed and laser-cut plastic and laser-cut wood. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/40e38020-0ff4-4bf6-9d0a-3c40af15f8a7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>A detail image of Judy Gardner, CATALYST, 2021, 3-D printed and laser-cut plastic and laser-cut wood. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/f15b83d6-92ec-42ae-aa04-7970bf459cc1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>Bonnie Ferrill Roman, CATALYST, 2021, handmade paper, wood, LED lights, and fabric. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/565ba5f2-b2a4-4a6e-af8f-e02c4915caa8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>A detail image of Bonnie Ferrill Roman, CATALYST, 2021, handmade paper, wood, LED lights, and fabric. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/22319f84-1db8-4f29-a4dd-55cb7df94839/Gardner_InstallationView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>Victoria Eubanks, CATALYST, 2021, glassine fabric and encaustic paintings. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/430f0af4-ce92-4918-b47b-8018913f1bd1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>A detail image of Victoria Eubanks, CATALYST, 2021, glassine fabric and encaustic paintings. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/85e2b246-841a-445e-98c1-ba72a0b5ea27/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>Jennifer Ghormley, CATALYST, 2021, fabric and thread. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/981f991c-d1f3-4b24-b6a0-660f6282a2bd/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - CATALYST - Make it stand out</image:title>
      <image:caption>Jennifer Ghormley, CATALYST, 2021, fabric and thread. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/in-other-words-and-word-play</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/e771502a-3762-4284-895e-1afde7df4f04/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Other Words / Word Play - Make it stand out</image:title>
      <image:caption>A view of works in the exhibition Roland Bernier: In Other Words on display at the Arvada Center for the Arts and Humanities. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/3c9776f8-9260-452a-bcfb-574778dcc5c1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Other Words / Word Play - Make it stand out</image:title>
      <image:caption>Roland Bernier, Word Works, 2000, plywood, 12 x 8 x 3 feet. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/2607cc9d-abf2-49d3-8827-e3d7474b07ae/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Other Words / Word Play - Make it stand out</image:title>
      <image:caption>Roland Bernier, RiffRaff, 1993, acrylic on canvas, 60 x 111 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/a4141847-b0fe-4a83-b9bb-2d242a18e14e/WordPlay_InstallationView_150dpi.jpg</image:loc>
      <image:title>Reviews Home - In Other Words / Word Play - Make it stand out</image:title>
      <image:caption>A view of the group exhibition Word Play at the Arvada Center for the Arts and Humanities. In the center, two works by Joel Swanson: Webster’s Dictionary, found dictionary illustrations and digital animation, 2021, and NO/NOT/NOTHING, powder-coated aluminum and cable, 2021 . Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7278f711-3d3b-4b0e-a2b1-6c5f1ebd9514/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Other Words / Word Play - Make it stand out</image:title>
      <image:caption>Donald Fodness, Landscape 2021 with Icons, 2021, graphite on paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/cabb8845-6db9-4c96-ba3d-7b8f9ed907a3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Other Words / Word Play - Make it stand out</image:title>
      <image:caption>Tom Mazzullo, from left to right: Type Improvisation on y, silverpoint with white gouache on casein-prepared paper, 2019; Type Improvisation on G, silverpoint with white gouache on casein-prepared paper, 2017; and Type Improvisation on n, silverpoint with white gouache on casein-prepared paper, 2017. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/68f73d32-bbcb-449c-92ad-66812caa121a/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - In Other Words / Word Play - Make it stand out</image:title>
      <image:caption>A single image on one video screen in Joel Swanson’s Webster’s Dictionary, found dictionary illustrations and digital animation, 2021. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/black-in-denver</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/024a54f9-3f54-4431-98dd-47e93eba2d46/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Black in Denver - Make it stand out</image:title>
      <image:caption>An installation view of Narkita Gold’s exhibition Black in Denver at the History Colorado Center in downtown Denver. Image courtesy of History Colorado.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/37070c66-a17d-4fcc-9123-51d3e0f1ae59/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Black in Denver - Make it stand out</image:title>
      <image:caption>Narkita Gold, Beverly, 2020, archival digital print, 3 x 4 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/7d0926f1-f062-4ec3-aae3-f78d86870448/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Black in Denver - Make it stand out</image:title>
      <image:caption>Narkita Gold, LeeLee, 2019, archival digital print, 3 x 4 feet. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/edb04060-8d5e-4fac-9b1f-2bfe3ad72f29/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Black in Denver - Make it stand out</image:title>
      <image:caption>An installation view of Narkita Gold’s exhibition Black in Denver at the History Colorado Center. Image courtesy of History Colorado.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/movable-medley</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634919440664-ECVMMWJ5AV7C7OHCZNPK/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Movable Medley - Make it stand out</image:title>
      <image:caption>A view of the exhibition Movable Medley at the Art Students League of Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634919886083-D83TMYPV4RUMXAETWL6F/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Movable Medley - Make it stand out</image:title>
      <image:caption>Thomas Parker Williams, Voyage No. 1, 2017, Tyvek, watercolor, ink, wood, and brass, 8.5 x 11 x 3.75 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634928530168-GY2O74J0HI3AM1QDW0F2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Movable Medley - Make it stand out</image:title>
      <image:caption>Jan Dove, The Book of BonBons, 2015, book board, cotton, mylar, and paper, 13.25 x 11 x 13.25 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634928690064-P7DPA1KH6XWW9HSMLIFZ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Movable Medley - Make it stand out</image:title>
      <image:caption>A detail view of Jan Dove’s The Book of BonBons, 2015, book board, cotton, mylar, and paper, 13.25 x 11 x 13.25 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634929481181-7WMURIOVRK171U8BLPZM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Movable Medley - Make it stand out</image:title>
      <image:caption>Mary Jeanne Linford, Cocoon, 2019, paper, colored pencil, ink, mylar, thread, and cloth, 7 x 8 x 1.5 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634932101857-KY2O4GD7YFU6EYI234FT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Movable Medley - Make it stand out</image:title>
      <image:caption>Emily J. Martin, Oscar Wilde: In Earnest and Out, 2020, paper, ink, thread, book board, and book cloth, 13 x 9 inches. Image by Maggie Sava.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634932473351-RFD9F6U5PSM7N2676357/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Movable Medley - Make it stand out</image:title>
      <image:caption>Heather Doyle-Maier, Riptides, 2019, fabric, thread, vellum, and paper, 7.25 x 3.125 x 1.25 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634932536212-8DJCNWM47OU6Q9KX025K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Movable Medley - Make it stand out</image:title>
      <image:caption>A detail view of Heather Doyle-Maier’s Riptides, 2019, fabric, thread, vellum, and paper, 7.25 x 3.125 x 1.25 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/tissues</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634319578939-DOC6ERVSXW2YO4Q4OPHP/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - TISSUES - Make it stand out</image:title>
      <image:caption>A panoramic view of Estevan Ruiz’s exhibition TISSUES on view at Dateline. Image by Carissa Samaniego.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634319908066-NES1LFIXFDF1N56H2YX1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - TISSUES - Make it stand out</image:title>
      <image:caption>Two photographs from Estevan Ruiz’s exhibition TISSUES. Image by Carissa Samaniego.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634319995969-RROHOMR5LATDEKE9QPGW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - TISSUES - Make it stand out</image:title>
      <image:caption>A photograph of lips and stubble from Estevan Ruiz’s exhibition TISSUES. Image by Carissa Samaniego.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634320136259-GAUFRMV7YRMXW5ROGBQG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - TISSUES - Make it stand out</image:title>
      <image:caption>A view of one wall of photographs in Estevan Ruiz’s exhibition TISSUES. Image by Carissa Samaniego.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634320243051-ED611855TUTTTOZZOB8I/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - TISSUES - Make it stand out</image:title>
      <image:caption>Photographs of a person with a prosthetic eye and a person with a scar on their chin in Estevan Ruiz’s exhibition TISSUES. Image by Carissa Samaniego.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1634320334972-5QVZ3FZK2AKK01TLA7ZO/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - TISSUES - Make it stand out</image:title>
      <image:caption>A close-up photograph of an eye in Estevan Ruiz’s exhibition TISSUES. Image by Carissa Samaniego.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/oberdorfer-dodge-miller</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633711603264-QO9F2BKQ7ZM5PW6H170Y/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Kathryn Oberdorfer / Madeleine Dodge / Patricia Miller - Make it stand out</image:title>
      <image:caption>Kathryn Oberdorfer, The First Night I Slept - Inauguration Day - 2, 2021, acrylic and pastel on canvas, 30 x 24 inches. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633711869362-D3ZF63W3UJWKSNCDBHBH/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Kathryn Oberdorfer / Madeleine Dodge / Patricia Miller - Make it stand out</image:title>
      <image:caption>The title wall of Kathryn Oberdorfer’s exhibition Narrative - Reflective of the Pandemic Era on view at Spark Gallery. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633712067909-628WWFV156BXWXCIBPY6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Kathryn Oberdorfer / Madeleine Dodge / Patricia Miller - Make it stand out</image:title>
      <image:caption>Madeleine Dodge, Erasure Series no. 5, pigments, ink carbon, and shellac on steel, 16 x 16 inches. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633712095735-KI375WABG79IL5RX91MV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Kathryn Oberdorfer / Madeleine Dodge / Patricia Miller - Make it stand out</image:title>
      <image:caption>Two works from Madeleine Dodge’s Erasure Series on view as part of her exhibition Lost Objects: The Persistence of Being at Spark Gallery. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633712151467-6EXCLD07X5ILT4YVCP0B/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Kathryn Oberdorfer / Madeleine Dodge / Patricia Miller - Make it stand out</image:title>
      <image:caption>Patricia Miller, Dreams of the Fallen, photomontage digital painting pigment ink on watercolor paper. Image by Livy Snyder.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633712254043-Z5L25F97PL6FPT4CVS6J/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Kathryn Oberdorfer / Madeleine Dodge / Patricia Miller - Make it stand out</image:title>
      <image:caption>Patricia Miller, Final Resting Place, photomontage digital painting pigment ink on watercolor paper. Image by Livy Snyder.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/armor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633110626780-00GHU198YBB9WIT7KNAL/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>A view of works by Sammy Seung-min Lee on display at the Center for Visual Art, including Lee’s three Mamabot sculptures on the back wall, from 2020-2021, comprised of picture frames, digital archival prints, silk flowers, hanji paper, and acrylic varnish. Image by Anthony Camera, courtesy of the Center for Visual Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633111291419-UVP8ZMXXQG7R7MPPJH8B/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Sammy Seung-min Lee, detail of Mamabot - Ms. Daegu, 2020, picture frames, digital archival prints, silk flowers, hanji paper, and acrylic varnish. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633111741694-G8BIAZGE57I5TU3TKXEB/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633111772531-ES5URLX2OQSD1I2UOBK6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Above and below: Skyler McGee, Hide , 2021, paper, encaustic, and textiles on fabric. Images by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633112014360-ZP2D0A8QI19PDF3BIGGS/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Erika Diamond, Eggshell Shirt for Hugging II, 2016, eggshells, tulle, thread, and dress form. Image by Anthony Camera, courtesy of the Center for Visual Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633112683012-I89AVBK3I1JT720Y7G32/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633112718687-V3HG72ZCDEAW01EDR0TX/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Above and below: Steven Frost and Frankie Toan, Denim on Denim, 2021, upcycled denim, metal studs, acrylic paint, nylon thread, rhinestones, wood, paracord, and found materials. Images by Anthony Camera, courtesy of the Center for Visual Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633113251764-W0IIZEQWWE9HIT1PW8HD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>A still image of Merritt Johnson, Exorcising America: DIY Safety Ladder for emergence, migration and escape, 2019, single channel video. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633113343409-VYTKSPEIKL4KPBDXF6OH/Armor-21_Pettus_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Works by Jennifer Pettus on display at the Center for Visual Art. Image by Anthony Camera, courtesy of the Center for Visual Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633113563854-FDCGM6FG33KGOV2DD94N/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633113588933-BIIJS72FFUT0Q9YU2RVN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Ravi Zupa, MT - MMG - 1, 2019, typewriter, bookbinder, and stapler components. Images by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1633113807406-J0G0ZKOW104HWXS5RMSB/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Armor - Make it stand out</image:title>
      <image:caption>Jaime Molina,  threnody thursdays, 2019, acrylic on found wood. Image by Anthony Camera, courtesy of the Center for Visual Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/mid-career-smear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1632332607697-0D7XTIWOL275IPHKLDGF/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Mid-Career Smear - Make it stand out</image:title>
      <image:caption>Devon Dikeou, “PAY WHAT YOU WISH BUT YOU MUST PAY SOMETHING”, 2013-ongoing, three of eighteen replicated functioning American art museum donation boxes: the Aspen Art Museum, Clyfford Still Museum, and Boulder Museum of Contemporary Art, dimensions variable. Image courtesy of the Dikeou Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1632332712704-8ILEDLGMYHBDTBSTMVLJ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Mid-Career Smear - Make it stand out</image:title>
      <image:caption>Devon Dikeou, “WHAT'S LOVE GOT TO DO WITH IT?”, 1991-ongoing, lobby directory boards listing artists, gallery, curators, exhibition titles, and dates; replicating the lobby directory board at 420 West Broadway, dimensions variable. Here: an installation view of Decorous Beliefs, Gang Warfare, Oy, Trancesex, I Could Do That, Papier, Manes, Prague, Ornament Ho Hum All Ye Faithful, Back Room, and Romper Room. Image courtesy of the Dikeou Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1632332830725-KGH6KDMJRQ9BM9XIBMLK/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Mid-Career Smear - Make it stand out</image:title>
      <image:caption>An installation view of Devon Dikeou, City Gates (6 total), 1989-ongoing. Image courtesy of the Dikeou Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1632332912484-SU45GYI3622X1IIUO1WZ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Mid-Career Smear - Make it stand out</image:title>
      <image:caption>Devon Dikeou, Ring Sizer (Maybe), 2013-ongoing, ring sizer with 35 different ring sizes on a loop, dimensions variable. Image courtesy of the Dikeou Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1632332980931-H182HWVGD0UHV2EU7CUJ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Mid-Career Smear - Make it stand out</image:title>
      <image:caption>Devon Dikeou, DO I KNOW YOU?, 1991-ongoing, personal and business rolodexes of New York contacts from 1991 (the year the artist first began collecting personal contacts/business cards) and ongoing years, dimensions variable. Image courtesy of the Dikeou Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/landmark</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631894638965-V9KK5RKPQLXT25TD40NO/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - LandMark - Make it stand out</image:title>
      <image:caption>Mia Mulvey, Albedo, ceramic, pigment and, wood. On view at Coyote Gulch Park, 2501 S. Gladiola Way, Lakewood, CO 80228. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631895331017-4GSM2PD9CPSVOG2KPYK3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - LandMark - Make it stand out</image:title>
      <image:caption>Tobias Fike, Make Broken, burned and dead tree limbs, wood, found objects, plaster, plastic bags, zip ties, rope, and metal hardware. On view at Chester Portsmouth Park, 12555 W. 27th Avenue, Lakewood, CO 80215. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631895816458-JN8XTSS6L954E4CCUA5G/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - LandMark - Make it stand out</image:title>
      <image:caption>A detail view of Tobias Fike’s Make Broken. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631895938950-ACHSVHW3KEPVCRPZ4ZOS/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - LandMark - Make it stand out</image:title>
      <image:caption>Scottie Burgess, Sky Vessel, cast iron, upcycled dead tree, and paint. On view at Aviation Park at 1890 Teller Street, Lakewood, CO 80214. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631896223160-7KPN3Z06REM2VGWJV53P/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - LandMark - Make it stand out</image:title>
      <image:caption>Jason Mehl, Spoor of the Anthropocene, CNC-cut plywood and paint. On view at Forsberg Iron Springs Park, 15900 W. Alameda Parkway, Lakewood, CO 80228. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631896581368-7C7XW5CPL4RY8SX67SDD/JasonMehl_SpoorOfTheAnthropocene_Blackwell_Image_150dpi.jpg</image:loc>
      <image:title>Reviews Home - LandMark - Make it stand out</image:title>
      <image:caption>An alternate view of Jason Mehl’s Spoor of the Anthropocene. Image by Jillian Blackwell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/lovendahl-ransford-roberts-gray</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631293281115-5651N7K7CG99R2X8DZSA/1+Cathedral+20210831_180212_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nancy Lovendahl | Sara Ransford | Andrew Roberts-Gray - Make it stand out</image:title>
      <image:caption>A view of Nancy Lovendahl’s Cathedral, 2018-2019, cast acrylic resin and polyurethane on glass and metal stand, 72 x 94 x 14 inches in total, with each individual form 4.5 x 7.75 x 4 inches. Image courtesy of Michael Warren Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631296326917-DDGI86U0QXN7ZF96473B/4+Mountain+4.0.1-20+20210901_151951_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Nancy Lovendahl | Sara Ransford | Andrew Roberts-Gray - Make it stand out</image:title>
      <image:caption>Nancy Lovendahl, Mountain 4.0.1-10, ceramic, epoxy resin, and polyurethane, 12 x 12 x 5 inches each. Image courtesy of Michael Warren Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631297007105-LPXPFZNIK0GSNJXPFQGT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Nancy Lovendahl | Sara Ransford | Andrew Roberts-Gray - Make it stand out</image:title>
      <image:caption>Andrew Roberts-Gray, Solaris (blue), mixed media on panel, 24 x 24 inches. Image courtesy of Michael Warren Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631296498546-WGQY0QE4V1IWH67C9C9A/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Nancy Lovendahl | Sara Ransford | Andrew Roberts-Gray - Make it stand out</image:title>
      <image:caption>Andrew Roberts-Gray, Re-Processor, mixed media on panel, 36 x 72 inches. Image courtesy of Michael Warren Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631297380805-CDXFQ79FGUYAIXZRVGOZ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Nancy Lovendahl | Sara Ransford | Andrew Roberts-Gray - Make it stand out</image:title>
      <image:caption>Sara Ransford, Crop Circle Study #4, porcelain paper clay, 15 x 18 x 3 inches. Image courtesy of Michael Warren Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631297723141-NDXMSVXOQO1EW98OBUJ7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Nancy Lovendahl | Sara Ransford | Andrew Roberts-Gray - Make it stand out</image:title>
      <image:caption>Sara Ransford, Sojourn in Balance Series 16, porcelain paper clay, 7 x 7 x 3 inches. Image courtesy of Michael Warren Contemporary.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/reclamation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631050218795-D9AOTB2Q4GCS7F43HCZ5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>A view of Reclamation: Recovering Our Relationship with Place at the Gregory Allicar Museum of Art featuring Cannupa Hanska Luger’s Muscle, Bone &amp; Sinew from Future Ancestral Technologies, 2021, regalia on mannequins, with the corresponding with digital video Shadow holding shape to experience the energy of the sun (working title). Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631048358311-GBHAPB54QPGVC4O97HX2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>The cover image for Extraction: Catalog and Exhibition Guide. Image from extractionart.org.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631043756222-HI5K7TQ07ZQJ28QZ0JI3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>Cedra Wood, Plot (Kluane), 2018, graphite on paper, 45 x 45 inches. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631048717530-GIHBI7RZTPR6MUBD7IEH/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>Cannupa Hanska Luger, Muscle, Bone &amp; Sinew, from Future Ancestral Technologies, 2021, a film still by cinematographer Lucas Mullikan. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631049944681-VUWHM26HZV8UU0BZB27W/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>A detail view of one part of Cannupa Hanska Luger’s Muscle, Bone &amp; Sinew from Future Ancestral Technologies, 2021, regalia on mannequins. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631049692074-9QDLSK3XKJ6UPX11V7HN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>Mary Mattinglym Remediating El Cerrejon, 2020, chromogenic dye coupler print, 52 × 14 inches. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631044623180-N593FCZC3ZQKHI2W5EH6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>John Sabraw, From Pollution to Paint poster showing the process of turning acid mine drainage to paint and the remediation of polluted streams in southeast Ohio. Image from the artist’s website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631045161786-O87C8QHPLXXN44NN1ROE/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>Matt Kenyon, Supermajor, 2014, vintage oil cans, metal rack, oil, tubing, pump, and platform. Image taken at the exhibition (IN)HABITATION, curated by Greg Tom at Museum of Contemporary Art, Detroit (MOCAD).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631049025482-T74XAA8OI73TC6CX9EQT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631050321021-42MDTHAY64OUGGIC6VPL/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>Annie Sprinkle and Beth Stephens, Performance Ephemera, including their Ecosex Manifesto designed by Hoshi Hanna. Top image by DARIA and bottom image from the artists’ website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631047233555-1X18HC9T8JB2K0B7FXRA/image-asset.png</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>A still from Annie Sprinkle and Beth Stephens’ film Water Makes Us Wet, 2021. Image from the artists’ website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631050625757-TDW85TQ35A7OON2D32BF/SprinkeStephens_NaomiMTRmontage-copy.jpg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>Annie Sprinkle and Beth Stephens, Healing Use, photograph courtesy of Naomi MTR.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1631048960786-XVUP8D5PXUTSMEFS0V4P/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Reclamation - Make it stand out</image:title>
      <image:caption>Curator Erika Osborne holds up the Eco Sexual Pride Flag developed by Annie Sprinkle and Beth Stephens at an in progress preview event for Reclamation: Recovering Our Relationship with Place. Image by Emily Zeek.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/shaken-stirred-savored-and-5-decades-of-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630692175081-P37AFZPE0K6WICBG4TKP/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>A view of Lydia Riegle and Jean B. Smith’s exhibition Shaken, Stirred, Savored at D’art Gallery in Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630692951334-3ZUZ22BE6GTK4ST8TI87/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>Jean B. Smith, Hanging Sculpture #2, Hanging Sculpture #9, and Hanging Sculpture #15, 2021, ceramic and metal, each approximately 36 inches long. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630693447999-M79T0OVDU5LVBEVLISMV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>Jean B. Smith, Wall Sculpture #45, 2021, glazed ceramic, 27 x 42 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630693568988-2XCL4Z3R5X2Y78KNGO58/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>Lydia Riegle, Rolling Stone, Contemplating Stillness, and Time Traveler, 2021, monotype and collage on archival paper, 20.5 x 16.5 inches (framed). Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630695181893-7V3FU5HUDQUNJMAH9ES5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>Lydia Riegle, Party Time , 2021, monotype and collage on archival paper, 42.5 x 34.75 inches (framed). Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630695514060-LS6DAQBAO0WQ977C7EMH/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>Lydia Riegle, New Ideas &amp; Rippling Effects, 2021, acrylic and oil on canvas, each canvas 48 x 36 inches. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630696546576-SHY7MOSTZ2OQQQC8CONG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>An installation view of Suzanne Frazier’s exhibition 5 Decades of Art at D’art Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630695654442-UTDAS4E41V7KV18SYRV6/Frazier_SkySagaReverie_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>Suzanne Frazier, Sky Saga Reverie, 2021, oil on canvas. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630695739067-3ZM8A9VJG52ASMS0O6XT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>Suzanne Frazier, Door to Shambala, 2021, oil on canvas. Image by Ashten Scheller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630696081158-PW23TVVSB2VR0PFUYAI8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Shaken, Stirred, Savored / 5 Decades of Art - Make it stand out</image:title>
      <image:caption>Suzanne Frazier, Incessant, 1989, oil on canvas. Image by Ashten Scheller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/new-year-new-view</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630014067739-S2O43RCPNI8JBBIEY8PE/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - New Year / New View - Make it stand out</image:title>
      <image:caption>An installation view of the exhibition New Year / New View at the Kirkland Museum of Fine and Decorative Art, with Edward Goldman’s Asteroids, 1976, acrylic on canvas board, in the center and Angelo di Benedetto’s Untitled (Mobile), c. 1965, acrylic on shaped canvas, hanging in the upper left. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630014259635-WSGYDJDZH9EAU3I1Y3AC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - New Year / New View - Make it stand out</image:title>
      <image:caption>In the foreground, ceramic works on display in New Year / New View, including (from left to right) Sara Ransford, Defending the Eddy, 2015, porcelain paper clay; Paul Soldner, Pedestal Vessel, probably late 1960s or early 1970s, raku; Nan McKinnell, Bowl, 1980s, porcelain; and Jim McKinnell, Punch Bowl, date unknown, ceramic. Image courtesy of the Kirkland Museum of Fine and Decorative Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630015469594-LRJOXKPCRQU45212TXXX/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - New Year / New View - Make it stand out</image:title>
      <image:caption>A view of New Year / New View with Beverly Rosen’s quadriptych Volcano—Where Life Begins, 1997, acrylic on canvas in the background and Maynard Tischler’s Josef Stalin JS-3 Tank, 2006, wood-fired ceramic in the foreground. Image courtesy of the Kirkland Museum of Fine and Decorative Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630015259789-9KWDHVJSIW0S8ZWN4A42/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - New Year / New View - Make it stand out</image:title>
      <image:caption>Ellen O’Brien, Monarch, 1960s, oil on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1630015302416-RDSSTY54K5EZE3W3TOHE/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - New Year / New View - Make it stand out</image:title>
      <image:caption>Homare Ikeda, Sea Monster, 2007, acrylic and oil on canvas. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-stubborn-influence-of-painting</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1629487739623-229RMZ51KBO1H8CHRQNW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Stubborn Influence of Painting - Make it stand out</image:title>
      <image:caption>A view of The Stubborn Influence of Painting at the Boulder Museum of Contemporary Art. In the foreground: works by Naomi Cohn; on the back wall: a work by Steven Frost titled After Dorothea Rockburne. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1629488488048-S04EWNFKYIISGKYKQ5RG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Stubborn Influence of Painting - Make it stand out</image:title>
      <image:caption>Ceramic works by Naomi Cohn on display at the Boulder Museum of Contemporary Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1629488321224-I29OTQUSWI4UT67PBG28/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Stubborn Influence of Painting - Make it stand out</image:title>
      <image:caption>Naomi Cohn, Big Red (detail), 2020, glazed ceramic, 29 x 15 x 15 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1629488568503-XX61YMZBJTSP2WOELMLN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Stubborn Influence of Painting - Make it stand out</image:title>
      <image:caption>Naomi Cohn, Toon 2 (detail), 2019, glazed ceramic, 13 x 15 x 10 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1629488799591-F8T6CJRKWFX7TXH4KMG8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Stubborn Influence of Painting - Make it stand out</image:title>
      <image:caption>Gelah Penn, Stele #6, 2019, lenticular plastic, polyester mesh, vinyl, plastic garbage bags, mylar, velcro, staples, eyelets, and t-pins, 86 x 46 x 6 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1629488895056-TM10M5OAJ5KL1V616K6O/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Stubborn Influence of Painting - Make it stand out</image:title>
      <image:caption>Garry Noland, Scatter, 2018, polystyrene and marbles, 30 x 20 x 4 inches. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1629488974494-50JZ609IGNCNI279BPQ3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Stubborn Influence of Painting - Make it stand out</image:title>
      <image:caption>Alexandra Hedison, Found Painting #9, archival pigment print, 2017, 54 x 36 inches. Courtesy of the artist and Von Lintel Gallery Los Angeles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1629489081821-V0MEVD99Y7RVWJ4MA5W3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Stubborn Influence of Painting - Make it stand out</image:title>
      <image:caption>Altoon Sultan, Two Folds, Green and Orange, 2019, hand dyed wool on linen, 14 x 31 inches overall. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1629489207818-ROSDFMBMF5FI1F0G62JD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Stubborn Influence of Painting - Make it stand out</image:title>
      <image:caption>An installation view of works by Altoon Sultan on display at the Boulder Museum of Contemporary Art. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/somos</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628804850026-38A8RA3OKFZ4FSARUPFS/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - SOMOS - Make it stand out</image:title>
      <image:caption>Adriana Paola Palacios Luna, Narratives for Hope and Against Gender Violence Against Women / Narrativas por la esperanza y contra la violencia hacia las mujeres, 2021, needle felting, laser cut wood, embossed tin, sewing, yarn wrapping, and weaving, 24 x 15 x 3 inches. Image by curator Carina Bañuelos-Harrison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628806399848-FKT8W23UY47URJ1T6NGE/Somos_TitleWallInstallationImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - SOMOS - Make it stand out</image:title>
      <image:caption>A view of the title wall and a handful of works in the exhibition SOMOS: On Domestic Violence, Resilience, and Healing curated by Carina Bañuelos-Harrison at Museo de las Americas. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628805449111-224ADI92L9YYP9SYERJU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - SOMOS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628805478107-1A5UT9W32GZXWGH7JELA/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - SOMOS - Make it stand out</image:title>
      <image:caption>Manuel Cordero and Tania Valenzuela, Home Sweet Home / Hogar Dulce Hogar, 2021, mixed media with door (installation), 81 x 37.5 x 7.25 inches. Images by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628807010038-VDFJTSUUBTW5YTNT3BGP/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - SOMOS - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628806604154-G3PDHN187PO7GLV1MGWB/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - SOMOS - Make it stand out</image:title>
      <image:caption>Sandra Azcarate, Michelle’s Story (If it hurts, it is not love) / La historia de Michelle (si duele, no es amor), 2021, mixed media, acrylic, pen and ink on canvas, each work in the triptych 36 x 24 inches. Images by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628807139924-4QQVZ0TC319F4Y8PI111/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - SOMOS - Make it stand out</image:title>
      <image:caption>Sammiotzi, NO. IT IS NOT NORMAL OR PART OF MY CULTURE / NO. NO ES NORMAL, NO ES PARTE DE MI CULTURA, 2021, acrylic on canvas, 40 x 30 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628807196554-L1N93BONG0LIIXHV8RZ2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - SOMOS - Make it stand out</image:title>
      <image:caption>Kimberly Laynez, Heal the Soul No. 19 / Sanar El Alam No. 19 , 2021, photograph, 24 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/courtney-egan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-08-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628264659577-1IJCIILU9BJOZKK5IBNT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Courtney Egan - Make it stand out</image:title>
      <image:caption>A view of the Critic &amp; Artist Residency Series Online exhibition curated by Courtney Egan for the Gregory Allicar Museum of Art at Colorado State University in Fort Collins. On the left are two of Andy Warhol’s Flowers screenprints from 1970 and on the far right is Courtney Egan’s Sleepwalkers, 2012, HD digital video projection loop, 48 x 72 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628264957648-R3LEPJXXX6F9O5STRSUT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Courtney Egan - Make it stand out</image:title>
      <image:caption>Andy Warhol, Flowers, 1970, screenprint on paper, 37.8 x 37.8 x 0.1 inches, from the collection of the Gregory Allicar Museum of Art at Colorado State University, a gift of Polly and Mark Addison.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628265251690-SD4F5TTRG0RVVH1B2NB8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Courtney Egan - Make it stand out</image:title>
      <image:caption>A still image of Courtney Egan’s Extinct in the Wild, 2020, HD digital video projection loop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1628265378282-WGLQMVDA3LT9W5WKSIE8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Courtney Egan - Make it stand out</image:title>
      <image:caption>Courtney Egan, Self-Fulfilling Prophecy, 2019, HD video projection loop with cast ceramic arms, 48 x 60 x 5 inches. See the animated projection here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-intervening-substance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627673609880-A35E1SUNB1IDYDSP42VZ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Intervening Substance - Make it stand out</image:title>
      <image:caption>Nicole Banowetz, Nexus, 2021, fabric (Oxford nylon and metallic coated rip stop), fans, motors, and mirrors. Image by Anna Schoen of Foothills Art Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627673681544-OMH8HMG63UWQPEAA4FFW/Banowetz_TheInterveningSubstance_EntranceView_LauraMillerImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - The Intervening Substance - Make it stand out</image:title>
      <image:caption>Nicole Banowetz, The Ideoplast and The Intervening Substance, 2020–2021, epoxy resin, technology, nylon fabric, bilge fans, and plastics. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627673740570-B16005NBTC8Q60AL03MN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Intervening Substance - Make it stand out</image:title>
      <image:caption>Nicole Banowetz, The Mother, 2019, nylon fabric and blower. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627673795939-QOKGV5OGLMCRQJTAXS0Z/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Intervening Substance - Make it stand out</image:title>
      <image:caption>Nicole Banowetz, Simulant Futures, 2020, performance, technology, epoxy resin, plastic, and lenses, with a visitor peering in to see a performance video inside one of the sculptures. Image by Laura I. Miller.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627673902753-L1SLJD6HSPC68XP3TIP0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Intervening Substance - Make it stand out</image:title>
      <image:caption>A video still from Nicole Banowetz’s, Simulant Futures, 2020. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/interfacing-with-missed-connections</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627011448984-4WMR5FBMCCFYPX3NB7M7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Interfacing with Missed Connections - Make it stand out</image:title>
      <image:caption>Connor Walden, Security Blankets, 2020, wool yarn, 18 x 18 inches each. Image by The Milkshake Club.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627049253854-W74MWITB826WO4VL0V3F/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Interfacing with Missed Connections - Make it stand out</image:title>
      <image:caption>A detail image of Connor Walden, Security Blankets, 2020, wool yarn, 18 x 18 inches each. Image by The Milkshake Club.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627011660203-JA9EL96R73M2WC5ULND6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Interfacing with Missed Connections - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627012661810-WFFRZZRZC38DDLL10REQ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Interfacing with Missed Connections - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627011836377-EVKE1ITHWX433UKX8I6K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Interfacing with Missed Connections - Make it stand out</image:title>
      <image:caption>Cicelia Ross-Gotta, What To Keep What To Toss What To Give Away, 2021, felt, thread, used desk chair, QR code/poem, and the artist’s father’s backpack, 36 x 22 x 22 inches. Images by The Milkshake Club.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627012006297-Z9A3RUXAWPA0HO5GEY3K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Interfacing with Missed Connections - Make it stand out</image:title>
      <image:caption>A detail image of Connor Walden’s Wing Semaphore, 2021, video and embroidery of flag semaphore on found denim shirt (installation in collaboration with Jacob Nordberg and Doug Hatano). Image by The Milkshake Club.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627012226988-EZTGFY549NNIRIG5H99B/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Interfacing with Missed Connections - Make it stand out</image:title>
      <image:caption>A still from the video component of Connor Walden’s Wing Semaphore, 2021. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1627012442254-C0YNQ9W334TM046NO6HO/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Interfacing with Missed Connections - Make it stand out</image:title>
      <image:caption>Tiffany Danielle Elliott, i also knew, i was not Beautiful, 2021. whitework wedding embroidery and acrylic on linen binder sized to decrease the measurements of the artist's body, ribbon, and steel fence post repair bracket. Image by The Milkshake Club.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/sing-our-rivers-red-and-merciless-indian-savages</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626199316776-5Q5QFWRPIYYEGLOF7OPF/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>LMNOPI, Uncounted, 2019, mural at the Dairy Arts Center in Boulder of the Arapaho Shoshone artist, actor, and activist Sarah Ortegon with a topographical map of the Wind River Reservation in Wyoming. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626197409621-M4MQ004JM8KXWJODPVGH/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>A portion of the installation Sing Our Rivers Red by Tanaya Winder, Jaycee Beyale, and Danielle SeeWalker, 2015-2021, burlap, yarn, and single earrings donated from 2015 to 2021, 40 x 3 feet. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626199713402-RFF3UTJCDP7DBN4NYB1E/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>Danielle SeeWalker, MMIW, 2019, acrylic on canvas, 24 x 36 inches (left), Iná na chinca, Mother and Child, 2020, acrylic, aerosol, oil pastel on canvas, 24 x 36 inches (right). Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626199800374-K0RIADPC5R2WYXVQN1TC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>Patricia Michaels, Native Fashion Taking Action, part of Michaels’ MMIW Collection, fabric and various materials. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626199905008-JM75SACUN43TKF7Q0EZV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>JayCee Beyale, Matriarch, 2021, acrylic wall painting. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626208716129-HC7WWY09SNQN4EB0DRZ1/PatriciaMichaels_DetailImage_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>One of the works in Patricia Michaels’ series Native Fashion Taking Action, part of her MMIW Collection, made of fabric and various materials, with the letter “I” referring to missing and murdered Indigenous women. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626199971240-AGZ3QJDMEUDFU3X23GPJ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>Olivia Montoya, Matoaka, digital illustration. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626200328799-DISIS50DICMQEF6B91JM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>Suspended in the McMahon Gallery at the Dairy Arts Center: Danielle SeeWalker, Donna ChrisJohn, and Akalei Brown, Ribbon Skirts, 2021, cotton materials and ribbon on skirts of various sizes for women and girls. On the floor: Jaycee Beyale, Untitled, 2021, sand painting. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626200428667-8PCHZNVC96LHG2A3H3XT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>A view of Gregg Deal’s solo exhibition Merciless Indian Savages on display at the History Colorado Center. Image by Katie Bush of History Colorado.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626200813228-HI02HE8V8ETIFP8AS0GD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>Gregg Deal, The Hearts of the Children, acrylic on wood panel. Image by Katie Bush of History Colorado.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626200507751-47UC3B6SBAJA0Z78F1HV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>Gregg Deal, Protect Our Elders, posters, on display at History Colorado Center. Image by Katie Bush of History Colorado.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1626200578066-98YCMGXM966IMS9MMRDD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Sing Our Rivers Red &amp;amp; Merciless Indian Savages - Make it stand out</image:title>
      <image:caption>The biographical panel and other works in Gregg Deal’s solo exhibition Merciless Indian Savages on display at the History Colorado Center. Image by Katie Bush of History Colorado.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/amy-young</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625766743137-5P9EOD424HGY6EOCNUVB/image-asset.png</image:loc>
      <image:title>Reviews Home - Amy Young - Make it stand out</image:title>
      <image:caption>An illustration of Deleuze and Guattari’s concept of Smooth and Striated Space. Image sourced from https://soundand.design/interactive-narrative-6-facets-of-storyworlds-c16065d7faf4.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625767577940-9561M1HI360CT13WV7VY/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Amy Young - Make it stand out</image:title>
      <image:caption>Amy Young, Dream Story, 2021, second-hand wedding dresses and cotton yarn, 48 x 32 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625767802917-PWO5LILIW4BSAQ36FQQ1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Amy Young - Make it stand out</image:title>
      <image:caption>Amy Young, So What Are We?, 2021, porcelain beads, snow-dyed cotton yarn, butterfly hair clips, and wool yarn, 31 x 31 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625768650259-EXZ3WEH0J2G9ZZCDAD17/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Amy Young - Make it stand out</image:title>
      <image:caption>A detail image of Amy Young, So What Are We?, 2021, porcelain beads, snow-dyed cotton yarn, butterfly hair clips, and wool yarn, 31 x 31 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625767898821-WRT58P5BPTYDZEIAX2OW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Amy Young - Make it stand out</image:title>
      <image:caption>Amy Young, Gone Fishing, 2021, soft fishing lures, cotton, iron sinkers, bra pads, fishing pole, spray paint, and soda tabs, 30 x 28 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625767946630-GRB575T4USWGYZ8VA3BC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Amy Young - Make it stand out</image:title>
      <image:caption>Amy Young, America’s Favorite Past Time, 2021, white leather, cotton yarn, chewing gum, baseball gloves, baseball bats, acrylic nails, pink latex, and baseballs, 42 x 36 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625768086600-DXIIUZV69968LXF9Q3X3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Amy Young - Make it stand out</image:title>
      <image:caption>Amy Young, Frenemy Bracelet, 2019, slip-cast porcelain beads, vinyl plastic, and cotton, 32 x 24 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/enduring-impressions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-07-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625247878738-7VH8BG7WDTGX49AVXX6F/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Enduring Impressions - Make it stand out</image:title>
      <image:caption>A view of the exhibition Enduring Impressions: Degas, Monet, Pissarro, and Their Printmaker George William Thornley at the Longmont Museum. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625244636924-ZIS45CU02WF488JCO8BQ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Enduring Impressions - Make it stand out</image:title>
      <image:caption>The entrance to the Enduring Impressions exhibition at the Longmont Museum is situated next to the anthropological exhibit Front Range Rising. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625244730314-T9DWBEIBTS38L58I3YC6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Enduring Impressions - Make it stand out</image:title>
      <image:caption>Claude Monet and William Thornley, Haystacks, c. 1894, lithograph. Image by Wes Magyar, courtesy of the Longmont Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625244776925-ADJS8OSYYZVM6K5WYW8R/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Enduring Impressions - Make it stand out</image:title>
      <image:caption>Camille Pissarro &amp; William Thornley, Portrait of F.C.P., c. 1895, lithograph. Photo by Wes Magyar, courtesy of the Longmont Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625244835275-0AA5FUHXWUYMS4Y6C88W/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Enduring Impressions - Make it stand out</image:title>
      <image:caption>Edgar Degas &amp; William Thornley, Small Dancer, c. 1889, lithograph. Image by Wes Magyar, courtesy of the Longmont Museum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625244940352-EC25VIQJC7BX9PT7VH44/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Enduring Impressions - Make it stand out</image:title>
      <image:caption>Artist Stephanie Jordan views Small Dancer (Edgar Degas &amp; William Thornley, c. 1889, lithograph) at the Enduring Impressions exhibition at the Longmont Museum. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1625245658754-8ORSAQIEORGTPGKTIFUW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Enduring Impressions - Make it stand out</image:title>
      <image:caption>Lithography: Artistry and Process, also on view at the Longmont Museum, displays the lithographic process and materials. Image by Emily Zeek.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/between-us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624567730585-CQ4L439OYOJ1582GK7JJ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Between Us - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624567617932-FZQXB7XEGCXJRZ6AKDX4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Between Us - Make it stand out</image:title>
      <image:caption>Views of Kelly Monico, Alley Cats, 2018, three-hundred cat sculptures installed in the alley between 14th and 15th Streets and Larimer and Market Streets. Images by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624567943866-A9JPD4IEM8UQ7QEG4VAC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Between Us - Make it stand out</image:title>
      <image:caption>Carlos Frésquez, Alley Freshener, 2018, located in the alley off of the 16th Street Mall between Champa and Stout Streets. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624568039848-16NQ5MJTKOFFNCZDEBPG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Between Us - Make it stand out</image:title>
      <image:caption>Joel Swanson, Y/OURS, 2018, located in the alley off of the 16th Street Mall between Curtis and Champa Streets. Image by Parker Yamasaki.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624568249226-YYIWWSS1WX4338775ZKU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Between Us - Make it stand out</image:title>
      <image:caption>Joel Swanson, Y/OURS, 2018. Image courtesy of the artist and Black Cube. Photo by Third Dune Productions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624568456504-OA7AWW1UV1EHISSBTRBL/Toan_150dpi_ImageByParker+Yamasaki.jpg</image:loc>
      <image:title>Reviews Home - Between Us - Make it stand out</image:title>
      <image:caption>Frankie Toan, Public Body, 2018, located off of the 16th Street Mall between Stout and California Streets. Image by Parker Yamasaki.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/inward</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624047680239-ZO2O2U0ZT11WGIIAO4UH/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Inward - Make it stand out</image:title>
      <image:caption>Patrick Ryoichi Nagatani, Multi-Tonations of Anomalies, from the series Chromatherapy, 1979–2004, chromogenic print, 10 x 18 inches. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624047877298-YZ8946H7PR8EAQO3U57R/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Inward - Make it stand out</image:title>
      <image:caption>Jess T. Dugan, Self-portrait (bed), 2011, photograph, 30 x 23.5 inches. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624047999517-D7SA6FQXIMZQJV582CYX/Dugan%2C+Vanessa+%28mirror%29%2C+2013+%281%29+-+Maggie+Sava_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Inward - Make it stand out</image:title>
      <image:caption>Jess T. Dugan, Vanessa (mirror), 2013, photograph, 30 x 23.6 inches. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1624048088764-3LFR8OBF2JKL5WZ5LL3Q/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Inward - Make it stand out</image:title>
      <image:caption>Jess T. Dugan, Cai, 2019, photograph, 30 x 22.5 inches. Image courtesy of the Gregory Allicar Museum of Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/remind-me-tomorrow</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-06-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1622826328032-K1IEWVCY5CCCAF7WWY5I/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Remind Me Tomorrow - Make it stand out</image:title>
      <image:caption>A view of the first floor of Sammy Lee’s solo exhibition Remind Me Tomorrow at the Emmanuel Art Gallery. Image by Olivia Kayang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1622827491975-HOYJT8RJY9F7E8XWGLTU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Remind Me Tomorrow - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1622827541161-D7TLEEV8PYL2NXM98MJ4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Remind Me Tomorrow - Make it stand out</image:title>
      <image:caption>Top image: Sammy Lee, In(de)finite Reflections, 2021, mirrors. Bottom image: the author looking into the yellow-tinted “HERE” mirror of In(de)finite Reflections. Images by Olivia Kayang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1622827893930-P0ECU3BR0DFXPMXONE9L/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Remind Me Tomorrow - Make it stand out</image:title>
      <image:caption>Sammy Lee, Arrived, ongoing since 2016, paper skin and styrofoam molds. Image by Olivia Kayang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1622828230125-XYZCYYIQIESXQBC30GLX/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Remind Me Tomorrow - Make it stand out</image:title>
      <image:caption>Sammy Lee, Mamabot, 2020, paper skin, photographs with frames, plungers, and feathers. Image by Olivia Kayang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1622828449041-YN2LNEJGGS34IO5Q6S5F/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Remind Me Tomorrow - Make it stand out</image:title>
      <image:caption>Sammy Lee, Chandelier, 2021, paper skin and styrofoam molds. Image by Olivia Kayang</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1622828654090-C89AXNKIE0QA0O68ZLLM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Remind Me Tomorrow - Make it stand out</image:title>
      <image:caption>Sammy Lee, Changing Station, 2019, conveyor belt, baby onesies, baby mobiles, and crystals. Image by Olivia Kayang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1622828864503-VTLEDY7KJ9ZY92C1AXPV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Remind Me Tomorrow - Make it stand out</image:title>
      <image:caption>Sammy Lee, Street Art Cart, ongoing since 2018, constructed cart with paper skin table settings, dishes, art catalogues, and various sculptural objects on display. Image by Olivia Kayang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1622829353659-WFFGAGEDSZ5IA0IVLBBC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Remind Me Tomorrow - Make it stand out</image:title>
      <image:caption>Sammy Lee, A Very Proper Table Setting, ongoing since 2017, paper skin casts shown hanging on Street Art Cart. Image by Olivia Kayang.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/words-and-lines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621890804986-8LVJXANQJ7OEXZ72J1OR/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Words and Lines - Make it stand out</image:title>
      <image:caption>The first wall drawing of Shantell Martin’s installation Words and Lines, 2019, vinyl, video projection, wood, and acrylic marker, on display at the Denver Art Museum, here above the ticket counter. Image by Courtney Lindly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621891149409-KL6MDREVE32EVFB7DJMZ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Words and Lines - Make it stand out</image:title>
      <image:caption>The outside doors of the adorned elevator that is part of Shantell Martin’s installation Words and Lines, 2019, vinyl, video projection, wood, and acrylic marker, at the Denver Art Museum. Image by Courtney Lindly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621894053268-0ARTNHDSTQ2B4D907DWV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Words and Lines - Make it stand out</image:title>
      <image:caption>A view of Shantell Martin’s drawing of a column of balancing stick figures, which appears on all four floors of the Denver Art Museum. Image by Courtney Lindly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621892208055-F9O1FDRILN09F2M6G0T5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Words and Lines - Make it stand out</image:title>
      <image:caption>Shantell Martin’s Words and Lines installation on display in the Precourt Family Discovery Hall at the Denver Art Museum. Image by Courtney Lindly.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621892584390-SDMA2V8MYX2FYXP1S7BE/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Words and Lines - Make it stand out</image:title>
      <image:caption>Shantell Martin wearing the sunglasses she designed for Max Mara in 2017. Image courtesy of shantellmartin.art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621893096403-3NKT1BFYNK7XWCCIS2CY/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Words and Lines - Make it stand out</image:title>
      <image:caption>Clothing that Shantell Martin designed for Puma in 2018. Image courtesy of shantellmartin.art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621893208830-UBSPGJDHUK3XPH8IWJZ6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Words and Lines - Make it stand out</image:title>
      <image:caption>A component of Shantell Martin’s installation Words and Lines, 2019, vinyl, video projection, wood, and acrylic marker, on display at the Denver Art Museum. Image by Courtney Lindly.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/apron-chronicles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621454262266-OIABHZ49FTVI84IC7GYM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Apron Chronicles - Make it stand out</image:title>
      <image:caption>An installation view of Apron Chronicles: A Patchwork of American Recollections at the History Colorado Center. Image by Kathleen Perniciaro Duggins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621454765625-X1KEW09SYMB1N25MG8W0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Apron Chronicles - Make it stand out</image:title>
      <image:caption>Aprons on display as part of the exhibit Aprons: The Ties That Bind Us in the atrium of the History Colorado Center. Image by Kathleen Perniciaro Duggins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621455235822-MHH3RKVTD3BVVLYC9XQM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Apron Chronicles - Make it stand out</image:title>
      <image:caption>A view of the front of a display booth in the supplemental exhibit Aprons: The Ties That Bind Us with the Apron Chronicles: A Patchwork of American Recollections exhibition in the background. Image by Kathleen Perniciaro Duggins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621455318761-OQJUAGRRFTLLY5R348BC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Apron Chronicles - Make it stand out</image:title>
      <image:caption>A close-up view of the monumental ribbon ball in Aprons: The Ties That Bind Us. Visitors can add their own stories to it. Image by Kathleen Perniciaro Duggins.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621455674058-AG42JGOG4B97XP30JIIA/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Apron Chronicles - Make it stand out</image:title>
      <image:caption>Some of the photographs with accompanying texts that are part of Apron Chronicles: A Patchwork of American Recollections. From left to right are the themes of “Togetherness,” “Hope,” and “Happiness.” Image by Kathleen Perniciaro Duggins.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/a-faint-light</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621024784015-3Q968SJIK2CWWGU475JG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Faint Light - Make it stand out</image:title>
      <image:caption>Deborah Dancy, Trade Route, 2019, oil on canvas, 70 x 64 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621025906050-SY783F4Q8OJYNV1769AW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Faint Light - Make it stand out</image:title>
      <image:caption>Deborah Dancy, Some of This and Some of That, 2018, oil on canvas, 70 x 64 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621026207251-KFLK6551SV54OFEI3VZP/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Faint Light - Make it stand out</image:title>
      <image:caption>Deborah Dancy, The Weight of a Million Black Stars #6, 2019, acrylic and black crushed stone on paper, 50 x 38 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621026259794-1CTPOV91WGRGC5J1PTL0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Faint Light - Make it stand out</image:title>
      <image:caption>A close-up image of Deborah Dancy, The Weight of a Million Black Stars #6, 2019, acrylic and black crushed stone on paper, 50 x 38 inches. Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621026542751-00BH6R03X0JXCV3DNB2T/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Faint Light - Make it stand out</image:title>
      <image:caption>Deborah Dancy, Queen in Her Own Mind, figurine with steel wool, cotton balls, and rubber snake, 11. 5 x 9 x 7 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621026589470-SVXGUNHYAG5RQ3FEY9RK/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Faint Light - Make it stand out</image:title>
      <image:caption>Deborah Dancy, Monument, hand-painted plaster figure gilded with paint, glitter, decorative ornaments, and rubber mice, 16.5 x 6.5 x 6.5 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621026715614-SUVAKVNOR29CRRNF5RUR/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Faint Light - Make it stand out</image:title>
      <image:caption>Deborah Dancy, Just Desserts, oil paint residue and porcelain heads in glass compote dish, 10 x 10 x 6 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1621026834499-OMLO85FAJRKD0MN9244B/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Faint Light - Make it stand out</image:title>
      <image:caption>Deborah Dancy, Oblivion 15, mixed media collage, 14 x 11 inches. Photo Courtesy of Robischon Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-others</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620762374521-GAVT5Y938OGLOGFTPHCT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Others - Make it stand out</image:title>
      <image:caption>Gregg Deal, Nervous Breakdown (Black Flag), 2021, print photograph of acrylic on canvas, 8 x 5 feet, on view at east window in Boulder. Image courtesy of east window.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620765813930-0HM5XHHEOH5MU9I7TKF8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Others - Make it stand out</image:title>
      <image:caption>Gregg Deal, That’s Progress (DOA), 2019, acrylic, paper, and ink on canvas, 38 x 48 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620762811201-S9NVYGFJCJJKVYM7K7D6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Others - Make it stand out</image:title>
      <image:caption>Gregg Deal, Rise Above (Black Flag), 2019, acrylic on canvas, 36 x 60 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620763058367-K2MOEAAX0V3L6E08L2YI/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Others - Make it stand out</image:title>
      <image:caption>Gregg Deal, Nervous Breakdown (Black Flag), 2021, print photograph of acrylic on canvas, 8 x 5 feet, on view during a snowstorm. Image courtesy of east window.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/ucd-2021-bfa-thesis-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620415491041-W3TN1GISPVBXSJEZ1NAG/ShanaCruzThompsonInstallation_150dpi_NotLightened_Olivia+Kayang+Photo.jpg</image:loc>
      <image:title>Reviews Home - Bachelor of Fine Arts Thesis Exhibition</image:title>
      <image:caption>Shana Cruz-Thompson, Hindsight, 2021, View-Master toys containing photographic reels created by the artist. Image by Olivia Kayang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620415558813-L5TJ0A0XYZ5GT3WA5I17/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Bachelor of Fine Arts Thesis Exhibition</image:title>
      <image:caption>An image from a View-Master reel called Birthday Party from Shana Cruz-Thompson’s series Hindsight, 2021. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620418805718-ZMAHQ4H5RL75WXTJCE5K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Bachelor of Fine Arts Thesis Exhibition</image:title>
      <image:caption>Tatiana Jordan, Lucy’s Pillowtalk, 2021, cyanotype on fabric. Image by Olivia Kayang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620419049137-882RCRU1696JDOJ113IU/tjordan_Tulip_front_full_2021.jp</image:loc>
      <image:title>Reviews Home - Bachelor of Fine Arts Thesis Exhibition</image:title>
      <image:caption>A work titled Tulip from Tatiana Jordan’s series Lucy’s Pillowtalk, 2021, cyanotype on fabric, 20 x 25 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620419258031-MTF4L1NFXI27J66RCQ0V/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Bachelor of Fine Arts Thesis Exhibition</image:title>
      <image:caption>A view of the University of Colorado Denver’s BFA Class of 2021 Thesis Exhibition. In the foreground: Emerald Smith, Iceland Travel Journal, 2021, acrylic on paper and canvas, map of Iceland, and leather-bound journals. Image courtesy of Emmanuel Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620419577376-1Z5YA369YCS3BN4NHC3K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Bachelor of Fine Arts Thesis Exhibition</image:title>
      <image:caption>A detail image of the paintings in Emerald Smith’s installation Iceland Travel Journal, 2021, acrylic on paper and canvas. Image by Olivia Kayang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620419719502-3M41I7JHCO2HFY1F3Y3M/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Bachelor of Fine Arts Thesis Exhibition</image:title>
      <image:caption>Gabrielle David, Blanket Flowers: Colorado-Inspired Prints, 2021, screen-print on fabric. Image by Olivia Kayang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1620419827166-SUZ73H8R73JHGLK0I7G5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Bachelor of Fine Arts Thesis Exhibition</image:title>
      <image:caption>A close up view of Black-Eyed Susan from Gabrielle David’s series Blanket Flowers: Colorado-Inspired Prints, 2021, screen-print on fabric. Image courtesy of Emmanuel Art Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/beyond-the-mirror</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1619793258093-W1VL1XCERRQVCI3UTZKF/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Beyond the Mirror</image:title>
      <image:caption>A view of the exhibition Beyond the Mirror at the Loveland Museum. Image by Cori Anderson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1619793562202-AQ8PM52OZO09RCL4RWLU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Beyond the Mirror</image:title>
      <image:caption>Shannon Conley, Peering Out of the Darkness, 2014, synthetic fabric, latex and acrylic paint, and paint stick; screen printed, painted, cut, and free motion quilted. Image by Cori Anderson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1619793400385-P5QUS9O7OKYTBYOB8SAC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Beyond the Mirror</image:title>
      <image:caption>Cynthia D. Friedman, The Outing, 2010, silk, silk organza, and fusible web; machine pieced, hand drawn, fused, machine-stitched, and machine embroidered. Image by Cori Anderson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1619793649343-9HFTHJCEY0IXCN59UZFN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Beyond the Mirror</image:title>
      <image:caption>Elizabeth A. Bauman, Gather Up the Fragments, 2016, cotton wool, silk, netting, nylon zippers, and acrylic paint on canvas; pieced, raw edge appliquéd, painted, and free motion quilted. Image by Cori Anderson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/winding-way</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1619032212979-Q4WE45I61RPLV8KF8BRB/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Winding Way</image:title>
      <image:caption>On view at Plinth Gallery: in the foreground, Lauren Mabry, Glazescape (pink), 2021, 20.5 x 12 x 2.75 inches, and in the background: Lauren Mabry, Curved Plane (blue), 22.5 x 21 x 3 inches. Both works are part of Lauren Mabry’s solo exhibition Winding Way. Image by Marsha Mack.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1619035602564-A98OEOBIUFISB8MBBS7R/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Winding Way</image:title>
      <image:caption>Lauren Mabry, Glazescape (lavender), 2021, 13.7 x 15.5 x 5 inches. Image courtesy of Plinth Gallery and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1619032515452-B31ELAIO67FAIS30H24N/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Winding Way</image:title>
      <image:caption>A detail image of Lauren Mabry, Glazescape (lavender), 2021, 13.7 x 15.5 x 5 inches. Image by Marsha Mack.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1619035941380-GV6KJ4US2G38NI4119D7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Winding Way</image:title>
      <image:caption>Lauren Mabry, Curved Plane (green shade), 2021, 21.5 x 22 x 4.5 inches. Image courtesy of Plinth Gallery and the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/alejandra-abad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618520985856-TCETRH6CXR17BXAJY2B3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Alejandra Abad</image:title>
      <image:caption>A view of Alejandra Abad’s Guri, 2020, a pop-up installation with two channel video projections onto textiles, mirrors submerged in water, and a 5-gallon water jug holding one of the projectors with wooded dowels. Image courtesy of Alejandra Abad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618521118561-31LM04DXKJH7X0SMOX9X/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Alejandra Abad</image:title>
      <image:caption>Alejandra Abad’s original image for her Giant Coloring Book project proposal at the Institute of Contemporary Art in Miami. Image courtesy of Alejandra Abad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618521387010-LLI23KPHU9JIMI9PRDBN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Alejandra Abad</image:title>
      <image:caption>Visitors at the Institute of Contemporary Art in Miami coloring in Alejandra Abad’s Giant Coloring Book, 2017, painted wood and paper sculpture. Image courtesy of Alejandra Abad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618521613049-OURJOCXCPOYP1GVYKHZM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Alejandra Abad</image:title>
      <image:caption>Román Anaya (left) and Alejandra Abad (right), wrapped in the textiles they created for their 2021 Nuestros Deseos/Our Wishes project under the collective name Unidos Club. Image courtesy of Alejandra Abad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618521666772-EVZJ1BAWZ943ZV91H0UK/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Alejandra Abad</image:title>
      <image:caption>Alejandra Abad placing text on the banners for Nuestros Deseos/Our Wishes. Image courtesy of Alejandra Abad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618521869900-447H0NYC22K2H3ZY7HOT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Alejandra Abad</image:title>
      <image:caption>Unidos Club (Alejandra Abad, Román Anaya, and the public), Nuestros Deseos/Our Wishes, 2021, outdoor textile installation at the Museo de las Americas on Santa Fe Drive in Denver. Image courtesy of Alejandra Abad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618521956929-YYT39S8Z6NGRQJXQX6V2/IMG_0503_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Alejandra Abad</image:title>
      <image:caption>A banner from Nuestros Deseos/Our Wishes that translates to “I Wish The Sick Were Healed, On Their Feet And Moving Forward!” Image courtesy of Alejandra Abad.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/wood-works-and-three-pieces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618344007695-483E68U2QKTXUXFD6E0T/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Wood. Works &amp;amp; Three Pieces</image:title>
      <image:caption>An installation view of the group exhibition Wood. Works at the Arvada Center for the Arts and Humanities. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618344123033-R7G0M74DK4V2TS1KJ9XW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Wood. Works &amp;amp; Three Pieces</image:title>
      <image:caption>Leo Franco, Gathering, 2018-2020, exotic hardwoods. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618344259004-LISX2G3EPIPK08DIVGUX/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Wood. Works &amp;amp; Three Pieces</image:title>
      <image:caption>Chris DeKnikker, And Again, 2000, poplar, holly, sunflower, sawdust, and pigment; Stargazer, 2000, maple, forsythia, sawdust, and pigment; and Beginning First Floor, 2000, maple, cherry, redwood, and forsythia. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618344347365-SVWE1FA245FVEJZQ33O9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Wood. Works &amp;amp; Three Pieces</image:title>
      <image:caption>Sean O’Meallie, Dream Fruit of Psychedelic Produce, 2020, painted basswood. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618344411654-0DVCAN8YL0RFQ7ABL19Y/9+Patrick+Marold+50860562341_fa54052c89_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Wood. Works &amp;amp; Three Pieces</image:title>
      <image:caption>Patrick Marold, Forest Floor, 2021, trees and branches. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618344535368-QW7TKKMPD7DPCIXSGQ8U/11+Eileen+Roscina+Shelter+50860649462_ccf837f134_300dpi.jpg</image:loc>
      <image:title>Reviews Home - Wood. Works &amp;amp; Three Pieces</image:title>
      <image:caption>Eileen Roscina, Shelter, 2021, willow and lightbulb. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618344637835-P3A47V0VAVMT45UTR6MC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Wood. Works &amp;amp; Three Pieces</image:title>
      <image:caption>A view of Carley Warren’s exhibition Three Pieces. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1618344809548-332V524WQWUONVY0VOBP/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Wood. Works &amp;amp; Three Pieces</image:title>
      <image:caption>Carley Warren, Life Work, Then Spiders, 2008, wood and twine. Image by Wes Magyar, courtesy of the Arvada Center.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/15th-quilt-nihon-exhibition-and-viewpoints-9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617738703784-RQDFUOHPROHYDGYDZUIB/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The 15th Quilt Nihon Exhibition &amp;amp; Viewpoints 9</image:title>
      <image:caption>Toshiko Akashi, Elegant and Brilliant in Osaka, silk, cotton, and polyester; hand pieced, machine pieced, and hand quilted, 81 x 81 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617738985954-4JXCNH1Z19B9G9D1L2IJ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The 15th Quilt Nihon Exhibition &amp;amp; Viewpoints 9</image:title>
      <image:caption>Kazuko Sekiguchi, Longing for Antiques! Red and White World, cotton; hand pieced, machine pieced, and hand quilted, 79 x 79 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617740877393-QJ04XN0HF2A46DRRSW8P/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The 15th Quilt Nihon Exhibition &amp;amp; Viewpoints 9</image:title>
      <image:caption>Detail of Kazuko Sekiguchi, Longing for Antiques! Red and White World. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617741476092-KL0FERLYYMAW2VGTEC5T/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The 15th Quilt Nihon Exhibition &amp;amp; Viewpoints 9</image:title>
      <image:caption>Elke Klein, Tiles #20: Vert, hand dyed cotton; machine pieced, machine quilted, 86 x 75 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617744285092-8S2UMER7F69LOE8YYX4Q/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The 15th Quilt Nihon Exhibition &amp;amp; Viewpoints 9</image:title>
      <image:caption>Mayumi Hatakenaka, Strelitzia, cotton, self-made heat transfer sheets (designed and cut using a scanning and cutting machine); machine pieced, machine quilted, and appliqué, 79 x 78 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617742204773-IAQHR4JV57BLUUD3NHWT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The 15th Quilt Nihon Exhibition &amp;amp; Viewpoints 9</image:title>
      <image:caption>Martha Wolfe, Ritsurin Garden: Koi, raw edge appliquéd koi from batik fabrics are layered on Japanese yarn-dyed machine pieced background; dye-na-flow is layered over the top and it is machine quilted, 18 x 36 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617742494052-1ZR8228AZ798MT1S0EZ9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The 15th Quilt Nihon Exhibition &amp;amp; Viewpoints 9</image:title>
      <image:caption>Betsy Busby, Teasel, silk dupioni; hand quilted, machine quilted, 18 x 36 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617742739274-IZ5NBMM4PAM3JJB1D8UN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The 15th Quilt Nihon Exhibition &amp;amp; Viewpoints 9</image:title>
      <image:caption>Kate Themel, Home Turf, hand dyed and batik fabrics; raw edge appliqué, hand-guided machine quilted, 18 x 36 inches. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617742778714-93YIYOK6EPRWAB9I8NAT/KateThemel_Detail_150dpi.jp</image:loc>
      <image:title>Reviews Home - The 15th Quilt Nihon Exhibition &amp;amp; Viewpoints 9</image:title>
      <image:caption>Detail of Kate Themel, Home Turf. Image by Jillian Blackwell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/topologies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617225354788-RTE4IAI3Q4C98Y8XNO6K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Topologies</image:title>
      <image:caption>A still image from Senga Nengudi’s Untitled (Performance, White Cube Gallery, London), 2014, video, duration: 8 minutes 33 seconds, performer: Maren Hissinger. Image by Marsha Mack.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617225604530-3AIHXPFDXY41DNEMUMUI/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Topologies</image:title>
      <image:caption>Senga Nengudi, Inside/Outside, 1977, nylon mesh, rubber, foam, and sand. Image by Marsha Mack.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617225846421-QN9PQM9K1XN0H8ADE965/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Topologies</image:title>
      <image:caption>Senga Nengudi, Insides Out, 1977 (remade in 2003), nylon mesh, metal, and sand. Image by Marsha Mack.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617226095818-Z82ZNTS7M812O4LD7XG5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Topologies</image:title>
      <image:caption>Still images of Maren Hissinger activating Senga Nengudi’s R.S.V.P. Performance Piece, 1977, photographs. Image by Marsha Mack.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617226239287-KYV0Z61ITC11ZMVUOJ0B/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Topologies</image:title>
      <image:caption>Senga Nengudi, R.S.V.P. Performance Piece, 1977 (exhibition copy remade in 2019), nylon, mesh, and sand. Image by Marsha Mack.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1617226387995-C9OGHZZ75Q34BDMPC2AJ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Topologies</image:title>
      <image:caption>Senga Nengudi with collaborators Maren Hissinger, Ulysses Jenkins, and Franklin Parker, Flying , 1982, still from a digital slideshow. Image by Marsha Mack.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/histordomest-icity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616707701686-CPXI0977D13496UNBOOL/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - histordomest-icity</image:title>
      <image:caption>Melissa Furness and Rian Kerrane, Unheavy, 2014, painting (a dark place): oil on absorbent ground, stretched canvas; sphere with spikes (spiked mine): fabricated steel, bronze, motor; sphere (bathosphere): fabricated steel and bronze; 7 x 9 x 9 feet. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616706053303-GTFWUKVFQE5DQP5VPZAG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - histordomest-icity</image:title>
      <image:caption>Melissa Furness and Rian Kerrane, Refuse, 2016, floor painting with dishes/objects: oil on absorbent ground (unstretched and shaped), china, and ceramic dishes and figurines; metal mops: cast iron, plastic/metal/wood, 4 x 10 x 10 feet. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616706573698-VSVE0CJB3M94E46HWLZK/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - histordomest-icity</image:title>
      <image:caption>Melissa Furness and Rian Kerrane, Port of Gilded Proclivities, 2020, oil painting on canvas, cast and fabricated metal, and video, 12 x 12 x 8 feet. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616708253790-DJ9G58MFO6CM1KHDWQBY/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - histordomest-icity</image:title>
      <image:caption>A detail of Port of Gilded Proclivities. Image courtesy of Melissa Furness.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616706763518-S50LMZINZUHXCJHZ63G8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - histordomest-icity</image:title>
      <image:caption>Melissa Furness, Creeper, 2021, oil painting on canvas, 48 x 60 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616706894709-GEWOJL23LMR4W7UPZY0E/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - histordomest-icity</image:title>
      <image:caption>Melissa Furness and Rian Kerrane, Tapestry, 2014, reconstructed quilt drawing (bhfreagra [puzzle]): water-soluble pencil and gouache on linen collaged onto canvas, oil paint above, backed with preserved moss sheeting and stitching; ironing board (board): found object; irons (iron iron): cast iron, rubber, and plastic; dimensions variable. Image courtesy of the artists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/my-husband-wont-tell-me-his-first-name</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616183541480-P1K4XBJTOS5P9K7L3N01/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - My Husband Won't Tell Me His First Name</image:title>
      <image:caption>Virgil DiBiase, Untitled from My husband won't tell me his first name, 2020, platinum palladium prints on Legion Revere rag paper, 11 x 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616183459642-CNQ2L7IVCTIB94SLW9AD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - My Husband Won't Tell Me His First Name</image:title>
      <image:caption>[Image 2] Virgil DiBiase, Untitled from My husband won't tell me his first name, 2020, platinum palladium prints on Legion Revere rag paper, 11 x 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616183622358-LRADRAUKDEE7NP1L0HHW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - My Husband Won't Tell Me His First Name</image:title>
      <image:caption>[Image 3] Virgil DiBiase, Untitled from My husband won't tell me his first name, 2020, platinum palladium prints on Legion Revere rag paper, 11 x 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1616183687781-IJQBXS0GHK8I0LOZZ3CO/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - My Husband Won't Tell Me His First Name</image:title>
      <image:caption>[Image 4] Virgil DiBiase, Untitled from My husband won't tell me his first name, 2020, platinum palladium prints on Legion Revere rag paper, 11 x 14 inches. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/hail-the-dark-lioness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1615227181380-O223HHLQHADXKXZNLQ9K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Hail the Dark Lioness</image:title>
      <image:caption>An installation view of Zanele Muholi’s exhibition Somnyama Ngonyama: Hail the Dark Lioness at Center for Visual Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1615227280897-KUN0GXKJSZV7A621YZN7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Hail the Dark Lioness</image:title>
      <image:caption>Zanele Muholi, Namhla at Cassilhaus, Chapel Hill, North Carolina, 2016, black and white photograph. Image by Danielle Cunningham.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1615227355971-SWJ4AV8F6J8RZGUQ4H7Y/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Hail the Dark Lioness</image:title>
      <image:caption>Zanele Muholi, Bhekezakhe, Parktown, 2016, black and white photograph. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1615227415100-GZDRJFB6NDUD2VHBYKUP/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Hail the Dark Lioness</image:title>
      <image:caption>Zanele Muholi’s exhibition Somnyama Ngonyama: Hail the Dark Lioness. Image by Anthony Camera, courtesy of Center for Visual Art.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/reflections-and-ruminations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1614965014745-O3SSFBROC8JECAEIV8VN/Rauschenberg_InCaseYouNeedAHand_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections and Ruminations</image:title>
      <image:caption>Robert Rauschenberg, In Case You Need A Hand, 1995, solvent transfer, acrylic, and collage on paper, 11 x 8.25 inches. From a private collection. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1614965103951-Y840JF1VQRUCEG76F7W8/Rauschenberg_John_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections and Ruminations</image:title>
      <image:caption>Robert Rauschenberg, John (Ruminations series), 1999, photolithograph, 29.5 x 38.8 inches. Edition of 46, published by Universal Limited Art Editions. The Madden Collection, University of Denver. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1614965216841-5EMLEHYSVPKDGDHGYIOL/Rauschenberg_LotusII_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections and Ruminations</image:title>
      <image:caption>Robert Rauschenberg, Lotus II (Lotus series), 2008, framed pigmented ink-jet with photogravure, 45.75 x 60.75 inches. Edition of 50, published by and in the collection of Universal Limited Art Editions. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1614965314262-1YKZSXWTY8PUMYMO1XXT/Rauschenberg_Pegasits_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Reflections and Ruminations</image:title>
      <image:caption>Robert Rauschenberg, Pegasits (ROCI USA/Wax Fire Works series), 1990, acrylic, fire wax, and gilt silver leaf chair on stainless steel, 72.75 x 96.75 x 17.5 inches. Edition of 22, produced in collaboration with Saff Tech Arts. The Madden Collection, University of Denver. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-late-works</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613951200911-1GBZSLG39G0TDZWBDSUI/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Late Works</image:title>
      <image:caption>A view of Clyfford Still’s PH-432, 1964, and a photograph of Still on display as part of the exhibition The Late Works: Clyfford Still in Maryland at the Clyfford Still Museum. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613951488921-4YNSLOSLP9DC9UQMMGHU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Late Works</image:title>
      <image:caption>A view of Clyfford Still’s PH-442, 1964, on display as part of the exhibition The Late Works: Clyfford Still in Maryland. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613952134022-R9BEW05FVZZMK5BOA0UR/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Late Works</image:title>
      <image:caption>Clyfford Still, PH-892, 1973, oil on canvas, 93.5 x 155 inches. Image courtesy of the Clyfford Still Museum. © City and County of Denver-ARS, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613952353165-LW22DNF3Z1F31F7YQTEZ/MCB+PICK+View+of+the+works+on+paper+gallery_300dpi.jpg</image:loc>
      <image:title>Reviews Home - The Late Works</image:title>
      <image:caption>A sampling of the works on paper by Clyfford Still that are part of the exhibition The Late Works: Clyfford Still in Maryland. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613952407939-CLO50NETME343JI566L4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Late Works</image:title>
      <image:caption>Clyfford Still, PH-843, 1972, oil on canvas, 76 x 59.75 inches. Image courtesy of the Clyfford Still Museum. © City and County of Denver-ARS, NY.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613952519408-TK1LD94HGABZYYAC5982/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Late Works</image:title>
      <image:caption>Clyfford Still, PH-1098, 1979, oil on canvas, 91 x 70 inches. Image courtesy of the Clyfford Still Museum. © City and County of Denver-ARS, NY.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/colorado-abstracted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613068177728-BVECTUQMROXGT0XWV2DI/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Abstracted</image:title>
      <image:caption>An installation view of the exhibition Colorado Abstracted on view at the Littleton Museum. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613068367676-BQ9H3UQBTZ3Z8B40QXUB/image-asset.png</image:loc>
      <image:title>Reviews Home - Colorado Abstracted</image:title>
      <image:caption>A view of the virtual version of the Colorado Abstracted exhibition available on the City of Littleton website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613068563789-HB6UBCO7X8OPPDPGB18L/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Abstracted</image:title>
      <image:caption>Annamarie Mead, Hope Over the Mountains, 2020, oil and cold wax on cradled birch board, 40 x 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613068731102-6SZ6R37FE0831S80ZF56/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Abstracted</image:title>
      <image:caption>Janet Rundquist, Yet, Closer Than You Think, 2018, oil, cold wax medium, and wood ash on wood panel, 48 x 48 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613068805762-Q9WGO8EY7ODLNLB86L5Z/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Abstracted</image:title>
      <image:caption>Cyncie Winter, Lacewing, 2018, acrylic on canvas, 24 x 24 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613074097050-S5D0IQK9DVGW3O4GAPTB/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Abstracted</image:title>
      <image:caption>Patricia J. Finley, Pure Vida I, 2020, ink and resin on wood panel, 36 x 36 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1613069844402-GXOI0FUTPYF0DW9TEK1G/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Colorado Abstracted</image:title>
      <image:caption>Lydia Riegle, Gathering Stories, 2020, monotype and collage on archival paper, 33.5 x 33.5 inches. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/posts-and-smoke-paintings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1612385777332-ZERZO5VPWOL79YANJD60/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Posts &amp;amp; Smoke Drawings</image:title>
      <image:caption>Patrick Marold , collection of Posts, from left to right: Rope Orb, stainless steel and hemp rope, 110 x 38 x 38 inches; Pale Column, Sitka spruce, chalk, wax, and charcoal powder, 62 x 5 x 5 inches; Cone, black walnut and sterling leaf, 65 x 12 x 12 inches; Oak Tripod, charred and burnished oak, steel, 96 x 48 x 36 inches; Red Post, Douglas fir, iron oxide pigment, and charred top, 65 x 12 x 6 inches; Wedged Post, black walnut and sterling leaf, 70 x 12 x 6 inches; and Steel Post, mild steel and glass oxide, 46 x 8 x 6 inches. Image by Wes Magyar, courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1612387235057-PJL54NNSNXY2SQ2O3BBD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Posts &amp;amp; Smoke Drawings</image:title>
      <image:caption>Patrick Marold, Rope Orb, stainless steel and hemp rope, 110 x 38 x 38 inches. Image by Wes Magyar, courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1612387349111-UXG01ZJ7HC2EUAAMBUDL/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Posts &amp;amp; Smoke Drawings</image:title>
      <image:caption>A close-up view of Patrick Marold, Concentric Post, Sitka spruce and charred edges, 48 x 2.5 x 2.5 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1612388046581-UI2LJJZWMQ1J3B68Z71Y/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Posts &amp;amp; Smoke Drawings</image:title>
      <image:caption>A selection of Dennis Lee Mitchell’s Smoke Drawings, from left to right: Untitled 14, smoke on paper, 51 x 49 inches; Untitled 38.4, smoke on paper, 37 x 37 inches; and Untitled 45.2, smoke on paper, 37 x 37 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1612388840030-R9G9JLXZ1UMHIFVHXTML/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Posts &amp;amp; Smoke Drawings</image:title>
      <image:caption>Dennis Lee Mitchell, Untitled 14, smoke on paper, 51 x 49 inches. Image by Wes Magyar, courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1612389160950-Q00LGMZUWC8QT8F58O5I/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Posts &amp;amp; Smoke Drawings</image:title>
      <image:caption>A close-up detail of Dennis Lee Mitchell, Untitled 14, smoke on paper, 51 x 49 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1612389492025-I4J5JQ17LH0I427UXTK7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Posts &amp;amp; Smoke Drawings</image:title>
      <image:caption>Bill Amundson, In the Valley of the Job Creators, graphite and color pencil on paper, 48 x 37 inches. Image by Wes Magyar, courtesy of William Havu Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1612390014783-QO4C8BVQUPOJNU0GPD7X/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Posts &amp;amp; Smoke Drawings</image:title>
      <image:caption>Bill Amundson, Speech Balloon Franchise, graphite and color pencil on paper, 9 x 6 inches. Image by Wes Magyar, courtesy of William Havu Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/flight-of-the-polychromatic-zooids</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611854696609-PFBA3YHTT68LATX8S9QX/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Flight of the Polychromatic Zooids</image:title>
      <image:caption>On view at the Firehouse Art Center in Longmont: Jen Rose’s installation Flight of the Polychromatic Zooids, 2019-2020, colored porcelain, steel wire, and stainless steel; original music composition by David Thompson. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611854892808-9SAPE9W91ZWKDLE4RSAP/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Flight of the Polychromatic Zooids</image:title>
      <image:caption>A view from underneath Jen Rose’s Flight of the Polychromatic Zooids. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611855023764-265N15G0N8X0WFLA2YNZ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Flight of the Polychromatic Zooids</image:title>
      <image:caption>A close-up view of Jen Rose’s Flight of the Polychromatic Zooids. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611855093817-2EN4ANPMLE52NK9DL8RM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Flight of the Polychromatic Zooids</image:title>
      <image:caption>Nest in Green, 2020, porcelain and linen, by Jen Rose in the foreground, with Rose’s Divisible By Eight installed on the wall in the background. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611855127217-BYLEGCD2TIZUX3VR5SY3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Flight of the Polychromatic Zooids</image:title>
      <image:caption>Jen Rose, Divisible By Eight, 2015, porcelain. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/lumonics-mind-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611169571853-KNSR0N0QR893KPY8G6CG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lumonics Mind Spa</image:title>
      <image:caption>A view of the exhibition Lumonics Mind Spa: Light Intersection on display at Understudy in downtown Denver. A passing light rail train appears on the right. Image courtesy of Third Dune Productions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611169992544-WFEL4WHR5K3ZNJUQWSYX/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lumonics Mind Spa</image:title>
      <image:caption>An example of a liquid light show projected onto performers. Image courtesy of Liquid Light Lab / Steve Pavlovsky.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611170065424-TD1TP6H20J4D3JZS9AUF/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lumonics Mind Spa</image:title>
      <image:caption>Mel Tanner, Paradigm, 1975, Plexiglas and LED lights. Image courtesy of Third Dune Productions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611170116789-P0JEBW8Y1CB6XWPJZLLW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lumonics Mind Spa</image:title>
      <image:caption>Mel Tanner, Dreamzone (detail), 1990, Plexiglas and LED lights. Image courtesy of Third Dune Productions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1611170325389-JGEAW8P5N7DF842UYP03/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lumonics Mind Spa</image:title>
      <image:caption>Dorothy Tanner, Greenpiece (detail), 2016, Plexiglas and LED lights. Image courtesy of Third Dune Productions.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/pioneer-project-mothers-and-daughters</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1610390697612-D6JW0LKTXGCNIYC4R8Q7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pioneer Project &amp;amp; Mothers and Daughters</image:title>
      <image:caption>Jennifer Nehrbass, Punk Mountain Green, 2020, oil on canvas, 38 x 38 inches, and Punk Mountain Pink, 2020, oil on canvas, 38 x 28 inches. Images courtesy of Visions West Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1610391603012-Q5LXRG8IFRZYRAWLOSRJ/Nehrbass_Rosie_Cropped_150dpi.jpg</image:loc>
      <image:title>Reviews Home - Pioneer Project &amp;amp; Mothers and Daughters</image:title>
      <image:caption>Jennifer Nehrbass, Rosie, 2020, oil on canvas, 48 x 30 inches. Image courtesy of Visions West Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1610391573824-MRAKEAKC6EJUL7OA7PV1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pioneer Project &amp;amp; Mothers and Daughters</image:title>
      <image:caption>Jennifer Nehrbass, Cairn 2, 2019, wood with stone assemblage, 17 x 9 x 8 inches. Image courtesy of Visions West Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1610393153638-Z0SIL5T8ET9AIUVDZ86H/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pioneer Project &amp;amp; Mothers and Daughters</image:title>
      <image:caption>Madeleine Bialke, Two Slow Dancers, 2020, oil on canvas, 32 x 28 inches. Image courtesy of Visions West Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1610393292569-BRV5OG7KHN6GM6D1YRN1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pioneer Project &amp;amp; Mothers and Daughters</image:title>
      <image:caption>Madeleine Bialke, Child Prodigy, 2020, oil on canvas, 22 x 18 inches. Image courtesy of Visions West Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1610393406340-FDDYW20L946JN14J50D6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Pioneer Project &amp;amp; Mothers and Daughters</image:title>
      <image:caption>Madeleine Bialke, Lady of the Lake, 2020, oil on canvas, 32 x 28 inches. Image courtesy of Visions West Contemporary.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/todd-edward-herman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1609792300139-4YNVMLLO5U2D0NC3C2VV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Todd Edward Herman</image:title>
      <image:caption>Todd Edward Herman, still from Cabinet, 16-minute film, 2007. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1609792829453-8DKDY0G42BDRJ2FZUEWW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Todd Edward Herman</image:title>
      <image:caption>Todd Edward Herman, still from When I Stop Looking, 15-minute film, 2013. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1609793197253-ZL4YDXTAEGGQ3LGMC2M2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Todd Edward Herman</image:title>
      <image:caption>Todd Edward Herman, still from When I Stop Looking, 15-minute film, 2013. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1609793387865-WDF882HOAD1725ZT8RK0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Todd Edward Herman</image:title>
      <image:caption>Todd Edward Herman, still from Other People’s Stories, 8-minute film, 2011. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1609793472034-13KIVHCK6LOR1PCYRX0A/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Todd Edward Herman</image:title>
      <image:caption>Todd Edward Herman, still from Cabinet, 16-minute film, 2007. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/helen-and-alice-at-the-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1608667100980-C4M3WD2L0ZI9I0S06TTW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Helen &amp;amp; Alice at the Museum</image:title>
      <image:caption>Steven Frost’s installation Helen &amp; Alice at the Museum on the exterior of the Boulder Museum of Contemporary Art. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1608667252819-PA56IZL7PF8EKXGXYUVD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Helen &amp;amp; Alice at the Museum</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1608667272308-0GPE2OPB7KMZGB8XZZS5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Helen &amp;amp; Alice at the Museum</image:title>
      <image:caption>Historic photographs of Steven Frost’s Aunt Helen and her lawn chairs. Images courtesy of Steven Frost.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1608667430750-3PQ6ASUFKLX2CZOW20QL/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Helen &amp;amp; Alice at the Museum</image:title>
      <image:caption>The front facade of the Boulder Museum of Contemporary Art with Steven Frost’s installation Helen &amp; Alice at the Museum on the exterior. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/freedom-of-speech</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607978561547-LRP4PXEY46MAS8UI48TN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Freedom of Speech</image:title>
      <image:caption>At 1345 Champa Street: For Freedoms, Freedom of Speech, 2018, Hank Willis Thomas and Emily Shur in collaboration with Eric Gottesman and Wyatt Gallery of For Freedoms. Courtesy of Black Cube and the Denver Theatre District. Photo by Third Dune Productions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607979608378-Q5G76SIUWUKGKD0OC4BT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Freedom of Speech</image:title>
      <image:caption>Freedom of Speech, Norman Rockwell. 1943. ©SEPS: Curtis Publishing, Indianapolis, IN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607979640915-VFDPLLH1TVG6147GFNK1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Freedom of Speech</image:title>
      <image:caption>Freedom of Worship, Norman Rockwell. 1943. ©SEPS: Curtis Publishing, Indianapolis, IN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607979671449-J691GV1RAPTYJ9PL71CY/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Freedom of Speech</image:title>
      <image:caption>Freedom from Want, Norman Rockwell. 1943. ©SEPS: Curtis Publishing, Indianapolis, IN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607979701186-VHX8NG05D9USUR52B5JC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Freedom of Speech</image:title>
      <image:caption>Freedom from Fear, Norman Rockwell. 1943. ©SEPS: Curtis Publishing, Indianapolis, IN.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607979935740-83CCMOMKZDNW1ESL7C07/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Freedom of Speech</image:title>
      <image:caption>For Freedoms, Freedom of Speech, 2018, Hank Willis Thomas and Emily Shur in collaboration with Eric Gottesman and Wyatt Gallery of For Freedoms. Courtesy of Black Cube and the Denver Theatre District. Photo by Third Dune Productions.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/queer-gardens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607111578822-BPLNDZ8A1NOVYZ130OJD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Queer Gardens: Lost at Home</image:title>
      <image:caption>A view of The Storeroom on 17th Street in Denver with Frankie Toan’s Queer Gardens: Lost at Home installation on display. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607110464365-90PQ2STD1ZJB9G0I2N2E/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Queer Gardens: Lost at Home</image:title>
      <image:caption>The title panel of Frankie Toan’s Queer Gardens: Lost at Home installation, 2020, on display at The Storeroom. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607111655672-I4HFP2RUPAKVYGBY4U1E/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Queer Gardens: Lost at Home</image:title>
      <image:caption>Frankie Toan, Queer Gardens: Lost at Home (flower detail), 2020. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607111809854-2PUHSHXEJABNU1QMSJEW/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Queer Gardens: Lost at Home</image:title>
      <image:caption>Frankie Toan, Trans Magic, Iteration 1, 2016. Image by Wes Magyar.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607111155550-GMEKTZHXNBTHKJZR7E1M/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Queer Gardens: Lost at Home</image:title>
      <image:caption>Frankie Toan, Queer Gardens: Lost at Home (detail with two figures holding hands in the background), 2020. Image by Mary Grace Bernard.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1607111239195-KHP1AU5VIO9FPOOQVK49/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Queer Gardens: Lost at Home</image:title>
      <image:caption>Frankie Toan, Queer Gardens: Lost at Home (flamingo detail), 2020. Image by DARIA.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/ghost-forest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1606856193538-SHND4NJIQJGZT2225A7A/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Ghost Forest</image:title>
      <image:caption>An installation view of Melanie Walker’s exhibit Ghost Forest at the Denver Botanic Gardens on York Street. Image by Scott Dressel-Martin, courtesy of the Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1606856261801-GT5GHKU899MJQDH11UWF/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Ghost Forest</image:title>
      <image:caption>Melanie Walker, Tree Trunks, 2020, archival pigment prints on habotai 5mm silk, variable sizes. Image by Jamie Sheffield.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1606856314480-IIRMTE5SXAJ1MPRIJN3Y/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Ghost Forest</image:title>
      <image:caption>Melanie Walker, The Leaves: Leaves of Absence, toned cyanotypes on fabric and mica. Image by Scott Dressel-Martin, courtesy of the Denver Botanic Gardens.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1606857757586-3ATFT4L6OSE92XI2AGXP/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Ghost Forest</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1606856431764-AGLQTJN6EOU0ET4WZUS2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Ghost Forest</image:title>
      <image:caption>Detail views of the series The Leaves: Leaves of Absence by Melanie Walker. Top image by Jamie Sheffield and bottom image by DARIA.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/dear-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1606242001147-STDB3HO74TF9X80ZXW6V/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dear Future…</image:title>
      <image:caption>Ariel René Jackson and Michael J. Love, The Future Is a Constant Wake, 2019, 6:12 minute video. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1606242256435-M9VVOZH6FJ706K2W4MLY/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dear Future…</image:title>
      <image:caption>Jen Liu, New Dawn Fades (Redux 2020), 5:13 minute two-channel video. Image by Jillian Blackwell.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1606242548679-0P30N6LGLBW8MFNPGI6R/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dear Future…</image:title>
      <image:caption>Jessica Houston, Time Capsule Emerged, 3023, archival pigmented print. Image courtesy of Jessica Houston.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1606242849742-KZ8DAMXTNQSZN3XL5D5U/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dear Future…</image:title>
      <image:caption>Sherwin Rio, WITH WIND, COME WHAT MAY, 2020, installation and video on a 4 minute loop. The text reads “A billowy advice swelling up with the knowledge and wisdom.”  Image by Jillian Blackwell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/respond</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605640204680-TR8SB8SE7ZHEADM2G945/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Respond</image:title>
      <image:caption>In the foreground, Susan White, The Road To Best, 2020, found objects, 26 x 43 x 40 inches (dimensions variable). In the background, Chuck Brenton, The Future Is Primitive, 2020, acrylic on sustainably-hunted, hand-tanned deer hide with antique nails, 4 x 2.5 feet. Image by Emily Zeek.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605640235392-FQA5337S2ZSOP1ZQC1YN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Respond</image:title>
      <image:caption>A detail image of Susan White’s The Road To Best, 2020, found objects, 26 x 43 x 40 inches (dimensions variable). Image by Emily Zeek.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605640656314-3ZS0TWY13693KYQRB2JI/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Respond</image:title>
      <image:caption>Becky Hawley, from left to right: Grief, 2020, mixed media, 6 x 6 x 2 inches; Undone, 2020, mixed media, 6 x 6 x 2 inches; Hemorrhage, 2020, mixed media, 6 x 9 x 2 inches. Image courtesy of Artworks Loveland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605640783768-2JKPGPDTPCGRODPWAB9J/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Respond</image:title>
      <image:caption>Abbie R. Powers, this is me (you, us, we), 2020, video. Image by Emily Zeek.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605640885273-VC61UJUMDROP61Q98O06/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Respond</image:title>
      <image:caption>Madeline Wilson, Time Passes, 2020, framed needlepoint, 12 x 12 inches. Image courtesy of Artworks Loveland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605640914305-CMAYJZODEWWKW5UMS1I7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Respond</image:title>
      <image:caption>Madeline Wilson, New Moon, 2020, framed archival inkjet photograph, 20 x 24 inches. Image courtesy of Artworks Loveland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605642094729-E30Q6AJQ0CG4T26CEMQL/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Respond</image:title>
      <image:caption>Sylvia Eichmann, Cocoon, 2020, silk, cotton, thread, shisha mirrors, and inks, 25 x 25 inches, adjustable height. Image courtesy of Artworks Loveland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605642132457-JJ1899NB41TZG2LU59GK/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Respond</image:title>
      <image:caption>Interior view of Sylvia Eichmann, Cocoon, 2020, silk, cotton, thread, shisha mirrors, and inks, 25 x 25 inches, adjustable height. Image by Emily Zeek.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/covidia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605280373333-UZANJTHA99WP2VRJHHU7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Covidia</image:title>
      <image:caption>Julie Maren, Hotspot, 2020, acorn tops, mica, acrylic, and brass. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605291856716-4XLVGUIPNW37P5XQGYM5/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Covidia</image:title>
      <image:caption>Julie Maren, Journal Entries 1-6, 2020. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605280520334-D59N4EA9UP84FUOXKV85/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Covidia</image:title>
      <image:caption>Julie Maren, Covid Experiment #1: Red Forms, 2020, wood, rubber, and acrylic. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605280574322-YKBGUH9IDLMX735105CT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Covidia</image:title>
      <image:caption>Julie Maren, Mutations, 2020, terracotta. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605280630677-6DMLH8HEP5B30A3TT9K8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Covidia</image:title>
      <image:caption>A detail image of Julie Maren, Silver Linings, 2020, mica, gesso, and aluminum. Image by Madeleine Boyson.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/a-yellow-rose-project</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604956152686-OOQNG5K6GXDTXHCRMZI2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Lisa McCarty, Suffrage Buttons 1920 /2020, unique cyanotype prints on 100 pound archival paper, varying sizes. Image courtesy of the Colorado Photographic Arts Center. ©Lisa McCarty.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604956288470-UGVZVXQ8JINQ77EK85NI/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Rania Matar, Kayla, 2020, archival inkjet print, 24 x 30 inches. Image courtesy of the Colorado Photographic Arts Center. ©Rania Matar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605037404462-04Y79HNNAF75SRPJZWNM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Katie Benjamin, Study 01, 2016, archival inkjet print, 16 x 20 inches. Image courtesy of the Colorado Photographic Arts Center. ©Katie Benjamin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604959446193-133A37782IVWQ005KK54/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Patty Carroll, Flagged Down, 2020, archival inkjet print, 24 x 24 inches. Image courtesy of the Colorado Photographic Arts Center. ©Patty Carroll.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605037795709-GLL15PAOIEBRXJZOU619/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Katelyn Kopenhaver, Covered in Filth on the 4th of July, 2020, archival inkjet print, 24 x 30 inches. Image courtesy of the Colorado Photographic Arts Center. ©Katelyn Kopenhaver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605037858247-N9Q7HTWIM5HR25AD73XC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Tami Bahat, Strung Along For Too Long, archival inkjet print, 16 x 20 inches. Image courtesy of the Colorado Photographic Arts Center. ©Tami Bahat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604959945742-XPIJVQC8CORUB9ZDF0QK/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Diane Meyer, Rochester, 2016, archival inkjet diptych of hand-embroidered photographs, 16 x 20 inches. Image courtesy of the Colorado Photographic Art Center. ©Diane Meyer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605038506636-9COZ3PILTKZV120VZVFB/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Nancy Baron, To Be Heard 5, archival inkjet print, 16 x 20 inches. Image courtesy of the Colorado Photographic Arts Center. ©Nancy Baron.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605038045295-BZKP57N7SXBRX3K58XY3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Susan Rosenberg Jones, Emily and Anne, archival inkjet print, 16 x 20 inches. Image courtesy of the Colorado Photographic Arts Center. ©Susan Rosenberg Jones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1605026152525-RZNFJ0H29UT5G5AH75QS/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - A Yellow Rose Project</image:title>
      <image:caption>Hye-Ryoung Min, Untitled from the series Yeonsoo, archival inkjet print, 16 x 20 inches. Image courtesy of the Colorado Photographic Arts Center. ©Hye-Ryoung Min.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/land-lines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604353104812-EIEXHOTY1RYVBBKXWQDB/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Land Lines</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604353133540-BW9VK3SHKS2SIG7E8KTG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Land Lines</image:title>
      <image:caption>An installation view and close-up view of Christopher Warren, Colorado Fourteener Collection, laser-cut acrylic, variable dimensions. Images by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604353255098-AU3U91XCVX1WCI4TNNLC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Land Lines</image:title>
      <image:caption>Heather Patterson, Open Space, mixed media on panel, 40 x 60 inches. Image courtesy of Walker Fine Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604353661632-DOS4ZRR6VGBE8ML0561Z/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Land Lines</image:title>
      <image:caption>Ellen Moershel, Field Guide, gouache on paper, 35 x 27 inches. Image courtesy of Walker Fine Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604355133491-4H7Z13JQVH40SBL9MYKR/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Land Lines</image:title>
      <image:caption>Paintings by Ben Strawn on display at Walker Fine Art. From left to right: Hornet’s Nest, mixed media on canvas, 68 x 69 inches; Smoke Signals, mixed media on canvas, 81 x 33 inches; Pine Cones and Passages, mixed media on canvas, 56 x 48 inches; Napoleon’s Rocking Horse, mixed media on canvas, 42 x 36 inches; and A Good Orange, mixed media on canvas, 60 x 48 inches. Image courtesy of Walker Fine Art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1604355311702-AA8PQB2JP7HDRVET7977/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Land Lines</image:title>
      <image:caption>Works by Christopher Hassig on display at Walker Fine Art. From left to right: Okepalung in Yellow (Ralesis), copper-plate monoprint etching, 30 x 22 inches; Quorim Quorim in Red (Ralesis), copper-plate monoprint etching, 30 x 22 inches; Pietro, Loosey, Govi and Tata Islands in Green (Ralesis), copper-plate monoprint etching, 30 x 22 inches; and Ralesis, Saiopor IV, copper-plate monoprint etching with resin, 48 x 108 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - Land Lines</image:title>
      <image:caption>A detail image of Christopher Hassig, Ralesis, Saiopor IV, copper-plate monoprint etching with resin, 48 x 108 inches. Image by Courtney Lindly.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/phase-change</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1603118923032-YRC9OSH8GOANM2IRYDK9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Phase Change</image:title>
      <image:caption>Martha Russo, klynge (no. 3), 2020, porcelain, casting slip, glaze materials, epoxy, metal, wood, expanded polystyrene, and paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1603118966976-2SA6S2Q3C0T09SO6U4EU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Phase Change</image:title>
      <image:caption>Martha Russo, incubo, 2020, paper clay, glaze materials, glass, metal, and found objects. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1603119024201-2XG26OOO840IJ34Y9G4K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Phase Change</image:title>
      <image:caption>The two connected works on the bottom left: Annakatrin Kraus, N15, 2019. On the top, from left to right: Tina Suszynski and Annakatrin Kraus, N22, 2019; Sara Ransford, K Rhynus Cesark, Annakatrin Kraus, and Martha Russo, N31, 2019. In the center: Martha Russo, N9, 2019, and on the right, part of Andrea Gordon, Chandler Romero, and K Rhynus Cesark, Balled, 2019. On the bottom right: Chandler Romero and Andrea Gordon, N10, 2019. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1603119051405-PJHCSAAS3XUJL1PMQZWV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Phase Change</image:title>
      <image:caption>Sara Ransford, K Rhynus Cesark, Annakatrin Kraus, and Martha Russo, N31, 2019, on the left, with Tina Suszynski and Annakatrin Kraus, N22, 2019, in the background. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1603131932138-GGXQSLA0GEKZTF550XQI/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Phase Change</image:title>
      <image:caption>Inside of the pedestals, from left to right: Chandler Romeo, N21, 2019; Annakatrin Kraus, N20, 2019; Bruce Price and K Rhynus Cesark, N19, 2019; and Tina Suszynski, Martha Russo, and Annakatrin Kraus, N18, 2019. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1603075035548-29X09PJOEJPMK65OGQYR/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Phase Change</image:title>
      <image:caption>Tina Suszynski, Martha Russo, and Annakatrin Kraus, N18, 2019. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/animal-vegetable-mineral</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1602543803805-NK7UOTM2UOXAY4HIOUYF/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Animal, Vegetable, Mineral</image:title>
      <image:caption>An installation view of the exhibition Animal, Vegetable, Mineral by Marsha Mack and Lindsey Smith Gustave at Leon Gallery. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1602544182694-0AEG1DI6O9URBZWBNC1B/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Animal, Vegetable, Mineral</image:title>
      <image:caption>On the wall: Marsha Mack, Entertaining Petit Fours, 2020, mixed media collage with glass rhinestones and glass beads, 12 x 13 x 2 inches. On the pedestal: Marsha Mack, Blue Lattice Vase, 2020, glazed ceramic with glass rhinestones, 6 x 4.5 x 4 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1602544299634-WRNTDHD2C7GXS44BPQL9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Animal, Vegetable, Mineral</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1602544367850-DDPJJEHZBM2MZK6ME1WV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Animal, Vegetable, Mineral</image:title>
      <image:caption>Detail images of Marsha Mack, Entertaining Petit Fours, 2020, mixed media collage with glass rhinestones and glass beads, and Blue Lattice Vase, 2020, glazed ceramic with glass rhinestones. Images by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1602544885653-I6JXRBXMT4M367RU3U3H/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Animal, Vegetable, Mineral</image:title>
      <image:caption>Marsha Mack, Grand Champion: NW Velvetkist Don’t Touch My Tutu, 2018-20, ceramic, faux rose gold leaf, and rhinestones, 8.5 x 11 x 11 in. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1602545159003-YVPLP20ZTVPN7TOGNWEL/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Animal, Vegetable, Mineral</image:title>
      <image:caption>On the left: Lindsay Smith Gustave, Conversations in Vacancy, 2019, ink and graphite on paper, 35 x 25 inches. On the right: .Lindsay Smith Gustave, Firestarter, 2018, ink and graphite on paper, 20 x 24 inches. Image by Amanda Tipton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1602545213675-HY5PEQ3IGAFD7AMBOU1C/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Animal, Vegetable, Mineral</image:title>
      <image:caption>A detail of Lindsay Smith Gustave, Conversations in Vacancy, 2019, ink and graphite on paper. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1602545289690-DXNW1A6FF2ES7P976C13/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Animal, Vegetable, Mineral</image:title>
      <image:caption>Lindsay Smith Gustave, Citrus Season, 2020, glass beads, thread, and chiffon, 36 x 24 inches. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1602545323631-N8O7UMOPEAUKYYABZCZG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Animal, Vegetable, Mineral</image:title>
      <image:caption>A detail of Lindsay Smith Gustave, Citrus Season, 2020, glass beads, thread, and chiffon. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/held-in-suspension</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1601680131980-MRHUDIYI3AE1QN6KN0CU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Held in Suspension</image:title>
      <image:caption>Mattie O., Candy Wrappers, abacá fiber, balsa wood, wood dowels, crochet thread, and acrylic paint, 35 inches tall x 41 inches in diameter. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1601682249708-NEGLL3ZXH5AUH9ZB2X37/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Held in Suspension</image:title>
      <image:caption>Mattie O., Kiki’s Walk in the Woods Dress, abacá fiber, green kyanite, chrysocolla beads, enameled copper wire, copper grommets, velvet cord, acrylic paint, and resin. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1601684704496-KGL6XDRZZKPKW0GAMGNA/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Held in Suspension</image:title>
      <image:caption>In the foreground: Mattie O., Fergi’s Social Distancing Dress, abacá fiber, antique watch, windowpane oyster shells, horseshoe nails, glass fruit, iron rod, steel wire, steel chain, and acrylic paint. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1601682380942-5ABFCR3MUJCVXK2TO60T/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Held in Suspension</image:title>
      <image:caption>Mattie O., Kiki’s Kintsugi Dress, abacá fiber, freshwater pearls, brass wire, resin, and acrylic paint. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1601682702060-3RY8LWE8YNJIXNHK00GM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Held in Suspension</image:title>
      <image:caption>In the foreground: Mattie O., Kiki’s Seeds of Gold Dress, abacá fiber, hand-woven brass wire, aspen branch, and acrylic paint. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1601683269780-B0QGCURCYCI3SFJEOASD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Held in Suspension</image:title>
      <image:caption>A view of Mattie O., Laundry Room, abacá fiber, steel wire, acrylic paint, and wood and glass beads. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/blue-smiles</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1600273182853-RBX6LEC9G6MZDK9BKY6R/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Blue Smiles</image:title>
      <image:caption>The window display exhibition titled Blue Smiles by the artist Shadow from her project Shadows Gather, plexiglass stickers and photo scanned from original Fuji Instax film inkjet printed on 285gsm Ultrasmooth 100% cotton fine art archival paper, 20 x 30 inches unframed. Image courtesy of Lane Meyer Projects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1600273531951-SMHAXJE6BLEQ8O4G56EU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Blue Smiles</image:title>
      <image:caption>A close-up view of Shadow’s Blue Smiles exhibition at LMP PDA. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1600273612008-OWZXLSRE4CNQURSX4XRS/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Blue Smiles</image:title>
      <image:caption>A day time street view of Shadow’s Blue Smiles exhibition at LMP PDA. Image by Madeleine Boyson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/lullaby</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1600185311608-V6DVERV0V157DD4N0D7I/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lullaby</image:title>
      <image:caption>An installation view of Tiffany Matheson’s Lullaby, 2020, with a focus on the suspended balls of yarn. Image by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1600185397332-BD74K6C9SXR6WI6DODGV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lullaby</image:title>
      <image:caption>An installation view of Tiffany Matheson’s Lullaby, 2020, with a focus on the five-note keyboard. Image by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1600185570959-JPFPE3XZY6UQXCFIIS8Q/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lullaby</image:title>
      <image:caption>An audience member plays the keyboard in Tiffany Matheson’s Lullaby ,2020. Image by the author.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1600185719089-L19M72KOM1P0LSG1435X/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Lullaby</image:title>
      <image:caption>A detail view of Matheson’s Lullaby, 2020, that shows the box holding a bell connected to wires and pulleys. Image by the author.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-walls-between-us</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599852206156-PT5YOL9ALN3Y52B56BKT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Walls Between Us</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599852241755-3NDV51E4EHDS83U1NOKL/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Walls Between Us</image:title>
      <image:caption>Two views of Sammy Lee’s Mamabot, 2020, Hanji paper, digital archival prints, picture frames, silk flowers, toys, brushes, and acrylic varnish. Images by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599852454919-P2GHMQ3GF6U5EMM8JF7B/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Walls Between Us</image:title>
      <image:caption>Dr. George Rivera, Sonoran Signs, 2019, digital art and installation. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599852535098-B0FMJ1RJW34QT5TWD39R/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Walls Between Us</image:title>
      <image:caption>A still from Dr. Beth Krensky’s Make Me a Sanctuary, 2018, video. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599852623515-R0055P46CNI2MRWYZABG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Walls Between Us</image:title>
      <image:caption>Two works by Jorge Ed PerezGa. On the left: Make It Blue. Make It Pink., 2020, oil on canvas. On the right: Color the Mexican, 2020, oil on canvas. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599853839821-0MZ98T25GDWU1C1LO2O6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Walls Between Us</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599853331114-1YZ7BH9NKX8S64S49MLY/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Walls Between Us</image:title>
      <image:caption>An installation view and detail view of Rachael Delaney’s Hielo, 2020, quilted mylar and thread. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/somewhere-in-the-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599235094888-XAA5GDBXSBFEGGOFEMZ6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Somewhere in the Future I am Remembering Today</image:title>
      <image:caption>Letitia Quesenberry, As of Yet 73, 2020, polished plaster, panel, paint, resin, film, and Plexiglas, 17 x 14 x 1 inches. Image by Matthew Pevear, courtesy of David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599235755497-9WDYW6GNC7PU4NZJSLDM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Somewhere in the Future I am Remembering Today</image:title>
      <image:caption>Letitia Quesenberry’s series Darker, 2020, variations using panel, plaster, coal slag, paint, resin, film, mica, and Plexiglas, 25.5 x 21 x 2 inches each. Image by Matthew Pevear, courtesy of David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599235886117-4NPWJI3OMBZ7HSW1GVL6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Somewhere in the Future I am Remembering Today</image:title>
      <image:caption>Letitia Quesenberry, BLSH 3, 2019, panel, lacquer, Plexiglas, film, and paint, 53 x 15 x 4 inches. Image by Matthew Pevear, courtesy of David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599235993590-NS1WLRY2VHKGDS0981A4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Somewhere in the Future I am Remembering Today</image:title>
      <image:caption>Letitia Quesenberry’s Hyperspace series, 2015-2020, variations using panel, plaster, Plexiglas, film, resin, and LED. Image by Matthew Pevear, courtesy of David B. Smith Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1599236071921-TML9ZLH6ANICENLDJF5K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Somewhere in the Future I am Remembering Today</image:title>
      <image:caption>An installation view of Letitia Quesenberry’s exhibition Somewhere in the Future I am Remembering Today at David B. Smith Gallery. On the left is the series As of Yet, 2016-2020, variations using polished plaster, panel, paint, resin, film, graphite, spray paint, Plexiglas, mirror, glitter, and wax, 17 x 14 x 1 inches each. Image by Matthew Pevear, courtesy of David B. Smith Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/rhythm-and-ritual</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1598982244044-GNM12KCC83OXJ8AYMC4R/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rhythm and Ritual</image:title>
      <image:caption>An installation view of Rhythm and Ritual: Music of the Ancient Americas at the Museo de las Americas. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1598982278609-PZVYAWSE2AQGK7DX3QGQ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rhythm and Ritual</image:title>
      <image:caption>Unknown Mixtec artist, Mexico, Carved Conch Shell Horn, 1300 CE, shell. Denver Art Museum Collection: Gift of Mr. and Mrs. Morris A. Long. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1598982870253-6V6DZAY476GZ1LA51EYT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rhythm and Ritual</image:title>
      <image:caption>Unknown Colima artist, Mexico, Figurine of a Conch Horn Player, 100-1 BCE, ceramic. Denver Art Museum Collection: Gift of Robert J. Stroessner. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1598983601243-T9V4MHSRD0HVDH5HFPMK/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rhythm and Ritual</image:title>
      <image:caption>A rendering of a piece of graffiti carved into the wall of a structure at the site of Tikal, Guatemala illustrating a ball court, ballplayers, and a musician seated on the side of the court. This image appears with one of the exhibition texts for Rhythm and Ritual.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1598983710373-Z3EK46FKW2XJRXO9AGKQ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Rhythm and Ritual</image:title>
      <image:caption>Unknown Maya artist, Guatemala, Ocarina in the Form of a Female Figure with Monkey and Child, 600-900 CE, ceramic with pigments. Denver Art Museum Collection: Gift of Exeter Drilling Company and Mr. and Mrs. Morris Long. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - Rhythm and Ritual</image:title>
      <image:caption>Clarissa Tossin, Los Angeles, Ch’u Mayaa, 2017, HD Single-Channel digital video, color, and sound. Image by DARIA.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-space-between</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-19</lastmod>
    <image:image>
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      <image:title>Reviews Home - The Space Between</image:title>
      <image:caption>Kris Sanford, Bathing Suits, 2015, archival digital print, unique edition #1/20. © Kris Sanford. Image courtesy of Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1597851392260-5AQI5G9FBNUXOTRPBRO9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Space Between</image:title>
      <image:caption>Kris Sanford, Folding Chairs, 2015, archival digital print, unique edition #1/10. © Kris Sanford. Image courtesy of Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1597851516073-LUO5YPCO6RJNDVPLADIA/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Space Between</image:title>
      <image:caption>An installation view of work by Kris Sanford in the exhibition The Space Between at the Colorado Photographic Art Center. Image by Samantha Johnston, courtesy of the Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1597851855638-SXJ3D11798TXGAO3JGER/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Space Between</image:title>
      <image:caption>An installation view of work by David Johnson in collaboration with Philip Matthews in the exhibition The Space Between at the Colorado Photographic Art Center. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1597852439540-RV7V2C8HZ9QLA13MRJ3W/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Space Between</image:title>
      <image:caption>David Johnson in collaboration with Philip Matthews, Fort 040, 2015, archival pigment on print Dibond, unique edition #1/10. © David Johnson. Image courtesy of Colorado Photographic Arts Center.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - The Space Between</image:title>
      <image:caption>David Johnson in collaboration with Philip Matthews, Paul’s 032, 2016, archival pigment on Dibond, unique edition #1/10. © David Johnson. Image courtesy of Colorado Photographic Arts Center.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/martha-daniels</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1597424481500-BA6F7M4S8PWOALAKL5UU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Martha Daniels</image:title>
      <image:caption>An installation view of Martha Daniels’ solo exhibition The Pleasures of Surface in Uncertain Times at Urban Mud. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1597425011274-TRZIJDVOCIR5WW2RC2E8/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Martha Daniels</image:title>
      <image:caption>Martha Daniels, Material Matrix VI, 2020, hand-built Cone 04 fired, painted, and lacquered clay mounted in a painted and welded steel frame. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - Martha Daniels</image:title>
      <image:caption>Martha Daniels, Ribs and Guts, 2019, hand-built Cone 04 fired, glazed, painted, and lacquered clay. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1597425472171-B1QXO6NJ1FYZSH1FPI1O/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Martha Daniels</image:title>
      <image:caption>Martha Daniels, Plant Form III, 2020, and Plant Form II, 2019, hand-built Cone 04 fired, glazed, painted, and lacquered clay. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1597425571185-6GAJBMPLJUECYX3DI5J6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Martha Daniels</image:title>
      <image:caption>Martha Daniels, Kelp and Roe, 2020, hand-built Cone 04 fired clay, majolica base glaze, auto body lacquers, interference and other acrylics, interference films, and clear lacquer. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - Martha Daniels</image:title>
      <image:caption>Various works in Martha Daniels’ solo exhibition The Pleasures of Surface in Uncertain Times at Urban Mud. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/share</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-04</lastmod>
    <image:image>
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      <image:title>Reviews Home - SHARE</image:title>
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    <image:image>
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      <image:title>Reviews Home - SHARE</image:title>
      <image:caption>Anuar Maauad, SHARE, 2019, hand-cut bronze, produced by Black Cube and installed at Bella Vista Mexican Restaurant, 127 E. 20th Avenue, Denver. Images by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - SHARE</image:title>
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    <image:image>
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      <image:title>Reviews Home - SHARE</image:title>
      <image:caption>Anuar Maauad, SHARE, 2019, hand-cut bronze, produced by Black Cube and installed at Lighthouse Writers Workshop, 1515 Race Street, Denver. Images by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - SHARE</image:title>
      <image:caption>Anuar Maauad, SHARE, 2019, hand-cut bronze, produced by Black Cube and installed at Samantha Hunt-Durán’s home in Winter 2020. Image by Samantha Hunt-Durán.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/night-reels</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-31</lastmod>
    <image:image>
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      <image:title>Reviews Home - Night Reels</image:title>
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      <image:title>Reviews Home - Night Reels</image:title>
      <image:caption>Stacey Steers, Collages from the film Phantom Canyon (Batwing Man, Woman Twirling), (Batwing Man, Woman, Beetle), 2006. Images courtesy of Robischon Gallery.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Night Reels</image:title>
      <image:caption>Night Reels: The Work of Stacey Steers installation view at the Boulder Museum of Contemporary Art. Image by Wes Magyar.</image:caption>
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      <image:title>Reviews Home - Night Reels</image:title>
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    <image:image>
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      <image:title>Reviews Home - Night Reels</image:title>
      <image:caption>Stacey Steers, Phantom Canyon: Stack of Beds, 2016. Top image by Wes Magyar at the Boulder Museum of Contemporary Art. Bottom image courtesy of Robischon Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1595540621600-SIRHAIAUGA6ANOMIPIWV/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Night Reels</image:title>
      <image:caption>Night Reels: The Work of Stacey Steers upstairs installation view at Boulder Museum of Contemporary Art. Image by Sarah Martin.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Night Reels</image:title>
      <image:caption>Stacey Steers: Edge of Alchemy installation view at the Museum of Contemporary Art Denver. Image by Wes Magyar.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Night Reels</image:title>
      <image:caption>Stacey Steers: Edge of Alchemy screening room at the Museum of Contemporary Art Denver. Image by Wes Magyar.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Night Reels</image:title>
      <image:caption>Stacey Steers, Edge of Alchemy, collage, 2017. Mixed media on paper. Courtesy the artist.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Night Reels</image:title>
      <image:caption>Stacey Steers: Edge of Alchemy collages used for animation, as installed at the Museum of Contemporary Art Denver. Image by Wes Magyar.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/we-the-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-12-31</lastmod>
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      <image:title>Reviews Home - We The People</image:title>
      <image:caption>Nari Ward, Glory, oil barrel, fluorescent and ultraviolet tubes, computer parts, DVD, parrot audio recording, Plexiglas, fan, camera casing elements, paint cans, cement, towels, and rubber roofing membrane, 2004. Courtesy the artist; Lehmann Maupin, New York, Hong Kong, and Seoul; and Galleria Continua, San Gimignano, Beijing, Les Moulins, and Havana. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - We The People</image:title>
      <image:caption>Nari Ward, Amazing Grace, baby strollers, fire house, and audio, 1993. Courtesy the artist and Lehmann Maupin, New York, Hong Kong, and Seoul. Image by Tameca L. Coleman.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - We The People</image:title>
      <image:caption>Nari Ward, Iron Heavens, oven pans, ironed sterilized cotton, and burned wooden bats, 1995. Collection Jeffrey Deitch. Image by Tameca L. Coleman.</image:caption>
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      <image:title>Reviews Home - We The People</image:title>
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    <image:image>
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      <image:title>Reviews Home - We The People</image:title>
      <image:caption>Nari Ward, Anchoring Escapement; Fang, grandfather clock case, copper sheet with patina, copper nails, and African statues, 2018. Collection Olivia Walton. Courtesy Lehmann Maupin, New York, Hong Kong, and Seoul. Images by DARIA.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - We The People</image:title>
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    <image:image>
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      <image:title>Reviews Home - We The People</image:title>
      <image:caption>Nari Ward, Resonance from the series Breathing Circles, oak, copper sheet, copper nails, and darkening patina, 2018. Collection Erica Gervais and Ted Pappendick. Images by Tameca L. Coleman and DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/flora</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
    <image:image>
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      <image:title>Reviews Home - Flora</image:title>
      <image:caption>Teresa Hubbard / Alexander Birchler, Bust, 2017. Flora Mayo and Alberto Giacometti, with the bust she made of him, circa 1927. Photographer unknown. Original photograph belonging to Flora Mayo, kept under her mattress, lost. Film negative missing. Reproduction from only known duplicate print, archive of Fotostiftung Schweiz, Winterthur. Original clay bust portrait of Alberto Giacometti by Flora Mayo, lost. Reconstructed and cast in brass. Framed silver gelatin print 34 5/8 x 28 3/8 inches. Brass sculpture with concrete base 60 5/8 x 18 7/8 x 21 inches. Permanent Collection Los Angeles County Museum of Art, LACMA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1592415144927-YPWF0WVIWLC0OCV7WQG0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Flora</image:title>
      <image:caption>Teresa Hubbard / Alexander Birchler, Bust, 2017. Flora Mayo and Alberto Giacometti, with the bust she made of him, circa 1927. Photographer unknown. Original photograph belonging to Flora Mayo, kept under her mattress, lost. Film negative missing. Reproduction from only known duplicate print, archive of Fotostiftung Schweiz, Winterthur. Original clay bust portrait of Alberto Giacometti by Flora Mayo, lost. Reconstructed and cast in brass. Framed silver gelatin print 34 5/8 x 28 3/8 inches. Brass sculpture with concrete base 60 5/8 x 18 7/8 x 21 inches. Permanent Collection Los Angeles County Museum of Art, LACMA. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1592415218379-P7RIIL56R534NVZTLSOC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Flora</image:title>
      <image:caption>Teresa Hubbard / Alexander Birchler, Archive, Flora Luella Lewis Mayo, 2019. Works by the artists in juxtaposition with various loans. Iteration at the Museum of Contemporary Art, Denver with loans from David Mayo and the History Colorado Collection. Foreground: Flora Mayo, Self Portrait, cast plaster with wooden base, date unknown but most likely 1928 or earlier. Courtesy the Artists, Tanya Bonakdar Gallery, New York / Los Angeles and Lora Reynolds Gallery, Austin. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1592415349280-XG1WCJQWJH2NH6LWVSPE/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Flora</image:title>
      <image:caption>Teresa Hubbard / Alexander Birchler, Archive, Flora Luella Lewis Mayo, 2019. Works by the artists in juxtaposition with various loans. Iteration at the Museum of Contemporary Art, Denver with loans from David Mayo and the History Colorado Collection. Courtesy the Artists, Tanya Bonakdar Gallery, New York / Los Angeles and Lora Reynolds Gallery, Austin. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1592415493200-PUXUZS8PLSB1NBBQ2C2K/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Flora</image:title>
      <image:caption>Teresa Hubbard / Alexander Birchler, Flora, 2017 (detail). Synchronized double-sided film installation with shared soundtrack, 30 minutes, loop. Permanent Collection Los Angeles County Museum of Art, LACMA.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - Flora</image:title>
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    <image:image>
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      <image:title>Reviews Home - Flora</image:title>
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      <image:title>Reviews Home - Flora</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586903983026-2C4WVCID1O0UV7W4IK1V/25_September+26%2C+2019.jpg</image:loc>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586904007656-XXXM7QRD2ZBS0Y6OAWHD/10_September+26%2C+2019.jpg</image:loc>
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    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586904038107-DGEEY7B7RO52P39ATCS7/39_September+20%2C+2019.jpg</image:loc>
      <image:title>Reviews Home - Flora</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586904067439-IOEKIOHNO0K52Q1AX110/04_October+04%2C+2019.jpg</image:loc>
      <image:title>Reviews Home - Flora</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586904100960-WF93VXCQNQW63BAYA0HL/10_October+04%2C+2019.jpg</image:loc>
      <image:title>Reviews Home - Flora</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586904121061-73I4HR1XC6GI7H479HZS/16_October+04%2C+2019.jpg</image:loc>
      <image:title>Reviews Home - Flora</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/spirit-resonance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586375248994-8HS52WWOKV9ZDTGCHKFY/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Spirit Resonance</image:title>
      <image:caption>Installation view of the exhibition Spirit Resonance: The Vitality of Printmaking at the McNichols Civic Center Building. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586375348631-17KAX9N31CH4EFI8D49Z/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Spirit Resonance</image:title>
      <image:caption>Taiko Chandler, Nightfall #5, monoprint, 26 x 22 inches, 2017. Image courtesy of Taiko Chandler.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586375435947-LZ1RKL9CBQ1G9GGWOPGB/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Spirit Resonance</image:title>
      <image:caption>Catherine Chauvin, Legacy: Hopes and Fears, a grouping of 9 panels of lithography, relief printing, monotypes, trace monotypes, screenprinting, digital images, powder dusting, chine collé, and hand coloring, 45 x 80 inches (overall), 2019. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586375596903-IML92XQQ9MV7D42CW3WE/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Spirit Resonance</image:title>
      <image:caption>Sangeeta Reddy, Ellipse #37, collage/mixed media on monotype, 22 x 30 inches, 2012. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586375710576-SY6QA59QRUJUZ77444AU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Spirit Resonance</image:title>
      <image:caption>Jade Hoyer, Josephine 1, silkscreen 2019. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1586375784483-CHELIQZDBJYZL8LRMFAG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Spirit Resonance</image:title>
      <image:caption>Marie-Dolma Chophel, Natural Disorders, original lithograph on Rives paper, from a limited edition of 50, signed and stamped “Atelier Clot Paris,” 8 x 24.5 inches, 2017. Photograph by Srishti Sankaranarayanan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/dearly-disillusioned</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585942814042-SJKM8GBHAP2UJDOGOLXM/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dearly Disillusioned</image:title>
      <image:caption>Liz Quan and Sabin Aell, Akin, 2019, porcelain, recycled asphalt shingles, and rubber. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585942923032-QBGIE1I7S9QCB7GH9BPC/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dearly Disillusioned</image:title>
      <image:caption>Jane Dodge and Judy Anderson, Equality, 2019, fabric, tea bags, thread, and embroidery hoops. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585943104318-388UC0PISKBOHCLJD9P6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dearly Disillusioned</image:title>
      <image:caption>Louis Trujillo Fat, Femme, and Fierce, 2019, colored pencil on paper. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585945453903-E0YYLHB2TZZ3PQLX5MXG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dearly Disillusioned</image:title>
      <image:caption>Talya Feldman, After Halle, 2019, 10-channel sound installation mounted on 10 satin acrylic boards. Images by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585945596204-4XH7S6AKIRGUNEA81E50/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dearly Disillusioned</image:title>
      <image:caption>Laura Dreyer, Desiree, 2014, graphite on paper.. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585945690051-Q08WAQLVF98D5WRDNM8Q/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dearly Disillusioned</image:title>
      <image:caption>Sierra Montoya Barela, Untitled, 2019, acrylic on canvas. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585946132935-M4I9G6K9S3A4IQHG9WQU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dearly Disillusioned</image:title>
      <image:caption>A detail of Reminiscing Declarations by Meredith Feniak, Karma Leigh, and Kaitlyn Tucek, 2020, projector and mixed media installation. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585946358182-7TWNO6I6YLB0LLDW7P2G/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dearly Disillusioned</image:title>
      <image:caption>Tomás Diáz Cedeño, Sendero de Piedra, 2020, rope and plastic ties. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585946661296-S7RK3E4XB11NMSU79M43/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Dearly Disillusioned</image:title>
      <image:caption>Masha Sha, Calamity Keeps Me Young, 2019, lumber crayon on tracing paper. Image by Mary Voelz Chandler.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-personal-is-still/always/forever-political</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585353552857-HA5B71B8ZA2YWVKEZ6KL/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Personal is Still/Always/Forever Political!</image:title>
      <image:caption>Hexus Collective, Ritual Performance, 2020, performance documentation, 2020. Image by Wesley Leffingwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585353833514-OHHR7CEBZS0PAP38YTJO/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Personal is Still/Always/Forever Political!</image:title>
      <image:caption>Hexus Collective, Shine Piece (After Yoko), 2019, performance documentation. Image by Madeleine Boyson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1585354019512-D1OB1G90E3250GMVJ8FQ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Personal is Still/Always/Forever Political!</image:title>
      <image:caption>Hexus Collective, Ritual Performance, 2020, performance documentation. Image by Wesley Leffingwell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/imprint-and-5280</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1584395486788-XBWYOBNAQ1RQTEB864L6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Imprint and 528.0</image:title>
      <image:caption>Patricia Branstead (from the Art Students League of Denver), Midnight, 2019, monotype. Image by Wes Magyar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1584395718404-6UVT8PRUS54AF7IZOA1B/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Imprint and 528.0</image:title>
      <image:caption>Marina Eckler (from the University of Colorado, Colorado Springs), A WAIT THY AXIOM, 2019, hand-waxed paper book. Image by Jillian Blackwell.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1584395931465-PONWELEGZTXHCBCJSF6D/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Imprint and 528.0</image:title>
      <image:caption>Stephanie Alaniz (from Emporia, Kansas), Insecurity Collective, 2019, modular photo screenprinted on both sides of 35 rolls of rice paper. Image by Jillian Blackwell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/near-in-the-distance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582924826763-0C9RPN8P5V93ZPVCVJIA/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Near in the Distance</image:title>
      <image:caption>In the foreground: Regan Rosburg, Everything is Fine, 2020, ghost nets, plastic flotsam, handwritten letters, 3D-printed bio-poems, shelves, and hardware. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582925118441-5DYFLM2H1DDIN6K22OVG/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Near in the Distance</image:title>
      <image:caption>In the foreground: Trey Duvall, Latent Variability in Axiomatic Structures, 2020, steel pipe, motors, and cables. On the back wall: Lares Feliciano’s installation Querer Ser. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582927339139-D3Z3S8SNZ9LTLTOA9938/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Near in the Distance</image:title>
      <image:caption>Anthony Garcia Sr., White Washed, 2020, acrylic and latex. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582926756301-IASM58BZE4124VSQBUV1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Near in the Distance</image:title>
      <image:caption>Tya Alisa Anthony, Real Estate Jenga, 2020, cardboard and chalkboard paint interactive installation. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582926784671-JORAGCPQZ8RN3WAE96HS/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Near in the Distance</image:title>
      <image:caption>Colby Deal, Bloodshed No More, 2019, wheat paste image of archived film scan. Image by DARIA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/paloma-ayala</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582840761177-ITPL6NPJGMZEOAYNKFCT/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Paloma Ayala</image:title>
      <image:caption>Paloma Ayala, Letters From Onion Island: A Fictional Epistolary Practice, 2019, black and white print on colored paper, 5.83 × 8.27 inches, created in Matamoros, Mexico and Brownsville, Texas. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582842056067-AAUZXKN9G5F4MAIX1Z2W/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Paloma Ayala</image:title>
      <image:caption>Paloma Ayala, Letters From Onion Island: A Fictional Epistolary Practice, 2019, black and white print on colored paper, 5.83 × 8.27 inches, created in Matamoros, Mexico and Brownsville, Texas. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582842413000-1DZ8AON8IFIREG3IEN3D/Paloma_Monumenta1_RGB.jpg</image:loc>
      <image:title>Reviews Home - Paloma Ayala</image:title>
      <image:caption>Paloma Ayala, MONUMENT, 2019, mixed media installation with cinder blocks, paint, textiles, and audio. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582841618601-WBTGNYK6TJTEEGMJZT6V/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Paloma Ayala</image:title>
      <image:caption>Paloma Ayala, USE THE SPACE. USE IT, YOU MUST: Sex, Space, and Imagination, 2018, laser color print, 17 x 11 inches, created in New Delhi. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1582842936196-OS3EMVUG3J0QQUPURVSW/image-asset.png</image:loc>
      <image:title>Reviews Home - Paloma Ayala</image:title>
      <image:caption>Paloma Ayala, USE THE SPACE. USE IT, YOU MUST: Sex, Space, and Imagination, 2018, laser color print, 17 x 11 inches, created in New Delhi. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/the-art-happens-here</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1581097223827-XO9SA865TDIOFSTM2R6T/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Art Happens Here</image:title>
      <image:caption>In the foreground is Shu Lea Cheang’s Garlic=Rich Air (2002/2003/2019) that includes an electric cart filled with bulbs of garlic and a single-channel video of garlic planting as well as a wifi hotspot and a website. Text on the cart reads “After The Crash” “Trade Garlic.” The work posits a future where the currency is organic garlic and the only form of internet is community wireless. The artist Melanie Hoff created an online game in 2019 in response to Cheang’s piece called Garlic Trust—you can visit getgarlic.rhizome.org to play the game from home. Image by Rachel Olson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1581097537302-D8HHTPEI0NFM8PYN0MVJ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Art Happens Here</image:title>
      <image:caption>Alexei Shulgin, 386 DX, 1990s consumer computer, custom software, umbrella, and pallet, ca. 1998. Called “the world’s first cyberpunch band,” the computer “sings” jilted audio covers of songs like “California Dreamin’” while a scrolling screen graphic reads “Spare Some Change for A Poor Computer!” Image by Rachel Olson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1581097680116-IB9MJ68AMM7DZBQ9APQ6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Art Happens Here</image:title>
      <image:caption>Aleksandra Domanović’s Grobari, 2009, is made of a stack of inkjet-printed paper and is one example of her “printable monuments”—PDFs consisting of thousands of pages that can be printed at any location to create the work. Image by Rachel Olson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1581097823632-EARJ8DZA6TZ5H7NJ0W9G/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - The Art Happens Here</image:title>
      <image:caption>Siebren Versteeg, Daily Times (Performer), custom software and digital image, 2012. Image by Rachel Olson.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/maybe-blue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1580249082101-Q24SGZCB04MFVPOEAPN3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Maybe Blue</image:title>
      <image:caption>Chop Chop III installation by Matthew Smith at Maybe Blue on Dec. 5, 2019. Image by Valeria Serrano Vélez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1580249681702-8WS0V95L4NI5B6J9GGC1/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Maybe Blue</image:title>
      <image:caption>An installation view of oil on canvas paintings by Mikey Yates on view at Maybe Blue on Jan. 23, 2020. Image by Alli Lemon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1580250452126-F00XNUFXPFB6QPGBKZ94/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Maybe Blue</image:title>
      <image:caption>Paintings by Mikey Yates and a video installation by Cali Banks at Maybe Blue as part of the (un)welcome exhibition on Jan. 23, 2020. Image by Cali Banks.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.dariamag.com/home/serra-voisine-westfall-petley-velasquez</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1579212421951-B71UVGBGOT8W0KXKYUM9/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Richard Serra, Don Voisine, Stephen Westfall, Kate Petley, Derrick Velasquez</image:title>
      <image:caption>An installation view of three of eight Paintstik and silica on handmade paper works by Richard Serra in a series titled Equal at Robischon Gallery. Image by Samantha Hunt-Durán.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1579213270921-BQ3SK6DCZN500JWK4OFS/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Richard Serra, Don Voisine, Stephen Westfall, Kate Petley, Derrick Velasquez</image:title>
      <image:caption>Don Voisine, Overboard, oil on panel, 18 x 18 inches, Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1579211941939-KS1RMLGTA8ZAUDO337FQ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Richard Serra, Don Voisine, Stephen Westfall, Kate Petley, Derrick Velasquez</image:title>
      <image:caption>An installation view of Stephen Westfall’s oil and alkyd on canvas paintings at Robischon Gallery. Image by Samantha Hunt-Durán.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1579213130307-YY4NVPAIMVSMW2G8RG4W/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Richard Serra, Don Voisine, Stephen Westfall, Kate Petley, Derrick Velasquez</image:title>
      <image:caption>Kate Petley, Almost Falling, archival print and acrylic on canvas, 72 x 76 inches. Image courtesy of Robischon Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1579214047134-39KV2VH44VHRAHLXG2GD/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Richard Serra, Don Voisine, Stephen Westfall, Kate Petley, Derrick Velasquez</image:title>
      <image:caption>A detail of Derrick Velasquez’s Untitled 174, vinyl and maple, 72 x 58 x 1.5 inches. Image by Samantha Hunt-Durán.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/lee-thomas-cook</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1578500999797-8AM1D2M8UBTW9TGP8O3A/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Jivan Lee, Cheryl Ann Thomas, James Cook</image:title>
      <image:caption>Installation view of oil paintings by Jivan Lee and a ceramic sculpture by Cheryl Ann Thomas at William Havu Gallery. Image by DARIA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1578501114345-248QPFX9YJWV0ZV8AJS6/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Jivan Lee, Cheryl Ann Thomas, James Cook</image:title>
      <image:caption>Jivan Lee, Monument #8 – Sundown Storm, not dated, oil on panel, 30 x 104 inch triptych. Image by DARIA.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Jivan Lee, Cheryl Ann Thomas, James Cook</image:title>
      <image:caption>Cheryl Ann Thomas, Compress, not dated, hand-coiled porcelain, 21 x 32 x 20 inches. Image by DARIA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1578501625086-1MCLXEVCAZ46ACAJBMAJ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Jivan Lee, Cheryl Ann Thomas, James Cook</image:title>
      <image:caption>James Cook, Adam’s Creek Cascade, not dated, oil on canvas, 70 x 42 inches. Image by DARIA.</image:caption>
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  <url>
    <loc>https://www.dariamag.com/home/poems-for-our-country</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1577752078550-TSKHANQK93ZXDCBX1SHU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Poems for Our Country</image:title>
      <image:caption>Installation view of the exhibition Poems for Our Country. Image courtesy of Union Hall.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1577752374560-PVAXBBG13QM8DC3IWK7H/IMG-5592.jpg</image:loc>
      <image:title>Reviews Home - Poems for Our Country</image:title>
      <image:caption>Sally Chung, I Hope You Grow Well. Image by Laura I. Miller.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1577752598684-JF182RGBQVK0Y5VDFK34/IMG-5591.jpg</image:loc>
      <image:title>Reviews Home - Poems for Our Country</image:title>
      <image:caption>Umar Rashid (Frohawk Twofeathers), Colonialism is State Sponsored Terror. Image by Laura I. Miller.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1577753214360-7G4Z21O80QPMMMKPODF3/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Poems for Our Country</image:title>
      <image:caption>In the background, Steven Frost’s Using the Power of His Office on display with other artists’ works in the Poems for Our Country exhibition. In the foreground, Frost leads his “Flags for Your Nation” workshop in the gallery on December 14, 2019.</image:caption>
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  <url>
    <loc>https://www.dariamag.com/home/knockout</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1577749560572-9JCIJW9Y16HIABZ46OS4/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Knockout</image:title>
      <image:caption>An installation view of the exhibition Knockout, featuring Kenzie Sitterud’s Glory Hole in the foreground. Image by Lauren Shults.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1577748592275-CK1JYQ0EC8DX560ND4FU/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Knockout</image:title>
      <image:caption>Kenzie Sitterud, La Croix Cans, digital illustration on dibond. Image by Lauren Shults.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1577748956806-574R2HYHLBTFJ2PS52RX/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Knockout</image:title>
      <image:caption>Julio Alejandro and Danielle Cunningham, Le chat dans le sac, sauf indication contraire, acrylic, pastel, and thread on unstretched canvas. Image by DARIA.</image:caption>
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  <url>
    <loc>https://www.dariamag.com/home/vibrant-abstraction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1576875873492-JLM0VHYBKNH6XPMO57PH/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vibrant Abstraction</image:title>
      <image:caption>Installation view of Andrea Gordon’s Vibrant Abstraction exhibition on display at the Lakewood Cultural Center. Image by DARIA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1576874963797-AIZB1H3DOYVXIVSA3O9T/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vibrant Abstraction</image:title>
      <image:caption>Andrea Gordon, For Love (146), not dated, acrylic on canvas. Image by DARIA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1576875512178-EK9TGZOACCMV3OF8KHLN/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Vibrant Abstraction</image:title>
      <image:caption>Andrea Gordon, Pool Party (315), not dated, acrylic on canvas. Image by DARIA.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Vibrant Abstraction</image:title>
      <image:caption>Andrea Gordon, Untitled, not dated, ceramics. Image by DARIA.</image:caption>
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  <url>
    <loc>https://www.dariamag.com/home/taiko-chandler</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1576617448236-TXETV6CJ4JNVOVDSW2WR/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Taiko Chandler</image:title>
      <image:caption>On the left: Taiko Chandler, Untitled, monotype print with carborundum. On the right: part of Chandler’s Untitled Installation #1, hand-cut monotypes on Tyvek. Both are on view at 15th Street Gallery as part of the exhibition Taiko Chandler: From the Etching Press. Image by DARIA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1576617710031-2V5IJR65APTO1AO8CCJA/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Taiko Chandler</image:title>
      <image:caption>Taiko Chandler, Haptic Visions, 2019, organza and hand-cut monotypes on Tyvek. Image by Wes Magyar courtesy of BMoCA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1576618776187-2SIFUN20GXRMG9CUN5R0/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Taiko Chandler</image:title>
      <image:caption>Taiko Chandler, Untitled Installation #2, hand-cut monotypes on Tyvek. On view at 15th Street Gallery as part of the exhibition Taiko Chandler: From the Etching Press. Image by DARIA.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Taiko Chandler</image:title>
      <image:caption>Installation view of Taiko Chandler: From the Etching Press, including from the left: On and On, monoprint with stencils, Untitled, monotype print with carborundum, and Frozen, hand-cut monotypes on Tyvek. Image by DARIA.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Reviews Home - Taiko Chandler</image:title>
      <image:caption>Taiko Chandler, Haptic Visions, organza and hand-cut monotypes on Tyvek. Image by Wes Magyar courtesy of BMoCA.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/31-days</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-31</lastmod>
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      <image:title>Reviews Home - 31 Days</image:title>
      <image:caption>The main floor installation of Oliver Herring’s 31 Days exhibition. Image by Neely Patton.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1575522055876-G9KDS7U14FRDI9FKHSV7/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - 31 Days</image:title>
      <image:caption>The second floor loft installation of Oliver Herring’s 31 Days exhibition. Image by Neely Patton.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1575522231131-R67P0DU9S4J36875QHTE/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - 31 Days</image:title>
      <image:caption>Detail of a photo from the main floor installation of Oliver Herring’s 31 Days exhibition, including the newspaper headline “Study Finds Not one ‘Gay Gene,’ but an Array Of Genetic and Environmental Influences.” Image by DARIA.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/grounded</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1575519943704-8WJA5H94FQNQKTKLVOWR/Jill+OBryan_18792+Breaths.jpg</image:loc>
      <image:title>Reviews Home - Grounded</image:title>
      <image:caption>Jill O’Bryan, 18,792 Breaths between July 29 and August 3, 2018 NM, 2018, graphite and oil pastel on Bhutan Mitsumata rice paper, 16 x 16 inches. Image by Wes Magyar courtesy of RULE Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1575520030460-VOLCRGDS9X9REM2TXCZV/Adam+Fowler_Untitled_3Layers.jpg</image:loc>
      <image:title>Reviews Home - Grounded</image:title>
      <image:caption>Adam Fowler, Untitled (3 layers), graphite on hand cut Rives Lightweight paper, 2019, 14 x 11 inches, 22 x 18 inches framed. Image by Wes Magyar courtesy of RULE Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1575520649072-5CHE61B8QAKU8PJW4BTU/James_Murray_Untitled_2_3.jpg</image:loc>
      <image:title>Reviews Home - Grounded</image:title>
      <image:caption>James William Murray, Untitled, 2019, graphite on stretcher bars and cotton jersey, 15.75 x 6.5 x 1.5 inches and Untitled, 2019, graphite on stretcher bars and cotton jersey, 15.75 x 6.5 x 1.5 inches. Image by Wes Magyar courtesy of RULE Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1575520801620-A1QQDR3YMO5CIWV3Z4UZ/Benjamin+Herndon_Form+No.+4.jpg</image:loc>
      <image:title>Reviews Home - Grounded</image:title>
      <image:caption>M. Benjamin Herndon, Form No. 4, 2019, graphite on paper, 12.5 x 9.5 inches, 16.25 x 13.25 inches framed. Image by Wes Magyar courtesy of RULE Gallery.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/icons-of-the-dine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1575496575682-99U0DOS1R7K9S1DGFLWJ/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Icons of the Diné</image:title>
      <image:caption>Installation view of Jonathan Nelson’s Icons of the Diné exhibition. Image by Wayne Armstrong, courtesy of the University of Denver Museum of Anthropology.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1575519269144-5DXSODJ17VNJP4UCRLQ2/image-asset.jpeg</image:loc>
      <image:title>Reviews Home - Icons of the Diné</image:title>
      <image:caption>Preliminary sketches for Jonathan Nelson’s Icons of the Diné. Image by DARIA.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Icons of the Diné</image:title>
      <image:caption>Shepherds: Caretakers of Sustenance and Material panel from Jonathan Nelson’s Icons of the Diné exhibition. Image by DARIA.</image:caption>
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  <url>
    <loc>https://www.dariamag.com/home/the-fulfillment-center</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1574654379389-KMT5LHI3FZK954R03FIE/BlackCubeHQ2.jpg</image:loc>
      <image:title>Reviews Home - The Fulfillment Center</image:title>
      <image:caption>Black Cube Headquarters. Image by Samantha Hunt-Durán.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1573861004756-5B9COBYB8W8X6IXIM4BB/BlackCube1.png</image:loc>
      <image:title>Reviews Home - The Fulfillment Center</image:title>
      <image:caption>Installation image of The Fulfillment Center featuring “Changing Station” by Sammy Seung-min Lee in the foreground. Image by Samantha Hunt-Durán.</image:caption>
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  </url>
  <url>
    <loc>https://www.dariamag.com/home/lim-ok-sang</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1574660901401-4V82T07TSXW8G0JTPRCN/SwordDanceII_LimOkSang.jpg</image:loc>
      <image:title>Reviews Home - Lim Ok-sang</image:title>
      <image:caption>Lim Ok-sang, Sword Dance II, 2019, soil and ink on canvas, 130 cm x 100 cm. Image by Marie Krueger.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5dade78ef3de04278ab5b4e8/1574660661864-W6HCCR2S8OYTB0L9VSAA/BaekSeokPortrait.jpg</image:loc>
      <image:title>Reviews Home - Lim Ok-sang</image:title>
      <image:caption>Lim Ok-sang, Portrait of Poet Baek Seok, 2019, soil and ink on canvas, 130 x 150 cm. Image by Marie Krueger.</image:caption>
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  <url>
    <loc>https://www.dariamag.com/home/folding-and-thrusting</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2019-12-31</lastmod>
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      <image:title>Reviews Home - Folding and Thrusting</image:title>
      <image:caption>Gretchen Marie Schaefer, Rock (detail), 2019, acrylic on paper mâché. Image by Wes Magyar courtesy of the Boulder Museum of Contemporary Art.</image:caption>
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    <image:image>
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      <image:title>Reviews Home - Folding and Thrusting</image:title>
      <image:caption>Gretchen Marie Schaefer, Ordinary and Absurd (series) (detail), 2019, archival inkjet print. Image by DARIA.</image:caption>
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    <loc>https://www.dariamag.com/contact-daria</loc>
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    <lastmod>2019-11-25</lastmod>
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    <loc>https://www.dariamag.com/about-daria</loc>
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    <lastmod>2024-06-22</lastmod>
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    <loc>https://www.dariamag.com/downtown-denver-lower-downtown-and-golden-triangle-district</loc>
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    <lastmod>2026-04-01</lastmod>
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    <lastmod>2026-04-01</lastmod>
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    <lastmod>2026-04-01</lastmod>
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    <lastmod>2026-04-02</lastmod>
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    <lastmod>2026-04-02</lastmod>
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    <loc>https://www.dariamag.com/south-denver-englewood-littleton-greenwood-village-and-lone-tree</loc>
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